xx century. andrey gennadievich, good afternoon. hello. thanks to your efforts , we can study the history of household items of the late xix-20th centuries. tell us about your collection, please. my collection has about 300 items, and consists of samovars, irons, household items, kerosene lamps, scales. the collection of samovars was collected, starting from the ninety-ninth year to the present day. it is replenished, here is presented a part of the collection, part of the collection is at home, the samovar came to us from russia, more all of these manufacturers were in tula, samovars are presented not only from the tsarist period, but also samovars after the revolutionary period, the times of nep, the times of soviet power, before the second world war, already produced after the second world war by the ussr, where collecting began, i ...

i don’t remember exactly, but probably with the fact that when i came to belarus, i fell in love with belarusian culture, i myself am from kazakhstan, i was born in kazakhstan, when i came across the first clay pot with a belarusian ornament, i held it in my hands, i - some feeling appeared for this dishware, probably from this pot, probably, the collection began, samovars came later, then the collection of irons appeared. tell me, and what are the most unique samovars of your collection? well, i think that the most unique samovar is presented here on this table, this is the egoist samovar, the samovar - which was given to me by a friend, my friend from minsk, my friend bought a house in ostrovets for a summer house, here in the headmaster of the house this samovar was found, of course, it was in an unsightly state, i restored it, brought - that is, in the form in which it should be, this is an egoist samovar, that is, this is a samovar for one person, that is why the name: egoist, this is not the only

unique samovar in my collection, there are also travel samovars that people took on the road, samovars were used not only by poor people, the samovar was a fairly expensive thing, its price at that time was 25 rubles, if you consider that a worker at the putilov plant earned a salary of 10 rubles, then in fact he had to work for 2 months so as not to eat or drink, they were not for everyone, yes they were not all were available, so samovar manufacturers made samovars. of various shapes, from various materials, so that there was a price category for different consumers, you can often find inscriptions on samovars that the supplier of his imperial court, there were factories that really supplied samovars to the table of the russian emperor, basically these were all advertising tricks, that is, manufacturers needed to sell their products, so everything they could, they brought out all the samovars they had, these were medals of various exhibitions, it even happened that there was a samovar... which did not participate,

but they put them, these samovars are all restored, that is, they all - at a certain moment you can start them up so that they work and warm and please, i will say that the most delicious tea is from such a samovar, and how were samovars decorated at that time? naturally, in order to sell a samovar, its appearance must be excellent, that is, the manufacturers a little, yes, their forms were almost the same for many, and in order the samovar had a marketable appearance. beautiful, they made all sorts of engravings, samovars were painted with paints, one of the samovars that are presented, but this is a samovar of the soviet period, here with a painting of poppies, as a rule, samovars of that period, of that time, they were smooth, why, because with daily use, frequent use, they were covered with soot, therefore, every day, in addition to boiling them, they were also cleaned, and they were cleaned with what cleaning agents at that time there were no. they used brick, beat the brick

with this brick sand, rubbed it, all what there were inscriptions and decorations on this samovar, they were erased over time, please tell us about your collection of irons, how it began, perhaps there is some unique exhibit, yes, there is such an exhibit, it was with which my collection began, american iron number two, my friends gave it to me, my great-grandfather, their great-grandfather... went to america to earn money, this iron was brought from america, and it was kept and passed down in the family for so many years, seeing that i collect household items, they decided to give it to me for the collection, at the moment it is in the collection from irons, probably more than 150, one of the exhibits that i really like, its fate is also unusual, it is an american iron, a steamship, i call it that, yeah, the iron was found in a school, in an abandoned school district. i didn't restore it on purpose,

so that people could see how the object was, in what condition it was received, irons that were used constantly, their soles were polished so much that... these are objects from the grodno region, these are the objects that our people used. we are going on a trip around belarus, let's take a historical excursion. well, this chapel, it was erected in the year of our

city's anniversary, our city turned 575 years old in 2017, and next to it, look, these are nails from the beginning of the 21st century, that is, on a nail.

as in the cherry orchard there were cats and

cats and i walked and stood with the bears to rest in old traditions new life i looked at the marvelous times with projects in the past. on the belarus 24 tv channel. one of the largest projects is a permanent exhibition of contemporary art region, painting, graphics, sculpture, decorative and applied art, art glass. the works of more than forty talented authors of litchik are presented here. we will talk in more detail about the concept of the exhibition with its curator tatyana nekiforova. tatyana mikhailovna, good afternoon. good afternoon. we are in an amazing art space, the creative implementation is immediately noticeable. tell us, please, about the concept of the project contemporary art of the region?

well, let me introduce, in fact, the entire museum before we talk about in this project, you are visiting the lithuanian. art museum, we have several priority areas of activity, this is the natural history direction, historical, ethnographic and cultural and the room in which we are, this is a permanent exhibition from the art department of our museum, it is called contemporary art of the lithuanian region. there is not a single artist or sculptor here.

the leaf of this space can be defined as neoclassicism with elements of industrial style, since we are talking about here activities of the industrial enterprise, i wanted to emphasize and... what the modern products of this plant look like, so after all it is neoclassicism, interspersed with interactive zones, the space is very universal and it is designed in such a way that you can very quickly change its design, make it different, festive or more everyday, you can make it more complicated, in this space. you can come here several times to see completely different

cultural accents, that is , you will never get bored in this space, and we we try very hard to make it like this, in addition to the interactive spots that i have already mentioned, there is also an interactive board where you can get additional information about each author, in what techniques are the author's works presented? each exhibition of our museum has sections that reflect elements of the history

of the region, this exposition is no exception, here are retro works, landscapes of the city that no longer exists, for example, here is the work of alexander ivanovich sudar, there is a view of the city around the castle that no longer exists, beautiful series, a contemporary artist who depicted for us... attractions of the lida park, which have not been in our city for more than 40 years. in addition to graphics, sculpture and painting , art glass is presented in the space. yes, decorative and applied art, a section of art glass, is quite widely represented in our museum, here are author's works in single copies, here are works made of glass for interior decorations in a modern way.

