butrymovich's palace in pinsk, a french chateau, which stands on the banks of baroque, which has come to life, and is still more youthful to classicism. the front calanade, the luxurious interior courtyard, the courtyard, and the façade, the decoration for the theatrical pasta of the right embellished price of the right-hand life. what kind of secrets are this chosen... in 1794 , the first stone of the future pompous palace was laid on the ancestral architect of vilensk, karal scheldhaus. on this day , king rachy paspalitay stanis himself laid the foundations of the day. panyatoski. at the first step of the palace

butrymovicha becomes his own independent leader among the palatsavs of belarus. menavita yon became one of the first residents, and even the most campaigning whole were abducted by the races characteristic of both baroque and classicism. in this case, it was completely unusual and included in the complex of the unsafe and the garad street oblivion. tradytsyina was restless. the softening of the banskag of the house and the boulder of the park. malats butrymovicha has become a svago kshtaltu ўvasablenny pragresіўnastsі gaspadar, for he would be a great one today. the era of yago brewing - geta peryyad vyalikay popularity of french architecture. and some studies seem to suggest that this palace in the baroque style has elements of classicism, but i don’t care about this. khutchey geta french variyant. to the classicism that gives

vykarstovat baroque and naval rysses, assemblies and as a budynka, if the project itself, it would be great symmetrical with calanadas, portions, then all the halls, amphiladny type , shmat details, geta was free, like, unfortunately, at 19 stagodzi was in no way associated with classicism. the transition from hell to baroque and classicism was hell... from the very the hardest thing about changing style is the everlasting doilitsa. in my opinion, the theme of classicism is connected with the changing spirit of architecture. the luxury of baroka and rakako could not become the so-called dishonest style for the nation that was gaining momentum. at the first charge, the change is connected with the work characteristic of baroque. butrymovich's palace was 10 years old, exclusive. and decompress, and to such

chins and fluffy pabudovs’ cats. in order to legitimize the corrupt government between the foreigners and the government of the people, the antiquity was taken into account. well we have already built our architecture, including order systems and porticoes, and this classic, completely classic. portyk - geta trukugolny fronton, columns flock, well, like the yans flock, geta ўzho another torture. here, darechy, the yanas are paired, the lids are spread apart from the hell of the syredzinki, these are the ports of these tank carpus. and the most gallant, the entire paved column stands on the corner and backs up the corners. and here is the extreme dachshund. and here is the getaga nyama, yany adyshli i vogal vesits, geta from the point of polishing, kanstruktsy, there tectonics, well, i didn’t understand. what's this, folded, this

it’s not for nothing, it’s so crushed here, crushed by dust, well, it looks like that, and then you respect this whole thing... then they killed 40 oak sticks in the ground, laid dry alch logs and only sweat on them eglu. it is as if they had created a balancing platform that would be stable for any disturbances in the land of the land. this kind of

technology is mercenary at once, so as to grab the bridle of drainage, and so that he can’t kick his butt like a fruit-bearer. yes, yes, yes. this is a fascinating meeting with unusual people, my name is olga, i am the owner of this institution, cultural institution, house of crafts, i thought there was no one here, once a week, who would come, hello, but there is a little, zhen, that’s the most important question, how did you

choose, here you are sitting on the sofa and thinking, what kind of spin the business into synna, secrets of a good mood, let's drive our bus.

the media is a very important link between, well, i’ll call it very conditionally, the people and power, without the media this communication cannot exist, the media conveys the main meanings, ideological directions, the course that determines state, feedback must come from the population, not a single achievement of our country, not a single citizen of ours, we will never give them up, we will not betray them, with all our might, even if necessary, and the president said this, even with...

a high tone, may adzіn top i planoўku ў look of the plane p, which creates a strictly symmetrical campaign. dzyakuyuchy tank wings, in front of the palaces furnished the front courtyard of kurdaner, where the park was softened for the past hours. the budynak palace is made up of three carpus. the ceremonial memorials for valnay balnay zalay. she is also a campasic and damantine woman.

the transitions and service memos, which were found in tsokali, were disguised and agarodzhany so that the servants of the magli would reveal their unrelated connections. the important memory here is not so flaccid, so many vacancies, like these palaces, were not useful, but i didn’t get it, i do n’t care e, they are extended, and darechs, the aval halls have been extended, also like this, well, a rare form, so, tskavaya form, dze ball. the hallowed façade of the budynka was

located on one of the most important streets of pinsk, which ran directly across the city parallel to ratse. the center of the building is overlooked by the bay windows, the round curtained projections at the scyane, the daryskaya kalanadai and the low terraced balcony. the archival appearance of the palace was given by the concave winged outlines of the main parts of the façade, the visual centers of the building were created with three-cut frontons and sloping windows with rounded yarshennyami. menavita of the yago state tapped the pachatka in the vast the lobby, and then to the luxurious aval ballroom overlooking the terrace. trapіts u budynak. it was also possible to use straight-up food, mixed on the sides of tank carps and green portions with double

columns. as the end of the 18th century approaches, a new style of vytanchanaga, cold-hearted, and classicism is rapidly developing, as in contrast to aspeia, in the early days of belarus, even though we are not much of the trotter of baroque, and near here is the russian empire. the whole has an absolutely new imperial classic concept architecture that has passed away from the earliest tradition of rechy paspalitay. in honor of the fire of 1901, the embroidered palaces appeared with elements of non-aggravation, gaited strangular openings in the central ryssa, which were completed with a triangular socket, with the coat of arms of the settler. syarod is a master of the art. helena skirmunt, gallery of carcinas of the dutch masters,

ancient venetian girandoles, calcified slutsk paisas, saxon porcelain and original products. at that time, when the struggle of two styles was revealed in the façade for a month, interior of the budynka panawala baroka. scenes in all parameters of the budynka. shaped plasters, window frames, jumping pediments, façade decor and a well-developed entablature. the external decor features a variety of baroque-classic elements, pilasters and columns of the gift order, a rustic socal top, imitation natural stone, window frames and sandstones i. for the architecture of classicism, the budynka is characteristic...

i will say that the carpus at the angle of the pastaulena, and darechy, yana are common fall in different corners, you can see from the streets, so it’s 12-15 degrees away, but it’s not 5-6 degrees, but it’s different, but it’s like that , it’s ok work, work a piece of work . there's some tympanchyk there, there's something like this jumping, because

the meetings of this budze are jumping, here's the architect of this spakusu adkinu, and that's it, just like that, kick out the scene, which, well, you know, i'm going to go to the barges, classics the snake was so simple and unmagnetic to work with, and all the way there i extracted something like this, and i tried to say something like this administration, what kind of attack is our belarusian architecture report. the baroque hall assembly and the decor of the palace are created hidden spaces, where the planes and wings are linear and flowing from side to side. is dug out, the part of the scyana is exposed to the roof in front, or on the contrary, burying itself with all the elements, and creating a charm for the convex and concave sections with the effects of creating illusions, we rusticated polasters, wide window openings and apertures.