me, americans like me, we just want our american republic back, we understand that our elites want to create a worldwide empire, this is important to understand, and the only way is to stop and bring back the american republic, yes, that is if the world unites against the united the states will stop our oligarchs. i understand that this is strange, i am an american, i am telling you to unite against us, stop our government,

one of the penalties for refusing to participate in politics is that you will end up your enemies will rule. thank you, this was the “sas is authorized to declare” program. see you in a week. the course of western elites enjoys less and less support from citizens of western countries. belarus.

watch the project's look at belarus on our tv channel.

when it appears in the wild, the light shines on the earth. all the humming husks have faded and only the wind blows through the fox ear, as long as you sleep and it is clear what the tsishyn was calling.

pure skin magic is applied to nature, near forests, near fields, on rivers and lakes, adjuvant fresh pavetra. smell the clear skies, hear the singing birds and the forest, smile, respect the fruit, jump forward. at harmony with the sky belarus 24.

hello everyone, in exactly a minute a hero will come to us who will answer everything, but first, according to tradition, our questions for the hero. vladimir, what sensations are you experiencing now? is it similar to the excitement before going on stage? no, the thing is that when i go out on stage, i know roughly what awaits me, here i am completely in the dark.

according to the rules of our program, if for some reason reason you cannot or do not want to answer, you have the right to refuse the question three times and be attentive to the questions, at the end of the program you will have to choose the best one, now you have one minute to briefly talk about yourself, time has passed, i am a happy person , who does what he loves, i sing in the opera, in it i, one might say, live, open up completely, and... naturally, this is a family, this is my wife, my children, my house, which, in fact, takes everything my life without a trace. you completed less than in one minute. well, now let's move on to questions from our audience. we have

100 participants in our studio, each with their own question. let's see how fast you can answer. you are ready? yes. then let's begin. who's asking the question? hello, my name is ksenia. from whom? there was such a beautiful voice left, what did you inherit from your mother, and what from your father? well, i think that the voice is a gift from nature, and well, something can be seen from above, and of course, probably, the love for singing comes from my mother, and the love for music, understanding myself as a person who plays music and who must to achieve everything, well, to dig to the depths, this is for dad, this is... symbiosis, but i think this comes from the parents, and naturally, work and, well, god’s providence. how exactly did you come to opera? and this is such a long way, because at first i did not study singing at all,

i studied guitar, but somehow the curve of fate led me to first study vocals, and then, naturally, like anyone... there is nothing worse than when ambitions do not correspond to capabilities, so you need to soberly assess your capabilities and set yourself based on these possibilities, set your goals as high as possible and try to achieve them, then everything will work out. to your right is the purple sector, hello, please explain what is

the fun of opera, it seems to me that opera is not the most popular musical genre? well, yes, i agree with you here. after all, popularity is such a thing, you know, everything in life changes and not everything is so simple, here is classical music. classical literature, it is not by chance that it is called classical literature, which has stood the test of time, generations, changes in fashion, it doesn’t matter this interest in this genre, in opera, is still present, another thing is that maybe it is not as widespread as it was before, until there was, say, television, until there was the internet, where you can, without leaving your comfort zone, sitting in a chair there or for...

a period of time when you will already miss her, so it all seems to me changeable, this popularity, what is popular is what is rumored, what is advertised, well , what, let's say classical music is not advertised that way, well, it doesn't occupy such a position a large part of our lives, well, that doesn’t mean it’s bad, in order to... become an opera soloist, must you initially have some kind of natural talent, or can you just pump up your ligaments in order to sing like that? no, well

, it’s impossible to pump up the ligaments, nature gave them, they can only be preserved, developed, yes, well , what does it mean to pump up, there is the concept of endurance, because when i started singing, well , at first it was enough for 5 minutes 10, then more, more , more, because singing, well, it... probably from relatives, so that it would be closer to you, from relatives to rick, so you try go out somewhere into the forest so that you don’t scare anyone in the city, shout loudly, even if you shout oh, well, you shout once, twice, three times and you’ll already be tired, but we’re cooing throughout the whole evening, moreover, we have to shout over what is called an orchestra, a choir, and in general, in principle, fill this huge building in which sits... 1. almost 300 people, fill it with sound, beautiful sound,

