we follow the sporting life of our country. the belarusian school of batuta again shows a high class. the winner of the fourth stage of the swiss world cup was belarusian stanislav yaskevich, oleg ryabtsev took bronze. congratulations to our guys. a result that is possible to some extent. recognized as historical by the oval of medals in our sport. belarusian athletes completed their performance at the brics sports games having won 247 medals. we review the most interesting event. the chicago black hawks selected our fellow countryman in the draft under general second number. and this is the highest result for us at the enkhal talent fair in history. we listen to the opinions of competent specialists. i was pleased, i was also pleased with the performance of our ska, because there would have been no victory. while it hasn’t been easy for them,

now the generation has come that understands that if they don’t work out in the summer, then they will have a very bad time in the season, they won’t be able to talk about any results and achievements, all this is in sports projects on the tv channel belarus24.

partisan detachment, home of the brigade rout. in in the very first battle with the nazis, he got himself weapons. the young partisan collected important intelligence data, penetrating the garrisons of the invaders, and took an active part in the rail war. for his courage shown in the fight against the fascist occupiers, he was awarded a medal to a partisan of the second patriotic war. in july

of forty-four, when the red army expelled the nazis from belarusian soil, he volunteered to go to the front as a private in the third army. the young soldier died on november 2, 1944, covering the embrasure of an enemy bunker with his chest. this the sacrificial feat helped his comrades in arms capture an unnamed height in the distant skrona region of latvia and move on victoriously, expelling the fascists from soviet soil. eighteen-year-old pyotr kupriyanov was awarded the title of hero of the soviet union posthumously.

what do opera and puppet shows have in common? of course, the stage, and most importantly - its actors, for whom this is not just work, the meaning of life, two unique stories intertwined by one fate and love for their work, lyudmila pavlovskaya and

stanislav trifonov. served kings, princes, beggars, opera heroes, the day begins in the opera house, we begin to speak a voice, we begin to look for it, there is, it will answer, it will not answer, well, gradually, gradually, about 40 minutes, probably an hour

you need to spend in this state, then the work begins, just like you hear now, the bell is calling us, three rings, this means they are already waiting for us at the rehearsal site, and we will have to go there. you see, what a rehearsal hall we have here, it’s very good, it’s convenient for us, you know, it was built, otherwise not every theater needs to be said, has this rehearsal stage, which , well, repeats the stage, our stage, the large, main stage, and even the slope that is present in ours... they are also repeated here, that is, we have a full-fledged platform for rehearsing, very cool, of course, well , the orchestra pit sits here, when orchestral rehearsals take place, now we are preparing for the rehearsal of yalanta, which we are preparing, literally preparing, now there is a big theater, but what does it matter, well, like a big

theater, it seems to me that these here the combination of these two words, it already, in general , defines it, because really, well, this is the central cultural institution of our country, naturally, you see,

in the evening and we go out after eating, it’s very beautiful, very cool, it’s located, ending with how much, how many people visit from the area in the periphery, so to speak, of our country, this is the theater, a large number of buses, excursions. comes just to see how it works, how it works, this is a serious big production, so let’s say it’s like that, well, here’s a performance, fun, good, but for it to be fun, good, whether it’s sad or sad, it’s a little sad, but a huge number of people work, sewing workshops, i don’t know there are decorations, props, well, about the artists, that is, they are visible on the stage, but how many more are not you can see the people, how many more people take part in the activities of this huge institution, this is serious. we are

in the grodno regional puppet theater, an honored ensemble of the republic of belarus, on its stage, we love it like our home, because this is our stage, this is our the house through which we express our... this is an adult, he is 250 years old, the only thing that was a theater, or rather a theater building, was very much like permanent corpses that worked for a long time, and if there was no permanent corpse, then they took it various other theaters for rent, so i know that the warsaw puppet theater at one time worked here and... our russian gorky theater, the most important thing is that performances have always been staged here, life,

energy, feelings have always been created here, and for 250 years different, different spectators came here, sometimes in such magnificent dresses, men's top hats, they came in carriages, and now 250 years have passed, completely different people, other modern people, but they don’t feel the same way, they look the same way and want to go to the theater, despite our information age.

