korea is just a 2-hour flight, well , the decision was made jointly and... and i never regret it, my wife is more of a home, a family, and, of course, if there is an opportunity to help , i am always happy and on business trips, if there is an opportunity to prove myself in the work field, i gladly take this opportunity. on all business trips, after the wedding we were together, we got married in north korea in... you are younger, the more interesting

and you perceive it easier, with each subsequent business trip it becomes harder moving, because perception is one thing between two people, and another thing when you already have children? my first impression of belarus when we moved to bresk was that it was very clean and bright, we moved in the summer and it was clean and bright compared to moscow. it’s kind of nicer, when we moved, i went to second grade, and as i noticed, people here are much kinder, anyone can just help themselves, in principle, it’s very beautiful here in many places, compared to moscow, it was all new, they have their own habits, your own jokes, your own culture, it was completely different.

it didn’t look like moscow at all, every business trip is a definite step, if the east gave us a family, formed our family, then belarus is more about the soul, where there is the opportunity for spiritual growth, and the small courtyards of brest, with people playing dominoes, and harmonica and paper clips, this gives more...

here for the first time children at their conscious conscious age got acquainted with another country, albeit very close, albeit fraternal, but still different, they gained new experience communication - with friends, with people, and, probably, maybe, there will be more business trips, well, maybe a few, there will be a number of them, each country will have its pros, its cons, but belarus will remain so close to us... dear a country where we met good people, where we met a wonderful country, wonderful nature, where a piece of our heart will remain, and of course we will take a piece of belarus with us.

a space of non-standard techniques, forms and materials. recognized masters and young authors, today you will see an artistic rethinking of the traditions of textile art. we are at the textile bouquet festival. yulia burlo is with you and this is a cultural fashion project. festival of art. textiles , the textile bouquet has received recognition among artists, world-class experts and has taken its prestigious place in the geography of international festivals of contemporary textile art. here you can see works made in both traditional and experimental textile

materials and techniques. patchwork, weaving, embroidery, applique, knitting, dolls, costume, textile collages, textile sculptures, avant-garde products. within the framework. the festival hosts master classes, fashion shows, excursions, lectures by art historians and original presentations of participants’ projects. textile art brought together more than 100 professional folk artists from belarus, russia and austria. the motto of the festival is from tradition to modernity. olesya alexandrovna, good afternoon. hello. this year the textile bouquet festival is 5 years old, a mini-anniversary. tell me, please, remember how it all began? it seems that it was. only recently, in the nineteenth year, an initiative group came to us, these were representatives of the quild club volozhki-minsky, and the author of the idea of ​​​​this festival was natalya borisovna gagarina, who then represented the russian country, and it was originally planned that the festival

would be belarusian- russian authors, textile artists from both countries will show their works, but however, as soon as we announced that there would be such a festival, we began to accept applications. straightaway applications from different countries began to arrive from the first year, the festival immediately became international, the idea of ​​the festival was to combine the works of artists and non-professionals in one exhibition space, in one forum, why the festival is named textile bouquet, this is such an interpretation , that just like in a bouquet of wildflowers, you may also find some modest little flower here, but as we say, you may also find a simply large one.

special education, since last year we conducted such an experiment, we allowed participation in the children's festival, that is, children's works, children's groups, this year the works of the children's studio maistrykh from babruisk are presented, these are dolls that children make themselves, our traditional dolls that are created without sewing, and of course, the fact that our festival is every every year more and more professional, already internationally recognized artists are visiting,

what to be proud of, at one of the festivals we showed our unique cultural phenomenon, these are malyavanki, which are represented by traditional modern techniques? this delicate sewing or patchwork, this is quilt, this is appliqué, textile sculpture, textile art objects, this is embroidery, and even

the costumes here are very interesting, this is on a historical theme, the belarusian costume of the belarusian nobility, part of the collection is presented here, and of course our traditional... quality and the belarusian school, textile school, it is famous and has earned recognition in the world directly for its very highly professional quality, that is, these are our gabilens, i’m over five. in moscow - shawarma, in st. petersburg - shawarma, in

shlove - ogurverma. let me note that there are two camps here. the first is meat with balsamic vinegar and blackberry gel. it is fantastic. we will witness the birth of culinary masterpieces. tricky question. right on the forehead. do you think that belarusians know how to cook sejk? of course they can. prove it to me. now i will prove this to you. let's let the shlovski cucumber brew for a little while, and then we'll go try it and draw up a detailed gastronomic map of our country. that is , in fact, sash, we added smoke here and made a steak out of a simple steak in a frying pan, fried on the wing. the residents of shklov are great fellows after all. to create such a legendary culinary story based on one product requires effort. see the project. and anywhere on our tv channel. belarusian

