and we understand that many times such reflections of that architecture have been discovered in the smoke of some other people, but i would not say that this is such a beautiful object, the most outstanding and the most bro, simple prafesіina zroblena, eight as it was said, let’s talk about the forms of old russian architecture, but let’s try something new, something new with these old ones. forms of such your original particles of the complex, a non-falling one-piece planter, another palova 19 centuries will have a future droplet, a non-falling adnaneva temple with a round apse standing over the roof, as if it were the same one that has lugvin’s eyes. it is clear that the whole pack would have been trawled, all and everything would have been pasted onto the roofs, all the same. at 19 stagodzi, at another

palova, they just pasted on the months the draulyans, pasted the tsaglyana, that’s all, well, what kind of cyper already has such a fantasy, more fantasy, such a look. vyluchaetstsa syarod pabudo two-paved school, no architect, geta traditional pramagugolny budynak za valmavym dakha, hell to the courts. in 2003. godze, kali ў monastery has returned manakhі, school scienе pashaў tread on the face of jesus christ. such a word was burned by the bosom slaughterers. in 1918, following the passage of saveta to these lands, the monastery was abandoned. iago budynkah softened the house. the whole savetskiy pyaryad complex is vykarystovaўsya by different educational settings. they were built by yellow carpus, not temples. so there were built-up cathedrals and chapels.

they didn’t receive the invitation. at the beginning of 2000 years of monasteries, the signs were given to the manahams, which papali pastupa yago adrajenne. belarus - this inexorable forests, blast rivers and azers, untouched nature, what hell nemagchya adarvats vachey, and yashche belarus - this people, we are covering their forest for you.

we carry traditional traditions, and at the same time we change our views on extraordinary speeches, and we treat this world like a magician. belarusians are so different, but they are poisonous, hell, any native land. belarus 24. getam kalektyv would have been blessed with long and happy forests.

and he said, and i sang glazov, we were very close friends, we never had any arguments about who would be first, we, of course, ourselves, just, to be honest, were crazy about ourselves, because everything worked out for us easily and wonderfully.

student of the chatsvertag course of the kharavog faculty of the belarusian state canservatory. taisiya tlekhuch was passionate about the idea of ​​creating a vocal-instrumental ensemble as well as singers and women. and this whole idea, it seems, infected their fellow students, and at the same time they were talking at the canservatory international, their names were raisa tarasava and tatstsyan karaleva, they just didn’t grab the slots on the keyboards tools, whatever.

our god, why did you shelter our wing in our hearts, singing here, our pastors, faiths flourished.

worked somewhere in this composition, but then the girls went to get married, you can’t imagine how it was, oh, for me it was just such a loss, yadviga said that some of the girls left, of course, they needed a singer, i was practically already a ready-made vocalist, an instrumentalist, since i graduated from a music school in the piano class, and studied vocals a lot, i was always very ...

everyone back, birds fly from the south to the north, they don’t want to linger anywhere, but hurry in the melt water, we were somehow in one small town after.

yana and saproudy very slightly changed what they did, and it happened after that, as in

1973 in the collection of mitsul a new accompanying ensemble appeared, first with guitarists yuri rymashevsky, jadwiga paplavskaya, lyutsina shemitkova, lyuda isupova and i, we united together and then the boys began to sing, made a funny group, that's how it remained, i've been saying all my life... i said and will say, for me the most important person was yadya poplavskaya, that's because she always built us, as they say, we just we arrived at the hotel, just settled in, he immediately gathers everyone to his room to sing, we sing, warm up, warm up, okay, we went to the concert, just arrived, spread out at the piano to sing, and if god forbid we have some kind of misunderstanding among ourselves. this happens, someone said something to someone, the wrong thing, crazy, again yada gathers

everyone, whether you like it or not, we all go to yada's room and disperse already in a truce and sasha tikhonovich came to us, although he was offered to vuyachich's team, which was more prestigious, because there are trips, and not only union, beyond the borders and so on and so forth, but it turned out that sasha had already been spying on some rehearsals, yes, listening to us, and he really liked us, then, as it turned out , later, his eye fell on me, and he asked for dew: the echo of the night street, this is the quiet voice of your friend.

sasha, he has always been, for me he will be, so active, and from him the ideas of shadows on the wall, maybe you will come to me, well , just poured out, you understand, offers, ideas, guys, we have everything for, let's get ready for the competition. we rehearsed from morning till night, oh, there was a complicated story there too, they didn't want to let us in that competition, literally until the last days the issue was being decided, right up until glebov and orekhovsky, the director of estrada, stood up for us, they let us out, and we went to that competition, the god of love knows no shame, love comes suddenly and from nowhere. it was and will always be like that,

because it's immortal, it's a miracle, because it's immortal, it's a miracle, it's a miracle, there was also such a story that the director said, if you pass, i'll quit, when we passed. and shared with such a group of armin, in which larisa dolina sang at that time. after the award ceremony,

yuri selantyev addressed the laureates and said: "dear guys, today the burden of fame was placed on you, you will have to prove all your life that you did not receive it in vain. and every time, subsequently, going out to a concert, even to this day i have this phrase in my ears, i am simply grateful to those who saw in us this powerful potential, giving us the right to work further, we went on simply as if on a green light. in our show, the participants will not be helped cheat sheets. the constant of our game is 42 tricky questions asked in four rounds. the variable is 12 players ready to show off their irudition and find out which of them

really has the right to say, i know. is it true that the ship that sailed under scarlet sails for... the salt of the heroine of green's extravaganza was called a dream, if i'm not mistaken, it was called a secret, oh, oops, you can only rely on your own strength here, is it true that there is an active volcano in antarctica, what do we know about antarctica in general, this is the most the highest continent is the coldest, i answered yes, there are mountains in antarctica, so there could be a volcano too, maria, how did you reason, how did you answer, i don't know the answer...