it takes about 5 months to reach a large individual, since the turkey is the bird most susceptible to stress, we try to minimize as much as possible all negative factors that can further affect our bird, show one day in its life: rainbow trout is the most promising for growing artificial conditions, no matter what we do, it is always carried out and...

such a whole party of old-timers and all this

new everyday life was carried out in the face of the great tsikava. the history of the creation of significant cultural objects in the region. these elements of the saletsky garden are based on two algeas, whose historical architecture is associated with the earliest baronial functions. these palaces were in vain, and in the 19th century, when pennies appeared and more. were published in the style of non-harmful cultural and secular project architecture belarus nadvakhodnaya kampaziyay we bachym abel_sk s gadzіnnik, syadziba... agіnskaga yana just fell in love with her eighty-year-old zyakuyuchy getam element. glyadzice on our tv channel. as for the scene, it is also very, very interesting. firstly,

below us, where i am sitting, there is an orchestra pit. that is, initially, when... 250 years ago it was built, it was built as a musical theater, that is, they danced, sang here, basically it was like a modern opera and ballet theater, so the orchestra sat here, music was played live, and they sang and danced there, that’s why puppet theater has such a wide palette, all theaters can be shown in our theater, we treat it, of course, very much, how can i tell you, with trepidation, with trepidation, because... here we we open our soul, our sincerity, whether it’s a children’s play, you must always be sincere, whether it’s a performance for adults, you must believe in all this, so when you come here during the performance before the performance, you feel such a special excitement, despite the fact , how many years have you worked, what complexity

is it this performance itself, or how complex the material is, what kind of dramaturgy is in it, or is it about... in any case, you are always worried, because when you enter before the performance, this particular action will take place, then the action is called the performance at which you worked on your role, the whole team worked, of course, the director, artists, many, many services that work for this performance, so that it is shown, told, lived and conveyed to the feelings of the mind of our viewer, and it turns out that you are the last like a link. in all this everyone contributes here drop by drop, some more, some less, and you are the artist, the last link, which through you as a conductor, all this already goes on, plus, of course, your feeling and vision of that image and completely of this performance, so when before performance - this is some kind of trembling excitement, it can be more, sometimes less, but if it’s not there, it’s bad, it’s

a bad bell, sometimes it happens, it doesn’t turn on, but it should turn on. i became a student, a student, yes, that’s correct, yes, a student of the minsk musical school named after glinka, this is, that is, after the tenth grade, i experienced life for a year, worked at a factory there, i don’t know, something else, that is, without entering in the eighty-ninth year, i then, in my opinion, no, in in the nineties, that was the year, i came to minsk and entered. well, beforehand, that is, i actually drank the audition, first i came to adam osmanovich murich, my wonderful teacher, with whom we are still on excellent friendly terms, and this is a great success for me creative happiness that it was with him that i ended up and that it was with him that we actually went through life like this together, because i will say in advance that having already left minsk, i constantly returned to him in conversations in

regular classes, i can’t help but say , of course, about my wonderful ones... olga glebovna, irina germanovna, my good, dear ones, these are comrades in arms, the first people who praise, but whom, like this, well, well, he is a strict teacher a priori, that is, he demands, and the accompanist, he how to protect mommy a little there, somewhere, something, well, nothing, nothing, something like that, i’m really very grateful to fate that i ended up here, especially in this first, so to speak, still youthful stage of learning, in these here. .. warm, soft and strict at the same time hands of adam osmanovich, a muzhdich, who brought up a love of music, and some life, some firsts, well, i still left my family, you know, that is, 17-18 years old completely human, it is important that there is a good example, a good

older man nearby who is still just in a zhetelsky way, so to speak, he will somehow advise, suggest, having drunk in these... vars, and received an offer already in the third year, i won a competition in charles as a student, in my opinion, and a fourth year student to come to prague and perform the part of anegin. so, in general, my debut took place, i was still a student, but i was no longer a soloist of the odessa theater, but now... i was invited to perform the main role in evgeniy’s opera, well, what a good start, what is called encouraging , well, this later became the reason for inviting me... to the corpses odessa theater, in general, this is where my professional development began, because if we talk about the years of training, then of course you

