speech, is it possible for children and poets not to part in this world, to protect us from disasters? artyom, artyom, listen, soldier, how do you feel about weapons? you yourself say that i am a soldier, what kind of soldier is without a weapon? yes, i will give you a weapon, don’t pour it, well, mighty one, wait, come on, deal, deal, deal, deal, deal, here you are, one, one cartridge, you won’t shoot it in a week, i’ll give you the whole clip, take it, just carry it like this, for now without a holster in your pocket, i’ll get the holster later.

kleine soldat, kleine soldat, ja darf nicht vormachen, nein, nein, sonst gibt rauchen der stube, rauch, rauch, wegen des abgesperrten abzugs.

groups of german troops, and today, may 2, have completely captured the capital of germany, the city of berlin, the center of german imperialism , the hotbed of german aggression.

oh, my dear mother, now i would like to go to odessa in arcadia. artyom, have you ever seen the black

sea? no, never. well, everything is clear. you are going on vacation with me to odessa. lie down, artyom, artyom, artyom, rush there, you are ordered to stay here.

stop, stop, stop, they say,

you are ampilok! raise artyom's company and take it with you, so that here there was no spirit to hide this boy, otherwise his own will kill him!

oh, how white is the delightful light, how simple is this life! again in the fields and pouring rain there are many deeds of successes of victories, there will be a sannet, waist-deep, so ends the short story, life has long since passed the war, but the efforts of the children of poets, inexhaustible flowers. and sonnets on earth do not end the wine.

i am belarusian, i was born on this cossack land, where between the forests and the pushchas of the old children lived forever, i am belarusian, i am proud that i have this name, for the good glory of belarus.

welcome to our palace, through this columned ceremonial hall since the beginning of the 19th century thousands of people have passed, these are the guests of the owners of the gomel estate, in soviet times these were

pioneers and schoolchildren, and these are our visitors, the flow of our visitors, it does not end and will never end, i am sure of it. the gomel palace is the calling card of our city, the territory that was loved by all generations that are here... my name is tatyana shoda, i work as the chief custodian of the funds of the gomel museum palace and park ensemble. our team works to collect and preserve materials about the past for the sake of the future.

the main custodian of funds is an earthly profession, very responsible, any museum has items storage facilities, not everything is on display, the museum collection on... the collection, which was formed, starting with the creation of the museum, and it was founded on november 7, 1919. pomelsky palace and park ensemble, today is a historical and cultural object of the republic.

the palace building was built under peter aleksandrovich rumyantsev, the danube hero of the russian-turkish war. here on the steep bank of the sozh such a magnificent palace appeared at the end of the 18th century. the next owner of the gomel estate was his son nikolai petrovich rumyantsev, a russian diplomat, minister of foreign affairs. gomel was transformed under nikolai petrovich rumyantsev, from a small village it became the owner of the features of a good

european town. as for the next such. staff stage in the development of the gomel palace, this is already associated with ivan fyodorovich paskevich. ivan fyodorovich paskevich, count of irivan, his holiness prince of warsaw. the man was also a military man, he paid attention mainly to the gomel estate through managers. he was the viceroy of the kingdom of poland, he saw the vlazenki palace and park in poland, and he knew that the polish architect adam itskovsky was involved in the creation of this object, and ivan fyodorovich invites adam itskovsky to work on the theme of the palace and park ensemble. in 1918 , the palace was nationalized and after some time, preparations for the creation of the museum. it was here in the tower on november 7

, 1919 that the gomel art and history museum was opened, what the interiors of the palace looked like in the pre-revolutionary period, we can learn from photographs by giovanni bianchi, who, at the request of fyodor ivanovich paskevich, forever captured the image of the palace halls in the 1860s. it seems to me that the origins of the creation of the museum are here, they were already there before. predetermined under fyodor ivanovich paskevich in the tower, separate halls were already created as museum exhibits in memory of his father, general field marshal ivan fyodorovich paskevich. the subject was annotations, equipment, showcases were used. when

adam kirkor visited the gomel palace in 1882. he later wrote: the gomel palace is a real historical and archaeological museum of two russian field marshals. i think that the owners of the gomel estate, if there was such an opportunity, so that they would know what would happen after us in this palace and that a museum was created here, i think they would approve. ivan fyodorovich paskevich. was honored by us when we created this exhibition, we one of the halls was called the field marshal's hall, dedicating it to this famous russian commander of ours, especially since he was our fellow countryman on the side of his mother anna osipovna karabankova, who was from mogilev. the museum structure includes

