written on the belarusian stage. already, the young boys are sleeping in the king’s choirs, and in the local school. i plowed the pit with the regents, and learned my old skills. i finished my musical studies at gomel and studied at the canservatory. being students of the canservatory, they would already be salists of the harawa chapel of belarus by rygor širma. belarusian. he’s a dad, i’m 58 years old, i’m a 59-year-old, well, he’s the elders behind me, and i already feel what ’s going on, the saloons, the bad guys, i had to deal with a little trouble 59- ha of years, many trips we ...

it wasn’t like the geta equipment appeared, well , it’s already looking like a braid, mitsuli getag had such a bright self-propelled equipment, geta 62nd year, and mitsul himself is talking about these... the speakers are different, and li, heta, prafesura, where there, he was carrying this column, true, then they already began to give working scenes, they also helped us with this, we had cool, wonderful vocalists, well, i mean the belarusian stage, but the style in which mitsul performed, that manner, his ability to captivate the audience not from the first minute, but from the first second.

in 1965, eduard mitsul had to perform on a long concert tour of the belarusian philharmonic hall, called the 150th century of variety, special for this program, requested garry goldi, this would be we are at that hour. when the ussr welcomed

foreigners, our emigrants, they first came from the savetsky union in 1947 from china, when i was 27 years old, for some hours i grazed in ryza, and then i lived pasta yanna, even my own emigration from canada in 1972 godse. garry goldi, my real name was hema goldfeld, former spy kruner kshtaltu bing crosby, frank sentra, fred astaire. in the ussr, this manner of singing on the stage was absolutely new, unfamiliar to the savetsk listener. do you remember the film we are with jazz? there, lethal, in the first frames.

and then musicians, accompaniments, dancers, artists of arginal genres, and this entire tour was carried out on their own van. mitsul was... yany gavaryli, that it is not necessary for the pit to be so modest, because it does not match goldzi, ale mіtsul, geta was...

1965, and here yana sustrakali geta new year in minsk. 100 gathered in our studio brave guys, each of them has a question for an adult. you have one minute to briefly tell about yourself. time is running. how will you react if a person asks you to do something that is not suitable for him. well, i will also dissuade him somehow. there is a stereotype that all athletes are bad students, how did you study? we studied on a five-point system, somewhere there were, of course, threes, and fours, fives were, well, in different ways, to your right is the red sector, the next question from there: hello, my name is denis, and what kind of dad are you? probably some kind of park,

i don't know if it's good or bad, you 're the first belarusian to win the olympics in freestyle, and how did you feel when you were standing on the podium? the first night i... couldn't sleep at all, couldn't fall asleep, because i closed my eyes, i had the whole day in front of my eyes, how it went, how i woke up there, what i ate, watch the project 100 questions for an adult on the belarus 24 tv channel, better get up, smile, look, it was december 31, everyone

after the concert, when they had philharmonic, all the musicians ran off to their families to celebrate the new year, but gary goldie, as he was... and he taught us to sing in english "tropic night", and it was a lot of fun, he was glad that the whole family was singing, father took part in this, and we did not sleep that night and had fun until the morning, singing all the time.

eduard mitsul's daughters, yulia and rufina mitsul , were quite famous in the 60s. there is no such stupid melody about minsk, so we sat down and wrote this song, and zhenechka wrote this very thing, a very good arrangement, zhenya grishman, he made a very good twist, and we even went to moscow with this song, the city is my city, the flowering alleys are my city,

he had two daughters.

yon hatseў transfer to vіktar, and vіktar hutsenka staў ўўўўўўўўўў ў ў ў ў ўпіваць, just so many busy people went to this competition, і і vіktar ўtryamsya there peramozhtsam, maybe you yourself ўappear, well i'm parading, i'm parading to the haste of this year, i'm also jumping on the right hand, jumping, dancing talent. eduard mitsul, the pop and song arts of belarus have gained powerful momentum and popularity

started buzzing on the ancestral lands of the ussr. in 1969 , the 50th year of the bssr was established. and for the benefit of the dzyarzhkanzert, belarusian artists are touring london. at the warehouse there were belarusian delegates, of course, and eduard leanard.

he communicates with the orchestra and with the accompanist, if he performed under the accompaniment, how did eduard lenardovich manage to keep him in suspense?

and just my advertising, i don’t have a lot of magic here for you to create advertising, if you please tell me, i’ll give you 300 kanserts a month, since you can’t, every time i tell you 300, and this is how it is, you are tortured, you know this, kabzon, i say, well, i can feel it, yes, there is already such a creep, now i have a bagashchaetsa, how are we, a station at the sea, a floating base, well here equal to .

