in its new version the premiere of ludwig minkus' ballet donkey hot took place. today valentin nikolaevich is the artistic director, the honorary position of chief choreographer of the bolshoi theater of belarus is occupied by igor kolp, who has been living ballet since school age, learning to bring the most daring ideas to life. igor pavlovich, hello, hello. first mention?

ballet school, firstly, let's start with the fact that this is such a key moment for me, since as a child i was left to my own devices, was born in the city of pinsk, at that time there was not a single theater in pinsk, so i could not know absolutely nothing about ballet, but literally the day before at the children's choreographic school, now this is number three, there was an anniversary, it was from there that my first steps began, literally steps along... i tried there for several months, where they selected me and brought me, diagonally behind us there is that same place on the checher, for two teachers, exactly a week later my dad brought me to minsk in a kamaz, they examined me, they said: boy, to you us, thus i began to learn about what ballet is, all my life i have been saying the same phrase: i was born in pinsk, studied in minsk, became an artist in st. petersburg, what is surprising today? all this

was somehow reunited and pinsk, and minsk and st. petersburg, again minsk, and i am again at the stage of some new events from a blank slate as a director, well, coming to the theater, in fact, let’s take a ballet, the viewer sees luxurious scenery , bright suits, but behind all this is the painstaking work of dozens, and maybe even hundreds of people, so this is the other side of the ballet, which... is open from the eyes of the viewer, that’s for you specifically what the creative backstage means through the eyes of the main theater director of the bolshoi theater of belarus. well, what’s surprising is that ballet is like an army, since there has been strict discipline since childhood, without discipline we will not learn how to perform individual movements, which in the theater grow into some form of dance, the wrong side of ballet, it is most interesting to the ordinary.

spectators, because spectators come to the theater, this event is, first of all, to see the holiday, but over the last season i realized that all those open events that are created primarily in the format of internal processes, they are sometimes much more interesting than just coming to the theater, that is, open lessons , the open exhibition complexes created, the action is big for the ruble, curiously enough they also opened up the perception of the viewer for me. the audience's view of the theater, such a necessary function, especially today. it's interesting to learn about ballet art from the point of view choreographer's point of view? well, first of all, as a choreographer, i am primarily inspired by people, i am inspired by people, and my movement through life is built, first of all, from ideas in which i find this or that direction for further development, as stage...

may we will have a screening again, open to the theater, i didn’t just initiate it. because we need personnel, although they are necessary, it is very important for me to show, here we are now walking in the beautiful park around the theater, everyone who came to minsk to watch, even if he was not selected, he was sent for a walk around the troetsky suburb theater, independence avenue, and so on and so on, so that a person, if he comes, comes to minsk, he has an idea of ​​where he plans to live, so that he can see a beautiful theater both outside and inside, so that there are all the conditions for the realities of the opportunities that are offered, for young people the first year is difficult in independence, whether they move or come to some place of work, we all get used to the fact that they follow us at school, this is how it is now , we are correcting you and me microphone, god forbid, you touch something, when

you come to the theater, you clearly understand the situation when it’s not that you are not needed, but you are starting everything from scratch, this is this transitional stage, even if you trace the path. those children, as i call them, who came from school to the big theater of belarus, you see how this enthusiastic at first changes to ordinary perception, by the end of the season i see absolutely happy faces and the children who arrived, who understand that some part from that long-term planning for them, including with them, it was completed and somehow i can say today that i am satisfied in the sense that it...

today there are a lot of versions, they are modern, they are sometimes completely unrelated to the idea itself, and today there is a classical version in the big theater of belarus, but the repertoire policy that has been built over the years

allows us to have exactly this name in the form in which it is, but after all , the eternal classic will always be alive, this is the calling card of any theater goer. to you there are probably some striking myths about ballet, but which ones can you refute and which ones can you confirm? i am a happy person, i have always lived in natural competition, in a competitive environment, where there was no place for some of those same myths, when they say that they put broken glass in there, and so on and so forth, and i actually even sometimes it’s funny, because when i hear something like this among colleagues, i understand perfectly well that no matter what you...

in your profession, because yes, it is very hard work, strict discipline, but investing 300%, leaving the stage. but the public, the party, it all pays off, you understand all this, you understand, when everything is already in decline, here is the development of the further path after, it just creates some kind of moment of what’s next, and we we relate everything precisely to this short section of the path, on which everything was so bright, but so quickly, so for some reason i knew about it. always and my life was not limited only to the profession of a ballet dancer, what would you

advise those who want to join the art of ballet, where to begin your acquaintance with this elite art? well, firstly, before going somewhere, in particular to take a child there, it is necessary, of course, to read, talk to him about what theater is, what ballet is and the plot component of the evening, because on the first try you can understand what is happening. scene, that a beautiful girl in a beautiful dress came out, a boy, an adult, came out in tights, this is quite strange for the perception of a child for the first trip from ordinary - spectator families, however, if the parents cook, they talk about the music, they talk about the plot, they say that it’s a fairy tale, they explain every moment, ballet is not that complicated and a form of art, but it’s so elitist, going to the theater is necessary as...

i, it seemed to me, simplified the parents’ task a little, in the hunting scene we have dogs coming out, in the peasant dance scene we have a wedding couple riding out on a horse and it seems to me that the first act is absolutely made for any age category, everyone will find their own interest, in the second act all sorts of options were used, how in a way, first of all, to show the stage canvas of a large theater, because after reconstruction... there are many different kinds of possibilities for creating

a special effect of the other world, and these are flights, departures from under the stage, passages and flying fabrics; today it is quite difficult to compete with animation, since we are all on the internet, we can easily watch movies and make a ballet performance, creating competitive ones. environment , television, the internet, it was not easy, so for me, let’s say, a natural process scene, when someone comes out, a horse, dogs, since all my life in st. petersburg a wonquixote took part in all performances, the horse came out with a scrap, so for me it was not, but in some format it seemed to me that the belarusian audience was not ready for the possibility of seeing a horse on stage , or dogs, for that matter. there was such a nuance , he said why we need a horse, on the other hand, i had a clear goal, it’s not just

to create an effect and somehow think only in this direction, i looked much more broadly, much more broadly - i studied history first of all, the first performance, the premiere, which took place in 1846 in paris, in the description of the performance it is stated in the documents that a retinue rode out on horseback during the hunting scene.

we want emotions, and this speech is not always about a holiday, the leaving and coming spectator wants to receive food for thought, at the same time to relax, to wake up. or laugh, as it is possible to do, say, in the play don quixote, be surprised in giselle, cry in giselle, because the madness scene does not leave anyone indifferent, understand that such a swan lake, swans swimming on the lake with beautiful scenography, that is, we come for emotions, and what emotions give us is, of course, the theater, the bolshoi theater of belarus.

currently, the bolshoi theater of belarus has about forty ballet titles in its repertoire. these are national performances, masterpieces of world classics, as well as modern productions. creative groups actively tour, and audiences from more than thirty countries around the world are familiar with the art of theater artists. like everything in this world, ballet continues to develop and grow, changing with the world around us, without losing our own. an art in which, with the help of dance , you can talk about all human emotions and feelings, here every wave of the hand is filled with wisdom, and there is not a single meaningless movement, fill your life with meaning, join the elementary art of ballet and follow fashion

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