the signage, research and the i c d w i go back to everything. that's cool. every day i still use it. i'm upstairs right now production design of planning. what i'm doing in 3 weeks time. a castleberry right. kathleen? gosh, we, well, the even hash, fortunately, was you, you actually came out and says, the have a nice and said he wanted to talk to the center in those days when people who said whose house and for this great, hollywood director began his career working on tv programs at the b, b. c. in britain. at the age of 27, he wrote his own commercial production company, which very quickly became an international success. his 1st movie,

the julius stalled hi fi types help. then came the month to the hit, the alien and the cult classic. later on then came another string of successors thelma and louise starting. susan sat under gina davis and a young friend pitts. hannibal with anthony hopkins black hole down, which one to us goes, kingdom of heaven with liam neeson and orlando bloom. american gang stay with dental washington. robin hood and permits. yes. very much. always be pest remembered for the character of maximus in colorado which were saved 5 academy awards, including best film and best actor for russell crowe. this great, hollywood director is ridley scott's. i had a pretty conventional childhood in terms of, of the conventional you know,

family life. so my dad, when i said was in the army, he was only in the family because of ok. and then attached to the engineers and then eventually got fairly close to attached to the planning of what eventually will be called in albany hub. or the day at the end of the wall i was i was asked to take all his uniform and put other seats and be taken out to jeremy to join in was what was the talent of the national plan, what we call the ccg, which is a control commission to jen. so i was going out to show me 947, not true. with a label attached to my current case. i got lost and we went to lift in handbook. and then 5 foot in the back and so and then i was sent to school in films house, which is the front of the board backs for the note for the baltic command for the

boat, hostage in the navy. as i used to move past 271. so in that we discovered spray plastic. so they'll probably on down the other instead that until right through madison, get into a 2nd. i'm on school i, i'm misses the out because ever passed cuz i've been attending school so i had no idea what color was doing. and there's always this expectation of and also wherever you catch up, you don't, you don't know where the have you are. so it has because i have no idea where i was done, but i was in the 2nd modern school in stockton cut, long story short. the best thing i could do for it was ok. that was quite special. i had thoughts, reading and less my interest was unusual. and so it takes a lot to draw a lot of how didn't go to dances, kind of size peculiar,

and us tended to paint all the time that got me into our school. so it was funny because you up from there, i went to the real college mom, and now i'm starting to really move because i got an expectation of the fact that i last night doing fine us and all the aspects of design my session came assume by whatever was local, my photo of uh, you know, film stuff to look at was all hollywood cuz that's all that was there was no attendance on there. no schools for directors. and i hadn't really thought about that. and the idea of how to become a direct i came out the world comes with a really good. i was a 1st class on a student and got a job and scholarship. and so i was able to jump into new york for the

1st time. and at the word of mouth, you're resting yourself every day. if you're a painter. i thought that was i was on easy was i? and i felt i was much easier having a tockets and advertising. establish that for me not 20. 526. i'm not thinking i'm working very, very hot bbc, i love them dearly, but after tax, i'm taking home by 75. clearly today watching kafka and michelle went on doing the television commercial. i'm receiving a 100 pounds from i had it in a day, something dividing me wrong here. and on the phone i say when i was 27 and a phone i said it was, well, it just took off. i saw some visions of advertising. i never thought about 1012 years because when you have a good time, you don't know how you doing well,

you don't. what do you think about it is only 10 years later it's under as i have done. so the patches possible and i talked to the doctor, but i think those are that's what we tried to down found that it was on it already mean taken. i'm not sure. so i didn't read on that was at that point so that, that so we gotta find something else. so we've had found a sketch for a much larger no. which was cool to do it as i've been told because of the j going hughes found. and that wasn't got on very well with had written a beautiful screen on the doors you've already done. i thought somebody called paul pushed that to the limits almost running dry. couldn't get it going to do this.

she'd be a little bit less on the dishes and so i traveled and i was told to go to san chicago. they loved us. i fill out that met when i got the sense, but it's not for us. so what makes it to me? so i thought okay, so i flew from chicago to science was checked into one of the hotels that i just picked up the phone store. and the got so far i got a little bit of interest and then couldn't get any further on. i have to attend to cost as i picked up, the sawdust didn't come to help me didn't. putnam, who it was, is, was the the producer. and they went up to canada and had got toxic going lucky. i've got adrian mine going houses. right. so i

was now absolutely riddled with anxieties, so i pulled it up. we match a nice was quite surprised to discover so good. and we fundamentally, he made a call to help me. have somebody said, yes, i want to please somebody. this is how it works. let's see in the do it and how we can connect to the fact that i'm going to be a good idea for everyone. i got, god only knows, but he does juice of impression and that is called fos. they looked like a lot, but they didn't know what to how to, how to release it. because there's no stylus, it's, you know, it can be perceived as if it has a lot of what it wasn't on the check for max. if it's a wash and i watched it fade away pretty quick. so it, well, you know, maybe the enjoyment this really isn't the doing. is it not in the end result?

