exams were going on at the fzo school, the football season had opened, new collective farm nurseries, the enskaya border outpost, they did not know that at dawn on june 22, the first, most terrible blow of the war would fall on them. many bastards will pass through, but we will never forget this night. our peaceful ancestors were treacherous due to the attack of nazi germany. the belarusian people suffered the blows of the german armies from the very beginning. brest fortress. adsul savetskiy wars pahli gerichnye smaganne for the skin heel of the ugly land. june 22.

it was about the life and death of the soviet states: survive. so that it wouldn’t

stand and this beach would knock out 10 tanks , captain tertychny, in just one area of ​​the ostrashitsky town, the 100th rifle division burned and knocked out 101 tanks. defeated berlin dreamed of the defender of brest in the smoke, this will happen 4 years later, in 1945, but for now.

what do opera puppet shows have in common, of course, is the stage, and most importantly: its actors, for whom this is not just work, the meaning of life, two unique stories intertwined with one fate and love for their work, lyudmila pavlovskaya and stanislav trifonov.

"hello, good afternoon, welcome, the bolshoi theater of belarus, the place of final preparation before going on stage, you know, as they say, prayed for, but not prayed for, like sacred in terms of wasted nerve cells, when the last 10-15 minutes before going on stage here sparks are thrown, popular, honored, kings, princes, beggars, opera heroes, the day begins in the opera house, we begin to warm our voice, we begin to look for it, it will answer, it will not answer, well

, gradually, gradually, about 40 minutes. , we probably need to spend an hour in this state, then work begins, as you hear now, the bell is calling us, three bells, that... means they are already waiting for us at the lipitation site, and we will have to go there, you see the rehearsal room we have a very good, conveniently built one here, you know, otherwise not every theater, i must say, has such a rehearsal stage, which, well, repeats the stage, the stage of ours. a large main stage, and even the slope that is present on our stage is also repeated here, that is, we have a full-fledged platform for rehearsing, very cool, of course, well , the orchestra pit sits here, when orchestral rehearsals take place, now we are preparing for the rehearsal of the yalanta, which we are preparing, literally preparing, now

there is a big theater, but what does it matter, well, like the big theater, it seems to me that the combination of these two words, in general, defines it, because really, well, it’s central.

you know, when in the evening, especially now , snow has fallen, these lanterns are illuminated, and we in the evening and we leave after the petition, it’s very beautiful, very cool, it’s located, ending with how many, what number of people visit from the regions, from the periphery, so to speak, of our country, this is a theater, a large number of buses, excursions come just to see how it is it’s structured, how it works, it’s a serious big production, so let’s say, it’s like that, well, here’s a performance, it’s fun, it’s good, but for it to be fun, it’s good and whether it’s sad or a little sad, but there’s a huge amount of work. people have sewing workshops, i don’t know, there decorations, props, well, about the artists, that is, they are visible on the stage, how many people are still not visible, how many more people take part in the activities of this huge institution, this is serious, help

the doctor, and he will help all of you, we are in grodno regional puppet theater, in the honored collective of the republic of belarus, on its stage, life, your dreams, your hopes and your, of course, love for our audience, this theater, or rather the theater building, is very mature, it is... 50 years old, the only one, what there were, as it were, permanent corpses that worked for a long time, and if there were no permanent corpses, then various other theaters rented it, so i know that the warsaw puppet theater worked here at one time, our russian gorky theater,

the most important thing is that there have always been performances here, life, energy, feelings have always been going on here, and for 250 years different people have come here... they look and want to go to the theater, despite our information age, the internet and so on, because people we need an exchange of feelings, as they say, thoughts, emotions, there are probably not enough of them, that’s why we almost always have full halls and don’t have enough tickets, we came here, the dressing rooms were still small, so old, narrow, how we washed the windows here, organized a subbotnik, washed all these iron ones, these beautiful ones in in the form of musical lyres on ours...

