at least a 100 says assembly the so called islamic stages, claims responsibility for the credit assessment for kevin. so you've tried keep the nines any, involve let's, let's go to the electronic dance music is more popular than ever locked down social distance thing . anyone remember that? now revenues or even banks have been before the pun, debit, the scene has grown bigger, stronger and mod i bus at festivals and everything is full on again, thanks for letting techno to have lots of paula because many things are possible. it's up to the teacher with the swing of i should even today it's mainly men who are the full front of the tech they've seen,

but there was some legendary female details as well. the brings me to another level that's the magic, the music at the end of the social media, the fan base is growing rapidly and there is huge interest in the origins of technology. people are like the silver mile generated stuff, and i had to wait 30 years in order for a whole new generation to kind of come to it. you know now, now they're finding it the roots of tech now being re discovered how set of braces the shows that 1st of all, we were ahead of our time, hours ahead of mind. to find out more about the history of the genre were in berlin. where else,

but the capital of texas, since there is no closing time here, you can party all night long at clubs like twice or more than 30 years after its founding to do it is still considered the at the center and best place to protect them is meant to fix, know you come to despise. i think that the is one of the most the far sunset drive being viewed is go with tech. i think that tech now what's the force that shape berlin into the image that we have of it today? so the image was in 1989 before the full of the will fill in was a divided city in the socialist east, the states controlled and regulated almost all aspects of life. in secrets,

however, the use of the ddr stay tuned into what was going on in the capitalist west. here on the other side of the will and the inside of, of west berlin. people enjoyed a special status and much more freedom. and he had felt isolated and cut off it was actually very important that the wall came down that that was actually more space in town. you know, everybody's on the east came to the cold us. what's happening then everybody from the west tried to start its own research and it was in that that's fine in those days. so taking a really know what he can, the me take him on and others of the westman and underground scene explode abandoned places and perform a voted area that had main center for decades. and we were really lucky to find a location that was very new located near the wall. actually in the building. this building was in area where nobody could go even from the east

side. it was like this very close to the walls. so it was like, untouched over $45.00. you know, this will lead to place underground in the basement falls of a former department store with extremely loud music. and how to do that when we opened it, it was the 1st day and it was really cool. incident that is usually close just at the top of the house, didn't make it, but the tech know that was things like that were also ready to dance and for a long time, no one was really interested in way of the music came from. oh, who was playing it says or just moves and one atkins with the tang from the very beginning. many of them came from the declining industrial city of detroit in the us and they shaved what is now known as the sound of good and

i, my name is blake rene. back in troy usa check house sold capital of united. the detroit is known for its also industry and music c. it's also considered the place where the 1st ticket attracts, were created. this is awesome for glossing. you know, the to where it comes and goes and comes and goes like, it's like, it's like a cycle added the phone of the soul in the phone from detroit. the decline of industry in detroit and the doing of a new technological age inspired. juan atkins and other musicians in the early eighty's to experiment with futuristic sounds. the next europe and electro music

with african american don speeds i guess the arrival of the technological revolution. so to speak, it was to the industrial age kind of came to close and by detroit be one of the major industrial herds in america. the city was kind of like just to clean it because the robots took over. most of the manufacturing that they experimented with new electra sounds and was celebration as techno rebels, even just a kid and later some, some more kids just tinkering with, with this new technology. you know, a lot of this was kind of spontaneous. i mean, nobody had a blueprint or a plan. i mean, we had an idea of things uh what we wanted to do sort of like an experiment and you mix a lot of different ingredients and the result came out 10 times better than we

thought it would come out in a change of location. berlin, on an old hymns finish saw. he produced the music for the evening himself. oldham started out as a radio husband, the choice later illustrated for indie labels and then became a ha my or it has always been the way it is. but it just seem to when techno came along, it seem to fit along with the actual futuristic or the science fiction elements from the beginning of the ninety's island. old him got involved in the techno seen as a member of the d. j, connective underground resistance, known as you are no one man was bigger than music. and the music, it was the message, not the personality. and we all had a co names and that i chose to 1000 for my

he was the, the cutting edge, nano technology terminate. superior to our new in every way. right? so that, that's the, the basis behind my d. j name the salvation in the disturb you in weld was how as an altima depicted techno in a comic book for the techno level plus age in the early ninety's, they asked me to do a comic book for their label. is like, hey man, you know, just come up with something cool. you are is there, the detroit police are robots, but you are, hates the robot costs. so you go the others in the resistance group. they're trying to restart this thing called the random noise generator, which creates music, creates techno music. and they installed the device and then the,

