a speedy cessation of hostilities, but we have no right to forget what marshal ferdinand forsch, who ended the first world war, the treaty of versailles, said, this is not peace, this is a truce for 20 years, and he turned out to be absolutely right, the current confrontation between the western hegemon and those seeking to create a more equitable system of international relations also cannot end on shaky ground. the world needs a serious, comprehensive conversation about a sustainable world for many decades, but the west is not ready for it yet, thank you, this was the sas program i am authorized to state that the west has found itself in global isolation on the ukrainian issue.

watch everything that modern belarus lives on today on the belarus 24 tv channel, this is news from foreign countries, broadcasts of especially important events. live broadcasts from

the scene, current interviews with famous belarusians, exciting travels around the country, feature films for all ages, in the countries: finland, sweden, norway, denmark, the netherlands, germany, france. spain, portugal, cyprus, austria, switzerland, italy, greece, romania, serbia, croatia, poland, lithuania, latvia, estonia. set up a satellite dish satellite express am8. the channel's signal is broadcast in the clear and is available 24 hours a day, every day. be with the belarus24 tv channel.

a time when the union needs to be reformed, and the state allocates huge funds for film production, well, you have to reciprocate. the events of the twentieth year, in your opinion, they are worthy of, well, let ’s say, depicting them in cinema, we see a lot of what is happening in our neighbors and what crazy things are happening in the world now, and great gratitude, great praise to our president for preserving this peace. and in our

vast globe, we really have the only country where there is heaven on earth. hello, the program “say don’t be silent” is on air, tatyana shcherbina and svetlana smolonskaya are in the studio. and our guest today is the chairman of the belarusian union of cinematographers, producer evgeniy arendorevich, hello, evgeniy, hello, good afternoon, thank you for coming to our studio, thank you for.

my predecessor, the current chairman of the union of graphic artists, viktor ivich vasiliev, simply due to health reasons could not, let’s say, devote himself entirely to the work of a large, important and necessary union, he assembled the board, in general, a unanimous decision was made to appoint me temporarily to this post, that is it was, in general, the idea of ​​vasily himself, yes, yes, of course, it was the chairman who directly recommended my candidacy for, let’s say , the performance of duties, but since here

, yes, precisely as a film business in our country, we we produce a very large number of projects, a large number of people, namely members of the kemographists’ union, are busy in work, namely in the production of films, one way or another they come into contact with me, i with them, and we are in a healthy dialogue, and after all, the job of a producer is what is it, it is all-encompassing, members of the union come, yes, other people there come and offer ideas. then we develop ideas, look at how to implement them in writing scripts, yes, then we enter the filming period there, then we we either release the film on television, or we show it in theatrical release, that is, we hear, we are heard, we interact with all professions that

are involved in film production, and since we very freshly assess all possibilities, and specifically film production, we we understand how to do it, with whom to do it, and... how to tell it so that it is a very relevant story, then people, of course, who are in the union, they responded very vividly to the fact that this could indeed be the arrival of a new waves, yes, of innovative ideas with a fresh look, because of course we very much respect the continuity of generations, we really listen to the older generation, who also bring knowledge, but nevertheless, now the time is a little different and dictates completely different forms and approaches to development.

direction, well, after all, you know, cinematography has enormous practical experience and knowledge in this sphere, the sphere of art, well, any cultural sphere always gives rise to when some appointments or elections or changes give rise to a lot of rumors, maybe it’s some kind of there are behind-the-scenes games or some kind of intrigue,

or the fact that maybe the union has frozen in development, after all , your predecessor was in one place for 17 years, well, as for some beautiful rumors there and so on, then i.. . a reason for some kind of dialogue or monologue or some other manifestation of some kind of statement, and of course our union has not frozen, the point is that the time has come when the union needs to be reformed in the good sense of this. words, we have now created the most powerful team in the union, and those guys who also support on social networks, for them it is also a great honor to be part of our professional creative union, so they are also... ready to make their contribution and contribution to the development of this union, and we are now

