and you're up to date for to stick around up. next are so shifting sticks and look at how technology is changing stage performances for audiences around the world. i'm here until berlin. thank you very much for joining us. the names project, cassandra re determined that has was operating like a global drug course. the objective to financially drain has come and bring them down. the team agents from the american drug enforcement agency they had criminalized themselves. we needed it and to reveal that. so world, why did the us government suddenly shut down project cassandra in 2016?

03 pod documentary series on ma skiing has paula dots may 4th on d. w. the robots contacting orchestra's author are being performed in virtual reality. and generally, they are helping create an entire about a how high tech innovation can revolutionize the stage. our topic today on ship the world robots really started replacing us in the us world with the rise of a i and cutting us through a bodies. the debate is definitely heating up the robot. all 3 made a name for itself in 2020. when it conducted an orchestra in the u, a. e, the reviews would the side of the makes, the 3 years later south korea is keeping the

computerized conduct to another chance to lead an orchestra. let's take a look. this is no ordinary concept. today the korean chamber orchestra will be led by 2 conductive to 2 and eve. all 6, a humanized robot. the d o takes tons and conduct together. but all thank bridging the gap between 9 and machine. the can take the previous movements by a conductor are very detailed to see. the robot was able to present such detailed, much better than i had imagined. but eve, 6 men to mimic conductive. business with motions have to technology, but why he can set tempe and rhythms accurately. as human touch is missing to channel. yeah. yeah. well make eye contact. but 9,

focusing on the strength, the robot in human well wanting to comedy. steve, all 6 focuses on structures conducted to surfaces on improvise. ation ok to have it on the i think it was a site to show the robots and humans conclude exist, and complement each other. regency, rather than the one replacing the other man and machine. quiet the team. indeed, a i to has taken to the stage recently, the fusion project, for example of features, drummond, ballet company, british be books and general they, they are in the fusion valley artificial intelligence turns artificial artist is considered the world's 1st, the valley choreography and music created using artificial intelligence, the southern questions are inspired by the i to fusion to the stage that live seek

opera for this summer season. composer, how are you? uses a i to generate some static voices he can use and performances fine. i've collected hundreds of vocal techniques for on the walls and creating my own data sets my own collections of voice to then create new phrases, new expressions. so there are versions of me that are not me singing, and that is something i find very, very fascinating. the idea that we can create 2nd cells, something that we can interact with and learn from that is from us, but not us. terry yet because worked closely with digital technology for 15 years for fusion, be trained as a i with over a 1000 hours of his vocals. life be focusing melded with you digitally altered and looked coco's with a healthy i explores the limits of the human voice.

i feel like my ability to unlock my voice, i've been able to control my voice in a way that has never happened before. and is that level of control and that level of expertise in my hype, especially it is, and i very much. oh to how i embrace working with machines, the dancers and the live sleep valley react impulse is given by us with assigning setting their bodies in motion. the valley shows her in human concrete art together the, the systems of the $200.00 a human potential which can be beautiful and can be exciting. and it's very much, it's a stay. and i think we should lean in and understand and help younger generations know how to use this power appropriately. instead of covering our eyes and ears and pretending it does not exist when it comes to experimenting with new text, the outs book, state theater is

a real trailblazer. here you can see industrial robots as ballet dancers or entire operas in the or you can dive into argument as reality. this q r code is concealing a world of serial adventure. leonora carrington's production and flannel enough time takes place and documented reality. outlook state theater is taking the stage to the city streets with this radical new production. the q arc which are everywhere on the streets, on postcards and online. is a health spending isn't state art the same data years lot, tying a ticket or choosing an access to this. you can just experience the theater in the city and then even so it makes it happen is 3 d models make the stage for the actors were recorded in front of a green screen into d. that introduces an interesting challenge for them. the ones

that get from the beginning as a 5 of you can call you can most really on the space in the studio, we had the challenge. i'm losing on a 2 d plane. i'm in, we were acting with a green screening and had only ever seen the set is a 3 d model in the monroe as id, more than the disease in another project. ellsberg state theaters performing the opera of autumn. but this time as an interactive game of items, the transaction will become a v r game so, so that arnold sion there is an offer of x which is a $360.00 degree walkable environment on. it says that the audience can experience in 1st person, you mcgee buffet and switch along with the perspective change the very best keys in it, and they have to sol tasks. and that of gum disease will be a completely different approach experience and a form for an open, the 5 and some of us know model of isaac and it's a new experience for senior sally. do want to reduce scans are used to create an appetite and then she'll be film singing using face tracking technology. the

