nowadays there are two alcoves, whose historical architecture is connected with the earliest baronial functions that were required in the beginning of their home and all of these two elements that have been built this means hell for the abaron, for example, neighbors, such a bad attack. however, when it comes to the designation of the palace of aginskikh, it is impossible to emphasize the fact that it... belongs to the so-called right-wing classicism. the facades of such buildings are characterized by dimensions in all cases, which accentuates their character central care. in their early days , architects used to use skylights, as well as packaged frontons and simply shaped windows. in fact, when it was uneven, the thinness and flatness were often torn. scyana became.

what kind of memory to the napaleons and alexanders chooses and the beginning of may several ties with banapartham, removing the right of the racial side and the great glory of aginskag’s plan, which provides for the autonomy of the region and darechy, for belarus, this magchyma would become a very significant source for the farmed mentality and self-identification, aka the geta didn’t work out. with the seeds of another worldly war, everyone was in control.

in this region there would be long and happy forests. we were in the morning and evening, at that time, when i was angry with him, i just hit him on the head.

student of the chatsvertag course of the faculty of kharavog. the belarusian canon taisiya tlekhuch came up with the idea of ​​creating a vocal-instrumental ensemble, like singers and singers. and all this idea seems to have infected her classmates, and at the same time she was hanging out at the canservatory international. their name was raisa tarasava and tatstsyan karalev. they just didn’t grab the holes on the keyboards. hundreds of paras taisi tlehuch zvyarnutstsa and students of the beginning of the course of the fartepiyannag faculty of yadvya paplauska. ulasna seemingly and stavaryўsya first warehouse of the verasa ensemble.

you are spinning anxiously, that you are hiding your wing, in our heart is the song i am ast you, this is our storks’ home,

i was always very attracted to the scene, in the end, this is how my relationship with the girls began, lyutsina shimitkova was already there, and a year later she came nadezhda mikulich, girls from versov, two, in my opinion, were leaving, they needed

a replacement, so they brought me in, that is, i suited them in all respects, i played the bass guitar, i played the guitar, i sang. thousands of centuries ago, birds are flying from south to north, they don’t want to stay anywhere, they are in a hurry in the fallen water.

further forests of faith, yana and sapravda velma hutka adzyalilisya hell, and this happened

, as in 1973, the group of mitsul had a new accompaniment ensemble at the beginning with guitarists yury rymashe skim. yadviga paplawskaya, lyutsyna shemkova, lyuda esupova and me. we united and made a common group and then the boys started singing, we made a funny group, and that’s how it remained. i have said all my life and will continue to say, for me the most important person was yadya poplavskaya, that’s because she always built us up, as they say, we just arrived at the hotel, we just settled in, she immediately gathers us to sing in her room, we we sing, we sing, we sing, okay, we went to the concert, we just arrived, we sat down at the piano to sing, and if god forbid we have some kind of...

alliance from abroad, and so on and so forth, but it turned out that sasha had already peeked at some rehearsals, yes, he listened to us, and he really liked us, then, as it turned out, later, his voice fell on me, and he asked for verosa, the echo of the street at night, it’s quiet your voice.

and from nowhere, it was like that, it will always be like that,

and therefore it’s immortal, it’s like a blow, because it’s immortal, it’s a miracle, it’s a miracle, there was also a story that the director said,

i have this phrase in my ears, i’m just grateful to those , who saw this powerful potential in us, giving us the right to work further, we're further away. just like walking down a green street, 100 brave guys gathered in our studio, each of them has a question for an adult, you promise to tell only the truth, i promise, then good luck, how was your

adolescence, mikhail, it was a difficult time, was there such a thing , then why don't you like the song?

in 1980, the first release of the giant version, our dyskateka, was released, and the most recent tracks on it were the song by eduard hank on the top of anatol papyarechnag. malinauka, this song was put on the plate by tsalka vypadkov, if the album was already registered, there was not much time left on the mattresses for the sluggish campasian, which was so thick that it was not possible to exceed the weight of the hvylin.

it was called imuk, so i started looking for some sounds there, while i was playing it, the synthesizer just drooped, i also remember thinking there, okay, there will be some bullshit, so we got enough of this intro on the synthesizer, well, that’s it it went, and then they came up with a whistle there, a whistle that fills with water, they gave me this whistle, we then also painted ourselves with leningrad ink,

which if it gets into the eye, that’s it, that’s it the splashes were flying, i was crying all the time. from this carcass, they decided to give this whistle to poison, because yadi has glasses, there is protection, so when he was featured at the morning post with this song, and then went on tour, in the hotel at night we heard people walking down the street singing robin, we were stunned, it was heard once on central television, and people remembered, we worked at the sports palace for several concerts on one site, they didn’t let us go, we sang robin three times.

what faiths were celebrated in the 1980s, and and all of them, like malinauka, became the winner of the all-time tv festival “song of the year.” the hot song “i live with grandma” by eduard khank, lyrics by igar shafiran edu. ard hanok wrote the music. he was commissioned to score the film “about the problem.” one child in the family." i live with my grandmother, i live with my grandfather, my father and mother come to visit us.