the random noise generator shakes to life. and then you see all the electricity and sound waves coming out of it. and here's all the sound waves tech now, and it's touching everywhere in the planet. that's basically what that was. this is how it takes the real, absolutely. but from from detroit, the, to the hype around detroit butting seeing the same, made its way around the globe, pushed by music freaks promises and much owls until finding a 2nd home in berlin. days from the us with floating in to get the city stones close. channing still the us seen, we made fun the roots of india on the ground navigating traction in the main stream . so why did it come up in europe? the white audience are, were the ones who like to know

a lot of black people did not like it. they did not get it. there was no wrapping in it. there was no singing. it was all one thing. it was repetitive and repetitive proved to be the key to berlin. as hans technically became the new sam track of the city, when it became berlin, then it became centralized. and then more detroit guy started coming over evil to resort was it was crucial in this check me, it was undoubtedly a creation of african american communities across the atlantic. the fact that as launch the escaped public consciousness because it wasn't berlin, where techno found mainstream appeals to detroit in detroit or the right for

the last bill of the whole d, j cause of the job and they won't be very good. pulse on dick was born in 1971 in an industrial town in the ged, off and grew up in east and then like many young germans, he fell in love with the news phone from detroit, things and professionally. it's simple, really. i play the music because i love it. i'm a total fanatic photographer, not because i really don't teach it because i can make any money when i'm done with this. might have been too good. so do you come a few years later i have pulled from dick my it is break through becoming one of the most successful the days in the world. and the money started flowing check know for the massive years before it was very slow. that was really not the real nice line a happy night. and when the house came over as a tough and then technology was great. you know, if it's the weekends with thing,

book 10000 people in building from one of the, of the clock. and the rest of the story is that if you came to know john and his cameras international magazine writing office and filled in on that too many people, they just want you to came to 6 months. but the 1st the is, is female. if the chaise like and then on in also stuff had taken off. she's one of the most important representative for the bad and take those same to this day, the and on and produces electronic music and runs the label. bead pitch control table is like a 2nd time to pull. the roots are in hip hop box. the elusive,

underground scene of techno fascinated head from the stop by the golf highway up seemed positive of similar to the route because i could then for whatever reason, christmas to fax for me as a pop up as an officer wire. i guess that's how it can somebody foster loves parade, mock the status of a new era for this genre. what started with only a few 100 visits has seen through hundreds of thousands, many under the influence of the policy drug, ecstasy rate is from the world as it came to berlin to be part of the spectacle. 1999 to an incredible 1500000 attendance. you know, back in the rain times,

it was just a lot of drugs. the people that did parties, you know, whatever, whatever. but now it's an emphasis on community. and so emphasis on kind of leaving things better than when you found it. and i think that, that a lot of young people want to create their own spaces. and this is this, the soundtrack for the . so what does the tech know actually mean? to find out, we don't into the archive of used culture in buildings. clark's back district to documents, fund readings, magazines, posters, and more compiled, keeping the history of youth and subculture in life this, um, yeah, this book comes from up here. i have the a total festival program from 1990. you can say that this was maybe the 1st tech no festival in germany to, for the, for the term techno occurs,

but not so often how they taught mostly of house here. when i noticed that at one point they started speaking of the so called techno scene mostly and it was the word is in quotation on so it wasn't get really clear what they really meant by techno, who listed. so i left them an understood mind as it has a different meaning for everyone. i mean, you know, techno can also be melodic and you can also be chill. but for me, primarily tech no means more aggressive. techno is everything you haven't imagined yet. that's according to jeff mills, legendary d j. m is a shame. polezza. yes, not quite the onset. nice. so your husband looking full. she works at berlin's university of the arts and has been researching techno for several years. in german techno with the capital t has a huge meaning to number the term which collects, let's say, oh, underground events and music related happenings. and also the music itself is part

of food that has something you can identify there. and you can explain is something that is underground, something that is locally organized, but this is a huge confusion, special and international circumstances. because an english sectional with another capital t means simply a stronger music genre. one of the genres of electronic dance music take well as i thought, i, as the media of the hops 1st and foremost, and it'd be in tech. no, it's harder, very close to time small compared to how sites of tech know features less of the solely vote goes and go and is generally faster, harder and darker. how to do stuff. for some of the techno also means excessive drug consumption. very low is the, this simplification of the club culture that it's just about taking dogs that it's just about attending this i'm going to skip isn't, but i think now on the 21st century,