together in our synergy with generations, both with the oldest, both with the masters of cinema and with the youngest who are only taking their first steps, we have already joined forces to ensure that our domestic cinema really flourishes, and we really understand how to do this, to build something new, perhaps on some solid foundation, in connection with this the question is, what kind of baggage did your predecessor leave behind for you... your predecessor, well, actually good baggage, the union now numbers maybe a little, but nevertheless it is 470 members of the union, there are large ideas, there are big plans, we are in an active dialogue with each member of the union, my task as the head of the union is to unite everyone into a single whole, which in general we succeed in, which this congress shows in general, because as soon as we offered to come and consider the candidacy, well, i repeat that in 10 years this has never happened, that is, people came

who are already walking there with a stick, who are 90 years old, but they still come to support, and those young people who really believe in success, victory, with whom we speak the same language, now our plans also include the revival of the actors’ guild, which, in general, last year was once restructured and withdrawn from us , we are very actively involved in promoting artists both in our country and in general

, abroad, here we have created the republic belarus is a big film school, we are preparing a second, third plan taking into account the fact that russian media artists come, yes, we do master classes, trainings, seminars, it is very important that our belarusian artists really take an active part in this for the common good business to promote belarusian cinema.

but here we have, and we did this trick, submitted it to the

russian stunt guild competition, which was held once every 2 years, and we took first place, just imagine the belarusian commanders, thank you very much, so after this we can say that the belarusian stunt school will be in demand, it is the most powerful, the thing is that our stunt department is constantly invited to film very complex music videos in dubai. the guys perform the most powerful stunts in the russian federation and now the guys have been invited to china to film several episodes of our belarusians, so this is developing. international cooperation and presentation as a union, as well as a country in the international arena, and all this is developing in a very serious dynamic, and we now want people to talk about the union, so that the union really shows the most powerful results and is really not what it was like before people, remember, when there was still the soviet union, it was easier to enter vgik than to get into the union, because

you need was to have very serious recommendations, and for people it was a tragedy if someone... refused someone, said: you know, you don’t meet the selection criteria there to become a member of a specialized union, now in my opinion this is very not deservedly devalued, yes, that is, i i talk to many guys, i say: listen, you are involved in cinema, film production, i say, but i looked at you on the lists, are you a member of the union, he says, no, but what does the union give to me, so in my opinion, it is undeserved evgenia is devalued, it is clear that the filmmakers need the union, really in order to unite forces.

we travel a lot around the world, yes, we represent our country at film festivals, yes, we have a lot of experience in interaction, and we are from all over the world, everywhere, we collect the most the best, we collect the best from outside and inside the country, and thereby we want to improve the work of all creative workers, we interact very closely with our other creative unions, for example, we have already signed a memorandum.

the film we are going, that means we are going to visit our big friends there and so on, there is a book by ivan ptashnikov naindor, i pick it up, read it, watched it, say, listen, say, this is an interesting work, i called our friends and partners, yes, indeed, listen, i wonder if you can to paint, here is our sergei nikolaevich girgel, our playwright, screenwriter, and director, he literally submitted an application in a day, which...

indeed, our people will produce very belarus - this is a sign of quality, we are a high level of film, imagine, here i repeat, yes, that the belarusian company, ntv broadcast on may 9, a festive broadcast, it begins with the victory parade, and then it continues with a film, alyosha death is not about us, after that it is festive.

