but he’s alive, the doctor of the building, you know, what kind of doctor, what kind of doctor, well, the one who performed the operation on him, yeah, that means he’s alive, alive, right, and you know that july 3rd, yes, we were told that july 3rd all the surviving partisans gather at the monument of glory.

hey, well, i’ve found it, here he is, sergei ivanovich, our teacher, come here, show me.

great, hello, what do you need to pull for the parachute to open? the little devil is alive, alive, uh, ring, this is not a bird at all, this is the heart of a boy, a winged heart that has soared high, is not afraid of anything.

the heart is not afraid of anything, it can crash into the sun, hold on, he will shout to his friends from under the cloud, at the end of the spring day, he will disappear again and will appear again from the water, from the thunderstorm, from the fire.

there will be a lot of mornings. here you will find enchanting lakes with an extraordinary water , called god's water. the name of the lake was inspired by the dzyakuyuchy abras, which reminds us of the waters. vozera is in the shape of a regular circle, which does not change for many hours. there is

a shame that there are so many people on the right from heaven, and there is a wealth of such enchanting chandeliers in belarus. as navumenka sleeps and works, he was one of the brightest stars of the belarusian stage of the 1990s, and the beginning of the 2000s. i'll give it to you.

and in the hands of nostalgia, my first day and the last day, he once told me, little one, i’m so lucky in life, i do what i love, and they also pay me money for it, the holy man, the gentle aptymist and the vyalik pratsaunik , which is the problem of any life and pain of the skin, imminently.

we knew from yashy navumenka in the early 80s, we studied with them in parallel courses with the minsk music school, i’m in the theatretychnym adzyalennі, and he’s in the hard hole, well, of course, he would be the elders for us, we, one might say, are amazing scalers, dzetsi, and he would have been shepherding armies at that time ii, serving at sevastopal va flotse, dachshund... there are two bastards in the sevastopal mining industry, and then i’m throwing it away, where it is clear that the engineering on the right is not my way. at that time, sevastopal had a father, an eldest sister, they knew great

good, they traveled there often, and of course, no one could have happened that menavita sevastopal in 2012 ... adbyare ў yago zhytstso. yakak navumenka naradzіўsya ў 1959 ў orsha. yago, father, veteran of the war, is a prolific player of the button accordion. matsi slept well. with all his hair, he would be the youngest, heel. two brothers and two sisters were considered elders. in childhood, being an artist, i dance and play music, i am self-sufficient. i learned a guitar, and then graduated from music school as an accordion. in 1981, we, students of music

, education, and administration of rural and gas supplies, as if we were talking about potatoes, look like potatoes. i'm already i remember yasha well, it was a great time, if i don’t remember it, lankava in the magiliy region, and in our vachi, of course, there was a great man... the son of yasha, as he was a great great man, let us become lnavat, give me yes let's

get started, at the final exam at... young chalavek, you have a slow future, music students, yaka navumenka has got belarusian folk songs. i nevypadkova, in the first months iago pratsy became the belarusian folk music ensemble. dzyarzhaina philharmonic, but at that hour yakaku i'm starting to enjoy my

time on the stage in 1988. then he became a laureate of another all-russian radio competition “new names”. varanenki, let’s start galloping and going. shalenka eats monitor lizards, age-old darogai, pashkada vyasna, young lad. in the new names competition, the villagers sang a pop and folk song. and now i have completed my performance of folk melodies, which i remember, campaigning on the dudachtsy. kali passed away.

yasha ўvaishoў at kolkasts peramozhtsaў getag competition, and the entire competition will bring new names to the brightest two... zinasties, folk songs and pop songs, menavita in these competitions and will continue to develop as a vocalist, like a spyavak, like a pop artist, ale perad getym yashche passe advuchytstsa ў academy of musical names in maskve, where my mentors were the true vigilantes of the savetsk stage, lev leshchanka,

this is the work for microphones, it is not fun for the folk choir of names icha, and there at

the warehouse of the getag choir there are vocal troops call it krynitsa, there you go and two hibernators, svyatlana susedchyk and natalya ramanskaya. and we will become herded partners in practice in the community. yes, created by yakak navumenka, i have the most harmless days, and now i’m thinking of this kalectiv, i’ll call it, which is what all belarus knows.