hello, my name is denis, and what kind of dad are you? probably, there is some kind of dad, a good one or a bad one, i don't know, you are the first belarusian to win the olympics in freestyle, and how did you feel when you were standing on the podium, the first night i couldn't sleep at all, i couldn't fall asleep, because i closed my eyes, i had

the whole day in front of my eyes, how it went, how i was there i woke up there eating. thanks to the success of the competition and the composition of the ensemble, changes were made. young people would be designated as kiraunik.

in the spring of 1975 , the international festival of palette songs in helsinki took place. people from all over the world came to this festival.

verasa's ensemble would be champions in a series of married couples, which were created within the kalektiv, napeina, such a phenomenon never happened in any kalektiv of the beldzerzh philharmonic, everyone got married, so the most interesting thing: so i started dating borya white, yadya poplavskaya, that is with sasha tikhanovich, lyutsina shemetkova with our administrator, lyuda isupova with our

sound engineer, we went on tour, well, and we need to settle down, now maybe someone wants to settle down with whom, then there is no stamp in the passport, so it is impossible, well, and we are like this, i do not decline under the sound engineer's surname, neither does medvedka decline. and he under my surname with supovoy selitsa, and i under his surname with white settle down, for this, arriving in minsk, someone there snitched, we are called by the direction, they made such a decent remark, well, without any entries in it’s a personal matter, but the moral way of life, well , that’s it, then we got married, it turned out to be a strong family, in 1978 the ensemble of veras became a privateer. international festival of palette songs allen mack in the balgarskim city of blagoegrad, the people of this festival seem to be

all-american. the spy dzin ryt, who was a frequent guest in many socialist countries, and first of all in the ussr at the dzin ryt festival, had a fierce respect for his faith. the ensemble is falling down, just as he told the musicians, they said, among others, that it would be performances at the government of faiths in savetsky sayuz. a fleeting conversation chalk.

that he arrived, with the first rehearsal, we played everything, we were at the youth hotel, i remember, we gave a concert, then the idea arose to go to the bank, and we went with him to irkutsk, there we performed with great success, we were so received there, and the best impressions were about this trip, in tynda itself we mainly worked on the hills on the street, this hill is all planted with komsomol members, it was built here. he is such an active, such a simple zealot, well, in short, we gained experience from him, and as for professionalism, yes, it was useful

to do that, for example.

he was always riding motorcycles there, and somewhere he broke a rib and they were filming a movie, and he was on the roof of a train with a guitar, with a broken rib, he was filming calmly while the train was moving, that is... such a heroic artist, you could see how much pain he was in, but he didn't leave the stage, and he made us understand that no matter what state you're in, people are waiting for you, people have come to you, and you have to do what they came for came, they have to get this emotion, song, you don't bring me flowers, yadmiga

paplauska and idzin ryd sang at the verasov chancellery and dzina ryda, which happened on 19 krasavika 1981 in minsk.

good for you babe and you're feeling all right, well you just all and tell how you don't say you need me, you don't see me love so you don't bring me flowers.

the next day after the chancellery in the officer's house.

meeting amazing people immersion in their profession. my name is mikhail pasmurtsev, i am the head of the scientific department of the national pripyatsky park. the ecosystem is designed in such a way that the violation of one of its components will inevitably lead to the fact that all the others will change. and now we are on the territory of an open-air museum, this museum is a territory with a huge number of historical exhibits, i am the deputy director of the republican landscape reserve naliboks. our work involves round-the-clock work,

responsibilities for the protection of nature, you can’t fit into the framework of some time. all the heroes are completely different, what unites them is the desire to achieve the best result. first of all, i would like to convey the need. to protect our nature, unique, because in the same europe there are no longer such dense virgin forests that we still have in belarus. our mission is to preserve nature as it was before human intervention. many people love belarusian environmentally friendly products. i value this, i am proud of it and want the national park to grow and develop through our efforts, and we serve as an example for many people who they come here. look. the project one day on our tv channel, to moscow to sign up for an artist, where, mom, i'm a scriptwriter, to the film institute, soon they'll show it in cinemas, look what i have

, mashka, they're the spitting image of you, no one needs us here, no one is waiting for us here, but moscow will still be ours, ours, of course, don't you like me at all, yes, i... hate you, katya, my only daughter, she wanted to commit suicide because of unrequited love for you, i have a proposal for you, i'm arranging for your admission to the institute, and you? surround katya with attention and care, he left for katya forever, i want to work at mosfilm, or on television, poisoned by something, something completely different, what are you looking at your chest, look how full you are, what a beauty, ugh at you, watch the series the best summer of our lives on the belarus 24 tv channel