doilitstva, like its own jumping, is important for this time to learn and master. russian classicism, it is mostly found in modern architecture. halounae, if they were great, such recognizable forms. you are a bachysh of two vezhy, which flank, not agaty palast. gulna of the old people and the whole hetay new budynka and attempted to nasamre tsikava. the history of the creation of significant cultural objects in the region. the basic elements of the zaletskaya garden are based on two algeges, which historical architecture is connected with the earliest baronial functions. these palaces would have been drained, and in the 19th century, when pennies appeared and then, they would have been published in the style of bad luck. cultural-asvetnitskiy project architecture of belarus. above the respectful campasic we are very abelisk

with gadzinnik. syadziba aginskaga yana just stood up for the pile all the time suchasnasst jakuyuchi getamu element. glyadzice on our tv channel. carcinomas. painted with fabric, this is how one should consider the works of the artist of decorative and applied arts, member of the union of artists of belarus lyubov kirillova, her works adorn the interiors of the hall of the all saints parish, the palace of independence, the supreme court, the wedding palace, and are also in private collections. love, good afternoon, hello, please tell us why textile art is coming back into fashion today? i think, that... never went out of fashion, textiles are eternal, to be honest, even the first icons were made from textiles, from fabric, that is, not

written, just textile icons, that is, but in general, working with fabric is the love of all peoples of the world , probably, working with textiles, it is, in fact, a material in itself, warm, and if you apply some other skill, love, work, ability, desire to fantasize, experiment to it, then something will eventually work out. we are at your personal exhibition, at the textile bouquet festival. tell me, please, about your work, about the equipment you work with. i work using my own artistic textile technique. what distinguishes my technique, perhaps from others, is that there is volume, let’s say, the decoration is done with all sorts of ribbons, gold, silver, cords, decorative ones, and the volume gives an additional play of chiaroscuro, which greatly enlivens the work and... gives it a watercolor look, and softness, let’s say, here are

works from a long period of creativity, because each work requires, let’s say, at the beginning a personal idea, then cardboard, embodiment in a pencil, and then work with the fabric begins, selection of fabric and work in the material and fabric from such a huge pile of fabric on the table that you... select for a specific job, there are always the main three or four left, the rest in the course of the work, that is, the work itself accepts the fabrics that it needs according to plan, you have to fall in love with the work in order to do it. you just need to fall in love with the idea, with the work itself and just do it with love, then it will work out. do you use different fabrics, yes, that and velvet, damage, and linen, and silks, organza, all kinds of accessories accompanying textiles, these are rhinestones, and braid, and all kinds

of embroidery beads, and i use metal, everything that is possible, because... this is exactly the difference in textures, which is the most important thing to do in the work, so that one texture works for another, so that the velvet works , brocade on linen, this is the combination, it is interesting in the work because you want to look at them and how it is done, in the process of work, these are all fabrics, they already acquire the properties of a completely different material, that’s why many people at exhibitions want to try what’s been done, because now they’ve turned on the lighting, many fabrics give a shine. metallic even shine, even metallic somewhere, yes, because brocade fabrics are used that are light-reflecting, tell us how the image of your paintings is born? the primary thought comes, and you begin to think, here is some interesting topic, for example, the mistress of the copper mountain, the mistress, this is a tribute to fairy tales, which i read in large quantities as a child, from there

flows fantasy, for example, the work of beards golden, it was created by these...

the school of textiles is known all over the world today, a strong vector here is set by vitebsk state university named after masherov. tatyana, good afternoon. kind! please tell us how the vitebsk textile school differs from the minsk school? the vitep textile school is famous for its traditions, that is, in most cases we

implement all creative works through the embodiment of traditions and transformation using modern, modern materials. capabilities of these materials and maximum we move into two-dimensional compositions that create a certain relief on the plane. vitebsk state university is famous for the fact that we preserve, embody, increase, it is our traditions at the department of decorative and applied arts and technical graphics, this is actively used, there is a museum of decorative and applied arts, and all types of decorative and applied arts are collected there, and special space is given... to textiles as well. tell us, what techniques are taught at your university? we have a very diverse number of techniques starts from traditional ones, that is, we have straw weaving, ceramics, wool felting, hand weaving, loom weaving, embroidery, decorative embroidery, and traditional belarusian embroidery, but

wool felting and wool felting are probably especially popular among all our students. batek, because this is... a rather unpredictable material, especially wet pouring, that is, it is very, very difficult to predict the result. do you use any modern technologies in your work? yes, definitely, it’s impossible to do without it at the moment, especially since that technical capabilities allow, today at the department we are working on the artond project, using 3d digitization we are trying to create a fund of our diploma works, which are collected in our museum. department and this makes it possible, through virtual reality, through the internet , to examine down to the smallest details, to bring all, all, all of the work closer, to examine technologies and details.