it was for someone to listen to the part, correct it, maybe he was doing this, and naturally, he sang himself, sang gorgeously, throughout our work, well, there was a simple creative atmosphere, we had trips abroad, we were at a festival in zakopane polish republic, people simply couldn’t

fit into the hall, they sat there on the floor, danced and applauded, and went to sweden for the festival. we choose the best routes only for our viewers. it's hard to believe, but once upon a time there were ancient forests on this land. we're in trouble, welcome. and we go on exciting journeys. they also brought lavender oil and rose oil. for belarus,

the stone iconastasia is not just a whole historical era, but also a piece of the soul. old belarus and place and two poems: veronica in the village. only in 1871 at this place a temple later consecrated in honor of the intercession of the most holy theotokos grew up. ancient iconostasis and rare icons.

steak in a frying pan, steak fried on the wing. the residents of shklov are great fellows after all. to create such a legendary culinary story based on one product is necessary.

then, then such a song was in full force, a song of visitors, as they knew, in which name it began to be known in belarus, and this meant that he, as a cultivator of the saprauda, ​​worked the song given in there are many auditory auditors who spyavak, like an artist, has a new status, the status of a master, the status of a master of the belarusian stage. and at that hour there was

a forest-primary sustrecha, which changed my asabist life, foraging for nowhere, foraging for the fact that the lover no longer discovers firsts, napeina, the geta could be called a service raman, where the abranitsa yash s. in the family, and then one day i ran to the store before closing, i heard someone behind me say to me: what are you doing here? i

turn around, look, yasha is standing, and i say, i actually live here, and what are you doing here? and he says, i live here too, so there, on the second floor at my mother’s, and my mother sent him for sour cream, we went out, talked, talked, reached my entrance, talked, then my daughter walked in, and said something, you ’re standing at the entrance, what are you doing? you can’t go into the apartment to drink coffee, indeed, in general, my mother waited a long time for sour cream, from that time we began to communicate, because we were interested, we had a lot of interests, we were both reading people, we shared books, well then one day, one day we ended up together and stayed for many years,

praca in the national concert archestra belarus in the wake of mikhail finberg's government became a fascination with the professional career of yakav navumenka. geta was the new old one of my biography. the gardens, the flowers are spotted, the moon is shining over the river, the sky is the treasure of eternity. i met yasha when i arrived. to work in finberg’s orchestra, it was 1994, from 1994 we became friends with him, i often saw his performances outside the orchestra, he was always...

in folk costumes, sang belarusian songs, in the orchestra he was completely different, i remember him me because, unlike other artists, he was more open, he always smiled, told jokes, if we went somewhere on tour in cities, we often sat together, shared tea, sandwiches, jokes, jumping, light gropel ringing, oh myane dzyauchynka’s way

to see how people live, how they communicate with each other, because on tv and in films this is one thing, we were interested, that is, yasha often stopped, then they would start talking to men, then with women there and he i said, we are from belarus, i have some questions asks to find out something there and so on, they say, but russia, they tell me, no, we are belarus, well, belarusians, he says, they look at me, and i’m also at...

pauzhuravy, at minsk, at minsk, in minsk, centuries-old slavic paths, we, here are free spirits, long live our free spirits, our free paths. in 2007, yakov navumenka had a long-term partnership with the national academic folk orchestras of belarus named after iosif zhynovich following the cooperation of mikhail kazints. sustrech with arkestra chalk for spevak vyalik captivity. kuma maya, kumashka, dze are you alive, why won’t you banish me from the state? you

don’t make any sense, you don’t know my little hut. senior yasha joined our orchestra in the spring of 2007. i asked for my project, our favorite songs, and started to dig out a song from the singer’s repertoire, you became clear to me and burst into tears. well, he said, but i’ll tell you what i want... our arranger and hole alexander kramko created an arkestrouk on the basis of the best arrangements of these songs, and i was excited about the hell of the song sky. well, that's all. work as we have been told. yasha went to rehearsal for the first time, and there was a bunch of thick salt in the bag, so intense, and the gaba player was working for us at that time, my name was luda murashka. i'm starting to hear about it. sola, then

i woke up, went to sleep, and i was so kind about this song, everything came and went, yasha began to applaud the archestra and said: “oh, when your band player started playing, i got goosebumps.” well, of course, our archestra, lyokha adrazu ad hokhatu, we said the pit then, we were crumpled, because we were shaking, because i got goosebumps, hell goosebumps, well, no less, everything was great goodness, the atmosphere is so creative, syabro, and for raps.

