yans, as if they had not worked, so at 18 centuries they were born as indispensable, they were all hell-bent on their traditions, they were great, let’s say, cohesive, and in this way they abandoned their authority and their authority to the law. gathering another worldly war, the budynak of the temple is vykarystovaya as the edge and the salted workshop of the dry cantor. the old school has softened up in the past, and then an experiment...

belarus is not absolute lasses, black rivers and azers, uncorrupted nature. nemagchyma adarvats vachey, and yashche belarus - geta lyudzi, we open our forest for you, carry traditional traditions, and at the same time we change our views on extraordinary speeches, and we give this light.

like a magician, belarusians are so different, but they are poisonous: any and their native land. belarus 24, you are a real russia in may.

they said that there, well , the guys there are jamming there and says: you know, you can jam on the piano, he came home, he took off his skin, he became unprotected, open, so much did he trust the people who lived with him, during performance of this song, his musician friend, sitting next to him, lost consciousness, morat has fallen, you are my white rus'. the brightest songs take off and become the dawning hours of the belarusian stage.

at the moment of 1970, i clearly fell asleep with the undispelled charms, the father of the couple became filled with light wings. this is the very first recording

of the pesnyary ensemble, recorded in sakavik 1970 in... the fashionable minsk restaurant kamennaya kvetka, however, in that early age, the kalects were called lyavonami and would be a frequent vyalikaga pop review belarusian let’s call the dzyarzhaina philharmonic “lyavonika”. for as long as the review was called "lyavonikha", that akampanyuchy kalektyў, so i would call it “lyavony”. of course, with this revue lyavonikha, the akampanyuy kalekty... would not have been completely different, but just the opposite, he would take on such a different role of the acampaign, and all the main artists of the revue were completely different people, for everything, of course, baryton- prime minister eduard mitsul. uladzimir georgivich mulyavin always

remembers this story of the man with the kindest, most sincere words, and says that menavita mitsul learned how to sleep, menavita mitsul and the song ram putsuku on... the first wife of uladzimir mulyavin. it's a shame. you only need to buy adzina audyozapis not velma good yakasstі, but we can feel there, how lidzia karmalskaya was completely blessed, as they slept, accompanied by her young songsters, then yashche lyavons.

on the 1st spring of 1969, the lyavons showed their first solo program to the master council of the belarusian dzyarzhauna philharmonic lyavony khatseli adzyalitstsa ad ryvyu lyavonikha i stats to the self-sufficient kalects of that saprauda gistarychny. master's advice is given to them for this year and for the development of vocal-instrumental ensemble lyavony as self-sufficient creative artists of the belarusian philharmonic society on the 1st spring of 1969, there was a short review of the history

of the ensemble "pisnyary". in minsk, the father of vya lyavona , has already grown up since then...

to the moments of the birth of the team for them in 1970, the kalyans went to the first all-union competition of pop artists in muskva, before this they were pressed the official from the ministry of culture did not ask me to change the name. yakub kolas knew all the jumps in

the image of the singer, and misevich fell, and eight years ago... kali went to the competition, they were forced to perform in the name of the parliament. there was no such name as a vocal instrumental ensemble in this all-union competition, and maybe there was such a jury for salamonova russian, the first prize was not given to anyone, and they showed, and everything can be said, then, while shepherding the getag, the yans took off for another day familiar, but not as familiar as you know,

exploring belarus is easy, all you need to do is create a non-trivial route. the long-awaited weekend has arrived, and this is a great occasion to go on an exciting journey. and today i am building my route to tolochin. the most important thing is to be open to amazing secrets and facts. chagal, lisitsky, pen, malevich, these famous teachers brought up many talents at the vitebsk people's art school. we, our museum of modern times and 100 years ago, approximately mark walked, stands next to the school, which was located in this historical mansion. and don't forget to give.

long step-by-step processes, from a small chick to a large individual it takes about 5 month. since the turkey is the bird most susceptible to stress, we try to minimize as much as possible all negative factors that may further affect our bird. and show one day from your life. rainbow trout is the most promising species for artificial cultivation. conditions, whatever we do, it is always made from freshly caught fish, this is

today, the sucker’s trump card is that the fish is environmentally friendly, high-quality, and most importantly fresh, each production site is very important, since his work affects the quality of the finished product, we showed today that what is produced in our country can be... not only the same in quality, in some cases even surpass it. watch on the belarus 24 tv channel. the pesnyary stood out first. with some national coloring of sound, it was immediately

clear that this was a belarusian ensemble. of course, all this turned out thanks to mulyavin’s arrangements; it was not just copying some western samples, because in general, new ones burst in the instruments on the stage in the soviet union are electric guitars, drums, and through all this music, it has already grown into some kind of national music.