preferably, plus we sing the text, then there is also the text must be understandable, this is quite difficult, well, i’ll repeat that it’s impossible to pump up the ligaments, these are two small muscles that fold and tremble there, it’s like blades of grass, many of you have probably whistled with blades of grass, a little more than a blade of grass tears, the same thing can happen. with a voice, that is, it needs to be protected, cared for, cherished and able to use it. do you remember your first stage appearance, what was it like? the first time i went on the stage of the theater in the role of fyaarell, everything went smoothly there, the second time i came out a month later, in december of ninety- nine, in the role of morales of the play carmen, it was just a quiet horror for... me, i caught myself thinking that i don’t remember anything, well, you’ve probably all had

those moments when you stand there and realize that it’s a blank slate and you want to fall through the ground, surely many have caught themselves thinking that time is in this second, in this moment, it becomes somehow incomprehensible, either it is rubber and stretches, or it compresses, and it is you who are standing in this state without time. all knowledge and skills, here the mechanisms of some developments are already included, as they say, what has been completed to the point of automatism, the same mechanism happened to me at the play carmen, i took this step, i thought, well, whatever happens, here’s a blank slate, i go out on stage and then... everything bam turns on, like on cue with a magic wand, thank

god, everything happened safely. and what did your mother tell you then, and in general she often comes to your performances, maybe gives some advice or criticizes you, naturally she criticizes and praises and advises, well , my mother goes to all the premiere performances, to all some new concert programs, something... what i’m doing for the first time, then sometimes he watches there, something is filmed, something, well, on video, sometimes they also come to some ordinary performances and... they refuse some things, naturally , this is criticism, which, well, you need to listen to, process and do something better, i want to tell you that you probably can’t do everything well at once, everything won’t work out at once, for this you just need to be, probably some kind of julius caesar , but we are not caesars. vladimir, i will ask you to turn

right, yellow sector, hello, vladimir, was your childhood different from? did you usually have a lot of friends? well, in principle, my childhood was different only in that while many boys played football, went to sports clubs, i went to a music school, well, music lessons involve sitting at an instrument for a long time and learning a program or practicing some exercises, of course for me this was not enough, i see that all my guys are there playing football or riding... bicycles or climbing construction sites, but now i probably feel more free in the sense that i am doing what i love. what place does belarus occupy in the art of opera? i believe that belarus is with

our opera theater and with our musicians who work in this theater and directors. which i give out to those viewers who, so that i would not be ashamed of that product, came, paid money, bought a ticket, because when we come to the store, as consumers, we have the right to demand the experience for which the viewer came, so that we do not have to pay for it it was a shame, and i think that our performances they... occupy an absolutely worthy place, i was lucky and fortunate that i ended up in our theater, and i am the one, well , a grain that does something to ensure that our theater takes its rightful place in the art of opera. we are moving to the red sector, on your right. in films we are often shown how artists drink raw eggs

to make their voice work, does this really help? well, you know, maybe. helps, eggs, in principle, are a high-calorie product, we all know, they probably help the body gain strength, but the specific effect of this stomach itself, protein, whatever, eggnog, i sometimes make it myself, but not for the sake of it being there, but i just like the taste, mix, beat eggs with sugar, firstly, this delicious, about some positive impact. specifically the ligaments here on or on the gartan, i don’t know, i don’t undertake to answer you here with a full medical calculation, i judge only by myself, i know that in order to sing you need strength, because singing is very, quite expensive, physically a costly action, so what?

understood, well, when we play sports, well, many of you probably do, many of you don’t. well, we heard that we lose moisture when we actively engage in sports, and if we weigh ourselves before class and weigh ourselves after class, we will see this difference, i have performances when after a performance i weigh 2 kg less than before the performance, you can understand , how much moisture is lost from a person and what happens to the body while singing, can your voice break a glass? no, no, the point is that why does the glass break? the glass is cracking due to the fact that the walls of the glass resonate with some sound source, the sound is singing, it is loud due to what? there is such a thing as noise pressure, it is in decibels, you’ve heard this word decibels,

