the second criterion is as a magnificent example of a central european castle, which harmoniously combines all the architectural styles of gothic, renaissance baroque, because we do not see this in other objects throughout eastern and western europe. the fourth criterion is as an object that is located at the intersection of cultural and religious confrontations. we must understand that our object... our territory, it has always been at the junction of two civilizations, and this is still happening. the greater the history of any object, the greater the history of the museum than he has more collections, therefore, more of those blind spots that need to be worked on, so we try to keep these lagoons closed, with our scientific work that we carry out... every year,

every day, thanks to our scientific staff, and it seems to me that the intensity with which we publish our collections of scientific and practical conferences or historians on topics that are related to our owners, we have the right to consider ourselves a fairly serious museum, which is completely open to scientific research, scientific publications. good afternoon, guys, today...

certain archaeological collections are formed from those objects that are located on the territory of the complex, and during archaeological research, after processing, the fund ends up here, including these metal door linings that were discovered during archaeological research in 2016 - 2018...

my main work is related to textile objects, in addition to the fact that there are also such thin delicate objects that require painstaking work. trellis, the trellis is called the triumph of mordachey, this is france, abeson, the end of the 14th century, the lining fabric here was damaged, it had to be torn off, that is, this is a complete dismantling, then later after cleaning, washing, all this will literally have to be restored back soon, this is very a long, painstaking process that lasts more than one year, this is... a fragment where this city of susa is depicted, the turrets of these temples, here i just need to stitch and strengthen this base like this, a thread so that it is fixed was there and it didn’t move anywhere, that is , now it lies and seems to be resting, in

the future i hope that it will be calm for me to see how it will decorate the walls of our castle for many, many years.

gaidaenko, vladimir alekseevich. during the patriotic war, he took part in the battles near moscow. at the beginning of 1942, he was sent to one of the partisan detachments in the bryansk region, where he supervised the counterworks, the construction of defensive structures, and then became the commissar of the partisan detachment, carried out a raid with the partisans to the pinsk forests, from 1944, a major engineer, commander of a sapper

battalion, during the liberation of pinsk he was part of a landing force of sappers; he died while clearing mines from a building and the streets of the city. a street in pinsk is named after vladimir alekseevich galdayenko. rome, year 1520. we sing yaga in song. who is there in

the forest, who is the gallant hero of this great creation, and who is the author of the poem. it turned out that we don’t know anything about mikola gusovskaga, except for the personal questionnaire. history has deteriorated in the archives, and the creators themselves give new clues. 500 gadov tamu on the belarusian lands were full of cattle and unclimbing cannons. analogous to the current sport. and, of course, there were special people who ate the arganism, the fishermen, and they were in charge of the parades in your forests, and even more recently the vyalik prince himself with his date. one of these deceivers. nedze ў 1470 naradzіў son of mіkola, mabyts.