and the bridges, yes, they are already assembled here, a single island is assembled, on which other units are hung, at the end it practically comes out, yes, every 5 minutes a new tractor descends, the conveyor is constantly moving, 5 minutes home, every 5 minutes, so you have 5 minutes to complete your operation, then what are we waiting for, we need to start quickly. i was honestly a little worried, even somehow, i tried to do everything very correctly, so look, wrench, insert it completely into the bolt head, hold it, press on the black button, that's it. on this side also, no, this is

another machine, another, this is mine, this, everything, everything is holding together, yes, my job is similar to this, a comprehensive service worker, these are my kind of comrades, a nut, and i understood that such small details are very important in any matter. quality gate, yes, there is a technical control department here, it checks the assembled equipment that was assembled at this site, and what if suddenly workers like me, for example, or like me, like arthur, did something incorrectly, let’s not say, they screwed on some screw with the wrong side, or they didn’t screw something in, if something here isn’t screwed in, it’s screwed in, if they installed the wrong unit, let’s say, some kind of hose is wrong, then.. .

it changes right here, but here it changes on the spot, in the conveyor shop, i thought that this is the line, it’s not here anymore, but when they asked me to raise my eyes higher, how can this be, roughly speaking, a cabin appears from the ceiling, i like, wow, where did it come from, like they’re nowhere to be seen here, but it turns out they still have it production on the second, third, fourth floor, everything goes like this, interconnected, what is it called?

oh, let's see what differences they have, well , there are panoramic windows, the cabin has been improved, sound insulation has been done, well, in general - how many modifications of tractors does your plant produce? well, at the moment we have about 100 basic models. and about 220 of their modifications, but tell me where this particular tractor is assembled, we can somehow look, look, there is an assembly map, yeah, where the model 1221.3 is indicated, this is for 120 horsepower, the country of destination, it goes to the eu countries, that is, the technical regulations of those countries are uniform, the serial numbers of the components that are installed on the tractor are recorded, yeah, that is, this id card, as i understand it,

we know, come on, what is this for, a pedal, right , if you roughly calculate how many parts a tractor must include, and we always think about what it is, four wheels, an engine, a cabin, a steering wheel, yes, so thoroughly, i haven’t even seen it on youtube yet, well, it looks like the same thing, but it's like, uh, a handbrake, probably, maybe, probably, yes, there are clearly more than a thousand of them, and maybe... maybe several thousand, where are we

in the process now? well, now the equipment is about 85 percent assembled, now you have to install the steering wheel, please. thank you, we can say that you are already driving, so we understand how you install it, that’s how it will drive, so well, installed it, everything is fine, let’s tighten it, press it there, tighten it, well, how would i feel .

the funniest moment that happened was when he was choosing a pipe, they were all absolutely the same, but his eye fell on the same one that stood next to him, well, come on let’s take this one, i really liked it, it was so long, and how it went back and forth, well, with exhaust gases from the driver, that’s right, yes, it’s just smooth. everything should be beautiful, now it’s like in formula 1, come on faster, time has passed, hold the pipe with one hand, the other is clamped, let me hold it, because so that it doesn’t move, now look, the pipe, the tractor, the man with

this gun are rotating, roughly speaking, there’s a button like this, there’s a button, look, yeah, you pressed it, why is this wheel spinning, what’s that, there four, and this is for turning these, yes, yes, yes, yes, she connects the corner here, and puts a yoke nut, tightens it, you see, here is a little black yoke nut for loading, unloading, and you yourself have been working at this enterprise for a long time, guess, well, well, you’ve probably been working for 25 years, right? uh, '78, don't fall, but i was almost close, and as you like, of course, i didn't like it, i agree, we wouldn't be here, yes, of course, so i'll go and see from the outside how it's done, honestly