about its creative heritage, we are one of the few museums in belarus, to which the artist donated the property of his art studio during his lifetime, we see here old furniture, art materials for decoration, writing works, here in my hands, brushes that he used, that is, you can come up to look at it, but touch it, no, life behind... the glass of the wonderful brilliant academician of the russian academy of arts vladimir

semenovich murakhver. sketches, studies, sketches of his works, unfinished or previously unknown , are currently on display at a mini-exhibition, and a changing one, they, we we change in different seasons. and vladimir semenovich left us, a great many, more than 500 - sketches of sketches in the same context, but with a completely different presentation. this year we have an exhibition dedicated to the centenary of another very famous person in our city, in our country, also an honored artist of belarus, i am even sure that they were personally acquainted with leonid shimelev, people's artist of belarus, leonid shimelev this year and ... would have turned 100 years old in the funds of our museum one of his previously unknown was found

monumental work painting canvas called anega and this canvas is exhibited in a separate room. tatyana, an exhibition of one painting is a very unusual format for a museum, how did you come up with this idea? an exhibition of one painting in this case is aimed at making the visitor remain. one on one with the work, in addition, here are the catalogs of the work of leonid dmitrievich shchemelev, in which this particular painting... no, it is not presented there, so you can get to know the work in more detail and add for myself and this is also an author's work. the lithuanian museum of history and art is a bright spot in the palette of impressions, find opportunities to travel around belarus, visit museums of our country, remain

a pleasant conversationalist. with you was yulia burlo, we follow the cultural path. together. see you in a week, until new cultural meetings. belarus 24 tv channel broadcasts for you around the clock, do not switch, our daily task is to tell about belarus in the country abroad, more than 100 million viewers on the whole world have access to viewing

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hello, real belarusians, my name is alexander osenko, and today, as usual, we will reveal the recipe of life of one of us, now i will introduce you to our guest. by the way, we have prepared a small surprise for her, this is a frying pan, given to us by irina yakulovich, this will be a small test for our guest today in the program, let's go meet, nadezhda anatolyevna, hello, good

afternoon to you, glad to see you, mutually, you come to us with a gift, not empty-handed, i with cucumbers, which are collected in the city at my beloved mother-in-law's, home-made cucumbers, home-made ones, we will pickle them with you, quickly, yes, quickly pickled cucumbers, well, how is our dish without cucumbers, let's go, let's go, let's go, so, thank you, our kitchen in nature in such a magnificent everyone would like such kitchens, everyone would like such kitchens, yes, yes, that's all , thank you, we will gladly dress, so, yeah, except for pickled cucumbers, well, what will we do today, what do we have a recipe for a real belarusian, that's right, a belarusian without potatoes is not a belarusian. recipe, my favorite recipe, therefore frying pan, we will cook a certain

piece of meat, a chop, we are on the grill, and of course a good piece of meat, which we are in a frying pan, we will stew it in tomato juice, so this recipe i think, taking into account that i watched your programs, i have already studied a little, there has never been such a recipe, to all our belarusians. we give this recipe and recommend cooking this recipe at home with love, we have such a specific frying pan, but i think you should know what it is, well, a frying pan really specific, extreme for me, yes, i even know who gave it to me, because i have already watched your programs, but i want to say that a good part from the minsk tractor plant, it’s great that you know, i had no doubts, because you headed us.

not particularly typical heavy industry, but it seems to me that i did well, and how did it happen, well, in fact, immediately to a leadership position, yes, well, the approvals were quite long, they approved for a whole year, they looked, i was interviewed by the ministry of industry and the minister and summit, and the presidential administration, well, i had already held at that time 3 years worked in the industrial holding amkador, first deputy, so i already had experience. and of course, i already knew what industry was, i already understood where i was going, i understood that it was a rather complex enterprise, at that time it was going through a difficult period of time, but together we managed to show

good results, it seems to me that those who work on television, they can work anywhere, well, the versatility of the profession of an economist, if you are a good economist, believe me, nobody has cancelled five cost items, of course, yes, that is, you have to manage. the process, i myself did not stand at the machine and did not assemble balers there, but i managed the process, looked at the economy, the development of the enterprise and, as it were , was directly involved in ensuring that this enterprise could breathe, let's get started, of course, so, it means that we have potatoes that we can clean, i think, maybe before that we will marinate our cucumbers, yes, let's marinate, what do we need, we have a big banquet today, or are we for two understand?

the courage to make a decision, well, the courage to make a decision is clear, but you need to at least understand this, well, of course, but the most amazing thing is the kitchen, this production is so, you knew this, i knew, but the most amazing thing is that at this enterprise the problem was not in the product itself, but the problem was in management decisions, it was necessary to put things in order in the numbers, it was necessary to put things in order in the economy, in finances, that's what concerns technology, what concerns the product,

my grandparents used to collect milk to the villages, you know, so the poor guys went, so i went with them at 4 in the morning, i had my own journal, we wrote down, measured the fat content, then the reports came, we wrote out how much money, who needed to be paid, so the economist went, she’s from there, well, i think it’s far away, probably from there too, well, i liked it, i ’ll tell you honestly, i liked it, keeping everything under control, everything...