go through a lot, a lot, a lot in a class with a teacher, but you only become a truly professional when you step onto the theater stage, here, of course , we move on to this decade of my work as a soloist of the odessa opera house and there, of course, i was formed as a soloist, probably because... the repertoire there was not so extensive when in minsk, four or five times a year month i went on stage in in general, this was the key to this, that is , regular, regular singing, and gradually what the teachers put into me crystallized, now it became mine, and i was already beginning to gain confidence on stage, i came here in general for the first year i really... i came straight to the school choir, i really liked it, i’m in the gobilene hall there, i already heard everything, i’ve already come running, i’ve already sat down with the bass, let’s sing there too, the teacher is not mine, he says, well, we we are doing solo vocals, we need to drive the choir

out of ourselves, we need to get the timbre, there you level it down to the part, you need to look for some kind of solo, and here i am fighting a lesson with you, and then you run again, this is not good, you scolded me, in short, for this matter, but i still really loved it, going to concerts i mostly went to choirs, that is, i imagined more there, well, this happened. that is, when from class to class, suddenly i heard some notes in my voice, i liked something, some works, then i finally got to this theater, because the first year i actually didn’t go here, i that's really it at choral concerts, i spent time at the philharmonic society back and forth, this is what i listened to, but opera was for me, well, somehow yes, yes, well , this is well, well, somewhere far away, that’s when i came here i remember, it was the royal bride, i remember this absolutely precisely, because i was really... sick of this because i already had some kind of interest in my solo performance and an interest in my voice, it suddenly vibrated in me from lesson by lesson , some things began to work out, you know,

when you take a piece, you have 10% it turns out, but 90 doesn’t work out, well, you don’t really like it, you’re sweating all the time, coping, overcoming, something like that, well , no, when all of a sudden you look here already good and here it’s even beautiful, a note vibrated somewhere - some kind of, well, these were some kind of childhood experiments, but nevertheless

, it can be developed, embellished, brought to some standard, but increasing its size is very difficult, that is, well, you can add a little wearability to it , but it doesn’t matter what it is, it will be like this, there are such things the concept of a chamber voice, chamber singing, that is, well, not for large spaces, so to speak, performances, now going to the theater, searching, then competitions, this played a big role, i have been preparing for competitions since the third year, we had this is an emphasis that i think is very correct. because when a student prepares for a competition, he mobilizes, of course, this is very, in my, so to speak, student life, from the third year, i was already preparing for one competition, for the second, for the third i

won several of them, that is, well, this were here such steps, steps, steps, in fact, that’s why opera singing, because that’s how i somehow rowed there all the way there consciously, you know, when the news came that the order had been signed, that i had become... popular an artist of belarus, she is interesting, that is, she got our opera from a chat for me, because colleagues immediately someone someone saw all this, i didn’t know if it was all true, suddenly the phone rang, in short, so i saw a bunch of congratulations, they already started writing a bunch, well, when they published this on the website, that the title was awarded, the order was signed, you know, of course it’s very nice.

so with warmth from the orchestra, the guys from that is, well, not just some people on duty, but somehow the choir artists, well, all the services, so i went for 3-4 days, just like that, it turned out so very interesting, that is, at different moments it ’s like since we were preparing for the concert on july 3, here the whole theater was buzzing with a lot of people and there were a lot of calls from tv channels, invitations, it

was very pleasant, very well, of course. it's nice when you want your work, because in general, well by and large , i’ve been working in minsk not so long ago, that is, 16 seasons, well, that ’s a lot, but 30 people work 40 people in one theater, there are such singers in our theater, so i was very pleased, of course, that there are enough of them for a short time, i was like this, well , i received medals for one title and a second, well, that is, it’s such a nice attention to your person, as they say, but of course i didn’t... sat on the sofa, as they say, that is, for in order for this to happen, i worked, and i was very pleased that this work was well appreciated that she got, as they say, into the public, so the state, so to speak, also paid attention to my work, it’s very pleasant, an artist of the grodno regional puppet theater, an honored collective of the republic of belarus, a leading stage master,