as far as i remember, an airplane on takeoff is about 100-something decibels, 110 or 120 decibels. a good, real, uh, strong opera voice in decibels of 70-80 decibels, that is, imagine, this is the noise pressure, what happens to the glass, these waves act on it, it resonates, there are probably such voices, which are tuned to a specific glass, it is probably possible to make a glass that will break from my voice, but so far i have not come across such a thing. let's just say, vladimir, it was interesting, we tried, for sure, no, i didn't, i tried it differently, you know , it will probably be funny, in order to achieve... some kind of correct sound, you need hear it, but we sing there, it flies somewhere to the side, a completely different sound flies into our ear, we hear not

our sound, we hear our own sound, which reflected from some object and returned to us, having already acquired the color of the room in which we are, so to achieve this, and i took the pan like this and sang into it, and you... immediately hear what is happening, how it is changing this sound, you need to remember, choose that sound and those feelings that you made, remember this, save, this is a rather complex process, children, if you see a person singing into a pan, you know, this is an opera singer,

you probably sing incredibly karaoke, i don’t sing at karaoke, well, somehow we’re somewhere we were on vacation, i tried it several times. i want to say right away that i didn’t get 100 points, the people who scored were people who sing past the notes, but sing rhythmically, when they hit, that’s exactly right, the text goes, the words, they turn pink there, well, change colors, that’s when people perfectly fall in time with the change words, those people, i noticed, get 100 points, i never succeeded, well, first of all , i don’t really need it, after all, singing is the kind of activity that i do a lot in life, and also to sing at karaoke, well

it’s the same as when a mathematician comes home from work and takes a calculator and starts calculating something else at home, what do you do among your circle of friends? well, sometimes we sing some songs among friends. well, in my childhood there were a lot of bard songs with a guitar around the fire, there is such a song under the blue sky, then a very famous song, how great it is that we have all gathered here today, well, there are also some romances, some old ones, mainly if we get together as friends or relatives, but we just talk and don’t sing so much, but you could do something else perform other than opera? well, now i ’ll think of something, oh, you darling, beautiful girl, we

’ll go with you, we’ll go for a walk, we’ll go with you. oh, let's have a walk and let people start ogling us, what is this, what a couple, good fellow! red tevitsa, applause,

bravo, hello, my name is milania, and my question is, do opera singers insure their voices, well, i don’t know that yet, probably somewhere in the west it’s... common, if you were offered to insure your voice, how much would you value it at? i never thought on this topic, it seems to me that this is such a priceless thing, firstly, it is an irreparable loss, replacing it with a monetary equivalent, it seems to me that this is simply blasphemy, it is probably akin to assessing a person’s life, that’s how much money , they paid, took him, and took his life.

over the years, development has reached the point that we have now abandoned such an anachronism in our theater, although there was such a case in my life when this prompter helped a lot, i sang in one theater, and there the acoustics were so interesting, the sound into the hall just goes away fantastic, that is...

in the third act the solo is quite deep, and i understand that i’m sitting at the table, and i can’t hear the orchestra, and i understand that something is happening in the scenery differently, for me, in not so that i start to diverge a little, then in a few fractions of a second, i separate from the orchestra and then i see a prompter who starts... humming for me, i don’t hear him singing, but i see his articulation, how he closes, and from his articulation i understood where i needed it, like in order to get along with the orchestra, but then i already understood, so, it is necessary to restructure my entire existence on stage a little mesanoscenely, and i began to do all my actions a little closer to the orchestra, in order to get out of this zone where i

couldn’t hear him at all. to your left there is a black sector, the question is from there, what is the strangest thing you had to do for a role, the strangest, the strangest, i remembered the case when i walked with a broom and repeated the movement, like me, well , when i served in the army, i remember it was necessary to clean up the alley, long, long, you know, there is such an expression as...

on stage i repeated all my movements that had been practiced many years earlier, so i swept the stage with skill, not at the performance, like this during breaks. to your left, yellow sector, is it true that the greater the weight of an opera singer, the better his voice, no, you know, i already said that singing is quite so... a complex process, so it seems to me that any artist, and well, an opera singer must also have a lot of strength, you cannot starve yourself, the body must receive food, it must spend calories, it’s like any person, because well, opera singers, any singers, they are, in principle, no different physiologically from other people, but how did you meet your wife, does she have

