it warms the soul that this is a stable enterprise, it has survived all times, it survived the soviet union, it survived perestroika, and the way it always moved forward allows you to believe that nothing will happen to it, that is, it is so stable, such a large and so powerful, confident enterprise that even some external shocks cannot shake its course, it simply... goes forward, despite all the difficulties, adversity, on the european continent of such a large enterprise, so powerful with such a gross output of course, there is no quality product, the enterprise that feeds us, that gives us work, that gives us confidence in the future, beautiful, modern, our pride, i am a patriot of my republic, a patriot of my land, i am pleased that the association is in good hands.

winter jumpers are the natural wealth of belarus. the size of tayamnits can be adshukatsya in braslauschyna. here you will find enchanting lakes with an extraordinary water , called god's water. i'll name the lake. vozera may have the shape of a regular circle, which does not change at any given time, there is nothing wrong with it sochytsya behind the right people from heaven, and the size of such charming lyusteraks in belarus.

what an opera puppet show has in common is, of course, the stage, and most importantly, its actors, for whom this is not just work, the meaning of life, two unique stories intertwined.

hello, good afternoon, welcome, the bolshoi theater of belarus, the place of final preparation before going on stage, is, you know, as they say, prayed for, but not prayed for, like sacred in terms of wasted nerve cells, when the last ones.

because really, well, this is the central cultural institution of our country, naturally, you see, a rehearsal room, we talked about what it is, well , even from a technical point of view it’s simple, but if we speak in terms... it can afford and maintain a large theater like this this is serious, this too, that is, but this is a definite, firstly, sign from the state where it is invested, so to speak, even the location, you see in whom it is located in our place, wonderfully in the city of minsk, in this park blooming in summer,

in winter it’s also beautiful, you know, when in the evening, especially now it’s snowing, these lanterns are illuminated, and we go out in the evening after the petition, it’s very beautiful, very cool, it’s located, ending with how much... in the activities of this huge establishment, this, this is serious, help, doctor, peony,

will you help all of you, we are here. at the grodno regional puppet theater, in the honored ensemble of the republic of belarus, on its stage. we love it like our home, because this is our stage, this is our home, through which we express our emotions, your life, your dreams, your hopes and, of course, your love for our audience. this theater, or rather the theater building, is very mature, it is... 50 years old, the only thing is that there were , as it were, permanent corpses that worked for a long time, and if there were no permanent corpses, then various other theaters rented it, i know that the warsaw puppet theater worked here at one time, our russian

gorky theater, the most important thing is that performances have always been held here, life, energy, feelings have always been created here, and for 250 years various different... spectators came here, sometimes in such lush dresses, men's top hats, came in carriages, and now 250 years have passed, completely different people, other modern ones, but they also feel, look the same and want to go to the theater, despite our information age, the internet and so on, because a person needs an exchange of feelings, as they say, thoughts, emotions, there are probably not enough of them, which is why we almost always have full houses and not enough tickets. we came here, the dressing rooms were still small, as old and narrow as we washed here windows, held a cleanup day, washed all these iron ones, these beautiful musical ones in the shape of lyres on our stalls, and so on and so forth, and we were happy, but when we came

here, we couldn’t be kicked out of here, but we didn’t let's leave, now it's ours, the puppet theater. of course, the degradation of morals, political culture, public administration in general, introduce sanctions against a youth organization, and even for saving children, well , then immediately introduce sanctions against the un, the point is that...

other players in the project are objectively not miss new episodes on the belarus24 tv channel. and as for the stage, it is also very, very interesting, firstly, below us, where i am sitting, there is an orchestra pit, that is, initially, when it was built 250 years ago, it was built as a musical theater, that is, they danced here , they sang, basically it was like a modern opera and ballet theater, so there was an orchestra sitting here, music was played live...

yes, during the performance, before the performance, you feel such a special excitement, despite how many years you have worked, which is it the complexity of the performance itself, or how complex is the material, what kind of dramaturgy is in it, or is it simple, in any case, you are always worried, because when you enter before the performance, this is the action that will take place, then the action is called the performance in which you worked on his role, worked in... the corpse, of course, the director, artist and many, many services that work for this performance, so that it is shown,

told, lived and conveyed to the feelings of the mind of our viewer, and you get that you are the last link in all this, everything is they put in a little bit here, they put in, some more, some less, and you are an artist, the last link, which through you as a conductor, it all comes already, plus, of course, your feeling and vision of that image and completely of this... performance, so when before performance, it’s some kind of trepidation, excitement, it can be more, sometimes less, but if it ’s not there, it’s bad, it’s a bad call, sometimes it doesn’t turn on, but it should turn on, i became students, students, that’s right, yes, students of minsk music school named after.

and the concert, he’s like a mommy a little bit there to protect something somewhere, well, nothing nothing

, somehow i’m really very grateful to fate for the fact that i found myself especially in this first, so to speak , still youthful stage of education in these warm soft and strict at the same time hands of adam osmanovich muzhdich, who brought up both a love for music and some kind of life ’s first well... as a student, in my opinion, yes, a fourth year, to come to prague and perform the part of anegin,

that’s in general that’s when my debut took place, here i am i was still a student, but had not yet been a centenary of the odessa theater, but now i was invited to perform the main role in eugene’s opera, well, such a good start, what is called encouraging, well, this later became the reason for inviting me to the corpses of the odessa .. theaters, in general, this is where my professional development began, because if we talk about the years of training, then of course, you are in a class with a teacher, you go through a lot, a lot, a lot, but you only become a truly professional... already leaving the theater stage, here, of course, already then we move on to this decade of my work as a soloist at the odessa opera house, and there, of course, i was formed as a soloist, probably because the repertoire there was not as extensive as, say, in minsk, four or five times a month i went on stage in

general, this was the key to this, that is, regularly. singing regularly , what the teachers put into me gradually crystallized, now it was becoming mine, i was already beginning to gain confidence on stage, having arrived here, in general, for the first year, i really, i came straight to the school choir, i really liked it, i’m in the gobilene hall there, i already heard everything, i’ve already come running, i’ve already sat down with the bass there and let’s sing too, my teacher tells me, well, why are we doing solo vocals , you need to drive the choir out of yourself, you need to get the timbre, there you level it to the part, you need to look for some kind of solo, and here i am fighting a lesson with you, and then you run again, this is not good, you scolded me, in short, for this thing, but i still loved it very much, i mostly went to choir concerts, that is i imagined more there, well, this happened, that is, when from class to class, suddenly i heard some notes in my voice, i liked something, some works, then i

finally ended up in this theater, because for the first year i actually didn’t go here, i really am at choral concerts...

that it seems to us that our voice, ours, our voice is unfamiliar to us, but in the recording, it ’s the same with vocalists, that is, like when i i sing, i imagine myself a little differently when i listen, only i can with i can only control the sides, probably then and then naturally after college, already when i graduated, well, i already felt that i was interested in a solo career, solo singing, then, when i was already at the conservatory...

steps, steps, steps, in fact, that’s why opera singing, because that’s how i somehow rowed there all the way deliberately, you know, when the news that the order was signed, that i became the people’s artist of belarus, it’s interesting, that is, she’s from chat for me our opera has reached, because colleagues right away, someone someone saw all this,

i didn’t know, it’s true, it was all suddenly, suddenly , yes, yes, something after one after another. i also don’t know what else is there?