the temple was large, and it was on the very right. anelami and scenes from the gospel were painted dachshunds, there were old scenes, all the christmastide and the lost passion of the artisan campasis and the sunken windows. in the search for the light of architecture, well, i’m like an architect in this world, it’s just these little little plots, it’s reasonable that...

few people remember the pop concerts of the first pasters military dzesyatsіgodzyaў, and in the meantime, it would have been a good day right now it’s true that pop performances the collection of the belarusian philharmonic was formed not only from song and dance numbers, as it is popular nowadays, but...

as their admyslov numbers have jumped up any dance, i wish the people who are looking for the lukewarm joy of these forgotten ones, unfortunately, artystav, their extraordinary joy and issued maystership, our sonny apologia.

we serve the estrada with you, once we said, hold on, having plunged forever with our head, like into the sea into the touring life, since then we are constantly on the road, we are used to convenience, spit, hotel, home and home, wagon regiment bed, this hot autarian song.

i love you, it’s my fault that you didn’t know this, but you were as stupid as i was. in 1966, the first vocal-instrumental ensemble, melodies and hymns were created in the bssr, in which the king of the savetsk stage, yuriy anton, played on the keyboards and guitars. viktar sinayski himself performs on the stage as a multi-stage performer, performs as a performer, tells satiric analogies, fillitons, and also dances, adds step and performs in rare arygical genres of vocal dances i,

there were no people on the belarusian stage. the stories are unusual, the satyr genre and the little ones. yes, the wars of george germalovich passed away as a muscovite circus teacher, and perform for an hour as a jangler and an acrobat. all the time there was a dry war, and he was in pain, tied up in

battles and with painful wounded hands, a hole in the bulges of several fingers, and he could no longer stand up. performing as a jangler and more like an acrobat, he appears to be an accomplished artist, and he comes up with the most arrogant number of a satyr in the little ones, the stage was carried out by malbert on flamemasters there paint some items there and tell us some text, extraordinary tales of krylov and nettles, at the finale of the kulya and the fires of the hetas of malbert and... there are other images there, і gety chalavek, kator yon malyavaў, peratvaraўsya ў oak, pad halim peratvaraўsya ў charvyaka, drunkard ў decanter, and the public ragatala and ўsprayed the geta number of the good. together with his malberts, he has a whole union, often

performs for the meat, and all the time he sums up the circus, we gathered with him, we had 20 shit differences, but i'm overly respectful of the getag. chalavek for iago dabratu, for iago high mastership, for iago high culture. from the first paslyavanyh bastards at the bel dzyarsh variety warehouse, they are considered to be outstanding athlete. master of sports of the ussr igar piguleevski, who performs in a couple with his wife nadzeya ivanova, and at the same time we have a rare magical publication of their most sophisticated and complex sketches.

jangler anatoly dutkin is remembered kindly by the veterans of the belarusian philharmonic, this former sapraudny maystar, the maystar of the vyalikay litara, i would say that the intellectual has its own genres.

“i’m working on this problem, that two spheres of yashche can be one another three, three, this is already inmagchy, you have five, which people, confused me, and here dutkin gives out the secret, these five balls were blocked at the pipe, what he will throw , they were higher, and below were these five balls that were on the other side, the skewer of some wasted there, and here they were shaking and they were taken out of the course. of course, i didn’t know the getaga, and

i snatched up the geta number for the good. napaina, the most folded hands, like anatol dutkin, were born in the cold world. of course, she is a slave, like meetings, virtuoso and cold-crowned. ale menavіta gety truk kashtava yama ўsyoya yago further stage career and, of course, the first day of health. with daggers, the geta was careless, the pit was said, the smokes of the geta numar, the wound and the knowledge of the drain

ended, yano was so wounded, the geta sword was cut off, the carcass inflicted a severe injury on the pit. it’s just luck that a man’s dagger was pierced in such a way that it only damaged eye, not absolutely, he could just crash into the eye into the head, dutkin did not work for a long time, then he gradually, as much as possible, brought his health back to order. and tolya took up what he had previously considered his hobby. this is photography.

and if anyone ever sees my posters, some of the posters, it was he who came up with all the tricks with all sorts of unusual mugs, and he actually came up with some of these poster samples out of nothing, which worked for me for many years afterwards. there is no sea in belarus, but there is delicious fish. and not only that river, let's organize industrial fishing, show cool places on air belarus 24, where do the eggs come from? we have inkupcih at our enterprise, this is a factory breeding of carp, pike catfish, where and how does the fish winter? we catch in wintering ponds, it sits there all winter, and we add it here, will there be enough fish

to feed belarusians, it is possible not only to feed all of belarus, but also the whole world, technology: stolin district, the stviga river flows here, yany talenavityya and pratsavityya, when a person works with his hands, it is always a joy, joy, when you sow something, when the seed sprouts, you rejoice again, for example,

i’m working on the platform, i’m resting, although physically and mentally. more than once i heard a story about the fact that uladzimira mulyavina never entered the belarusian philharmonic from the very first step, only other times he stepped here on the spot. so, i declare that this is pure truth. this historic month happened in may 1961.