dear godfather, oh, godfather, oh, godfather, godmother of may, oh, godfather, oh, godfather!

the meetings were noisy, they were shaking, they were opening this door, they said: good day, why are you a bastard here, everything is so noisy, and this saleswoman, i just fucked her up, just stopped talking, and so she said: what a navumenka, and a prowl in the back lasya and scyans and knocked out holy, where it turned out that the backs had turned off the switch, turned off the holy in the store, and hell, they all hurt that moment...

he treated him with great respect and could talk not only about music, but about many, many other things, he had such delight, some kind of childish, how he likes it, how great it is that he found something of his own, listen to the ganulka, what about people?

he initiated the concerts himself, because he very much held about 10 solo concerts, he loved all of them, when the audience listens to the huge repertoire that he had accumulated, and thanks to the arrangements of alexander kremko, he has now become the repertoire of our group, we performed a solo concert with him slavic bazaar, and for us too it was a great honor to be together with...

in general, our life was quite fun, i mean, we often moved from apartment to apartment, it was just like i was alone with my parents, i knew that i would have to take my parents with me, and he was very he patiently endured it all, of course, i took him around the city, then we moved to zhodino, and we had a yes near zhodino...

then he comes and says: do you think we can do it? and i say, why not? i began to plan how it would all be, and he agreed and said: okay, come on, we have everything it worked out, and four months later, we moved into our own house, and there he was truly happy, why? because he had his own studio, there was a forest around him, he did a huge cleanup in the forest. he really liked it in the house, very much, that is, he

was truly happy for the last 3 years, he had everything, he had a favorite job, he had his own studio, he had his own songs, he once told me, little one, i’m so lucky in life, i do what i love, and they also pay me money for it, i ’ve already sown feathers, creativity, it was his way of life, he

had a lot of books about music, and it wasn’t that they stood beautifully, but he studied all this, but it’s hard for me to say what was a priority, why, because he worked on folk song, on folk music, and he worked on the stage, he has a recording of wonderful romances, that is, let’s say, his range... creative was very wide, once he made a concert program from retro songs, someone i asked him there, why aren’t you singing new songs? old songs, retro, and he answered very simply, i sing good songs, zhnivel gaze, golden ones.

belarusian doilitstva, which is important for your jumping and this time you need to learn and master. russian classicism, it is mostly found in modern architecture. halounae, if they were great, such recognizable forms. you are a great two vezhy, which flank the negatichny palace, such a whole party of old-timers and a whole new young man. the history of the creation of significant

cultural objects in the region. to all the elements nowadays there are two algeges, whose historical architecture is connected with the earliest baronial functions. these palaces would be completely destroyed, and in the 19th century, when pennies appeared and then, they would be published in the style of inconvenience. cultural-asvetnitskiy project, architecture of belarus. above the respectful campasic we are in great abelisk with gadzinniks. syadziba aginskaga yana just fell in love with this element. they share this knowledge with the viewer. first they know everything about their small homeland and generous mention of the village of perru, end 6, beginning from the seventh century, 2, 2 and a half, maybe three kilometers from the village in the forest there is an old

settlement. a happy childhood and youth, a calm and measured life, they have what many strive for. everything worked out for me here, and i don’t regret one bit that i stayed in this wonderful place, you can see for yourself what beautiful places we have here, i’m just going to take a walk in the woods, without a specific goal, the forest, it seems to calm me down , you go to the water, here you also find some kind of peace, i like this life, why should i change it, the project is about how modern poleshuks live, a man, if he wants, then he...

eats that you and i, we are fellow countrymen, that you and i, we are belarusians, remembering the summer of '12, i remember how he suddenly told me, little one, you know, i really want to rub myself in the sand on the seashore, but i couldn’t go with him, because we had dogs,

you know, we’ve gone to hell, you know , this would be a waste the day before i was born in minsk, yasha was with his sons tsikhan and his nephews.