stretsa, no matter what we know, mountains, seas, and the lakes we have never forgotten, my dear. patrus brouk.

mr. student, i am sorry to say that you have great respect for the guys, what on earth would you say? at the pushcha, so will you die at the balotse, what are the days spent scurrying in the forest? once upon a time... the theater season was coming to an end, in the company of belarusian drama and comedy , a play by vladislav golubok gank was presented for a new event. there is a star cast on stage. razmova is dead! ganka, a very young extra, drowned herself in a well, she got the role of a khimki girl, tiny, episodic, but she was so worried, stand behind the scenes. from his

exit, that the prompter was already beginning to be seriously worried, yama, you see at once, everything is fine, calm down, your exit will soon, i’ll banish you, don’t be afraid, my god, we have a misfortune, some kind of misfortune, khimka fell into the jelly, warrior, daddy , out of excitement, stefania blurted out khimka instead of the name ganka, this is a complete failure, such forgetfulness of the aspiring actress caused sincere laughter from the audience in the hall. but this is the failure of a young girl who is not even an artist, but an extra who worked part -time in the theater the dancers did not force stefania staniuta at all.

at the same time, in the twenties, theatrical art and belarusian drama firmly entered the cultural life of the republic. in the mid-1920s , another significant event took place in minsk. in september, the opening of the first belarusian state theater, later the belarusian academic theater named after yanka kupala, took place. the repertoire is based on works of already famous belarusian writers and playwrights. trupe, along with

famous actors, the very young stefania staniuta, chorus girl, dancer, extra, she took on any one. despite the first not entirely successful steps on the theater stage, the talented girl was noticed, she was unusually plastic, obsessed with dancing, in a photo studio on sovetskaya street in minsk, elya was hastily arranging the props.

the cherished moment of a photograph was taken to

train belarusian actors for national theaters. in moscow, in september 1921 , the belarusian drama studio primhari was founded. thundered throughout the country. among the first students is sixteen-year-old stefania staniuta. there are only 14 of them so far names unknown to anyone. taking out a portrait of one of the girls from the developer, he peered at her carefully. image of attractiveness, magnetism, probably a future great actress. as time will tell, the experienced photographer’s intuition did not disappoint. in moscow

, the best teachers and directors of the moscow art theater worked with students. the studio had the status of a university. the students' graduation performances were discussed with great interest in theater circles in the capital. students of geatsintova and smyshlyaev herself. the studio students perfected their talents already in vitevsk, where on the basis of this production , the second belarusian state theater was created in 1926. and immediately i heard the names: pavel molchanov, konstantin sannikov, alexander ilyinsky. stefania stanyuta, then the best traditions of the belarusian theater began to take shape. after the next performance in the first belarusian drama theater, in the empty hall,

one could see an actress who seemed to be hesitant to take a step forward in order to go on stage and start living there in a completely different world. in a world of problems, human passions. at the same time, her consciousness tapped out only one thing. i wonder how my life will turn out here in minsk in the theater that i dreamed about so much. in 1936 , another premiere was expected in minsk. wolves and sheep in ostrovsky style, director leonid rakhlenko entrusted the role of glafira to the young actress stefania staniuta. emotionally, has excellent command of words, gestures, facial expressions, and is flexible at the same time. the beautiful, cunning, insidious glafira

performed by stanyuta captivated the audience. there was tense silence in the office of theater director fanny allaire. herself. i literally froze telephone, afraid to move, next to him in a motionless position was kondrat krapiva, the play who laughs last, which he brought to the theater, it was written that he called... it really did not fit into the realities of the time, a satire on officials, finally the long-awaited call came, yes, yes, vyaliki dzyakuy, pantselimon kandratsvich, so how? winshuyu. the republic

was preparing to participate in the decade of belarusian art in moscow. the first belarusian drama, among the participants. and they will play comedy along with serious plays, patriotic ones. true, comrade stalin loves this genre. but it was also a satire on officials. the success of the play who laughs last is deafening, everything is vital, on the topic of the day. and a bright, memorable image of the secretary of the typist zina zelkina performed by stanyuta. as a result, well-deserved awards, the stalin prize to kandrat krapiva, awards to the actors, a memorable photograph of the future kupala residents with the all-union headman, comrade kalimin. from odessa,

