then 98% of belarusians, of course, have a family, yes, a prosperous family is really a very important element of their life and a priority, so taking this into account, taking into account the priorities of society, of course, my most important task is to support the family, a prosperous family in first of all, of course, supporting families raising children, this is such a serious main task, and now we, as a ministry, are... working to adjust the main directions of state family policy, approved by decree of the head of state, we are working on a new structure, a new direction, this is the emphasis that we want to make - this is such a serious ideological, such informational, serious strengthening of this direction, and maraz sergeevich, we really count on the support of the ministry of information in this matter, together we must create such a pro-family, powerful information field. which would really

be for the benefit of our wonderful belarusian families, our smart belarusian children, well, belarusian society as a whole, well, i won’t swear, but in my person you definitely get such a pro-family lobby, thank you, thank you for this conversation, thank you.

pride in our palace, in the palace in our homes, even when it was not in the best shape, not in the best condition, it still remained a historical monument, a cultural monument, one of the most significant in belarus, every piece of crumbling plaster is simply... simply a scar on his body, these are traces of history, the fact that he has acquired such a look, a new look, is a great joy for us, and this is of course a great pride, but this is just his new state, this is his rebirth. my name is vladislav kulakevich,

i am the director of the zhilich palace and park ensemble. we introduce you to the history of our country. the working day begins at 9 am, our museum is not that big, and therefore it is natural that i am in charge of all, let’s say, branches of our activity, that is, this is economic, of course, scientific and fund work, so from the beginning it’s a pass through

the territory, through the halls, the hall from which the tour begins, from here we begin the tour of the halls, this is the very first hall, here we we usually talk about the history of the family, portraits are placed here, this is a portrait of ignatius casimir bulga, as a copy of the original portrait of jaan damel, this is the first owner of the actual builder of our palace, and here is his son and grandson, who later owned the palace. in order to be a museum director, you really need to have some specific knowledge. which are related to the profile of this museum, we have a palace park ensemble, so this is the culture of the 19th century; in principle, our situation is not bad in this regard, because the majority museum employees who are engaged in communication with visitors, they have specialized education, i myself studied in the specialty of museum affairs, my

tasks are to coordinate the activities of employees, this is control, monitoring the quality of the excursion, good morning, has anyone already come for the excursion today? yes, okay, for now, lead as is, and then we will need to discuss, we will revise the excursion route a little and the control text will need to be modified a little, since our museum is still in the process of formation, the exhibitions often change and are formed, the text of the excursion can also change significantly, and in a fairly short time, and this also needs to be controlled, how exactly to present these very changes correctly, but pay attention on... at least once every two weeks i will try to attend the excursion of one or two employees. sometimes it may seem that if you work in such a wonderful place, then over time you

will begin to lose interest in it all, this will cease to amaze. actually this is not true. of course, all this is perceived somewhat differently, through a different prism, but this does not mean that it becomes indifferent, it’s just that. becomes a part of you, especially if you really care about your work, you think about how to do it better, what else you can bring in to make it even more impressive. and the place in which we are located is the zhilich palace and park ensemble. it once belonged to the bulgakov family, the bulgaks are quite an ancient family from the 15th century on the lands of belarus, they are known; modest people, of course, do not build such palaces. if we talk about something so unique that distinguishes our palace from others, then this is, of course, the decoration of the walls, ceilings, first of all, of course, polychrome painting, that is, multi-colored, but no less impressive is the gilding, that is, many elements lipnins, many ceilings are almost entirely gilded, as for example

here in the ballroom, that is , this gold literally hangs like lamellas, you could say, there is a lot of it in the interior. the palace in zhilichi never existed on its own; it is surrounded by a large park. this park, of course, has changed greatly over time, but now you can still see the outlines of the very alleys along which the bulgaks and their guests walked. the first world war began, and all the most valuable things from the palace were evacuated away from the front line. naturally, the palace changed its purpose a little. various, let's say, are located here. there was an orphanage here, a school for working youth, with in the thirtieth year there was an agronomy school, an educational institution, a good basis for this was laid here, because the bugaki were primarily engaged in agriculture, during the war there was a german hospital here, the palace was of course damaged, the greenhouse was dismantled by order of the nazis,