and the personal life of eduard mitsul. then i was already well over 70. today we look at this archival footage for assembling nostalgia, you are more than just a singer, campasitar-legend, igar luchanok. eduard mitsul would be the first to sing many

songs. this revue was called pachama revue lvonikha. this team was formed, he paid a lot of attention, the ministry of culture, the philharmonic, so the best artists in different genres were in this group, here we were, and there i met eduard mitsel, in lvovich's group we had the chance to start, the volodya mulyavin ensemble, together with eduard, another stroke of luck, such a noticeable milestone in the life of a musician, that suddenly there is a musician next to you, whom you knew from childhood, who was famous throughout the soviet union, this... so to speak, not every singer can boast of such a musical biography. we have a lot in common, for me personally, he was born on may 9, i was born on may 8, my father is leonardovich, and he is leonardovich, well, his roots are probably some polish, belarusian. when we got to know all this better, he turned out to be

an amazing person, but this is also not enough, the thing is that

volodya already knew who eduard mitzel was when we started. ağžaty svet, uprygozhyla, glaztov koty, closing everything, we were in moscow with lvonika and agreed to record a record at the melodiya label, a small record, we are going to go to the melody, edik is not there, and there is some there was a delay. he says: i came, no one, you didn't come, and he left, where did you go? he says, yes, to sanduny, he says, in moscow not everyone, he was a big fan of the bathhouse, for us it was some kind of discovery, and he, having already lived, so to speak, the life of an artist , had seen everything, knows everything, went to the bathhouse instead of recording melodies, he, as i later found out, had a custom, eduard leonardovich always tried to sing somewhere at the beginning to leave, the whole adjustment... so that he would finish the concert, he insisted on working first, then legally, continue the beautiful life of an artist. to arrange a reboot for yourself, it is not necessary to go far. i love to ride bicycles, but of course,

riding in the forest is a special pleasure. the route is built in the program, we go on a trip around belarus, it is also called , because of its mountainous terrain, a city on seven hills. friends, today i am building my route around the volozhin region. belarusian plain. how much is contained in these words: a long history, a unique culture, real natural wealth and hospitable polesians, for adventures, you will be left, right, neat, a girl with an oar, oh my god, how cool you are, you can grow it into an apple, you will be an apple, so, of course, it will be, it will be, oh, positive emotions, oh, this is a compass, show me, take it.

you are a real modern belarusian guslar, yes, you have five children, yes, i was really drawn to nature, i just realized that nature is generally my priority in life, so in general i dropped everything, i was already right in the city i missed this space, i missed nature, you studied, lived and worked in moscow, then at one wonderful moment in your life you had to return here to your historical homeland, to look after your grandmother? after that you converted your parents' house into a stable, now you save horses, why horses, because other animals also need help, to each his own, but

by and large horses are such a childhood illness, well, kushka, what can i say, the only thing that relaxed me is that something is somewhere down there, that's all that here cheeks in particular the entire speech apparatus, eyes, spine, everything for some reason on na... i'm from the village, watch on the belarus 24 tv channel . the song verasy, on the top of the outstanding belarusian poet-songwriter joseph.

and how do you think these collections were called? right, verasy, here blossomed the flowers, we sang with him all the division, to him. he has a lot of experience, firstly, he always warmed up for a long time before the concert, he warmed up not like we then sat down loudly and dropped everything, and he with his mouth closed somewhere in

the corner, like this, necessarily, every time before every concert, that's it, but the most interesting thing is that when my future husband came to the group, he was hired as a stagehand, here he is for the first time, when we probably left for... after the gloomy gloom , a beautiful day will come, because on this day. there is you,

my love is always with me, sometimes it happens, you come late from a tour, from a concert, there is nothing to eat, hungry, like students, but mitsel always had lard with him, always, he always carried lard with him, he did not let us die of hunger, he always treated us, invited us to he treated himself, he pitied us, he loved us, he, he was just like our dad, he... he treated us so sweetly, so tenderly, the girls, he protected everyone very, very much, it was great with him, but once i remember, there was one such case, but not very, maybe, for me, for us, for the girls it was good, in altai, when after the concert they gave us a reception here, well , they received us well, then we went home, well , i mean to the hotel, there was a bus like this, lyuda isupova was sitting in the front seat.