, i'm watching, it seems , i wouldn't do it myself, everyone the eight-hour workday appears 100-120 times. it’s simply beyond words, you can simply calculate for yourself how much it is per month, per year. the tractor rushed past us so quickly, where did they take it next? the tractor went to the kapkatka site, where every component, already assembled in the tractor, no less, will be checked. completely ready for use, yeah, but i thought it was right in field e, i also thought, by the way, the question is, why

is it red, all tractors are red, from this year we have adopted a single color and texture decision, all equipment is produced only in red color, where the tractor data will be sent in the future, our equipment is sent. shoot for a week. well, arthur, have you and i worked our shift? yes, yes, yes, as expected. how do you like it, anatomy? tractors, honestly, i am amazed that such magic can be created from such small parts, i agree with you, which of the workshops did you like the most? to be honest, i liked all the workshops, but most of all i liked our first workshop, where we were, the blacksmith shop, but it seems to me that you don’t forge only a tractor, but yourself, you strengthen your

masculine character, i completely agree with you, we have talked about this more than once, but the fact that there are simply super people working there, real men, real men, now you also know how to create ... a real belarusian tractor, but if you want to become the hero of our program to visit places you haven’t been before, record a short video, send it to us, and together we will find out how... done, the situation on the polish-belarusian border is getting worse because germany started expelling people with asian and oriental appearance from their country to the territory of poland looks more like a local agreement, which... they decided to use for internal political games both in poland and in germany, but this is probably different. in

fact, it goes back a long way. the british were the first to want to encircle russia, depriving it of its status as a great power in the black sea region. this is how the idea arose to expand nato, so that every country in the black sea region around russia would become a nato country. in 2007. it’s easy to explore belarus; all you need to do is create a non-trivial route.

the long-awaited weekend has arrived, and this is a great reason to go on an exciting journey. and today i am building my route to tolochin. the most important thing is to be open to amazing secrets and facts. chagal, lisitsky, pen, malevich, these famous teachers brought up many talents at the vitebsk people's art school. we. our museum of modernity and 100 years ago approximately mark shagal stands next to the school, which was located in this historical mansion house and don’t forget to give free rein to positive emotions, but in these views, i would be someone, as these people who watched all this were called, warriors, so i would be a warrior, because the views are simply incredible, see the project , the route was built on... the belarus24 channel. every day we work to ensure that you

receive the latest and most useful information. the twenty-minute format allows us to talk about what is happening in belarus and the world, take a linguistic walk in the company of our guides, find a new place on map of belarus, which is definitely worth seeing, and also suggesting a project. and films that will certainly become your favorites, this and much more awaits you in the ether 24x7 project, watch on the belarus24 tv channel.

what does an opera puppet show have in common, of course, the stage, and most importantly, its actors, for whom this is not easy.

hello, good afternoon, welcome, the bolshoi theater of belarus, the place of final preparation before going on stage, so, you know, as they say, prayed for, but not prayed for, like...

we probably need to spend an hour in this state and then work begins, as you can hear now, the bell is calling us, three bells, this means they are already waiting for us at the rehearsal site, and we will have to go there, you see what a rehearsal room we have here , it’s very good, it’s convenient for us, you know, they built it, otherwise not every theater, i must say, has such a rehearsal stage, which, well, repeats the stage, uh, our big stage, the main stage, and even the slope that is present in our stage is also here repeats itself, that is, we have a full a platform for rehearsals, very cool, of course, well , the orchestra pit sits here, when orchestral rehearsals take place, now we are preparing for

the rehearsal of the yalanta, which we are preparing, we are literally preparing a big theater, but what does it matter, well, how here... the bolshoi theater, it seems to me that this combination of these two words, it already in general defines it, because really, well, this is the central cultural institution of our country, naturally, you see the rehearsal rooms, we said what they are, well this is with from a simple technical point of view, but if we talk about the meaning in general, well, this is a cultural center, but what is this place where people strive to get to as a spectator, as a performer, this is very important, it is very important to have such a serious point and

location you you see how it is in our wonderful place in the city of minsk in this park, which blooms in summer, is also beautiful in winter, you know, when in the evening, especially now it’s snowing, these lanterns are illuminated, and we go out in the evening after appetizing, very beautiful, very great, it is located depending on how many people visit from the area in the periphery of our country, this is a theater, a large number of buses, excursions come just to see how it works, how it works, seriously. it’s a big production, so to speak, because it’s like that , well, here’s a performance, it’s fun, it’s good, but for it to be fun, it’s good and there or it’s sad, it ’s a little sad, but a huge number of people work, sewing shops, i don’t know there are set shops, prop makers.