no, not in the aftermath because it's bloody hot. i'm looking at the end of it. i wanted to lose money because it was a competing bone person. i forgot the money because it rained 58 days. so that was another less. and then out of the blue canvas thing, the big opposite the background. i knew exactly what to do because i was kind of edging into, wasn't that heavy metal very punctured by georgie, on movies and metals or heading metal. and that's why it 1st became aware of these. and um, and so i connect and see, i mean with most, most that kind of makes sense to this extent that i was, i knew i was going to get i only read the script and i'm in new media. want to do it, which for 530 that afternoon,

call 20 century fox and 9 30 in the morning that time said, i love it. i'll do it. was this nonsense that i said, well, somebody else came on and then they said, uh where are you now? said i'm in london. what can you be here? said you suddenly taken out the leaf tonight and said, oh, i just want to make it any chase? absolutely not. this is, i know exactly what to do here. looking at the ballpark, and no change, no change. they'll look to some of the fact i want to know changes. so say what? you can tell the 21st conversation, you know, watching on a go project into a development do. just, just so i think it was tricky because i didn't. yes, i was coming in was something which was an odd little world and it was an evolution from i as well. i mean,

in the last year i was influenced by movies. i think i really took on board. what he did was completely influenced by everything from the cash clothes. and it was definitely and thoughts on me. and i think by doing that, but it's my 1st film in hollywood where i was writing one. it'd be nice. i want everything to be moody and it just irritated the show me tried to do it say well that's what i want. at least to stuck to my guns, guns and trash. i was a director wouldn't be surprised. and so that i'm involved, but it was not in that direction. so now i'm coming up on assume that i'm going to produce cold some waste. and again, i am in the driver's seat taught us 5 tricks. do it in 5. it's telling me that

freedom. so when i said you might have problems with muscle appointment, got that movie said because these women have a voice, a voice, they make you feel comfortable. but that's your problem. this is one of those kind of discussions and actually went to an actress that was be interviewed into an extra set to be what company such as new director. i thought i went and she might be right so that i went away and that's what i just said to do it. and then at that moment in time, selma had been shooting the, the office saying, i want to come, we don't want to do this. and it was a nice issues. clearly it, you know, and then i met with susan us, you know, as a novice, may i connect us and louise was booming and out of that i think i have

trouble with a was better times of the making movie me. so the cast bravery, kathleen culture, we well talk process. webcasting is to or wait for me doesn't mean anything. what's important is who they are as a person. so whenever i see anything so far, so i usually talk to so now if i mentioned the role, okay, read this one by the time, once you do not use relax and then they know it's play time. you don't actually expand it and therefore they go to that you, they feel free to show you stuff. the testing process was always difficult for me then because i didn't really know who was out. i want to see everybody in the box. i think i saw everybody in america for area and i was i dropped my producers crazy because they were suggesting people fire. i've never

heard of people from television like yes, a code or things like that. and how did and stuff. so i was really not aware of, but when i met and i loved them. yeah. and then it's going to find a new person. and so going, it was a real fine. she was really impressed with the and then from that in the casting process, i was again looking at new people and even hash and for to me was kind of new. and i knew that ford was now was steven, out of georgia dream. and he had a jobs. so if i get these to a closing on this guy calling me or give me call and try to just i guarantee is going to be a stop sign medicine one night southern this year. you can tell me that me,

you actually came stuff assessing the hat, but let me check and i said you want to the movie, that's our customer to the extent that in those days, 12007, who's harrison ford? i. so as far as the guy flying about round space vehicle in millennium falcon, all a sudden box is going to be in the gym. so that was a good choice. then later on i didn't plan to to. so that's the next lesson. just when you think you got, you got nothing. the my, mike's been traveling parks and photos back and forth wherever i do. so text me. how about this thing about no fabric? i think i've done full films and those are the big ones. in north africa, we did the black hole down. i did do team dive of, haven't. i did a bunch of lies. i did the 1st i called the middle active flight aids. and was that

when it was still the rest of the quiet place? i go back on everything on the task of every day. i still use it. i'm upstairs right now. it's production design and planning. when i'm doing in 3 weeks time, and it's all about white sheets of paper, pencil on drawing, cuz the scripts dot com has been fine. and uh, so that's a given the actual cost. so now what is the, what's it going to look like? and i use everything i run every day, ask oh, interesting. okay, and movie and, and, and the way we plan for basis was before we got the unit together and they got the columns as well. talk to why. so they said you give me an hour, the bunch of recession to the budget, you know, coming out of grad to hide my production designer and slow digital

office will sit in that room in my office that actually design the whole some of the way it looks before we get to the expense of colleges, suddenly creating it with 300 pets. and that's what we did. so we planted that, so every day was enjoying the landscape will be definitely where will it be? even to designing, looking at the, the way people what they weigh, what the ship looks like inside the ship is outside. and it's all drawing down digital. what today is like photographs. you can look at it as like a photograph of a finished thing. and that was one of the most of it was news, a new direction for me. i really loved doing an update and re engaging with special effects and digital effects. the, well, my processes are being visual come from visual direction, visual angle being locked, wrecked. and,