we kind of say that anymore. most of the people that they go out because of clubs, they go out because of the lineup, they go out because of the music, they go out because of the atmosphere. there was always this reading, this idea of let's see, or think about what's going on here. you know what's going on in the space, trying to connect with that and the way, trying to be not afraid of it. the music has something robot that kind of decides to the type of machine. some. it also has that kind of spaces. sounds lot of electronic music is based on the gear that you use through us. read a roland 9 o 9 fast as an iris watch the v p. m. and that's why it's called technology because it's technologically advanced. gear is on the growing. that's yet

the one um cuz it also does it in the underground way. he began spinning records in the 1980s. he's long since become legendary in particular seen, but the status was never a big deal for him. my job is to entertain because, you know, i've come from it here where, you know, before the d, j was famous in this big days got on his out accolades. all your job was to do is to keep the floor busy the board to keep people smiling and happy and dancing. and a lot of that is do game made up from when i 1st started these days. one. adkins doesn't only feel down slowest,

but also the foyer of berlin's venerable philharmonic. the actually, i had no idea that i would even be leaving detroit or going around the world to not from the on the ground to the 100 holes of classical music. this told festival brings together the entire spectrum of electronic music, turning technology into high culture. it's the time it's come that this music is being welcomed here as well. that's quite a statement. the technical built its own institutions. and now with a level where one set of institutions noticed this, the other and see like, well maybe it's interesting what you're doing and we stood for the lights going

it shows that 1st of all, we were headed back house, i think, and it, and it shows just staying power because i had this vision of the future. then this is kind of perpetuating itself now because that was kind of the idea, the well, the choice african american communities are finding the receiving long overdue recognition for inventing text though the impulse control played by women artists and to create a scene is still under acknowledged and those who called tv show gave a feeling for what was going on in detroit at the time. it wasn't the b james who with the stars, but the don't. so is to go back and watch some of them and to see the office and

see the dancing will always be extremely unique because that type of thing will never be repeated. it is. and the influence that, that hit on generations will always be. and so anyone to look at them even then if they look at it and see some of the boots and some of that they were doing it. oh my god, the, the choice sound is funky. i don't care what they say. i notice is the home a techno and yes, techno was created there, but the house came 1st, then tech no. only now the question is, who did what? when and what did they bring to the scene? i got the biggest kick of flipping to record over but i thought how cool is that? because this is a real factory. now, this was not a fake factory. they were really working. so unlike the details as to end tables.

oh no, it wasn't, nothing plugged up, but we looked like we were good when we looked like we would get i don't care what it is. every type of music happens because of some other type of music. film black to take no re examines the story. and also how nights the roll women played in detroit. it's never one history. we're talking about thousands of different histories and stories. and that's how we silence out. people like the fear come into or the females, i think jason producers from that time because there's no book. so sources like this thing for their stories. so this is why i think it's now we are in this moment that we have to push no further. their stories and not only who is asking the same people, what happened just some of the opportunities that were given to man,

we're not given as well to women. and so we have to still kick down doors to make things happen. and we're just now in this last decade, getting the recognition that like we weren't, there can call it a choice top data. if the 19 seventy's and eighty's told stacy how everything she knows, she quickly made a name for himself as a house d j and became pulse of detroit is queer music scene. the fact that they also had a major influence on the development of tech note as only now were you much i think what is happening that they're doing their homework, the 10 they're reaching out to, you know, says so thank god, here's social media because at the time that i was evolving, there was no social. it was a paper flyer, a text on a page or, or in a phone call. stacy hail has been deja in producing teaching and doing radio shows for about 40 years. she's one of the few female teachers i've had to

interaction to make a name for himself in detroit then and people are now taking an interest in what those on the other side of the atlantic were up to so many years ago and not just anywhere but in the cities most famous and in some is techno, except that time i need a select few are allowed in here and that goes for everyone. even the days i know that it had a history and as well respected. and you know, that's, that's all i know. so my friends was, they found that i was going to be here. they just said it is the place of. i had no idea the change these days, the villain clubs, seen aims for more diversity in lineups. to extract the real roots of techno and

the whole spectrum of electronic music you know, i knew of many things going on. but most of the time, things like this, you know, was all screwed to the man. and so getting this opportunity to come here to represent i'm so excited been in the city with tech know made it big, has imaged as one of the most important music metropolises in the world. and stacy have now finally has the chance to contribute to is i want to tell a story to me, that's what the thing is about. and i think in any calls, sure that again, playing music, even if it's a set time happening in the world or within a city or even in your home and you put on music to make the chaise your feeling inside. it's all about letting loose. i'm feeling the moments wherever you are in berlin, the choice or anywhere else at the movement festival. the best place of techno is

we discovering its rates and celebrates electronic music. the

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