we are in the grodno regional theater puppets in the honored team of the republic of belarus, on its stage. we love it like our home, because this stage of ours is our home, through which we express our emotions, our lives, our dreams, our hopes and, of course, our love for our audience. this is a theater... more precisely, the theater building is very mature, it is 250 years old, the only thing is that there were , as it were, permanent corpses that

worked for a long time, and if there was no permanent corpse, then various other theaters rented it, here i am i know that the warsaw puppet theater is one and the same time worked here, our russian theater named after gorky, the most important thing is that there were always performances here, life, energy, feelings were always happening here, and for 250 years different, different spectators came here, sometimes in such lush dresses, men in top hats , they came in carriages, and now 250 years have passed, completely different people, different modern ones, but they also feel, they also look and want to go to the theater, despite our information age, the internet and so on, because a person needs an exchange of feelings, as they say, with thoughts,

a song to prince shcharbakov, whom i knew so well from my neighbor adryzhyna, said that

we are falling asleep, for we are going to sleep, for the past , for the past, for god, dear, that we are all alive, healthy, i’m going to pat the cross so that we don’t get wet us, oh you shuko shu, don’t give us harm, oh, don’t give us harm.

and as for the stage, that too. very, very interesting, firstly, below us, where i am sitting, there is an orchestra pit, that is, initially, when it was built 250 years ago, it was built as a musical theater, that is, here they danced, sang, basically there was as it would now be in a modern opera and ballet theater, so the orchestra sat here, music was played live, and they sang and danced there, so the puppet theater is such a wide palette, all theaters can be shown. your theater, we treat it, of course, very much, how can i tell you, with trepidation, with spiritual trepidation, because here we open our souls, our sincerity, whether it’s a children’s play, you should always be sincere, whether it’s a performance for adults, you must believe in all this, so when you step here during the performance, before performance, you feel such a special excitement, despite how many years you

have worked. how complex is this performance itself, or how complex is the material, what kind of dramaturgy is in it, or is it simple, in any case, you are always worried, because when you enter already before the performance, this is the action that will take place, then the action is called the performance at which you worked on your role, the whole team worked, of course, the director, the artist, and many, many services that work for this performance so that it is shown. said, lived and conveyed to the senses the mind of our viewer, and it turns out that you are the last link in all this, everyone contributes here, drop by drop, some more, some less, and you are an artist, the last link, which through you as a guide, this is already happening, plus, of course, your feeling and vision of that image and this entire performance, so when before the performance there is some kind of trembling excitement, it can be more, it can be

less, but if it’s not there, it’s bad, it’s a bad call, sometimes it happens , it doesn’t turn on, but it should turn on, it’s become a student, a student, that’s right, yes, a student at the glinka minsk music college, that is, after the tenth grade, i experienced life for a year, worked at a factory there. i don’t know, something else like that, that is, without being admitted, in 1989 i then, in my opinion, no, in 1990 it was , i came to minsk, got admitted, well , first i did, that is, i actually sang the audition, first i came to adam asmanovich murich, my wonderful teacher, with whom we are still on excellent friendly terms, and it’s a great, great success for me, a great creative happiness, that it was with him that i ended up and that it was with him that we really went through life like this together, because i ’ll say in advance that what a teacher it is. lines a priori,