where the theater was touring when the war began, a difficult journey to evacuation to tomsk and working hard, performing in front of the wounded in hospitals, in front of soldiers in concert brigades. the stanyuta was received with special warmth by the soldiers and the wounded; a special energy emanated from it, what would later be called the soul of the people. in september 1944 she returned to liberated minsk from the theater's corpse. the city lay in ruins. almost all the buildings were destroyed, with only one wall in place. carefully, entering the semi- destroyed room, stanyuta fell into. where the photographer elya once fussed so helpfully. bricks, broken glass

and photographs scattered everywhere, reminders of that past, peaceful life, pulling one out of the wreckage, she put it in her purse, like something very close and dear. in september 1944, kupalovtsy began its post-war theater season. stanyuta, already in the status of honored artist of the bssr. all-union fame came to her through cinema, people in the swamp. white dews, a total of more than sixty roles in films, but

the brightest, most memorable, perhaps, was mot in the play by garalta mod, a eccentric eighty-year-old madam with whom a young man is in love, she is frivolous, a woman who does not feels her age, and this is about her, stephanie staniute, who at 95 loved to repeat. i never felt my age, ever. the number of times i have appeared on this stage is probably countless. 200 roles played, images, characters, roles, big episodes, what were all these years like, i wonder which period of them is especially dear to me,

probably each in its own way. having lived a long life, where eras and events successively replaced each other, stanyuta became their personification, creating in each time images of heroines who are so close today, understandably contemporaries. portrait of the daughter of the artist mikhail staniuta in the national art museum, just for her. years old, she lives with dreams of the theater. a girl with such a long life ahead of her looks at us from the portrait.

gaidaenko, vladimir alekseevich. during the patriotic war, he took part in the battles near moscow. at the beginning of 1942, he was sent to one of the partisan detachments in the bryansk region, where he supervised the counterwork, the construction of defensive structures, and

then became the commissar of the partisan detachment. committed with the partisans. raid of dopinsky forests from 1944, a major engineer, commander of a sapper battalion, during the liberation of pinsk he was part of the sapper landing force; he died while clearing mines from a building and the streets of the city. a street in pinsk is named after vladimir alekseevich gaidaenko. we are making a film based on my book, a prison diary. i turned to the federal penitentiary service of russia, i said: listen, can i take, well, shackles, as if for a film from the 18th or 19th century, i say, and they say, so wait, they are

prohibited under international law, i say, but they are in america, this is washington, that is, this... at a time when it was hot outside, when i was arrested, why was it 15° in the cell? i was just afraid of becoming a vegetable, because my consciousness is all i had, we claim that we, as philosophers, give a message to the world where to move, they claim this, they destroy man as such, they don’t need him , they need a certain number of people who will have a certain amount... of resources, all the rest are replaced by artificial intelligence, this is not conspiracy theories, markov’s project, nothing personal, watch on the belarus 24 tv channel, only for our viewers we choose the best routes. at that very second, the merchant decided to give praise to the gods, on the nearby island he first erected a temple, then built huts

, founded a town and set off. he is like a magician, controls the light, extinguishes and lights the lanterns, thereby marking the beginning and end of the day, permanent, like the sun and the moon, you are entitled to a vacation or you have a double to show how unusual and wonderful our country. please note that the top of the gate is decorated with a sculpture of a stranger; who she is is still unknown; the locals call her the patroness of small towns. behind the walls of which... these ruins remained, issues of national importance were resolved. well, yes, ruzhany castle was in no way inferior to the palaces of the kings of the grand duchy of lithuania. in ruzhany you can literally see the holy trinity church from everywhere. the uniqueness of the temple is that it was never closed, even in soviet times, like other churches in belarus, it was not turned into either a storage facility or a house of culture, not to the theater. watch the program “cities

of belarus on” on the belarus-24 tv channel. yesterday broadcast on the tv channel belarus 1 pratsegvayutsya news of the capital of the minsk region with you in the live broadcasts of lizaveta lashkevich good evenings and a short note.