all this is true because the songs of vasil rainchyk and genadz buraukin can be listed in the guinness book of records, and also in

the world of faith . there was already a lot of outstanding hits, hell khanka buraukina's story, which is created, without the hetay of the song, is simply a non-magnetic manifestation of the history of the popular stage. white is the snow, white is the snow, white is the snow, white is the zen! white snow, white snow, white snow, white day, wherever you call me, shepherd, zavirukhamyatse zabirukha, on the door of people, on the door of people's cars, zabirukha, meat, zabirukha.

applause, not just, you know, there were songs in two voices, in three voices, and there were seven voices, everyone sang, everyone who we have even chezhek trumpeter, he also sang, it was very worthy, we came to kustanai, us there were 20 concerts on one site, and of course a little... a little bit of nerves - they were already starting to pump me up, then one day, with lena koshalev, i got angry with him, why,

because we sang a duet with him, we should sing.

at the verasa ensemble the stage evoked a genuine sensation, and i received this day, on the stage of the philharmonic hall , the presentation of my book on the history of the belarusian stage, this year oh the books, what kind of taxa rises in our ancestral world.

you, whom the public in all corners of our indispensable land knew and loved, you, who ў thanks to the friendly team of the administrator , the belarusian stage has become famous not only in the ussr, but also in many countries around the world. belarus is rightfully blessed with these legendary artists, veterans of the belarusian stage. you can’t share

equally in the world, neither money nor success, so at least let the music be music for everyone, the baker will respond, it will respond with laughter, this is a bright melody, this is music.

thanks to the success of the competition and the composition of the ensemble, changes were made. the leader will be the young pianist vasil rainchyk, and instead of lyudmila isupavai, which is packed kalektyў, yes vakalistak janchyn, and a new salist, leanid koshaleev.

it was hot, there were not our songs from the repertoire, they told us that you should prepare, we prepared a tango, leafed on ashanin’s poems, if you love, find, if you love, find, if

you want, come, this day will not pass without a trace, but if there is no love, don’t call me, you’ll never find me anyway, one of the first...

well, how a white sail, a thin wing, swam in the ocean, if only it were, if only it didn’t pass away, the white sail of my childhood, my sail is ashes , nothing else. in the spring of 1975 , the international festival of palette songs in

helsinki took place. people from all over the world came to this festival, including countries such as the usa, chile, cuba, portugal, and germany. czechaslavakia, poland, italy, france. the scope of the festival is simply amazing. in spanish . then we had, you are my friend forever, such a patriotic song too. they came out on stage, sang, in short, the audience supported us very much, they received us very well, just wonderful. soviet esradny ensemble faiths, variety and variety.

we didn’t have rock then, we didn’t hear it, rock concerts, freedom for luis carvalan, that’s the only thing, of course, we weren’t allowed to communicate with foreigners, they come up to talk to us...

verasa’s ensemble would be champions in the history of married couples, like the insides of the kalektyv, napeina, have emerged.

in 1978, the berasy ensemble participated in the international festival of palette songs alen mak in the balgar city of blagoegrad. this festival seems to be a daily occurrence with the american spies dzin ryt, as if they were frequent favored by many socialist countries, and first and foremost in the ussr. at the zin festival, there is fierce respect for the performance of the faith.

the ensemble is in great decline, just as it told the musicians, among others, that it would perform with the representatives of the religious faith in the savetsky union. the fleeting wash of water washed away during the day's work. german, somehow, we called him, agreed, met, first we came to his dacha, chose the songs we would be there, mostly they were rock and rolls, so we were very interested in this, we then it was not customary to play in the rock-and-roll scene, we chose a program, agreed, learned it here, prepared it, met with him in moscow. by the way, we

saw with our own eyes, his translator, oleg smirynov, showed us: at one time in the popularity rating at the first dinrith was in second place, ellis presley was in second. can you imagine? we came to the rehearsal, denrid, vasya, our sound engineer, were lying on the floor with notes. maxim, the light man, something like that, that is, that’s what they call it, there were no show-offs, absolutely, we sang everything at once with him, he was so i was surprised, well, first of all, he liked the fact that he came with the first rehearsal, we played everything, we gave a concert at the yunos hotel, i remember, the idea immediately arose to go to the bank, and we went with him to irkutsk, there with a big we toured with success, we were so received there and had the best experience.

he was riding a motorcycle there all the time and somewhere he broke a rib and they were filming, making a movie

and he was on the roof of a train with a guitar with a broken rib, he calmly while the train was moving he was filming, that is, like that. 1981 in the minsk house of afficers, and i dachshund was at this office, then yashche padletak, i was disgusted at 15 and 16, i remember

this office and the fact that i looked at all these faiths, and at dzina ryda, who were my idols. used to help me to leave me, now after love me let, well it's good for you babe and you're feeling all right, while you just all

and tell how you don't say you need me. you don't see me love so you don't bring me flowers and on another day of the concert in the house of the afficer, verasa and dzin ryt rose up in the famous popular broadcast belarusskaga telebachannya.