anything to do with opera? yes, natalya is directly related to opera, she is married to an opera singer, we met on a poster, one might say that natalya is also a musician, she plays the piano, she is a soloist of the belarusian philharmonic, a pianist, she teaches at the conservatory, that is, we met back when i was a student, so we met, then we had joint performances in the same concerts, that is, she did something there i played myself, i sang something, then somehow it happened that we began to perform together, natalya and i, well, that’s actually how our union was created, the yellow sector, please, whoever is ready to ask a question, i would like to ask you , are you at home or most often on the road, no, i’m mostly at home, it so

happens that everything... travel is quite compact, after all, it’s a family, it’s a family when everyone is together, now i have my eldest son studies in st. petersburg, i miss him. i spend time at home, i had period when there were long trips, and it just so happened that when my youngest son was born, when i was born fedor, it turned out that i was not there in the summer when he was born, then i came for a few days

again, left, then i i wasn’t there in the fall, for almost a month, then i wasn’t there all winter, when the baby was just a newborn, then i return from a tour in the spring, and the baby is already sitting... and crawling, this whole formation is passing you by, this of course this is, well, not very good, as you as a father, so i this was not enough, and i am happy that my tours, if they happen, they are so targeted, you are famous and talented, they probably pay you signs: women, well, probably pay attention, i try to pay attention to this as - don’t get too hung up on it, because well, as i call it all, these are the costs of the profession, no matter

how funny it sounds, the attention of the audience is nice, yes, but i never forget this thing that any of this spectatorship and.. .the attention of fans is all a temporary phenomenon, you know, it’s like news that now they are hot news, a couple of days pass, they are replaced by a lot of new events, which people then talk about, they become interesting and well, these are other new hot news, and they are already forgotten about them, so let’s say, the love of the fans - this is all coming, this is with...

one of the most influential and authoritative international structures, interest in it in the world is growing, the sco shows that there are other centers of power where the interests of everyone are respected without superiority and domination, and such a policy is close to belarus. belarus noted anniversary, which traces the path of formation and development of the country, strong, stable, independent, such a blueprint has become over the 30 years of the presidency of alexander lukashenko. modern belarus is space, nuclear technology, and production with the world. brands in key industrial areas, and in many ways this is a bet on russia, with the strength of time-tested relationships. the longest belarusian antarctic expedition in history has ended; it lasted 8 months. the polar explorers made two inland voyages, during

who studied the kanavalov mountain range and discovered an unexplored area with an area of ​​36,000 km, it is quite possible that in the coming years we will have sensational discoveries, a zone of scientific interest. what are the most unusual gifts your fans have given you? well, different, there are some expensive, inexpensive gifts, but recently... i was given an icon, when we were

on tour in moscow, the artist came, and well , he didn’t see me, but he passed it on through his friends, he wrote to me for me guardian angel, small icon of the guardian angel, now, a few weeks ago, my colleague told me from him, he knew there that something not very good had happened to me, he told me he had already painted an icon of st. nicholas the wonderworker especially for me, this was probably the most unusual thing. do you think it is possible for an actor to portray feelings that he has never experienced in real life? i’ll answer right away: no, even in your question itself the answer is encrypted, to depict a feeling, you can depict anything, but not... a feeling, a feeling, if a person has not experienced and

he didn’t remember, because what is a feeling, this is it, you can now remember, let’s say, what raspberry jam smells like, you got distracted in your head, you remembered it, but this is the moment of feeling, those feelings that we show on stage, we experienced them or experienced them once before, now this... these are the memories of this aroma of raspberry jam, we fish them out from some shelf inside ourselves somewhere, at this moment we put them in, this is our experience, which once happened to us, we put it on that text of the hero that we, we portray as a hero, but we must experience our experiences and feelings that once happened to us, if, let’s say, well... the theatrical collisions of those stories that we

show to the stage do not imply those events that should have happened to us in life, let’s say someone killed someone there or stole something else there or something else, god forbid, but we can imagine it, how it happened with that character, here we are we imagine this, we write down this feeling, sensation within ourselves. this event does not exist, we we don’t pretend, well, in any case, neither do i, i try to be extremely sincere all the time, precisely in my feelings, that if this happens like this, then i feel it, you know, it even gets to the point of being funny, you can believe it, you can not , we, i’ve already told you somewhere, even have such a play, bohemia, the characters there are cold for us, in the middle of the play my character goes out into