we listen to the opinions of competent specialists. i was also pleased with the performance of our ska,

because not a single victory of bagak over them was easy. now the generation has come that understands that if they don’t work out in the summer, then it will be very bad for them in the season, it’s impossible to talk about any results and achievements. all this is in sports projects on the belarus 24 tv channel. how lukashenko as a president treats corrupt officials, we all know this very well, if you’re a thief, then you’ll be in jail, no matter how pro-state fucker you are, lukashenko is demanding, yes to everyone, but he’s especially demanding he is just for those who are nearby, our main enemy, carelessness, fraud and corruption. the homeland, in my understanding, is, of course, my country and my cities, but first of all, the homeland is people, everyone. on the territory of belarus died from the war, when now someone suddenly doesn’t understand what belarus and specifically its leader

lukashenko are doing, when we conduct maneuvers, then combat coordination, then we call the wagnerites to you to learn from experience, then we return nuclear weapons, the enemies give it’s like aggression, that they are maneuvering there at home, but all that alexander grigorievich wants for his homeland is so that the same thing does not happen again, every third is a stable situation that is controlled, but nevertheless you can’t relax, that’s all lukash does. protects the homeland as its leader should protect it. the author's project of igor turai is propaganda. watch on the belarus 24 tv channel. as for the scene, it is also very, very interesting. firstly, below us, where i am sitting, there is an orchestra pit. that is, initially, when it... was built 250 years ago, it was built as a musical theater, that is, they danced, sang here, basically it was like a modern

opera and ballet theater, so the orchestra sat here, music was played live , and they sang there, danced, that’s why puppet theater has such a wide palette, all theaters can be shown in our theater, we treat it, of course, very much, as i say, with trepidation, with spiritual trepidation, because here we open our souls, our sincerity , whether it is a children's play, you must always be sincere, whether it is a performance for adults, you must believe in all of this, so when you step here during the play, before the play, you feel such a special excitement, no matter how much you worked for years, how difficult is this one? the performance, or how complex the material is, what dramaturgy is in it, or is it simple, in any case you... always worry, because when you enter before the performance,

this particular action will take place, then the action is called the performance on which you worked the whole team worked on their role, of course, the director, the artist and many, many services that work on this performance, so that it is shown, told, lived and conveyed to the feeling of our viewer, and it turns out that you are the last link, as it were in all this everyone is still... they are investing here, they are investing, some more, some less, and you are an artist, the last link, which through you, as a guide, all this already goes, plus, of course, your feeling and vision of that image and completely. this performance, so when before the performance there is some kind of trepidation, excitement, it can be more, sometimes less, but if it’s not there, it’s bad, it’s a bad bell, sometimes it doesn’t turn on, but it should turn on. became

students, students, yes, that’s right, yes, to say, students of the minsk musical schools. niglinka, that is, after the tenth grade, for a year i learned about life, worked at a factory, i don’t know there, something else, that is, without entering, in the eighty-ninth year, i then, in my opinion, no, in the ninetieth, this was the year, i came to minsk, entered, well, beforehand i, that is, i actually sang the audition, first i came to adam osmanovich murich, my wonderful teacher, with whom we still have excellent friendly relations and this is a great big success for me happiness.

there will be a concert together, he ’ll protect him a little like a mommy, somewhere there’s something, well , nothing, nothing, something like that, i’m really very grateful to fate that i ended up here, especially this first one, so to say, here is another youthful stage of education, in these warm, soft and strict at the same time hands of adam osmanovich, the muzhdich, who brought up both a love of music, and some life, some firsts... well, i still left family, you know, that is , 17-18 years old, a completely young person, and it is important that there is a good example, a good one, such an older man nearby, who is still just a citizen, so to speak, will somehow advise, give advice, having been fed up in these corridors, doing competitions, having passed certain ones, that is, well, i made the right decision by choosing odessa, because, in general, i already

why in my third year i won a competition in karlovy vary and received an offer already... when i was a student, in my opinion, yes, fourth year, to come to prague and perform the part of onegin, that’s basically where my debut took place, here i am was a student, but was no longer the capital of the odessa theater, but now was invited to perform the main role in eugene’s opera, well, such a good start, what is called encouraging, well, this later became the reason for inviting me to the corpses. of the russian theater, in general, this is where my professional development began, because if we talk about the years of training, then of course, you are in the classroom, with the teacher, you go through a lot, a lot, a lot, but you only become a truly professional when you leave the stage of the theater, here, of course, then we move on to this decade of my work as a soloist of the odessa opera house, and

there, of course, i developed as a soloist, probably because... the repertoire there was not as extensive as, say, in minsk, and four or five times a month i went on stage, in general, that was the key to this, that is , regular, regular singing, gradually crystallized what the teachers invested in me, now it was becoming mine, i was already beginning to gain confidence on the stage, when i arrived here, in general, the first year, i really came straight to the school.

