maria momertovna matusevich, a liaison officer of the partisan brigade for the motherland, from the award sheet of the partisan. matusevich, a fearless intelligence officer, obtained precise information about the enemy from the enemy garrison in the city of cherven, as well as medicines for the partisan detachment. the fearless fighter maria stole a typewriter from the enemy garrison , as well as two rifles, three disks for a machine gun with cartridges. on february 7, the brave girl organized a safe passage for 60 people with weapons, after which she herself was captured by the fascists and tortured, during which matusevich uttered only one phrase: "i am dying for the soviet power, for

the motherland. on the same day, the fascists shot maria.

we do not tell dry historical facts, we immerse ourselves in the era. our iviv tatars still remember the grand duke vittovt when praying, because he appreciated them as great warriors and invited them here to our lands so that they could help him fight. to say that it is comfortable, no, but i. i feel more confident, yes, more protected, it is true. artifacts from centuries of history - a real puzzle for us, as time travelers. this is one of the oldest items in our collection. this is an elkapion cross, which dates back a century. today, such a cross is worn, for example, by the pope or bishops. the task of our guides is to ignite in you the desire to touch the belarusian. culture personally,

these are the kinds of receptions we love, and we love, to meet, to treat, it is already possible, of course, it is necessary, oh, how do they smell? okay, travel with the belarus 24 tv channel . welcome to our palace, through this the columned ceremonial hall since the beginning of the 19th century thousands of people have passed through, these are guests of the owners of the gomel estate, in soviet times these were pioneers and schoolchildren, and these are our visitors,

the flow of our visitors, it does not end and will never end, i am sure of it. the gomel palace is the calling card of our city, the territory that was loved by all generations who lived here. my name is tatyana shoda, i work as the chief custodian of the funds of the gomel palace and park ensemble museum. our team works to collect and preserve materials about the past for the sake of the future.

the main custodian of funds is an earthly profession. very responsible, any museum has items storage facilities, not everything is on display. the museum collection has more than 200,000 storage units, this is the main fund, scientific and auxiliary materials. the collection, which was formed, starting from the creation of the museum, and it was founded on november 7, 1919. the pomelsky palace and park ensemble today is a historical and cultural site of the republican significance, which includes architectural monuments, an ancient park,

a chapel, a burial vault, where eight people from the paskevich family are buried, a viewing tower, a winter garden and the host. the main building of the palace was built under pyotr alexandrovich rumyantsev in dunaysky hero of the russo-turkish war here on the steep bank of the sozh river such a magnificent palace appeared at the end of the 14th century. the next owner of the gomel estate was his son nikolai petrovich rumyantsev, a russian diplomat, minister of foreign affairs. gomel was transformed under nikolai petrovich rumyantsev, from a small village, he became the owner of the features of a good european town.

as for the next such large-scale stage in the development of the gomel palace, this is already associated with ivan fedorovich. and ivan fedorovich invites adam idskovsky to work on the theme of the palace and park ensemble. in 1918, the palace was nationalized and after some time, preparations for the creation of a museum were in full swing. it was here in the tower on november 7

, 1919 that the gomel art and history museum was opened. what the interiors of the palace looked like. the subject was annotations, equipment, showcases were used. then in 1882

adam kirkor visited the gomel palace, he later wrote: the gomel palace is a real historian archaeological museum, two russian general-film marshals. i think that the owners of the gomel estate, if only they had the opportunity to find out what will happen after us in this palace and... a museum has been created here, i think they would approve. ivan fyodorovich paskevich was honored by us when we created this exposition, we one of the halls was called the field marshal's hall, dedicating it to this famous russian commander, especially since he was our fellow countryman through his mother anna osipovna. rabankova, who was originally from mogilev. the museum structure includes

the following departments: the department of scientific and fund work, the department of archeology and protection of historical and cultural heritage, the department of history and local history, art, scientific and methodological work, and the department of scientific and educational work. the entire museum staff works for the same goals: to collect, to preserve, to present. to tell, we we work so that people come here, we have to interest them, make them want to come back here again and again. tanya, hello, good morning, they say there, yesterday they gave us a book as a gift, yes, in my opinion, look, a very interesting copy, yes, in devastated moscow, this is the anniversary, the first world war, the first world war, and the publication is st. petersburg, yes, yes, yes, oh, how interesting. the path of the visitor who sees our museum items in the expositions