but fortunately, these are not the greatest losses that could have been, the palace was not bombed, there were no major battles here with the exception of partisan raids, so the palace was preserved quite well in wartime, after the war... there was again an agricultural technical school here, it was here until 2006, and in 2006 everything here was already completely occupied by a museum and a children's art school, and the museum was a children's art school. existed back in the seventies here, in the creative complex of the museum, working is truly a unique thing, because all our children are imbued with history, and the children immediately when they come to school, firstly, they learn the history of the palace itself, they begin to look at our ceilings , our... the buildings are fully examined, all the buildings understand that this is art, it turns out

that their upbringing begins immediately with art, then they come to our school, choose music, choreography department, art department. thanks to their enthusiasm and love for their native land, a picturesque corner of nature turned into a polesie lavender paradise. i'm anya, i'm vital, and we're on a lavender farm in poles. here we grow our lavender, our lavender happiness. welcome. happiness lives here, big, warm and real. dad loves it, she sees it, of course, she is very involved in it. lavender is just right for her. cool, it’s very interesting to see when the bushes were small, she was small, we have photographs where she was small, the bushes were small, she was small, she was getting bigger and

bigger and the bushes were getting bigger. in the belarusian program we will meet a married couple who own a lavender farm and find out what is the source of life for their family. the parents are healthy, everything is fine, that is, it all comes together, we have a very large one, strong, happy family, a whole box, yes, a whole box, look on friday. on our tv channel, the hot harvest is still ahead , the harvest is already in my head, it’s not bad this year, it will be our gold and foreign exchange reserves, new dairy complexes also work as a food safety net, we won’t move away from the complexes, the world and the economy are not getting simpler, but belarusian exports are growing, we are moving to the east and not only more actively, we are working in the distant arc and... by the end of the year this will be felt even more, as it is today how is the belarusian economy doing? well

, he feels quite confident, there is no extra money, but he doesn’t mind people’s health, the new fork is a gift to the residents of derzhinsk, this is so that we take care of our health, and most importantly, so that our children have the opportunity to play sports. today , the enterprise implements all technological stages, from the production of high-strength steel to the production of ready-made ones. main topics on the main broadcast. watch on tv channel belarus 24. it’s not time to relax and rest on your laurels, it’s time work ahead of the curve, take the time to understand and feel your information enemy. and these are, first of all, centers of information and psychological operations, which are grouped under the roof of nato. ukraine, poland, lithuania, latvia, estonia and half the world, but ours is the main one. weapons are not stunts and lies, the enemy’s favorite methods, but the truth. the international

non-governmental organization reporters without borders has presented its new ranking of the world press freedom index. ukraine ranks 61st, and belarus and russia - 167 and 162, respectively. lithuania - 13, latvia - 12. well, what kind of free press can there be in the baltics, does it work? at least one portal is russian or belarusian, there are none, they were cleaned up right here, because of the policy of double standards in the project, this is another, watch on tv channel belarus 244.

the first restoration in the palace was carried out back in seventy-two seventy-three, that is, at that time, of course it maybe it was not very successful, that is , our restorers did not have enough experience yet, it was one of the first restorations in general territory of belarus, but nevertheless it helped preserve what was still in the palace at that time... impressive quilted ceilings, stucco molding, and the upper part of the walls. by the beginning of the 2000th work, of course , the palace was significantly completed, that is , significant ... tion work was already required, at the same time design work began, they naturally included historical, archaeographic, field research, that is, some of the researchers worked in the archives, we were looking for photographs, references, documents of that time, some researchers worked on site, took samples in order to carry out physical and chemical analyses, also large-scale and rather lengthy work. the first stage of restoration included

primarily the restoration of the facades. the interior premises, unfortunately, were very poorly preserved there, so they... were planned specifically for modern needs, the needs of a children's art school, the first launch complex of the second stage of this outbuilding also included the placement of premises for a children's art school and a large concert hall hall of temporary exhibitions of our museum. as for the third stage, there was, of course, a very big responsibility here, because a huge amount of the original decorative elements and stucco moldings had been preserved, all of which had to be restored. it is important to say that the state’s attention has always been on...