this is the role of historical memory in our modern world, this is under no circumstances allowed forget, on the contrary, we need to show and talk about the atrocities of the fascists on belarusian soil every day,

which we have, so i think that this topic will be relevant for a very long time, not only as you know, there are films that are produced by the date , the so-called danish cinema, specifically for film platforms, and for television, that’s why i think that we will see a lot more big... important, necessary, cinematic works, and for now we will take a short break, i remind you, our telegram channel, tell me don't be silent subscribe, ask us questions and suggest new interesting guests, we are in touch, the “say don’t be silent” program is on air again, and today... our guest is the chairman of the belarusian union of cinematographers, evgeniy arrendarevich. evgenia, well, we settled on the fact that the theme of war will be present in

cinema for a long time, there will be many new works, tell us a secret, what projects are you currently working on in terms of historical memory in terms of depicting the genocide of the belarusian people during the great patriotic war are you working? well, yes, indeed, we are now working on a very large project, and a project at that. national, it is joint, this is a project based on the work of our classic of belarusian literature, the people's writer of belarus, our deeply respected nikolai ivanovich chergenets, this is a project called operation blood, this is a very complex film, because if you look at it like that, then this is a film about our children, unfortunately, today no one has really spoken out about the concentration camps, where the german... fascist invaders pumped blood out of children, and this is a very complex topic, why? because this is precisely working with children, yes, that is, here it is very important to show it very

correctly and not go out, you know, directly speculating about children, here you go, here is a child, here is blood, everything is clear, and you know, this work is very complex and difficult to perceive, but nevertheless it is very necessary, so let’s think about this topic, but we have children.

"the source of our values ​​is historical memory, in difficult times it is this the source, the wisdom of the people - this is the support guide for making the right informed decisions, and no one has the right to take away the source of this power from the people or try to mix it up with mud, and any attempts to rewrite history, shift the emphasis, have no expiration date, just like .. "

take, take the blood, drop by drop, and give it to the one who came to our land to kill, who came to carry out any criminal order, to a soldier of the enemy army and it is our duty to preserve in the memory of our citizens, other people on the planet, so that everyone understands how monstrous atrocities occurred in our country when he died... and was destroyed simply according to the ost program 75% of people, 25% were supposed to be slaves, these lessons of history should in no case be forgotten, they need to be shown and filmed as much as possible show this to people, this is a very important story, and the most important thing is that if monuments are now being demolished, then we erect them, this is our project -

it will essentially be a monument embodied by means of cinematography about the genocide of our people, and the most important thing is that we won then, today we will be able to defend the bright memory of those heroes who, at the cost of millions of lives and at the cost of the blood of their children, defended our homeland and the right to independence and freedom, and we will tell about the cost of the independence of our homeland, how we achieved it. that’s why it’s very important to show such films and convey the fact that our general prosecutor’s office is currently conducting an investigation, this is very important and valuable, and we are learning many more facts, from which i’ll tell you straight out, it really chills my soul, my blood son in his veins, yes we even have a slogan for our project: remembering to feel, feeling to live, such a big job.

we held very difficult negotiations with china, which also shows interest in international cinema, and the chinese country supported us and we also received a fairly significant contribution to the implementation of this financial project. now , of course, we are waiting for a response from our belarusian side, a big international project, and you know, probably, there is really a lot of colossal work here, and in terms of some kind of psychological load, because we have repeatedly... in this studio discussed, say, films, documentaries or special reports of our colleagues from the television news agency, who also addressed this topic, and how blood was taken from children during the war for german soldiers, these are very serious works, they are documentaries, yes, that is, they tell exactly the path of the investigation by the prosecutor general’s office and so on, that is, these are films that

declare what happened. we are discovering a somewhat broader topic, why? because we show the ideas of the fascists that they laid down through.