in one fell swoop all three of us fell silent, i have here i was so offended, i got up, that's it, i 'm quitting tomorrow, i'm going home, well , tomorrow we talked to him, or rather he talked to us, well, of course, it was all funny, well , that never happened again, of course, maybe the shady alley will be

my girlfriend, of course, it's not unknown that he was a very good fisherman, he loved nature very much, he knew the sounds of birds, he brought a lot of literature, it was always about animals, i was always surprised, he never discussed anyone, he... kept everything inside himself, never he was engaged in gossip, although all sorts of incidents occurred, because he went to the artistic council of the philharmonic, and a lot depended on him, but he was always silent, we knew practically nothing, the city spring around was covered with color, the sky was high.

what expression he earned with his public appearance, he sang a song by aleg charkun, young hay, which everyone sang, all the artists of the philharmonic, i sing now.

in his last days, always, he, it is unknown how, but his voice sounded amazing, why didn’t he sing, and no one invited him, just everything. eduard mitsul's dearest soul became the requested concert tour of the old robbers, who had to deal with their former colleagues on the stage: neli baguslauskaya, izmailam kaplanav , viktar sinaisky and aleg zhukav. i'm going to thank you for the quality of the bastard artists , i'm glad i'm making a contribution and a new splash from the side. koledachov, something would hurt here, something would hurt there, well, but all the time i got into it, so how long have i not worked, and i’m always going somewhere, a suitcase i forget somewhere, i forget my suit somewhere,

i'm always on tour, you don't want peace, heart, how good. recently i wrote a note about eduard leanardavich mitsul at the belarusian radya, and it was like this: 96, i worked then in the music editorial office of the belarusian radya, and i was like that ensemble

of the belarusian radio-television station, all the activities of the kiraunik sasha arabey, well, and tell me: olya, we have a studio, we have arrangements, we have a program of performances, i tell you all the way...

enemies, navat simple non-brazychlіўtsў, iago chanavali, respected, loved ўeverything, it is very good and velmі scipla, і gіtak і sіpla і ўі ўіх адишу у з 2 злістазад 2002.

sennya eduard mitsul amal no longer remembers anyone, an hour of unforgettable scenes in memory of the present day, a bright image of this unique singer, a kind of father of the belarusian pop song. in an unfavorable escape, abstavina, he is on the verge of adzin day and year with damask steel akudzhavay, dzevyataga. may 1924, this is only a simple surprise, there were no known assabists, except when akudzhava became thank you for your heat, then eduard mitsul in

his own way is the most beautiful thing that was in favor of all the shascideseyatniks, and first for everything, their unimportant ramantyism, which is a source of they live and cook. akudzhava family, conscience, nobility and dignity, here it is, our holy army, were the noble creed of eduard leonardovich mitsul. patriarch of the belarusian stage, outstanding artist and leader, who made an invaluable contribution to the belarusian musical culture. thank you very much for remembering me , old man, right? rarely happens, don't cry,

don't be angry, we've known for a long time that we can't leave each other, better... get up, smile, look outside the window, where we saw a flower, it's spinning, spinning, fluffy. poley, remember how in our youth, among the alleys, we

swore to walk along one road through life with you. its history, nature, culture, faith, people, generosity. you'll feel it once and

never forget it, here everything is right. i send my greetings to everyone who wants to join us. ranak novaga daya vymagae vysіlkaў for tago, kіravazza ў new padarozha. there, dze chakayuts our a team of people who want to create an agul recession. we don’t wait there for an hour, we straighten out on a folklore-historical expedition from the paradoxical numbers 610. things will happen again and again in the past in the past .

there are steep willows on the mountain, there is cold water there, there on the mountain there are steep willows, there is cold.

and to the non-paustorous kalaryts of the meat spewing of the national folklornaga herd of outlets, i am on my side about the dissemination of hundreds of products from this region, and we are in charge of the study of the book, there lust after only sweet songs sound pradzyusar genatsi rakvash, vyachaslav statkevich, masters of the belarusian dzyarzhaunaga folk music ensemble saint and yago salist tatstsyana kirysyuk. tazziana, glory to genadz, i love you. aksana, come on!

i think that maybe and not atrymatstsa stostsі, but then i look, not so, plyadzeeshy, i ’ll say navat, schlyagyarochak, maybe. vyachaslav statkevich, master of the belarusian folk music ensemble of the holy beldzerzh philharmonic, author of music and texts, member of the jury of prestigious music competitions, winner of the french medal ska skaryny and others uznagarod scene 33 bastards. on saturday i will go for a walk in the green garden, i will sit under the white birch tree, i will wait happily, i will sit under the white birch tree.

i’ll ask, i’ll wait sweetly, i can’t wait for yoga, that means ben doesn’t love me, that means he loves someone else. oh, i’m not happy, that means he loves someone else, oh, i’m not happy, i’ll

pray to god. i will pray to god so that i don’t love anyone, i admonish forever.