restoration work left its mark on our work for many years, even with rescue excavations, when, for example, various communications were laid, the earth, let’s say, revealed what was in it hidden for many years. on top, in the heaps of the earth , there were small pieces of ceramics, we already had experience in archaeological excavations, we had experience in contact with artifacts of this type with... we immediately drew attention to this and really wanted to collect it all, because every day something changes, and accordingly , we might not have found these pieces the next day, so we collected everything as much as possible , and then we carried out work on gluing these fragments, these are flower vessels made of clay, they were made on a pottery wheel at the turn

xix-20th centuries. in many rooms for skeptics, let’s say, the restorers left so -called soundings, that is, so that you and i could make sure that the same materials, the same colors were really used here, some of the elements were not restored, that is, they were cleared of the layers of later paint are left as is, yes, they are more faded, duller, but they allow us to really touch history and understand that the restoration was carried out scientifically, that is, the way it should be, this is not fiction. designer, namely a historically based design decision. it was also important to recreate artistic parquet floors; they have not survived to this day, unfortunately, because naturally they were not designed for students to walk on them every day for many years, and

therefore they wore out quite quickly and were still in use in the sixties replaced with conventional floors, the project was already accepted. the decision to recreate the parquet pattern, it was recreated exactly as it looked in the 19th century. artistic parquet, it is completely different in different rooms, that is, each piece here is made of different types of wood, like a mosaic was simply assembled, here we see one with a 3d effect, one might say, in the next room it is already brighter, more colorful with various figures, stars, a meander ornament, in the next hall there is another one, each of them is unique, absolutely not repeated, much of the decision-making about the intended purpose, about the purpose of the hall as a whole, was facilitated by the fact that photographs and some historical information of that time were preserved. this is the one from those very photographs taken at the beginning of the 20th century by jan bulgak, this is one of the most famous representatives of the bulgak family. this photograph shows a banquet hall, here, as you can see, there is a lot of stucco, a lot of decorative elements of furniture, that is

, this hall, this photograph, was literally examined under a microscope in order to recreate everything. in the little things, that is, if we look, compare the photograph with the hall itself, that is, we see here beautiful acid-colored ceilings, we see a huge amount of very small elements, that is, almost all of them were created using these photographs, reliefs on the walls, furniture naturally, that is, if we come closer, we can even consider comparing this table, these chairs, that is, how they look in these photographs, how they look in the form in which we can now evaluate them, that is, it... has already been made by our belarusian craftsmen according to modern designs, made on the basis of historical information, historical photographs. in this room he did only one photograph, this is a photograph of this very mirror with the end.

only for our tv viewers, we choose the best routes. the only city in belarus where you can arrive at one train station and part at another, we are located in the west of the country, welcome to baranoviche. good news, you can touch the exhibits with your hands, that is, literally touch history, not so long ago, by the way,

a local resident caught a plastic fish blende with his own wobbler, weighing 41 kg and 2 m long, to show how unusual. our country is wonderful. in america , houses afloat are called the fashionable word houseboard, house, ship. but they haven’t yet come up with a term for floating stations. landscapes full of thoughtfulness and sadness enchant even the most fastidious travelers. watch the program city of belarus on the belarus 24 tv channel . 100 brave guys gathered in our studio