the project will be accessible to a wide range of viewers, we plan to enter the preparatory period in august, we will film in the winter, because according to the script, they were generally in the winter, yes, that is, in chronological order, we are

probably already planning since next year is an anniversary year, it’s still our 80th anniversary of common victory, yeah, we won’t go out like everyone else, so that this picture won’t get lost on may 9, when there will be a lot of diversity. movies to come out soon in total, we are planning a release there for the day of national unity, yeah, for september 17, yes, that ’s absolutely right, these are our plans now, and as for reform, it is known that the new broom sweeps in a new way, what reforms are you planning, a very large number of reforms, we have a complete understanding of how to develop the process and that, not only that, we produce films, they are also in great demand among wide audiences, they pay for themselves, because after all, this is a business model for development, now look at that , that as we produce films, a director comes, launches a movie, then doesn’t have time to deliver it yet, he’s already leaving, it turns out, well, it’s like he ’s not to blame for anything, that’s right,

a new manager comes and says, well, it was i who got the inheritance, i say i don’t know how they are doing they decided, and he, too, is not guilty of anything, it turns out to be some kind of vicious circle here, no one is to blame for anything, but the matter stands, yes, but the movie is like this, that’s why we want it now, why and...

in a year, in two, and you need to really understand who you are releasing this film for, why you are releasing it, what message you are carrying this film, and what you want to convey to the viewer, including, if we are planning films for implementation, we book in advance, if it is a theatrical release, then it is a theatrical release, that is , we already have a slot, when we will have it to do, and you probably know very well that films that are often already advertised in cinemas, when you come to a show, are playing there...

we really need to create cinema that will be in demand, pay for itself, we have all the components for this success, they are. evgeniya, well, you said that a project is being launched, yes, a film project and... at this moment there is one director there, well , relatively speaking, at a national film studio, yes, we understood that you were talking about this, then the director leaves, another comes, he inherits this, well , let’s say, long-term construction, let’s call it that, but in the movies, but why are such long-term constructions at all, if that leader is not to blame, and this one is not to blame, the question is these three people who are ministry of culture, the fact is that we need to do open pitchings, attract more specialists and professionals. who are directly in production, who understand how

this cinema is created, and of course, my plans include the creation of some kind of specific structure, well, let’s call it a cinema fund, because in russia there is a film fund that watches this quite a lot obviously, it is broadcast live, unlike us, when you don’t understand what is being launched, when it is being launched, why it is being launched and for whom it is being launched, yes, of course, there are films for social and creative order, of course we... understand everything, this is 70% of the budget funds that are allocated for this production, the remaining 30, this too, this is a very important story, that’s what i ’m talking about, so we also want to create a structure that is not weak in responsibility for this and so that professionals of the media business, the media environment, they really take an active part in the formation of current topics, because, for example, today we came up with the idea of ​​​​making this movie, but in a year it may not be necessary, and after all... cinema this is what happens, we must look a year,

two, three, four years ahead, this is very important, and when, for example, films that were released before the coronaviruses, the coronavirus turned out to be irrelevant, on the contrary, yeah, people when they were sitting at home and in certain proposed circumstances, they watched a movie, after that, when they wanted to go out, they became uninterested in it, so we are very active now, in addition to creating a cinema fund, we watch the best that is in other countries, why reinventing wheels? if it already exists, let's take it the best in russia, since 2019 , a very healthy, correct reform has also been carried out in kazakhstan, after which a cinema support center was created, where everyone comes to open pitchings, defends projects, shows the implementation program, how they will produce the film, where to sell , and what kind of dividends they plan, in general, this is a business model, so why don’t we adopt it, and we will now... actively come forward with this initiative, it is very important

that we, among other things, also we have equalized those - let's say, opportunities, we have brought to a common denominator for filmmakers in russia and belarus, because we have a very big problem, what i mean is in russia, for example, people who are employed in the film industry, they enter the category of self-employed , that is, the tax burden on them is 5%, in fact. this is an external source of financing, and we create jobs by attracting russian

filmmakers, well, as if financing here, we export services, receive foreign exchange earnings, and many russian partners come and say: wait, guys, you have 20%, how is that possible? why do we, if we follow the same road maps, why do we have unequal conditions, this is unequal competition, well, it turns out that we don’t need them in belarus, i mean for filmmakers, just leave it... this narrow segment of filmmakers are self-employed , so that we have equal conditions, and as it turns out, we need to reduce this tax rate, now we are in a very close tandem with our great friend, comrade, ally, with a parliamentary deputy meeting with ruslan ivosivich chernetsky, we are working on this very closely, and he is our partner, not only is he a member of the union, and we are now developing many issues with him, this... to the fact that it is very important that we have dialogue with the authorities so that we