suddenly i heard some notes in my voice, i liked something, some works, then i finally got to this theater, because the first year i actually didn’t go here, i actually went to choral concerts, i disappeared back and forth to the philharmonic, this is what i listened to , but the opera was for me, well, somehow yes, yes, well, well, well, somewhere far away, when i came here i remember, it was the tsar’s bride, i remember that absolutely precisely, because i really was here it took it because already... i had some kind of interest in my solo performance and interest in to my voice, it suddenly vibrated, from lesson to lesson i began to get some things, you know, when you take a piece, you have 10%. it works, but 90 doesn’t work out, but you don’t really like it, you’re always sweating, coping, overcoming, something like that, well, no, when suddenly you look, it’s already nice here and it’s even beautiful here, that’s a note

vibrated, somewhere, well, these were still some childhood experiences, but nevertheless, an interest appeared in this kind of singing, already solo, in some kind of timbre, i suddenly it became interesting to listen to him on the recording, how he sounds, how he changes, because we don’t recognize ourselves on the recording, we’re all, well, everyone knows this now. the effect that it seems to us that our voice, ours, our voice is not familiar to us, but in the recording, it’s the same with vocalists, that is, like when i sing, i imagine myself a little differently, when i listen, i can only with i can only control the sides, that’s probably it, then naturally after college, when i graduated, well, i already felt that i had i'm interested in a solo career, solo singing, then, when i was already at the conservatory... i was already studying, that is, my voice was also developing, that is, my physiology was growing, and then i realized that he was quite a big material, that is suitable for opera singing, because opera, after all

, not every person can sing in opera either, a priori some material is given, it can be developed, embellished, brought to some kind of condit, but it is very difficult to increase its size, that is, well you can add a little wear and tear to it, but it no matter what it is, it will be like this, there is such a concept as a chamber voice, not for large spaces, so to speak, performances, entering the theater, searching, then competitions, this played a big role, i have been preparing for competitions since the third year , we had an emphasis on this, i think this is very correct, because when a student prepares for a competition, he mobilizes, of course, this is very so to speak, in my student life, so to speak, from the third year, i was already preparing for one competition, to the second, to the third i won a few of them, that is, well , these were... these are the steps, steps, steps, in fact, that’s why opera singing, because that’s how i somehow rowed there all the way consciously, you know, when the news

that the order was signed, that i became the people’s artist of belarus, it’s interesting, that is , it reached me from the chat of our opera, because my colleagues immediately, someone, someone saw all this, i didn’t know, really, that's all, all of a sudden, all of a sudden, all of a sudden... all in one for... i don't know what else is there, who is higher than everything to sing or something, that is, well , some kind of feeling is a little not very clever, but it was very pleasant, of course, from the number of congratulations from colleagues in the first place,

because i also say that this is very important, that’s when you feel well balanced with the team, with your friends, with creative colleagues, and i would be very pleased to hear warm words and not well sincerely, you know, that is, well, not...

that this work is well appreciated, that it got, as they say, into the public, so the state, so to speak, also paid attention to my work, it’s very nice, guys, whose erudition any adult would envy, and before the game starts, before i start asking you questions, and you, i hope they are correct to answer, i

invite you to support each other. applause, imagine, soon one of your students will become a king or queen, you worry, yes, of course, we remember the school program together with the project participants, i know that this famous man spent his childhood and adult years here writer, i answered ivan turgenev, because i remember exactly that ivan turgenev’s mother had a surname, her female surname. lutovonovy, so i proceeded from the following reasoning, you see, he determined by his mother’s last name which mineral is not a fuel, well, granite is like a brown-red stone, but what type of mineral? i can’t give an answer, i understand, it seems to me that prokhor can give an answer to absolutely any question, it’s a mineral, it burns, no, watch it on the belarus tv channel. who

and how does it help to make our lives better, what are scientists working on today? the technical revolution, the rapid development of computer technology, the appearance of the first robot patient in the usa in 1965. scientifically they are called simulation devices; in addition to the human body, they have a voice, a heart and even a brain. thanks to special computer programs, complex things are explained in simple terms, as well as the most interesting facts. but, finding themselves in monstrous conditions, our scientists continued their work contrary to hitler’s plans, revealed science to a new level. thanks to our academician lipatov, new data was obtained on improving the technological properties of rubber, which then served as the main raw material for.