, this is probably one of the actions for which i am ashamed, in fact. - we met with mulyavin, where he lived on the avenue, catch-lop, he says why he didn’t come, tomorrow by ten, that's it, and so it went. the main task is to honestly answer all original, and sometimes uncomfortable questions. borism calls itself the heir of komsomol. why do we even need to preserve this soviet heritage? i believe that y. a successful state and country understands that building a reliable foundation and state is possible only with respect for the past. watch the project 100

questions for adults on the belarus24 tv channel. and now an important process is underway, this is the museumification of this palace, this complex, part decorative items, some furniture, they were included in the restoration project, this is a complete recreation of pieces of furniture that have been preserved, at least in photographs. some rooms, unfortunately, did not have photographs, we don’t know what was in them, and therefore these rooms... are mainly filled with antique objects, we consult with specialized specialists, that is, there are specialists in painting, there are specialists in decorative and applied

arts , each item is an antique item, it requires very careful research, namely whether it corresponds to the period, how well preserved it is, whether it has been restored, this affects both its value and the likelihood of its acquisition and placement in our exhibitions. to immerse a person in an environment, a historical, cultural environment, the presence in it of original, historical objects is very important, here we can see dresses, ball gloves, a probe - these are all antique objects, objects that are already more than a hundred, more than 150 years old, namely by introducing such objects, a person can immerse himself, he can feel that he really is in the present monuments, surrounded by antique original objects, this dress is more than 150 years old. these are the dresses that people often walked around the house in, that is, this is not even a ball gown, it’s just a house dress, but it’s in the perception of our people today, it certainly looks very luxurious.

unfortunately, we have very, very few authentic original items that have been preserved from the bulgakovs, these are very simple craftsmen, that is, they are so homemade option, not at all palace, what may have stood somewhere at the bedside of the owners of the palace, they were brought to us not so long ago, they were taken from the palace in the fifties, sixties, that is, even after the war they were still here, still in use, naturally , in order to preserve all these intrigues... you need to take a lot of measures, that is, these are like engineering solutions that are already included in restoration work, that is , maintaining a certain temperature, maintaining humidity, ventilation systems are responsible for this, so special order cleaning these rooms, that is, naturally all our visitors are forced to put on shoe covers, this is due both to polluting these rooms as little as possible, because the sand that we carry on our shoes significantly harms the parquet, let’s say, and secondly for

in order to do less... wet cleaning, artistic parquet does not like - when a lot of water is poured on it, you need to maintain a special, let's say, microclimate, and this can be a different microclimate in different rooms, that is, for example, to save and paintings are needed in order to the room had a low temperature, that is , no higher than 19, let’s say degrees, and low humidity, maybe 40-45%. and in order to prevent the antique piano from deteriorating, you need to maintain a different humidity, above 55. and maybe even somewhere around 60% so that it does not dry out, you need to monitor this very carefully. to many people, museum employees often seem very greedy, very rude, because they don’t allow you to touch anything, they don’t allow you to touch anything with your hands, in fact, we wouldn’t mind, we would really like to give everyone touch, but there are a lot of people, and this

most unique antique thing can very quickly become unsightly. and here, for example, we often had a problem with a table for needlework, and it opens quite easily, it is on a through route, so we had to use some trick, when it opens, it makes a very unpleasant sound. usually, after such a sound signal, tourists themselves begin to control themselves and no longer make comments...

the total area of ​​the palace is about 400 square m2. in the main building on the ground floor there were living quarters, on the second floor there were state rooms, salons, living rooms, a ballroom and a banquet hall. in the side wings there were galleries and on one side there was a koplitsa, the bulgakov house church, on the other side there was a greenhouse and a winter garden. the last line of the palace is the western one, built at the very last stage too...

we cannot but be pleased that tourist interest in our object is only growing, that is, even when restoration work was going on , there were a lot of tourists, this suggests that people never cease to be interested in their history, their culture, of course, a beautiful picture, it can be important in order to attract, but behind this beautiful picture there are hidden more important, deeper things that it is important for us to convey with our work. you know, i found the history of the bulgakov family on the internet, yes, it is quite interesting, complex, a very complex fate near the palace itself, the palace itself, i have wanted to be here for a very long time, i saw how it was being restored, i really wanted to see a living one, because i am interested traveling around belarus, and i’ve been to a lot of places, this palace, it was last on the list, i’m very impressed, i see that

a great job has been done, a really very grand building, a very grandiose project, and i’m glad that we have monuments are being restored, that's that simple. delight, i’m still in a pleasant shock, i just can’t find the words, i still think that it’s worth restoring all of these objects, because this is our historical memory, and i think that this is historical memory, this is , on what our patriotism, our national pride is based, and seeing this way...