because even when i just born... i was born in 1956 in the city of donetsk, and i didn’t stay there for long, then my mother is from belarus, here is the brest region, my, as they say, relatives, roots, this is the brest region, she survived the war from here, she war participant, my grandmother, her mother, she was a partisan messenger, she was betrayed by a neighbor who went to the police, in her place... my mother began to do it, she was still young, of course, young, so she was also a participant in the war, at the age of 7 we returned here to belarus, when i was already 7 years old, well, it happened, but i ended up in an orphanage, that is, my childhood grew up in the gomel region, at school, when i was growing up i studied, i always participated in public life, in all events, and of course we had active amateur performances, i always did everything

time there and... i played the harmony there and danced and everything, everything, everything, in the seventh grade at the age of 14, i suddenly decided, i will be an artist, i will go to the artistic school, although i wanted to be both an artist and a writer, very i was interested in astronomy, the universe, i wanted to be that too, i was also interested in history, i went, uh, decided to enter the theater institute, well , what did i learn there, a poem, everything went to enroll, i remember that the first round... went to lists, the second round passed on the lists, the third round, i’m no longer there, on the third round, well they hired someone more interesting, more talented, probably, someone showed themselves more clearly, what a tragedy it was for me, what a tragedy it was, my god, how i cried, i’ve been crying for so many years, for 4 years i dreamed of becoming an artist, i didn’t get in here, the tragedy of all our lives, when we returned those who had not entered anywhere, then in soviet

times in an orphanage, we... got a job, and me and another girl got a job in gomel, since it was the gomel region, at the gomselmash plant , when i turned 18 years old, i could already independently decide my life, destiny, and i i decided that i would go to theater again, but i was very afraid to go to minsk and i began to look for where else i could, and i found mogilev, as they say, the college of arts, then it was culturally about... at the school why i chose it there was a phrase “of republican significance, i liked something about it, it seemed like, wow, i’ll go there.” i went there, entered, as they say, very easily and quickly, when we were graduating, a puppet theater opened in mogilev, and the director came to the graduation performance, to see who he could offer for competition, come to the competition, i was playing

then, and he suggested that i come to the competition. and there we went through all three rounds and they took me, and in 1977 , on january 11, i was accepted as an artist of the mogilevsky puppet theater. the basis of the puppet theater, i’ve never been to a puppet theater before, i ’ve never even been to a drama theater, no, to grab onto it, yes, yes, yes, i’ll go, i say, i still have to understand, i want to work, do i really need the puppet theater, and do i need it after i’ve worked? another year, i had already played 12 roles, suddenly i realized, this is the revival of the inanimate, and for me it was like an insight, a discovery that an artist... is an artist, and then i take a spoon or a fork, attach a bow to it, and i start not just, as they say, chatting and moving and moving to the music, i start to see how she looks, and what she thinks, but how she evaluates, how she reacts, this

subject, and it seemed to me that there was some kind of... that is, magic, some kind of magic, that’s it, i decided that now i’ll still be a puppet theater artist, of course, although i already... i’ve been working for many years, or as we say, i serve the theater, although i like it better, i serve the audience, of course, i serve the theater, i serve in the theater, but i serve the audience, dolls have weight, one, earlier in soviet times they were generally heavy, 2-3 kg each, because everything was made of natural wood, so the wood inside, if there is iron, if there are mechanics, the fingers move, the arms move, the mouth opens, the ears move, it’s all metal... you hold your hand like that then, that’s why you pump up and so on, you still

feel that this is a puppet theater artist, so what? well, that’s our profession, that’s what i ’m saying, and the scenery couldn’t stand it and many people left, because it’s hard, because in the puppet theater we are equated with artists. ballet, we can work for 25 years and retire professionally, it’s certainly small, and you don’t have the right to work as an artist, there’s a subscription, but we’re not leaving, i’m sure.

there is a big conversation at the palace of independence about the prospects for the development of belarusian science; participants of the working group on analyzing the activities of the national academy are invited to it sci. it was created on behalf of president alexander lukashenko and calls not to make hasty conclusions, but to carefully study the questions and ask the right ones. tasks. the process of electing members of the academy of sciences is currently underway. according to the president, it is the significance of scientific developments for the state that should become the most important selection criterion. continuity of generations is also important, namely the presence of one’s own scientific school and