then uladzimir mulyavin arrived with success. from time to time, go to work with the tomsk regional philharmonic to performers alexander van li, and all the time it was shown to the master's advice, vanli understood that he was such a great acrabatik aytsud prademanstrava, and mulyavin was told that the guitars are from minsk and without any grab. this couple, alexander van lee , is working at the belarusian philharmonic, and uladzimir mulyavin arrives here, of course. yana added their adnosins, yans, darechs, velmi-velmi until the end of the day, and vanli had meetings with the fees saying: “this is why i brought the mulyavin to minsk,” and this was the truth . alexander wan-li, a chinese in his own work, i don’t know how he is born in the savetsky union, but even the smallest of us is here in

the traps and father of a certain chinese group. that's where he grew up and tsudouna. master, what is rubber, this bent whole, he is praying, so he is praying, that the galava climbed out of his legs, and that he is a tsikava, that he gave the sticks to the pit, and such sticks on the ends of the tray, and cool, and here the public was exploding, standing on their naked feet, head there, hands, well, of course, hands gety... numar, iago gnutkast zdziulala many of us. finally, i read an online review of the performances of american aracbats by the russian academy of sciences. the journalist, who writes about their performances, calls them gutless, unheralded brothers, and writes that, when they are working on the scene, it is shaping up like this

, so they will wash out their spoilers y and pack their y... so the same thing could have been said and right ours alexander van li. it’s only because they didn’t have time to be filmed on camera at the time , the angry síastser ros.

the heat was blowing here, but it was too bad. alexander uladzimiravich wang li, who completed his career in akrabat in 1974. then he showed up to the doormen at the famous minsk restaurant stone flower, on the boulevards of talbukhina, where in the evenings many bands played on the philharmonic stage, and where everyone went, syabar. uladzimir mulyavin. the greatest successes of wang li's career began to fade away from the work of jan funcha in the film "the dangerous border". darechy, menavita

dzyadzka and passed away as a young man at the circus. yana was considered to be a gray milestone. wang li will play episodic roles of ryksha and sales manager in a jewelry store. and here the belarusian philharmonic society was in the avant-garde, where such outstanding acrabats, doubles, couples as

brothers fedar and mikalai famenki, viktar and anatol rzhavuskaya, married couples alai and m performed on the scenes . ikalay tumanava, maya and igar krapina, ale napeina, the most popular acrabat two, so called partner acrabats. there were masters of sports of the ussr, outstanding athletes, viktor rzhavuski and petr charapanau. back in 1952, i came to the competition for the first time and the coach told me i met partners rzhev, who then began to work for me, he was just learning to stand, stand head to head, then he immediately put me and ... so fate worked out that our lives were united, we had stability in work, my partner tells me, you have

to do your 50% of the work yourself, and i do my 50%, when i realized this, then my eyes were opened, it turns out that i have not prepared myself individually enough, it is not enough to give myself to a partner, you need to be independent.

i went to belarus in 1939 together with other polish sluts, and he settled in minsk and the belarusian philharmonic society has been working here for a very long time, dating back to 39-40, and then the wars left muskva and there they were already glorified throughout the entire savetsky

union. another artist. heta ganna yaframaina argo dabarskaya, who lived in minsk and performed at the belarusian philharmonic in the 60th and 70th years. seemingly, in her talents, in her talent, in her magic skills, hanna argo was in no way inferior to wolf messing and worked the same thing as she, but she, knowing rightly, is not trying so hard. adgradzitsa hell yae, so move, tarmasia has developed this genre, where i admit that i am creating a pit of competition. near minsk, ganna argo traveled with her husband andrei dabarsky, to the former artists of the circus, as the first best respect for the phenomenal state of memory of ganna argo, and he thought for his numeral mastery of high performance keep the memory

and pasta.

anatol lapunov knows the importance of highly developed memory. hanna yaframauna worked with these numbers in the 60th year, and then in the 71st year, she took the permission of the ministry of culture of the ussr at the same time, there is a great deal of this world, all the most psychological experiences. and all of this is where my gift manifests itself, where i...