begins with the wardrobe. and as for the item of museum significance, which can potentially become a museum item, it begins with the work of the scientific and stock department. the item comes here for temporary protection, then the question of its permanent acceptance into the museum is decided by the stock and purchasing commission, after which the item acquires status. fixing a museum item, first of all, is its registration for permanent storage, this is a series of documents that must be completed, mark the museum item, determine the storage location in the coordinate system of the storage fund, scrupulous work, work that requires diligence. attention of a very conscientious attitude,

the profession of a museum worker in general allows you to learn about the past through an object, and our museum collection includes various archeological collections, more than 100,000 storage units, this is an ancient period, but when you look at a glass bracelet and you understand when it was made there kiev period... with archeology, items from the paleolithic period to the beginning of the 20th century are stored here. we

have such a unique feature, open storage funds, and here can come each person, having bought a ticket. just recently we received a mammoth skull, it was found in the besed river. you know, when you go and... and just look at this object your heart skips a beat, we have a paleontology collection, there are mammoth teeth, there are other fossil animals, there are tusks and so on, and here is a mammoth jaw and two. teeth still preserved in place, here it is still drying, we turned it over specially with the jaw up, because the teeth are absolutely, well, one of the most dangerous, so that they did not crack, we are currently preserving it, the age of the skull is about 20,000 years, here it is a contemporary, probably, of the population

that lived at the most ancient site near berdysh chechersky district.

in each was, we tried to make it so that the exhibition, if the room was called the red living room, we recreated the image of the red living room, this was the favorite room of the owners of the gomel estate of such a mundane nature, here they spent time, read newspapers, learned news about events in the country, in gomel, of course, and here, probably, they drank tea and coffee, it was very comfortable. a magnificent exhibit, this is the top of the chest of drawers or the box from the boudoir set, which was presented to irina ivanovna paskevich and fyodor ivanovich on their wedding day, a watch by the firm christophle, artistic bronze was an integral

part of the brother of the palace interiors. in the palace in the 19th century. a house church was built in the name of saints john and saint elizabeth. it was in this room that we created an exhibition called cult objects from the funds of our museum. among the objects that connect me with the museum, here is another item - this is the icon of st. nicholas the wonderworker. it once existed in my grandmother's family. the icon is magnificent, i say this now as a museum employee. i grew up with this icon, then, when i was already working in the museum, i transferred it for permanent storage to the museum fund of the gomel regional museum of local history, the icon is always with me.

the gomel palace and park ensemble includes, of course, the territory of the ancient park. it was once created according to all the canons park art, good specialists who were invited by the owners of the gomel estate from different cities, and even countries. trees were brought here and planted . more than 100 trees have been preserved on the territory of the current park, which have surpassed the century mark in their age. the oak tree that we see behind me is more than 200 years old, and most likely it could have been planted by the owner of the gomel estate at that time, nikolai petrovich rumyantsev. this tree, which

is a real exhibit. if he could speak, he would have told us. a lot of interesting things about the events that took place here in those distant times. the attitude of the owners of the gomel estate to gomel itself is evidenced by the fact that nikolai petrovich rumyantsev is buried in the cathedral of saints peter and paul, and he died in st. petersburg. he wished to be buried here. the chapel of the paskevich tomb was. built in 1889. the initiator of the construction was fyodor ivanovich paskevich, the son of the general. he made this decision himself, or it was some kind of family council to bring the ashes here of his ancestors, including his famous father, general-marshal ivan

fyodorovich paskevich. the fact that fyodor ivanovich paskevich decided to build a mausoleum in gomel also suggests that gomel meant a lot to this family. there are no other similar sacred structures of this type of architecture on the territory of belarus, it is the only one, therefore unique. eight people from the poskevich family are buried in the mausoleum, the last burial was made in 1903. then fyodor ivanovich paskevich died, the last the owner of the gomel estate of the pomuzhskaya line. during the construction of the tomb, its walls were laid. with such a stone, poured with a solution of glass and glaze. this kind of masonry, with such a special stone, was used on the territory of the palace and park ensemble not

only here, but the walls of the winter garden are laid out in a similar way. an integral part in the arrangement of noble estates was the presence of winter gardens. we are now in a winter garden, which was created at the end of the beginning.