there is a generation of ancestors, behind them there is a history precisely in order to understand what is behind them in order to build huge temples for... in order to have castles were huge human resources, huge material resources were spent, because at that time it seemed very important, very necessary, when we restore such objects, we also pay tribute to our ancestors, in the evening, when the working day is already coming to an end, a load of worries no, you're not at all you see these halls differently, you walk through them in a completely different way, and you can feel yourself... and maybe even somewhere the owner, here in the ballroom it feels the best when you walk in here, when you see this hall and literally in the evening, when the candles are burning, you get ready to receive guests, and this is an unforgettable feeling. i got into housing in 2015, i

came here to work as a young specialist, a graduate, and for 2 years i was a research assistant at the museum, that is, i was mainly involved. just service tourists with scientific activities, that is, i wrote articles, researched information about the museum, but in 2017, when my assignment had already ended, i received an offer to become the director of this museum, which i did not refuse. of course, when you work in such a place, it is impossible not to feel proud of all this, the state of the palace in the dwellings, which was 5-7 years ago, cannot be compared with what we see now in my work... of course, a lot pluses, that is, working in such a wonderful palace, in such wonderful interiors, working with wonderful people, we really have a very good team, these are pleasant reviews, because very often people

want to convey their joy from visiting the palace in their homes, there is still a lot, a lot of work ahead, and of course, i would like not just something change, i would like to bring a lot of new things, i would like to try new forms of work, but... i would like to experiment with them, and i would still like to see the end result, because there is not so little work left on the restoration of the palace, only the the interiors of the state halls, there is also work on the park, work on museification, this is something that will take more than one year, if we were to choose where to put our efforts, then, of course, i would like to leave them here, i would like to devote a lot of them to that , in order... let's say, to make the bolgok palace even better.

this is the natural wealth of belarus, and the standard of jumping can be achieved in braslauschyna. here you will find enchanting lakes with an extraordinary water, called god's water. the name of the lake was inspired by the dzyakuyuchy abras, which reminds us of the waters. vozera may form correctly circle. which is not changing at the present time, there is a shame that there are so many people on the right from heaven, and there is a lot of such charming lyusteraks in belarus.

33 happy summers, the favorite holiday gathers friends again from july 9 to 15 , the international arts festival slavic bazaar will be held in vitebsk for the thirty-third time with popular songs, fiery dances, a bright show and the smiles of thousands of spectators, welcome to the infinity of art, look for details at. .. the most current event from

the world of sports. 50 days before the start of the olympics games in paris, the french authorities presented the olympic rings, which are installed on the ephel tower. minsk is stronger than victoria, 5:1. with this score, the third match of the final series of the belarusian field hockey championship among women's teams ended. hard training and exciting competitions. the second training camp, the belarus national biathlon team, has begun in the current off-season. it will take place in july. probably the srednegorye collection and it will also probably be the well-known sakhkodzor in armenia. comradely the belarus-russia match was the first international one in our country in 2 and a half years; a lot of efforts were made by many ministries to organize it. exclusive interviews with athletes. here in russia at the brix games everything works like at the olympics. we have a common village where we can meet representatives of other sports. it was not an easy path to victory for me. i’m happy that everything worked out, all this is in sports projects

on the belarus 24 tv channel

. you are watching the news now, tatyana korol is with you, hello! belarusian deputies and senators take part in the tenth brix parliamentary forum in st. petersburg. the main topic of the forum is the role of parliament in building a multipolar, just and strengthened world. global security chairman light