read the thoughts of the investigator who i knew in the hall, and her thoughts added certain commands, tasks assigned, a couple of very weak ones, there are there was... no one knew about the boy's radze , open your bag, there’s nothing to read on any page of the book that was lying in these madmen, and here and there and so on, and the meetings of hann yaframaine were concluded by the very, very the folded tasks were never remembered, and this of course, called out the borax, a flurry of emotions among the buried eyes. adnoychya shepherding the cantsert, the grymernaya dagannay argo appeared some unceremonious young chalaveks, like the pram with her parogaya declaring: “pradaytse.”

years hanne argo 87 years old, at that hour yana amal had not performed on the stage for three decades and lived several times with this dacha in the city of daugaprudny, down with maskva, i ўdzel at the show

of andrei malakhav, high gavoryts, illuminated by wolf messing, hundred ў i am the first, і it’s a pity, the hellish mark on the screen. the period between this world of hegemony editors club we are experiencing a transitional western, unipolar world, to a multipolar world unfortunately it will not happen peacefully, we will never allow a situation where we are suddenly attacked, where we are caught off guard, that is, we clearly understand everything, yes we work diplomatically.

the heroes of our program are outstanding individuals, captivated by their rights, monologue that moment when i was distributed, she was still completely unheard, they were looking for some literally.

listen, sir, and what do people say? our

kahanya, i will not untie anything, never will we i can do it with strength. yana argo performed at the kaliningrad philharmonic, and the singer there was recognized as an artist at the 22-year-old lidziya karmalskaya philharmonic, which performed in the genres of whistling. at that time, lidzia had already lived for a year since the gramadzian love affairs with the 19-year-old guitarists uladzimir mulyavin had lived. and all the same , the aggressive rapan’s concession from the whores did not develop.

to do and how to do in the long term, that's what argo said, that this is your destiny, and you can calmly marry this young man, because this is your life, this is your love, the only one for life, the marriage took place for 17 long years , official in the passport, then it was friendship, then there were other relationships,

kuzbass, kemerava, that’s where i ’m in partnership with valodzya mulyavin and lidziya karmalskaya, when i was there the kids were just paralyzed. lida performed in aryginal genres, master whistles, this rare genre on our stage, at that time the union had only three such specialists. tais java, i fimnet i lidziya karmalskaya.

lida chalked absolute hearing, then the yans pratsavali the kuzbass band ran and she tuned the archestra, she lined up the trumpeters, the dachshund trambones, well, that’s how we got to know each other, all evening. we were washing away and dancing, but how do we have this stage here? well, i say that we had that day, well, there were more than tens of concert dances of the spanish, 10, i mean, it’s much more, but 10, the geta is accurate, ah-ay, and we’re only here here geta archestras , that’s all, so people like us, oh, scary, this is europe, and all the same people have come and worked in the world. well, what do you need? i must say that i am a distinguished

artist, i am a very long chalavek, at the archestra there in kuzbass there are young lads, everyone fell in love with her, and everyone called her mother, and i looked after their names, dzi here, bary yago cough, how do you walk with such a brooding porridge, anu rise, i am pastsirae, kazha: how geta on tsyabe yashche dzeukki look at such a nyahynaga such nadta ya respected musicians.

a big impression, because a wonderful, beautiful woman came out on stage, very musically, performing, some very well-known melodies, it was very unexpected, very warm, always greeted, well, literally everywhere in all audiences. лідзія аляксееўна кармальская была фаварыткай беларускай дзяржаўнай філармоніі, гэта яе бралі на працу першым нумарам у лютым 1963 года, калі яна паступала працаваць, а уладзіміра мулявіна ўжо да пары з ёю. kali yana put the leaflet on the side

of the frame, then she wrote: husband 22 bastards, please help guitarists, yana. married a simple guitar player, ale menavita karmalskaya, just like that , she became a strong musician, you can сказаць, што яна зрабіла яго вялікім музыкантам, і пра гэта ў адзін голас гаворыць ветэраны беларускай дзяржаўнай філармоніі, гавораць, што калі б не было кармальскай, не было б і мулявіны, не было б песняроў. lidzia karmalskaya performed for an hour in the warehouse of the pesnyary ensemble, yana vyala. concerts, i came out of two such solo numbers, kali yana was in full swing, the songs were accompanied by her, you can tell the zharts that karmalskaya was the adzina artist, which songs were on the background, and the great singers ts adzіny zahavaўshysya numar, yakі dishoў

yes our zens and ўvasobіў performed by lіdzі karmalskaya and the ensemble pesnyary. sennya on the stage of aryginal genres nyama tsi amal nyama hour vytsesnіih from the concert paddost. let us also understand these intricate and intricate practical scenes, which the holy saints, both incorruptible and unforgiving, created for our people emotions of joy, excitement, confusion and happiness. the names of these

artists are part of history, and they are also part of the belarusian pop scene. they have a brilliant talent and a good practice, so that to capture their bright images is our cherished memory.