and, probably, it is very useful for current generations to know about the time when unfolded here on the territory of our republic of belarus, events related to the great patriotic war. i want to show a book, the first, inventory book, which was started in 1944, and the first exhibit that came to the museum after the war, a portrait of the hero of the soviet union, yemelyan ignatyevich barykin. konstantin ivanovich lebedev, this theme of the great patriotic war, it was designated literally from the first pages, the book itself, already a real exhibit.

my first excursion in the museum on the topic of gomichin during the great patriotic war. and in general the theme of the great patriotic war has always been a special theme for me, i will emphasize this, it was since childhood, when i looked there, probably not full of my 7 or 8 years, the living and the dead. rambaev in hungary and you are already reading a letter from volodya rambaev, for you he is becoming a close person. hello, dear

parents, i inform you that i am alive and well, i wish you the same, we are going further and further west into the most obvious enemy and will soon finish him off. all this scum is running so that it is difficult to catch up, but we don't lose our heads from success. how are things in gomel, who are your friends? the letter was written on september 9, 1944. on october 6 , 1944, volodya rambaev died. the letters were addressed to his parents. what is interesting is that in many letters the words mom and dad are capitalized. the letters were addressed specifically to younger brothers and sisters. and it is also very important that in the letters of 1941, there is faith in victory, no one knew how long the war would last, out of 5 million red army soldiers, 4 million were

captured, it would seem that what army could withstand, here they are in their letters in 1941 the first year believed in victory, and you know, this feeling, this feeling of friendship, because people of different nationalities fought, in 2019 in the united states of america they issued a commemorative coin, on the front side is an image of two presidents of the united...

together with front-line letters, like a message from the past, and front-line letters sometimes became in one second a testament to their children, as the letter became a testament, khusnuli yangurazov, a pilot who died here in our gomel region, but he managed to send a letter to his son in distant bashkiria, congratulations, son, on your tenth birthday on may 6. on the fourth year you turn 10, it is a great joy for you, in 7-8 years you will be a completely independent person, in your life always have a desire to move forward, do not stop at anything, only resolving the issue with prudence. the first sign of striving forward should be the desire to know a lot from books. on may 7, for his birthday, my son received a letter, on may 6, his father died.

with the museum, and of course, it is very nice when your work is noticed, the highest award in my life was the francysk skaryna medal, which i was awarded in 2020, well, i think that this medal is not only my work, but probably also the work of my colleagues, it so happened that probably my childhood, it

was somehow connected. one way or another, because as a storage facility, it was my grandmother's chest, in which you could see those items that are today in the funds of our museum. in general, the first time i visited the museum in our gomel, regional, i was in the fourth grade, in high school i wanted to be a lawyer, entered the minsk state university, did not pass the competition, well, and so that this year somehow not to be at home, but already it was possible to earn some money, came to work in the museum. there is such a phrase: the theater begins with a coat rack, for me the museum began with a cloakroom, then i worked at the box office, having already worked for some time in the museum, i understood that this, that this is already mine, i like it here, and so it happened that having come there temporarily for some period, i remained here in fact for my whole life. even in the exhibition

dedicated to the owners of the gomel estate , one can engage in patriotic education. at all times there were patriots, people who served their country. today , it is very important for us that the younger generation understands what patriotism is, not to betray your ancestors, the memory of them, not to betray your country, serve it faithfully and devotedly. i work in the most beautiful place in the city of gomel, this is the gomel palace and park ensemble, its history is rich, our distant ancestors, radiviche, once settled here. figuratively speaking, the umbilical cord of our gomel, when you are in such beauty, of course, your soul rejoices when you understand.

я беларус, я нарадзіўся на гэтай казачнай зямлі, дзе між лясоў і пушчаў дзікіх адвеку

прашчуры жылі, я беларусь, я ганаруся, што маю гэтае імя, аб добрай славе беларусі ў свеце знаюць нездарма. i am a belarusian, and i am happy that matsimov gave me, that i can smell the songs of my relatives from a distance. i am belarusian, and even though today i may be more, but i will say, i come from a tribe of rebellious, and i will not sleep with the truth.

editors' club, we have discovered for ourselves a completely different africa, yes, it is a region that is difficult to enter, it is easy to enter there, for example, with equipment, to bring, sell tractors or bring and sell combines, but to enter there with light industry, to enter there with our healthcare is more difficult, but this is a long game, this is exactly what needs to be done.