the street, where it’s snowing, his coat is getting wet, it’s winter, he’s freezing, imagine a theater, the month of june , it’s hot outside, it’s hot in the theater, it’s very hot, i’m wearing a coat and i’m cold, that’s the one some kind of internal level... exaltation, which you need to do the work with yourself, so that it is, so that the viewer can see that this person is cold, this is how you can force yourself to believe in certain inventions, someone’s inventions that you you show it to the stage, i swear to you, at that moment i was cold, and i was shivering from the cold, in the theater it was 22-24°, i was wearing a coat. it’s not cold, we are moving to the red sector, to

your left, you devote your entire adult life to the stage, did you manage to misbehave during this time, naturally, and even to the stage sometimes we misbehave, for some reason a case just came up for me now, there was a performance, figr’s wedding, and it was april 1st. comedy, we decided to laugh about something, i started playing the fool, in the second act, and in the scene in the garden, my hero slaps one character in the face, so we agreed that, well, i should slap one, in the dark there are conflicts of the play it’s done that he misses and this slap lands on another character, well , we agreed with the guy who i ’m giving this slap in the face that he’ll take two

orbit with myself, well, it’s like i ’ve done such a slap that i’ve knocked out my teeth. well, that's how bad it is. hello, my name is victoria. do you have any fears? artists probably even have the same fears. there are those nightmares that probably unite all artists. it’s a nightmare that you dream that you have to go on stage, and you didn’t have time to change your clothes. and the second one is common, it’s the same for everyone. the nightmare is that you need a scene, but you don’t know the role. and perhaps, probably. these are some of the most powerful fears that are very common, they usually these dreams arise, but it’s true, you really feel just scary, i already know this mechanism inside myself, and i see this in my dreams, and i force myself

to wake up in order to break out of this kind of vicious circle where i i can’t have time to change clothes. the barons of munchau, who, according to the schedule , at what time there, conventionally at 9 o’clock, according to the schedule, a feat, here somehow dared, you know, there was probably a moment when my neighbor’s car caught fire in the middle of the night, i noticed it, i ran him, knocked on his door

apartment, pushed it, we ran to put it out, and it could explode at any moment, because i knew that he had a car. drive away, the car is on fire, we opened the trunk, disconnected it, they shut off the gas pipeline so that it would explode, we ran to put it out, nothing happened, we put out the car before the firefighters arrived. are opera singers superstitious? are there any signs that you believe in? yes, we are superstitious, in principle, well, anyone, probably, from the field of art, he will be suspicious. ok, do you have any rituals that you do before performance, well, and also these superstitions, which means that if our notes

fall, then we must sit down where they fell, sometimes they fly away... under the piano, then you climb there, dodge, sit on them , and not under the piano, you climbed up there under the piano, sat on these notes, then the performance, yes, then they say that the actor, well, some actors assemble a bent nail on the stage, well, because there is a pry bar, when it happens, the nails are hammered in, they are taken out , they are lying around somewhere, well, regarding one of the rituals, i am very, well before often now. probably to a lesser extent, i had these crooked nails in many of my costumes, i walked around the stage looking for crooked nails, these are the rituals, the red sector, please, and i think that you look very wonderful, but maybe you have something in yourself don’t like it, do you want to change your

appearance, not your appearance, i probably never wanted to change myself, although i remember myself as a child... well, i was very dissatisfied with what i see in the mirror, but i somehow thought myself, maybe this will seem funny to someone, i myself considered me some kind of ugly duckling in childhood, then over time, when i simply plunged into this abyss of my uh profession, you know, in general, i probably looked in the mirror for some time just to... only when i shaved, and sometimes it was possible to shave even by touch, i absolutely did not look there, and i believed that everything that the stage needed was everything. in my personal

life, i have a wife, that means if she likes me, that means, well, that means i’m normal, for her i’m normal, i never wanted to change anything, there’s even me i see, well, a crooked nose, they even offered me, they said, let’s do an operation on you there, we can fix it for you... somehow without him it won’t be the same, and even now there are performances that, well, you you see that i have already become quite white over the years, and there are roles when you play quite young people, well, this is the play onegin, eugene onegin, and the play wild hunt of king stakh, when my character is, well, quite young. man, sometimes my, well, colleagues, i mean, directors, relatives tell me, they say, well, somehow,

probably, your white hair color no longer fits with those young characters who are over 20 years old, and sometimes haircuts darken my hair, and when i see myself with the hair that i had 15 years ago, i no longer feel comfortable, i want to quickly get into the shower, wash my hair and... they love their occupation and what they do so much that it’s very difficult to part with it,

it seems to me that it’s another matter, it’s probably too early for me to think about it, but i understand perfectly well that this period will come, and i believe that you need to leave when you still full of strength, energy, enthusiasm and there is no such discount for old age.

