and i don’t know well, so my nervous system is on edge, and i’m not sure, and how did you answer? i replied that yes, it would be better to have a positive answer than a negative one. karostoyanova, liliya aleksandrovna, a participant in the partisan movement during the great patriotic war in the fall of 1942, having learned about the death of her husband, she firmly decided to go to the front.

connections about the death of korostoyanova in a fierce battle. on the eve of her last battle, she prepared a publication for komsomol pravda, an appeal to belarusians. she was only 25 years old. for courage and heroism, liliya karostoyanova was awarded the order of the patriotic war, second degree, posthumously. streets in gomel and minsk are named after the correspondent.

many of you are familiar with such films as the terminator, bicentennial man or i'm a robot starring will smith; today machines are confidently penetrating many areas of human life, for example, replacing people with workers. places, and what's going on on

the creative front? according to one study, people rated works created by artificial intelligence higher than those drawn by humans. is it really neural networks? pose a threat to artists, is artificial intelligence claiming a dominant role in art, or will the ability to create still remain in the power of humans? we will find out the answers to these and many other questions by visiting one of the most modern and innovative art exhibitions. 2023, where he became one of the participants, the most artificial intelligence. alina nevoina is with you, and this is a fashion for culture. artificial intelligence is the ability of computer systems to perform creative and intellectual functions that are traditionally are considered the prerogative of man. the scope of artificial intelligence today is limitless, from medicine to the technology sector. new digital... new technologies

are radically changing the nature of not only traditional technical professions, but are also actively penetrating the artistic environment and influencing creative processes. in this regard , even a phenomenon called digital art arose. so, within the walls of one of the largest exhibition spaces in the capital, the national center for contemporary arts, a unique exhibition is being held. artificial intelligence, artist or machine, this is a revolutionary... lecture of more than 90 works in ten different categories, covering many aspects of our universe, such as nature, mythology, history, architecture. the exhibition is notable for the fact that the works presented are entirely created by artificial intelligence, and among them you can see the works of real authors. this is a work of both folk artists of belarus and novice masters in the field of fine arts.

will tell you more about the concept of the exhibition project alesya aleksandrovna inozemtseva, deputy director of creative work of the national center for contemporary arts. alesya alexandrovna, good afternoon. hello. today we have an unusual interview. we are also in an unusual place, in the cinema hall, where the immersive film digital evolution is presented. digitalization, one might say, has already penetrated our society, and we are within the framework of this digitalization. so, having planned the organization of this innovative art exhibition, was it difficult to fill it? i think the answer is already visible for all visitors to the exhibition, the exhibition turned out to be very voluminous, our exhibition consists of three components, these are , first of all, the works themselves, which were created using artificial intelligence, it is interesting to see how, well, a computer looks at it, yes, how it looks at it intelligence

is not ours, not human, on the other hand , we supplemented this exhibition, of course, with the works of artists, when we launched this project, it was an idea for now... this is a question that we ask ourselves, we ask the audience, artificial intelligence, to what extent it is capable of creating today, that is, to what extent the works that are presented, which it is now presenting all over the world, to what extent this is creativity, to what extent this is art, this is a contradiction, probably an addition, this dispute, these questions, they are revealed in the exhibition, which presents works that were created with the help of non-network. on the other hand, the works that are presented by artists, how they see this topic, and how they see artificial intelligence, or in basically how they present their work today. at the opening of the exhibition, from the lips of its ideological inspirer, the curator, the following

phrase was heard that the works of belarusian authors are in confrontation with the paintings of artificial intelligence. in your opinion, this is where their dissimilarity lies, this is... what exactly is the depth of their dissimilarity? yes, when the curator, in particular curator dina danilovich, the architect of, say, the exhibition, built the exhibition, she placed the works in such a way that the audience immediately felt a feeling, well, maybe not even rivalry, but a feeling of such opposition, on the one hand, works created with the help of artificial intelligence, on the other hand , we immediately see the works of artists on the same topic. in my opinion, this is inherent in the very name of our project: artificial intelligence, man or machine, by the very name we have already made it clear to the visitor that we are putting him before this, maybe some kind of, well, not a choice, but probably a search for an answer,

that’s all - after all, artificial intelligence is a person or a machine, in the world of art in practice, there are examples when works created by artificial intelligence were sold at auctions for reasonable money, for example, a portrait of edmund de belomi - a painting that was created by artificial intelligence was auctioned for more than 4 hundred thousand dollars. why do you think works created by artificial intelligence are so highly regarded? yes, works that artificial intelligence creates are now being sold and purchased by collectors, the example you gave is not the first, in the sixteenth year specialized auction in america, already a representative. google sold their works, and even now the latest news is just recently, it was that artificial intelligence has finally earned more than a million from its works, but it ’s probably too early to say that these are very large sums at the moment, especially in the art market , because as