that is, he demands, but the concert, he, like a mother, will protect him a little, somewhere there is something, well, nothing, nothing, something like that, i’m really very grateful to fate that i ended up here, especially in this first, so to speak, still youthful stage of learning, in these warm, soft and strict at the same time the hands of adam osmanovich, a muzhdich, who brought up a love of music, and some life, some... these are the first, well, i still left my family, you know, that is , 17-18 years old, a completely young person , it is important that there is a good example, a good older man nearby, who is still just like a citizen, so to speak, will somehow advise, give advice, having had his fill of competitions in these corridors, having passed certain ones, that is, well, i made the right choice by choosing odessa, because already in my third year i won a competition in charles

varakh and received... an offer when i was already a fourth-year student, i think , to come to prague to perform the part of onegin. that's basically where my debut took place. i was still a student, but i was no longer a centenary of the odessa theater, but now i was already invited to perform the main role in the opera. evgeniya, well, such a good start, as they say, encouraging, well, this later became the reason for the invitation. me into the corpses of the odessa theater, in general, this is where my professional development began, because if we talk about the years of training, then of course, you go through a lot, a lot, a lot in a class with a teacher, but you only become a true professional when you step onto the theater stage, and then, of course , we move on to this decade of my work as a soloist of the odessa opera house, and there, of course, i was formed as soloist,

probably, because the repertoire there was not so extensive, when in minsk, four or five times a month i went on stage, in general this... and there was a guarantee of this, that is , regular, regular singing, which gradually crystallized what's in me teachers invested, now it was becoming mine, i was already beginning to gain confidence on stage, i came here for basically the first year, i really came straight to the school choir, i really liked it, i’m right there in the tapestry hall, i’ve already heard everything , he’s already come running, he’s already sat down with the bass there and let’s sing too, my teacher tells me, well, what are we doing solo vocals, we need to drive the choir out of ourselves... yes, get the timbre, you ’re leveling it out for the part, you need a solo look for something, and here i am fighting a lesson with you, and then you run again, this that’s not good, he scolded me, in short, for this matter, but i still loved it very much, i mostly went to choir concerts, that is , i imagined myself more there, well, this

happened, that is, when from class to class, suddenly i i heard some notes in my voice, i liked something, some works, then i finally ended up in this theater, because the first year i actually didn’t go with... here i’m really in choral concerts, i’m in the philharmonic disappeared back and forth, this is what i listened to, but opera for me was, well, somehow, yes, yes, well, well, well, somewhere far away, so when i came here i remember, it was the royal bride, i remember this absolutely precisely, because this really took me, because i already have some kind of... then interest crept into my solo performance and interest in my voice, it suddenly vibrated in me from lesson to lesson , some things began to work out, you know, when... you succeed 10% of a piece, but 90% fail, well, you don’t really like it somehow, you’re always sweating, coping, overcoming, something like that, well no, when all of a sudden you look, it’s already good here and it’s even beautiful here, a note vibrated somewhere, well, these were some childhood experiences, but

nevertheless, interest in this kind of singing appeared already to a solo, to some kind of tendr, i suddenly became interested in listening to him in the recording, how he sounds, how he changes, because we don’t recognize ourselves on the recording, we’re all... well, this is for everyone now there is a well-known effect that it seems to us that our voice, our voice is unfamiliar to us, but in the recording, it’s the same with vocalists the same thing, that is, when i sing, i imagine myself a little differently, when i listen, i can only control it from the outside, then probably then naturally after college, already when i graduated, well, i already felt that i was interested in exactly solo career, solo singing. then, when i was already studying at the conservatory, already, that is, my voice was also developing, that is, as my physiology was growing, so was he, then i already realized that he was quite a great material, that is , suitable for opera singing, because operatic, because not every person can sing in an opera, but some

material is given priority, it can be developed, embellished, brought to some kind of quality, but it is very difficult to increase its size, that is, well , you can add a little wearability to it, but it doesn’t matter what it is, it will be like that, there are people like that , you understand. won, that is, well, it was these steps, steps, steps, in fact, that’s why opera singing, because that’s how i rowed there all the way consciously, you know, when the news that the order