. in 1980, the first disc of the giant verasov was released, our discography, the latest tracks on it turned out to be the song of eduard khanka on top of anatoly papyarevich, malinauka. this song fell on the plate with a tsalkam fall, when the album was ... already recorded, on the matryoshka was left there is not much time for a small campaign, the noise of which was not supposed to exceed three minutes, i have never heard it, i heard it for the first time in the studio and it did not make an impression, because it seemed, well , such a very primitive, such a modest song, and sasha tikhonovich said, he says, okay, i'll sing, he said, and i'll sing, i ask you pink hour. to the pain quietly to me as

dear to me the edge of the birch raspberry dawn, as dear to me the edge, birch, there was a synthesizer there, in my opinion, it was a synthesizer mini muk was called, so i started looking for some there sounds, while i was turning the synthesizer it just whistled. i also remember thinking, okay, it will be a joke, that's how we settled on the synthesizer this introduction, well , that's how it went, and then they came up with a whistle, a whistle that fills with water, they gave me this whistle, we were still wearing leningrad mascara back then, which if it gets in your eye, that's it, these splashes flew, i cried all the time from this mascara, we decided to give this whistle to yada, because yada has glasses, there is protection, and so... when we we were filmed at the morning post office with this song, and

then we went on tour, and at night in the hotel we heard people walking down the street singing malinovka, we were stunned, it was played once on central television, and people remembered, we worked in the sports palace, several concerts on one stage, they wouldn’t let us go, we sang malinovka three times, the whole hall sang malinovka with us, people just went crazy with this song, that’s what you don’t bet on, but it suddenly takes and wins. we became laureates of the well-known

television festival song of the year. litarnaya kraina uzvala, a hot song i live at my grandmother's, by eduard hanok, words by igar shafiran. eduard hanok wrote the music, he was commissioned to write music for a film about the problem of one child in a family. with his mother they come to visit us, it became fashionable to have only one, a baby, and even then to throw it to the old people, we wrote it just like a voice-over song, the recording was uh in st. petersburg, i was then in a beautiful position, i was in the eighth month, i already... had to go on maternity leave, there

was already a transition to the ninth, and they put a chair under me, i remember, i did the arrangement, all these backs, what will happen, what will happen, what will happen, all this, what will happen, what will happen on earth, in the next 100 years, if the fashion for children, we will pass completely i don’t have a sister, i have... in short, sasha brought me a stool from the bar, i remember, such a bar stool, i sat down with nastenka inside and thought, so, oh! if only i don’t feel sick, and at least i don’t give birth here prematurely. the song, of course, played a very big role in terms of demography, it’s not for nothing that at one time on central television there was a letter from ministry of health, we express

our gratitude to the ensemble, eduard hankul, igor shevferan, for the song "i live at grandma's, who made".

fairies, too, we were invited as guests and sang, uh, michel, i remember how the hall exploded with applause, not just you know, there were songs in two voices, in three voices, and there were seven voices, everyone sang, everyone who we have , even chizhik the trumpeter, he also sang, it was very worthy, we came to kostanay, we had 20 concerts on one stage. well, of course, a little bit of nerves have already begun pump up once with lenya the koshelivym, i got angry at him, why? because we sang a duet with him, we should sing and communicate with each other, and this song was chur-chura, vasya and rainchika, and he suddenly went forward, closer to

the audience, and i think, i 'll tell you this very thing, well, okay, then at the end of the concert we sing clean. there was such a joke, when lenya, you know, sings a high sound, pulls it for a long time behind the scenes, chesik poplavsky picks up on a chain breath, it's the sound that pulls him, and lenya pretends that he he sings, he sighs and continues, but to stop him, i come up, imitate, as if with a microphone to the head, the drum booms, he is so scared, at this time, when i was angry with him, i did not imitate him, but just took and hit him on the head, and that's good. and he says that he almost lost consciousness, so i gave him a decent one, he stopped, so, yeah, well, that's it , everyone was introduced, everyone bowed to the locker room, and he chased after me. i ran away from him, probably, i would have gotten it then, like this there was a story, without opening, what was looking at

me, without opening, the skin winds of the ensemble of the faith stage called out and called out the sacramental sensation, and i heard this day, when the stage of the philharmonic and the final presentation, and my books and history of the belarusian stage , all these very books, what kind of taxa rises in our ancestral world, all the same, all the same, all the same. let's live our lives, let's listen to music together, let's dance together, and

we don't need to invent words for this music, because no matter how many words you invent in your songs, they about love, about love, our hearts. irrefutable to the rightful faiths, which the public knew and loved in all corners of our indispensable country, who from the friendly team of thought leaders established the belarusian stage not only in the ussr, but also in many parts of the world. belarus rightfully honors these legendary artists and belarusian veterans. the stage cannot be divided equally in the world, money is not success, so let

at least the music be music for everyone, it will respond with sadness, it will respond with laughter, it is bright melody. this music is for everyone.