they pulled him out while he was writing there, someone bent down and took off the laces, what has this come to? what a cool souvenir he bought for himself, vladimir mulyain’s laces, amazing, don’t offend your loved ones with reproaches, be afraid of being cruel to your loved ones.

for stands for a microphone, this is solid iron, when they loaded this box with stands, it was a healthy long one, larger than a person’s height, here they are, which means everyone wants to go to the concert for a decent price rewards, they put them in there, well, one person at a time, after all, a table of kilograms, and they constantly carried the same box past the uncomprehending guards, unloaded it onto this concert, and then unloaded it after the next one, so, well, 10 people can be carried in...

oh, no matter how many times i pray, the appointment doesn’t go down, oh, how many times i go, i know her

duties, the creative team takes off the song ensemble. soup from the great happy periods of the associous lives of uladzimir georgievich mulyavin. they were then happily married to lidziya karmalskaya, they were once a family couple. і darechy, eight the song zavushnitsy, which he wrote in 1973 on top of maxim tank, was, so to speak, a master’s dapaunen and those patched zavushnitsy.

he became unprotected, open, he trusted so much the people who lived with him, his mother, grandmothers, he loved his mother’s mother very much, and he relaxed, he enjoyed the peace that the house gave him. igor luchinok, good evening, girl. good evening, dear one, where are you going, tell me a good news, long live you, good evening, dear one, where are you going, tell me a good day, long live, 70th bastards

it would be possible for the zharts to call the era of luchanka, the historical songs, and the sacred works of igar mikhailovich...

their creativity, of course, their friendship absorbed them very seriously, trips through the woods, around

belarus for folklore, for songs, this is what made them friends in general, igor mikhailovich , such a very lively person, lively, that’s all, this friendship never stopped, it passed.

which became a major breakthrough not only for the singers themselves, but also for the entire savetsky stage. i am valera and valodzia. we

'll arrive now, but i didn't understand then, so when this call came, i didn’t understand what would follow, then, of course, they gave me notes, they said, well, how can you sing, well, for example, this, i say, okay, let’s do it, it was a lullaby, they called me very quickly to the rehearsal, since vladimir georgievich had already written the central song, pain, how holy you are, everything was otherwise, the first thing the opera of the song was the right share of the holy footlights, the great lords are inaccessible, the cyazhki,

on the right, what is there stage. there was such a platform in the shape of a roof, and everything was on this pamosce, and on this asshole i remember the man, i am in agreement with the chorus, this was a lethal little battle, and all this religious padtext, of course, i couldn’t suppress this high-ranking cleric, and he’s screaming there, he i say, i say, that’s all uladzimir georgiyavich for one... night i rewrote the final scene, for the first time in the life of the yanks, the man bathed in the hero’s gallounga, as he paints and sleeps with the tops, and the skin experiences that hurt only the other new, and nareshtse.

performance, vasilyago i ў maskva, і ў ў minsk, і pausul, for the practice of the getag leningrad, and kiev, and during the meetings the public sympathized with the heroes of this performance, ignorant of the fact that the actors slept in the belarusian language, ignorant of the fact that they could not understand in certain subtleties. such creative achievements of uladzimir mulyavin were great, that’s all, and why

my hand was cut off. the musical work was in progress, so it was from the forgotten, unmagical songs of the 50s of the bastards volagda, which songs were worked on so far and unusually that they became popular among the people's favorite hits, and they were discovered by anatol kashapara ў work for millions of idols devotee, for the package, package, only, but there is not a word in response to me, which means, you have to keep in mind, i myself will come for the answer, no matter what happens, i will come to your mercy, duh, duh, i myself will come for the answer, since the songwriters were working, at that time i didn’t at all...

for me it was amazing, it would seem, such a team, professionals, well, they sang, sang, and played, and so beautifully, and so beautifully, no, here is vladimir georgievich always insisted that here, here, here, until he heard this, i didn’t understand with my own ear and i didn’t hear that, and then he said, that ’s what was needed,

there were a lot of people in the team, more than 50 people went through, and it was such a really good school, pesner’s, when people came with a special musical education from the conservatory, this included vladimir

tkachenko and igor polevod, then, of course , there was such a new upsurge in the team, we can already say, of course, the classic works of igor polevod appeared. it was already so european, european, of course, these arrangements went very well then and i already felt it starting, probably, with the ritual program, oh carols, ladochki, oh lyuli-lyuli, pancakes palms, oh lyuli-lyuli, pancakes palms are multi-stylists, that is, they played in different styles, this is... both rock and jazz, everything seems intertwined, and foil.