in my youth there was such a concept as a gost and a quality mark, on many objects there was something like

a five-pointed, well, not a star but a pentacle, and it meant that this product met some criteria, and i believe that this is the title of people's artist, there any title, when it is announced in front of your name, this is a sign of quality in the face of... the title, it makes you treat yourself with even greater, even greater claims in order to convey to the viewer your product creative with even greater diligence and quality, that is, this is, let’s say, another degree of responsibility, mine to the viewer. how do you think you can attract the attention of the younger generation to the art of opera? this means that the first thing that should be

is some kind of informational reason. that is , it is necessary to explain to the younger generation in such a way that they understand that they cannot live without this, that the whole life that they have had and they did not know what opera is, that it is all in vain, when this first thing will pass, that he will finally understand that he needs to try, for in order to understand whether it’s tasty or tasteless, you have to try it, any impression should be your own, and in order for you to form an impression, you have to try it yourself, that’s how...

to be honest, we’re all stuck on our phones, that ’s why i it seems, uh, it’s very important that young people don’t forget that there is life outside of electronic devices, and the theater is precisely the place where this electronics, well, of course it is present in our lives, but this is an excerpt from the play... snow maiden on the warm blue sea, where the waves are the foam is whipping, and the stones of the coastal cliffs, take the priceless pearls, and for me...

this signal means that the heroes have time to ask questions. vladimir, now you have to choose the best question of this program? well, the questions are completely different, but one question actually took me by surprise. it was a question about... something unusual, something unusual happened to me when i was talking about the broom. great, who is the author of this question, take the microphone, let’s get to know you, what’s your name? and i study in the tenth a, secondary school number 143. rules of our program, the author of the best question receives a special gift from our guest: go to the site. and this is for you

and may all adversities remain in the outside world and not fall on you. wonderful applause. vladimir, now you have the opportunity to ask the children one question. i would like to ask the children what modern people understand about living life honestly. i believe that... you need to be honest with yourself, then you will live your life honestly , you will always understand what you want, but the most important thing is to be happy with every day, which was given to us and being truly honest and giving everyone joy is also important. vladimir, it's time to say goodbye to our audience. people's artist of belarus, soloist of the bolshoi opera and

ballet theater vladimir gromov, today i'm waiting for you as a guest of the program 100 questions for adults. entrance to the site, well, here i will ask you to stay, tell me which of the questions asked today was the most difficult for you, they asked a question about, this is what i did so unusual, it was difficult to formulate somehow, this is what is in your profession such an extraordinary question, what question were you waiting for, but you were never asked, these are the questions that concern us all absolutely equally, therefore... there were no unexpected questions, today you managed to answer 44 questions, tell me if we let's call again, will you agree to come? well, i think so. i am addressing our audience. do you think that our hero was as frank as possible with us today? who thinks so, raise your hands. and i think that our guest was really honest with us, i even saw in his eyes

they were so pure, so filled with interest. yes, his eyes, his look, i think yes, he was frank and honest, he never wanted to refuse, it was clear what the man wanted to answer. children did not hesitate to ask questions that interested them, often children trust friends or the internet more than their parents,

i want them to trust and communicate with their parents, ask more and receive answers, hear these answers. people's artist of belarus, soloist of the bolshoi opera and ballet theater, vladimir gromov. was at today guests of the program 100 questions for an adult, see you in a week, people who can make you choke, from the age of 3 i learned to count, because all the adults were in the house, everyone studied, we always have a lot, everyone constantly read, but in me i i know for sure that since childhood i have always had this desire to do something, to improve something, i know my purpose and try to solve the hell of my unbelievable goals.

watch live the top news at noon. pavel lazovik is with you, hello, in this issue, another million tons of grain, minsk region, second after bresse , reached the bar with six zeros.