can convey this issue, which is very really significant, because now there is a change in personnel, people are leaving there for a long ruble and so on, and our country is spending quite a lot of money to teach them, so that they are here worked, russians they come here, do master classes, promote, teach, we have a high, as i said at the beginning of the interview , production culture, but since we are now dealing with this issue, well , we are working very seriously so that this does not happen, because then there will be opportunities , and there won’t be any more people, and cinema is people, first of all, it’s workers, it’s that community, it’s a creative environment that should communicate, even if this is a difficult issue, but nevertheless i’m deeply convinced that it can be solved it is possible to translate a certain

the category of film workers, there is television, specifically in the self-employed, by the way, regarding television too, these are our big ones... you are back, alive, alive, healthy, how you have changed, and i am now married, what a fool, but i saw them, musya, trofima, girl, this is her

daughter, she came with her from germany, registered her as from a frenchman, worked with her on the farm, kolya, meet her, this is zhenya. my sisters mitya, yeah, i was at the front, i didn’t evade the front, i didn’t have time to explain to people like you, bastards, that i ’m not desserting, since i love him, please, i tried to love you, kolya, please let me go, you love her, the main thing is that you love her, mash, marry me, but you don’t love me, let it go, bully, ulenka, i’ll give you a minute, well... dad, watch the series, i will be back on the belarus 24 tv channel, how the life of foreign guests in belarus goes, welcome, now you find me in my studio, where i shoot videos every day, i

compare and show belarusian and venice culture, this is the first time i came. to belarus in 2000, when he was appointed: advisor embassy of the republic of armenia of the republic of belarus, belarus definitely helped me reveal my strength, now i am so comfortable, it’s as if i am exactly where i need to be, so indeed belarus somehow occupies a special place in my destiny and the destiny of my family, watch the project “look at belarus” on our tv channel. the program “tell not be silent” is on air again. our guest is the chairman of the belarusian union of cinematographers, producer, biker, evgeniy orendarevich. evgeny, but we talked in

the second part is about what needs to be done to prevent the loss of personnel, including, probably, young personnel. we have one young personnel, very talented. works on a belarusian film, he has a question for you. attention to the screen. good afternoon, evgeny nikolaevich, good afternoon, presenters, my name is kiril khaletsky, i am a full-time film director at the feature film studio of the youth film department. this is a question, tell me, perhaps there is some strategy on how to attract more young personnel to the union of cinematographers, and what conditions may be created for them, or have they already been created? can you expand a little on this topic regarding young personnel? thank you. what goodies do you promise to young people? thank you for the question, but in fact it’s clear that when we interact with young people, first of all, we now want to conduct such a format of communication as master classes and pitchings, that is

, from the professionals of our union, we give the opportunity to the guys take part in the defense of your projects so that they are ready for the big...

about this you presented your they said that they wouldn’t stop there and wanted to make a series about the events of the twentieth year, at what stage is this project? at the stage of writing a script, i write a script based on my book, but since there is not enough special knowledge, for this you need to graduate from a higher educational institution or at least a screenwriting course, i read the literature gradually. without resorting to the help of outside experts, i’m going in this direction, that is, i think that i will submit this scenario

for consideration, well, we don’t know yet whether yuri voskresensky is in the union filmmakers, well, maybe after the program he will call you, since we are discussing his projects and his plans, if we talk about the film, and about the twenties, look, what are the twenties? this is one of the episodes, and if you make a really big film, you need to make a film about a person, like a film, you probably know, there is a film alexander, for example, well, alexander the great, yes, and if we talk about this film, then you need to show namely the formation of our state, and to show all those 30 years that our country is moving towards success, about how our... deeply respected leader of our fatherland, our president, aleksandrich lukashenko, leads our country, the whole point is that