and i used to think that because i was always getting crude, especially this is being to visual. and i realize, well, actually that's what we're dealing with any pictures since. so, you know, eventually i realized that i had an advantage by having an i b and being disadvantage. and consequently, i think it was thought that i neglected to act as a little bit good. me because i also operate to operate operating on in to was with a lot to him later on because in play with those and you can the block so that we made it to the neighbors and allow that i had a great cab crew. so i was very happy, but i thought i'd come back to the candidate legend. so operating on that page because it's very important. i like to have a test because it gets you to fast, quick, and contrary to what people say. because you only have to care about the accent is cut off. that's absolute bullshit. have you got to do is if you go you right,

you find something like what is the photographer and you like that i'm talking to, i'm seeing right into houses like that. so i, i start to move all my own style in terms of how i deal with that is i with us. hi, pulling, pulling the process because to be i think my job is to drive to the way i do it is a partnership with some of the company and rubbing her outside. i tried is e as in baldwin. and i, i don't bother him with that. i can explain to him that when you walk in this call to see him, there's only gonna be 40 percent that but we look for caution. i did identify stories but of the story. so it's full scale and then you track it, and then that's for spin around to show the whole region, which is a pretty novice digital. you know,

have events made. they actually pulled off the meal and not a he doesn't need to act as a nightstand, not to not to look at it. and i'm not looking to have the rest of the set and don't listen and they're looking at an act and then a few out of it will. they should be the last page. the screen hops in hollywood, gone for the met with keith county or the architectural or jesus, very amenable spot and said he was very fascinating by what that was, what the cat to man, keith was more of a cossack laptop, was already able to cross the boundary and say, well, we will come, the accent will come down middle kind of ground on english and, and houses are still in the street with scorsese and to narrow cuz he already the

main street. and the 1st thing the house that you don't want to, you must be mine. okay. okay. keith, could you just hit the matt season. busy just crunch, attended the general rest of the home today. yes, it will be a bit later. okay. you want me to plan as a how can i plan is all the option was gone in and that's why that, that i know the determination is everything you just don't know for that size. so i went out there was 2 weeks quoting of that 2 months waiting. and so what was my introducing introduction to the process in hollywood? you're never going to get a straight answer immediately. and that's part of the process. that's what it is. i need us or i'll give it out. that's what i thought was. there's a whole new learning process.

but as soon as i, because i have somebody, i've got everybody in the looking over your shoulder. so now you with the scene feeling the real pressure of what would be a possible sense for us to you, where they have high expectations. and those, this budget was only 4200000. but the most definable thing i just joined from what i can do. i went tell stories one of the whole moving 3 weeks that i flew back, the boys still got a 2nd, they boards and they started bullets. and i think this suddenly realized that they had something much bigger here because of the budget my from $4.00 to $8.00 jump $4000000.00.

industry standards are shrink because they think they felt that the sides fixing something, maybe this stuff and also not being introduced to dig it out as they'd be not afraid of the, of being a little bit too extreme. and i'm seeing and i said, let you talk eaters mean at this moment, a little touch of genius. i'll go and see the dentist to switzerland admitted. he didn't want to do it when a fly. trouble bringing by train of show was we thought i meant to come in by trying to live in the park in shepherd's jesus and the end and the end. he said, this is fine for me. the most part, i loved everything because it was all hollywood and the best of it would be james dean with the deed touching. pretty goodness. john wayne did,

and i adore lessons. i don't wish i don't almost any wish. and some great western still knows to. there's a seem to be because it was all kind of new and magical. terrific. i never got to see alternative similar to a control coach. and i would be 1957. i met the 56 when i suddenly discovered an actual film. the stand up gas casala muscles that everything way back to somebody. i'm not just send the ceiling, all that stuff. but in spring most things, of course, how do we just did the business? and the rest is of all types of center and the audio. and i had no idea what i want to do and i felt a lean different lean strapped on the fence. he kind of did both, you know, quite expectations as kind of perfect. so the new

anyone who did, we will see you. good movie. i think they get tags. so that's the way i've talked to when you go see rubbish as i think. so the problem today is that we're making so many movies we're making more listen, have ever before, which so let's keep this pretty tricky, pretty difficult. so, filmmaking i'm getting bones on seats, which i still cause is what i have to do. i got a bunch of slips down. i wanna make sure i put them on seats. so i've got to tell a good deal. if you're going to bury yourself in your own private attic. lots are going to go see it and you're not the last that long. so i, i do tend to come from the schools that direction the,

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a safety from the train. you can choose to go back or somewhere else, come and see more people than ever on the world wide in such a passion, life categories, something that is common very, very so. yeah. come with, learn more about, you know, when a story info, migraines, the, [000:00:00;00]

the, you're watching dw news live from balance to 10, killed my husband, alexia bell. and these widow colds out the russian president in an emotional video, julia and novel, naya vows to carry on the kremlin critic fights and says, russian authors, he's all hiding his body to cover up his mother in prison. will say coming up on the program, israel was ha said must return hostages held in gauze and apply the start of