artist of the grodno regional puppet theater, an honored group of the republic of belarus, leading stage master, because even when i was just born, and i was born in 1956, the city of donetsk, and i did not stay there for long, then my mother is from belarus, here is the brest region, my, as they say, relatives, roots, are brest. area, she from here she survived the war, she was a participant in the war, my grandmother, her mother, she was a partisan messenger, she was betrayed by a neighbor who went to the police, my mother began to do her work in her place, she was still young, of course, young, here she is too i was, therefore, a participant in the war, at the age of 7 we returned here to belarus, when i was already 7 years old, well , it happened, but i ended up in an orphanage, that

is...

in the third round, well, they took someone more interesting, more talented , probably someone showed up more clearly what a tragedy it was for me, what a tragedy it was, my god, how i cried, for so many years, for 4 years i dreamed of becoming an artist, then i didn’t get in, the tragedy of my whole life, when we returned those who didn’t get anywhere, then in soviet times in an orphanage, we got a job, and me and another girl got a job in... the theater, but i was very afraid to go to minsk, and i began to look for where else i could, and i found mogilev, as they say, the college of arts, then it was cultural - educational school, why i chose it was the phrase “republican”.

i haven’t even been to the drama theater, no, to grab hold of it, yes, yes, yes, i’ll go, i say, i still have to understand, i want to work, does the puppet theater really need me and do i need it after i’ve worked for another year, i had already played 12 roles, suddenly i realized,

this is the revival of the inanimate, and for me it was like an insight, a discovery that the artist is dramatic, this is an artist, and then i take a spoon or fork, attach a bow to it, i begin... not just, as they say, chatting and moving and moving to the music, i start, how she looks, but what she thinks, but how she evaluates how she reacts, this object, and it seemed to me that there was some kind of magic in this, some kind of enchantment, that’s it, i decided that from now on i would still be a puppet theater artist, of course, although i have been for so many years i work, or as we say, i serve the theater, although i prefer to serve the audience. of course, i serve the theater, i serve in the theater, but i serve the audience, the dolls have weight, one, before in soviet times they were generally heavy, 2-3 kg, because everything was made of natural wood,

so the wood inside, if iron , if mechanics, fingers move, arms move, mouth opens, ears move, all this mechanics is inside, it is also all made of iron, and you take it, a fragile young girl, 2-3 kg, and you need it. you don’t have the right to work as an artist, there ’s a subscription, but we’re not leaving, i’m sure.

i am history, nature, culture, faith, people. shchodrastsya, you adzin once, and you don’t grow up any more, everything here is right for us.

a talk show in which famous people answer tricky questions. the younger generation. i

love to sing very much and dream of becoming famous artist. could you please hold a mini-audition for me now to assess my chances? well, let's sing something. there, behind the dawns, behind the fogs, in the silence of the forests and fields. wonderful. ah, it would be interesting to know. are there any reliability and safety statistics? or do you have any safety criteria? airlines, of course, of course, there are statistics, and there is such a concept of punctuality, this is again related to flight safety, let's turn 180°, yellow sector, please, your question, what hidden talents do you have? i ’ll tell you, everything in life is somehow different for me, i went on stage, i immediately started singing, look at the project 100 questions for adults on the belarus24 tv channel.

getting to know belarusian enterprises and the outstanding results of their work. the company's strategy is aimed more at quality and naturalness. this is how we position ourselves in the market. our export countries now include germany, bulgaria, and israel. today we are implementing several investment projects. in order to increase competitiveness of products, an approach to business that everyone can strive for, all our products that we produce in our workshop are tasty and healthy, made 100% from natural raw materials, even children can eat them, all food products require a good, competent, kind approach housewives, it seems to me that this is so, at least for myself... i have always set such tasks that what i like, i roughly understand what

our consumer will like, watch the quality mark project on the belarus 24 tv channel.

the news is now live with you lyudmila kazak, hello, the working visit to the president of belarus continues. to russia, and today alexander lukashenko and vladi.