our country is moving and developing dynamically, and if we talk, we travel a lot around the world, we understand a lot, we see a lot of what is happening with our neighbors, and what crazy things are happening in the world now, and great gratitude, great praise to ours. for the fact that he preserves this peace, we really have a huge globe, we have the only country where there is heaven on earth, and if we are talking about this film, then it needs to be made not in full meter, because in 100 minutes in life it will not tell, there should be a series, yes it should be a series, a big series, starting from the nineties, about how what tests lay on our country, on our president, what is the right course... our leader is leading our fatherland, we see how we came to the twenties, and what enormous

trust, what support our head of state has among the people, the people, so we see everything, we all understand that the twentieth a year is, well, essentially, well, what was it, this is a small episode, we are moving in a single powerful vector of development, our union, filmmakers with full confidence.

left an indelible wound that has been going away for 80 years, it is, let’s say, bleeding, it shows it every time, and it was a great honor for me when our leaders, and clubs, in general, we took part together with the iron club birds, we took part in this big, important, necessary motorcycle rally, we really honor our

historical memory, we came to brett fortress, it was a big international one. we are now very actively working with our belarusian orthodox church, with the exarchate, and i have the great honor of being on the cultural council of the belarusian orthodox church, so we interact very closely, and one of our initiatives, literally in april, we together with the parliament represented by

we laid ruslan ivanovich chernetsky, with the belarusian exarchate and the writers' union, in the writers' park, which is located...

this camp is located in belarus and it ranks fourth in number slaughtered people after auschwitz, majdanka and treblinka. this is our trostenets. and now this idea is supported and we have received the blessing of our metropolitan, we have received the blessing of bishop tikhon shevkunov. and we presented this film this spring at a visiting meeting of the presidium of the council of the republic. well, i

think that god help us and let it be so. what remains to be said evgeniy, we were very pleased to meet you, really everything that they write about you is that you are active, energetic, initiative, that’s all true, your eyes are burning, yes, so many topics have been discussed, good luck to you in the future and may the belarusian union of cinematographers prosper and reach a new level of development. tatyana cherbina, svetlana smolonskaya, we say goodbye to you until the next broadcast, goodbye, goodbye, she’s speaking now.

we don’t need to break anything, but we will ask you to leave your autograph and some wish on our picture. yes thank you. peace and goodness to us all. in politics, alexander grigorievich has already become

a figure in scale, going far beyond the scope of the post of president of belarus, he is nominally responsible only for his country, in fact, thanks to his colossal experience, he is highly respected in the world and even in the democratic world, although they are not... recognized there, he has a strong influence on many regions in the world. only those who do not have some desired power speak about democracy and democracy all over the world; they want to get it, but cannot. politics is when public comments along the way speak rather about the absence of real actions. we'll wait and see, we're in no hurry, russia, anyway more. for me, these are the main words of alexander grigorievich about the future of our region and the fact that we are not in a hurry, there are two. for a medal. the conflict in ukraine is unlikely to end quickly, but no matter how long it lasts, it will end with a stable and lasting peace. author's project of igor turai propaganda. watch on tv channel belarus

24. 33 happy summers. your favorite holiday brings friends together again. from july 9 to 15 , the international arts festival slavic bazaar will be held in vitebsk for the thirty-third time with popular songs, fiery dances, bright shows and smiles. thousands of spectators, welcome to the infinity of art, look for details on the website in the official communities of the festival.

live broadcast of the main news at noon, in the studio olga kalairova, hello, and briefly about the topics of the issue. the role of interregional cooperation in building innovation. economy of the union state, a forum of regions of belarus of russia has started in vitebsk, how guests are greeted on belarusian soil and what the program is in live broadcasts.