software will then project her facial expressions onto the avatar. the technology that we now have will change. i think a lot in the theater. i would prefer not to be too big because for me it's still important to have my connection with the audience. and it's nice how folks program of the future will continue with both conventional and digital productions. the possibilities are endless. coat and for we all works particularly well and seems that a huge seems that would wolf any normal stage having to fulfill it already? did we model the entire underwhelmed virtual realities from the capacity today? the theaters offering 12th productions and virtual reality dance, drama, concerts. the theater ship, so the, our goal is to audiences in germany,

in australia. but you can also buy a download and watch performances on your own, your device the i live in the mountains. so there's a lot of interest and we have a surprising target group. influence is between 40 and 65 people. they get the vehicles delivered and give them to the parents who are around 80 of their own children who are around 21. that means we're reaching a whole family and an incredibly wide range of people on them as close a bunk by to. i'm says on fox sports, the are productions are reinvigorating theater and breaking barriers for audiences everywhere. i think it's a great idea for theaters to reach people who might not otherwise be inclined to go . and it's a wonderful opportunity for those who can come in person. next up is a theater in berlin, which has replaced is backed up with holographic projections. the felix is room project use as 3 the scans to bring

a so called you wouldn't house on stage. and the nazi era, jews who had been expelled from their homes with forcibly relocated to a such houses. the play gives an insight into life there. a holographic projection, recreate the room in which the jewish couple felix an uninterrupted lived before the deputation and murder. 1944. the place felix his room tells the tale of the time here. the couple was expelled from the home by the nazis in 1942 and assigned a room in a so called union house. the projections show what it was like that felix is great. grandson adam guns tells the story. it's belinda are in sambal fietta. and that is from the protagonist, including a sketch of the room in spite of the walk hold on to sleep both days. and then i

thoughts, wisdom, i need to rebuild the space. feet up on, on the 51st page, i knew it was impossible with light our scanning technology scan technologies. so was had switched the bridges studio scan lab project designed to the actual set. it took 152 months to recreate the expenses written using his sketches. they use log into technology to create 3 d models from them as the scans projected onto the translucent cuttings from 5 angles. that allows the route to be rotated as desired. but how does line to work to an instrument about this size? it sits on a trifold and over the course of between 5 minutes or an hour, depending on the resolution that you're off to. if 5 millions of laser poses in every direction to every point that that laser touches we mock in space and we end up with this really accurate 3 dimensional replica of the space switch. the

scattering speed in the piece gives a unique glimpse into selection and a guns has passed as well as the match and the watching. the rehearsal today is a special guest sharing handbook and felix guns has ran nice is comfortable, and especially from australia. they wasn't to, you know, some of the scenes are incredibly powerful over the scene and the formula seen when they get smaller and smaller. it really cost to ship with them on the nazi era. so millions of jews expelled. persecuted, nodded phoenix and a dentist story is just one. as many. 6 3 d projection technology is a tremendously powerful tool, giving the audience an intimate glimpse into this heart wrenching stories. the photographic projections and virtual environments allow for different kinds

of personal interaction with theater, opera, and music. in this case, it adds a whole new dimension to a truly moving story. but what about a i r is something intrinsically human. so should we be using a for it at all? automatically is, would be up to the out is i think that needs to be somehow connected to our reality . but that reality today is one which is increasingly influenced by technology. so why not involved robots in general to say i, what do you think? can they, i add to the outward without taking anything away. we would love to hear from you to you. next time. i please we're heading on down into the

london underground. this is the oldest subway in the world. it's full of surprises. everyone on both please. and of course then for guest next on dw, he tons thinking offsite. $300.00 he is of the mon, weird comments. what come the legendary philosophers to teach us today? let's get to the quote some of the castleguard tow imperative. i'm very fussy minutes on d w. we are all set and we're watching closely all the to bring you the story behind the news. we rolled about

unbiased information all 3 months. the in london's underground, the british capital's metro system is the oldest in the world. in the drag, seeing how does your rock alias hungry is considered an international style icon? and in rig and sport, you're a max reporter honda whole load reveals the highlights of this picture risk the very in city. all this in more coming up on your own x the one of the most famous land my.