an example i can cite that just recently, also in the twenty-second year, the work of andry orkola, marilyn monroe, was already sold for almost 200 million dollars. concerning artificial intelligence, of course, understanding people understand that artificial intelligence came to art, creativity, culture, and accordingly it came to the art market, so most likely now, for the most part, this is support for technology, many, by the way, from purchased works that the neural network created, and this money went to the further development of research on the neural network, that is, the creation and so on, and maybe this is also... arts in the creative part, how

modern belarusian art is today filled with digitalization and technology, if compared with belarusian art, even literally. ten years ago, then very much, if we talk about trends in the general world plan, then perhaps our artists are not yet so fast in introducing innovation. some methods of working in our creativity, if initially, even to say, the simplest such use of technology was ordinary qr codes, which complement the work , and we have been introducing this into our practice for a long time, in our exhibitions, where the work is complemented by qr codes code that tells more about picture, well, these are the simplest options, but if we talk about such a full use of artificial intelligence, of course the project of maria romanovskaya comes to mind.

also shows that this direction is being mastered, young artists who were born and received an education, in principle have already formed as creative personalities in the 21st century, of course they use all this, understand it and know how to present it. what is your guess: the future belongs to machines or to people? i believe that without digital technologies, without cars, humanity can already live can not. but behind every machine, behind every program, behind every code there is a person

who contributes this code, so in my opinion, humanity remains the main thing. the project was implemented jointly with the farba gallery. the organizers strive to demonstrate current projects to the viewer and are happy to participate. space in belarus, which presents an exhibition created by artificial intelligence; within the framework of the exhibition , a thematic quest has also been prepared, which allows you to get acquainted with the exhibition in a fun way; in the exhibition space, everyone will find original photo zones where it is simply impossible not to take a selfie as a souvenir; the culmination of the project is an immersive film, digital evolution, created specifically for this exhibition, from idea to implementation;

this is a large linguistic model into which a huge amount of data is loaded, about

45 gb in text information, for understanding this is approximately plus or minus 140,000 books, due to the information received, the gpt chart can produce text information in the form of stories, just like program code, it generates a response based on your request, using a linguistic model and giving you what it sees. the concept of the answer, by the way, chat jpt helped us make our press release by 40%. the second network is mjorny, it is based on a huge amount of information in the form of study pictures and composes queries, selecting each element from a huge array, where i can’t even imagine how many gigabytes of information are loaded and gives out its vision in a visual format when we don’t have clear understanding. as we can see, she offers us various options, and most of our

exhibition is based on this concept, that is, you cha gps, he helped us generate the right idea, and midjorne has already presented its visual component. what other modern information technologies were used to create the exhibition? in fact, we used many more neural networks, but we settled on choosing gpt image journey, despite this we resorted to help. we also resorted to air technology - this is augmented reality, we have immersive the work that can be immersed in is called digital evolution, all this copy helped us take ideas a little bit at a time, but the main work was still done with the help of two, these are gpt and mi journey. today, machines are confidently penetrating

many areas of human life. so, does the future belong to machines or to people? i don't think. that today artificial intelligence and machines can replace people, because this is still in its infancy , but no one knows what will happen tomorrow, we can wake up tomorrow, and technologies, as they are moving very big steps today, and see if the development there in 1900 in our time is leaps and bounds, as they say, perhaps someday there will be something similar, but it seems to me that it will be more in the concept of an assistant , and not a replacement for a person, because after all, who will create these machines within the framework?

capabilities of what surrounds them. digital technologies have already begun to play an important role in creative activities such as music, architecture, and visual arts. without the use of digital processing and computer effects are impossible to imagine either in modern cinema or music. the computer these days has literally

become a canvas, a brush, and a musical instrument. apparently, we are already in... a new era of creativity, when artificial intelligence and the artist become co-authors, complementing each other in those areas of skills where they are strongest. however, the more automated the process of creating a work of art becomes, the more valuable the ideas behind it become. the idea that machines can to become artists or even be able to replace them in the future, looks quite bold. when the issues of execution, physical implementation or the presence of the necessary technical skills disappear, new ideas are the driving force in the development of art, and the generation of these ideas is the very main function that artificial intelligence cannot take away from the creator. be the creators of your life, enjoy and follow fashion

trends in the cultural life of our country. alina nevoina was with you, remember, being cultured is fashionable, see you in a week until new cultural meetings.