the following departments: the scientific and fund department. work, archeology, protection of historical and cultural heritage, the historical and regional department, art, scientific and methodological and the department of scientific and educational work. the entire staff of the museum works for the same goals: to collect, preserve, present, tell. we work so that people come here. we have to interest them, make them want to come back here again and again. tanya, hello, good morning, they say there, yesterday they gave us a book as a gift, yes, in my opinion, look, a very interesting copy, yes, in devastated moscow, this is for the anniversary of the first world, the first world war, and the publication is the st. petersburg publication, yes, yes, yes, oh, how interesting, the path of the visitor who sees our museum items in the expositions

begins with the wardrobe, and as for an object of museum significance, which can potentially... become a museum object, it begins with the work of the scientific and collection department. the object comes here for temporary protection, then the question of its permanent acceptance into the museum is decided by the fund-purchasing commission, after which the object acquires the status of a museum object. research staff of the scientific and collection department are engaged in this work. the recording of a museum object, first of all, is its registration for permanent protection, this is a series of documents that must be drawn up, marked museum item, determine the storage location in the fund's coordinate system...

you look at a glass bracelet and you understand when it was made there during the kievan rus period, it's such beauty, you understand that people didn't graduate from any specialized institutions to create such magnificent jewelry, it's all natural, our department of archeology, security, historical and cultural heritage, more than 100,000 items are stored here, this is one of the largest collections, in principle, in the museum and in belarus in general, one of the largest archeology collections, and here are stored items from the paleolithic period to the beginning of the 20th

century. we have such a unique feature, open storage funds, and anyone can come here by buying a ticket. just recently we received a mammoth skull. they found it in the besed river, you know, when you walk and just look at this object , your heart skips a beat, we have a paleontology collection, there are mammoth teeth, there are other fossil animals, there are tusks and so on, and here is a mammoth jaw and two teeth still preserved in place, here it is still drying, we turned it over specially with the jaw up, because the teeth... absolutely, well, that is, some of the most dangerous, so that they do not grow under, we are now preserving, the age of the skull is about 20,000

years, here it is a contemporary, probably of the population that lived at the ancient site near berdysh chechersky district. the museum was lucky in that despite the events. working on the concept of creating exhibits in the palace, of course, we studied documents, we

looked at photographs, inventories of individuals gomel castle, where the names are written, there were rooms, and what was in each. we tried to make the exhibition so that if the room was called the red living room, we recreated the image of the red living room. this was the favorite room of the owners of the gomel estate of such a mundane nature, here they spent time, read newspapers, learned news about events in the country, in gomel, of course, and here, probably, they drank tea and coffee, it was very comfortable, a magnificent exhibit, this is the top of a chest of drawers or a box from ... a duarny set, which was donated irina ivanovna paskevich and fyodor ivanovich on the day of their wedding, a watch from the christophle company, artistic bronze was an integral

part of the palace interiors. in the palace in the 19th century, a house church was built in the name of saints john and saint elizabeth. it was in this room that we created an exhibition called religious objects from the funds of our museum. among the objects that connect me with the museum, there is another object - this is the icon of saint nicholas the wonderworker, it once existed in my grandmother's family. the icon is magnificent, it is now i say this as a museum employee. i grew up with this icon, then, when i was already working in the museum, i transferred it for permanent storage to the museum fund of the gomel regional museum of local history. it is always with me.

in a short period of time, thanks to state support, thanks to the president, who paid such close attention to the issues of mechanization, livestock issues, agricultural affairs, we have become , by and large, a completely different country.

the gomel palace and park ensemble includes, of course, the territory of the ancient park, it was once created according to all the canons of park art, by good specialists,

is a real exhibit, if it could talk, it would tell us a lot of interesting things about the events that took place here in that distant time. the attitude of the owners of the gomel estate to gomel itself is evidenced by the fact that nikolai petrovich rumyantsev is buried in the cathedral of st. peter and paul, and he died in st. petersburg. he wished to be buried here. the chapel

of the paskevich tomb was built in 1889 year. the initiator of the construction was fyodor ivanovich paskevich, the son of general field marshal. he made this decision himself, or it was some kind of family council to bring the ashes of his ancestors here, including his famous father, general field marshal ivan fyodorovich paskevich. the fact that fyodor ivanovich paskevich decided to build a mausoleum in gomel also indicates that gomel meant a lot to this family. there are no other similar sacred structures of this type of architecture on the territory of belarus. is found, it is the only one, therefore unique. the last

owner of the gomel estate in the male line during the construction of the tomb, its walls were laid with such a stone poured with a solution of glass and glaze. this kind of masonry, with such a special stone, it was used on the territory of the palace and park ensemble not only here, but the walls and ... of the winter garden are laid out in a similar way. an integral part in the arrangement of noble estates was the presence of winter gardens. we are now in a winter garden, which was created in late 19th and early 20th centuries. during the great patriotic war, an elderly man came here and heated the premises.