signed that i became the people's artist of belarus, she is interesting, that is, she got our opera from the chat for me, because colleagues immediately, someone, someone saw all this, i didn’t know, really, this is all, suddenly, suddenly , yep... the phone rang for some reason, in short, i saw a bunch of congratulations, they already started writing a bunch, well, when they published this on the website, that the title was awarded, the order was signed, you know, of course, this is very it’s nice, first of all, it’s nice, because such a reaction was warm, i don’t even know about myself, well, how well, well, oh, what to do next, everyone now, everyone will now start asking, come on, well, that’s all, now you have to, i don’t know, what else is there, what else is there to sing above, or something? or what, that is, well, some kind of feeling is a little not very clever, but it was very pleasant, of course, from the number of congratulations from colleagues, first of all, because i also say that this is very important, that’s

when you feel well, in a good balance with the team, with my friends, with creative colleagues, and i would be very pleased to hear warm words and not, well, sincere ones. it just happened to be so very interesting, that is, at different moments, it was just when we were preparing for the concert on july 3, here the whole theater was buzzing, a lot of people and a lot of calls from tv channels of invitations, it was very pleasant, very, well, of course, it’s nice when you want your work, i, in general, well , by and large , they have been working in minsk not so long ago, that is, 16 seasons, well, that’s a lot, but people work 30 to 40 in one theater. and in our theater there are such singers,

so i was very pleased, of course, that such a fairly short period of time, i was like that, well, i received medals for one title and a second , well, that is, it’s such a nice attention to your person, as they say, but of course i didn’t sit on the sofa, as they say, for the sake of it , that is, in order for this to happen, i worked and i was very pleased that this work was well appreciated, that it reached, as they say, the public. so the state, so to speak, also paid attention to my work, very nice, artist of the grodno regional puppet theater, an honored group of the republic of belarus, a leading stage master, because even when i was just born, and i was born in 1956, the city of donetsk, and i didn’t stay there for long, then my mother is from belarus here in bressko.

here to belarus, when i was already 7 years old, well , it happened, but i ended up in an orphanage, that is, my childhood grew up in the gomel region, at school, when i was growing up i studied, i always participated in public... life, in all events, and, of course, we had active amateur performances, i always i participated either as a snow maiden, or as someone else, or as someone else, well, it was interesting to me, i studied well, i studied well, probably this is what i was participating in all the time, i played the accordion there and danced and that’s all - that’s it, in the seventh grade at the age of 14, i suddenly decided, i will be an artist, i will go to the artist, although i wanted to be both an artist and a writer. i was very interested in astronomy, the universe, i wanted

to be that too, i was also interested in history, i went and decided to enter the theater institute, well, what did i learn there, poem, i still went to apply, i remember that the first round passed on the lists, the second round passed on the lists, the third round i was no longer there, in the third round, well, they took someone more interesting, more talented, probably someone showed themselves more clearly. what a tragedy it was for me, what a tragedy it was, my god, how i cried, for so many years, 4 years, i dreamed of becoming an artist, then i didn’t get in, the tragedy of my whole life, when we returned those who didn’t get in, then in soviet times in an orphanage, we were given jobs, and me and another girl were placed in gomel, since it was the gomel region, at the gomselmash plant, when i was already 18 years old, i could already... independently decide my life, my destiny, i went to the mogilev

college of arts, as they say, then it was a cultural and educational school, why did i choose it, there was a phrase of republican significance, i liked something about it, wow, i’ll go there, i went there, i entered, as they say, very easily and quickly, when we graduated a puppet theater opened in mogilev, and came director for a graduation performance with... to see who he can propose for the competition, i’ve never been to a puppet theater before, i ’ve never even been to a drama theater, no, to grab hold of it, yes, yes, yes, i’ll go, i i say, i still have to understand, i want to work, whether the puppet theater needs me, and whether i need it, when i worked for another year, i have already played 12 roles and...