on the west side on social media, our social media handle is in c, w news. and for me on the team here in berlin, thanks for watching. take care. i don't see a version of the robots contacting orchestra's author are being performed in virtual reality and generative a. i helping create an entire about a how high tech innovation can revolutionize the stage. our topic today on ship the world robots really started replacing us in the us world with the rise of a i and cutting us robotics. the debate is definitely heating up the robot. all 3

made a name for itself in 2020. when it conducted an orchestra in the u, a. e. the reviews would decide at the makes the 3 years later, south korea is giving the computerized conduct to another chance to lead an orchestra. let's take a look. this is no ordinary concept. today the korean chamber orchestra will be led by 2 conductive to 2 and eve. all 6, a humanized robot. the do a takes tens and conduct together with all thank bridging the gap between 9 and machine. so we can take the previous movements by a conductor are very detailed to see the robot was able to present such detailed, much better than i had imagined. ease uh seats, and then to mimic conductors, visit with motion capture technology. but why he can set tempe and rhythms

accurately the human touch is missing the channel. yeah, yeah. well make eye contact. but 9, focusing on the strength, the robot in human well wanting to comedy. steve all 6 focuses on structures in 10 conductive to surfaces on improvisation. then we'll put to have it on the i think it was a site to show the robots and humans concludes this and complement each other regency rather than the one replacing the other man and machine twice the team. indeed, a i to has taken to the stage recently, the fusion project, for example of features, drummond, ballet company, british be books and general they, they are in the fusion valley artificial intelligence turns artificial artist

is considered the world's 1st p. i. valley choreography and music created using artificial intelligence of the southern customs are inspired by e, i to fusion to the stage that live seek opera for the summer season. composer harry yes, uses a i to generate some static voices he can use and performances fine. i've collected hundreds of vocal techniques for on the walls and creating my own data sets my own collections of voice to then create new phrases, new expressions. so there are versions of me that are not me singing, and that is something i find very, very fascinating. the idea that we can create 2nd cells, something that we can interact with and learn from that is from us, but not us. terry yet because worked closely with digital technology for 15 years for fusion, be trained as a i with over a 1000 hours of his vocals. live beat boxing melted with you

digitally altered and looked coco's with a healthy eye. he explores the limits of the human voice. the i feel like my ability to unlock my voice. i've been able to control my voice in a way that has never happened before. and is that level of control and that level of expertise in my hypoth specialist and i very much. oh, to how i embrace working with machines, the dancers and the live seek valley react impulse is given by us with assigning setting their bodies in motion. the valley shows her in humans concrete art together the, the systems of the $200.00 a human potential which can be beautiful and can be exciting. and it's very much, it's a stay. and i think we should lean in and understand and help younger generations know how to use this power appropriately. instead of covering our eyes and is and

pretending it does not exist when it comes to experimenting with new it's x, the outs book states, the a is a real trail days up here you can see industrial robots as ballet dancers, or entire operas in the or you can dive into or meant as reality. this q r code is concealing a world of serial adventure. leonora carrington's production and flannel enough time takes place and documented reality. also, book state theater is taking the stage to the city streets with this radical new production. the q arc which are everywhere on the streets, on postcards and online is a hedge fund, anything state art, the same barriers, latonya tickets are choosing access to this. you can just experience the theater in the city. and even so i to make that happen is 3 d models make the stage for the actors were recorded in front of a green screen into

d. that introduces an interesting challenge for them. the ones that got from the beginning as a 5 of you can call you can most really on the space in the studio, we had the challenges moving on a 2 d plane. and we were hatching with a green screening and had only ever seen the set is a 3 d model in the monroe as id, more than the disease in another project. ellsberg state theaters performing the opera of autumn. but this time as an interactive game of items, the transaction will become a v r game so, so that arnold sion there is an offer of x which is a $360.00 degree walkable environment on. it says that the audience can experience in 1st person, you mcgee buffet and switch along with the perspective changed, right? let's keep them and they have to sole tasks. and that of gum disease will be a completely different approach experience and a form for an open. the 5 and some of us know modifies a kid. it's

a new experience for senior sally do run to. so we do scans are used to create an avatar. then she'll be film singing using face tracking technology. the software will then project her facial expressions onto the avatar. the technology that we now have will change. i think a lot in the theater. i would prefer not to be too big because for me it's so important to have my connection with the audience. and it's nice how folks program of the future will continue with both conventional and digital productions. the possibilities are endless. coat and for the all works particularly well and seems that a huge seems that would wolf any normal stage having to fulfill it already? did we model the entire underworld virtual realities when the capacity today,

the theaters offering 12 productions and virtual reality dens, drama, on concerts? the theater should. so the, our goal is to audiences in germany, in australia. but you can also buy a download and watch performances on your own, your device the i live in the mountains. so there's a lot of interest and we have a surprising target group. influence is between $40.60, that steepest they get, the bianco goes delivered and give them to the parents who are around 80 and their own children who are around $21.00. that means we're reaching a whole family and an incredibly wide range of people, ons and his pulse of on site and has on fox sports. the are productions are reinvigorating theater and breaking barriers for audiences everywhere. i think it's a great idea for theaters to reach people who might not otherwise be inclined to go . and it's a wonderful opportunity for those who kind come in person. next up is

a theater in berlin, which has replaced is backed up with holographic projections. the felix is room project uses 3 d scans to bring a so called you wouldn't house on stage in the nazi era. jews who had been expelled from their homes with forcibly relocated to such houses. the play gives an insight into life there. a holographic projection, recreate the room in which jewish couple felix and on a dense lived before the deputation and murder in 1944. the place felix is room tells the tale of the time here. the couple was expelled from the home by the nazis in 1942 and assigned a room in a so called a union house. the projections show what it was like that felix is great. grandson adam guns tells the story. it's belinda are in sambal

fietta and that is from the protagonist, including a sketch of the rooms, in spite of the walk to hold on plastic balconies. and then i thoughts, wisdom. i need to rebuild the space. feet. on the 51st page, i knew it was impossible with light r scanning technologies can technology so was had switched to the bridges studio scan lab projects designed to the actual set. it took the team 2 months to recreate the expenses written using his sketches. they use log into technology to create 3 d models. from them. the scans all projected onto translucent cuttings from 5 angles. that's allows the route to be rotated as desired. but how does 9 to work to an instrument about this size? it sits on a trifold and over the course of between 5 minutes or an hour, depending on the resolution that you're off to. if 5 millions of laser poses in

every direction. so every point that that laser touches we mock in space and we end up with this really accurate 3 dimensional replica of the space switch. the scattering speed in the piece gives a unique glimpse into felix and n. a guns is passed as well the much and the watching the hustle today is a special guest sharing handbook and felix guns is brand nice is comfortable and especially from australia, there wasn't to, you know, some of the scenes are incredibly powerful over the scene on the bombing scene when they get smaller and smaller, it really costs to ship it down like the nazi era. so millions of jews expelled. persecuted, nodded phoenix, and a dentist story is just one as many 3 d. production technology is a tremendously powerful tool, giving the audience an increment,

glimpse into this heart wrenching stories. the photographic projections and virtual environments allow for different kinds of personal interaction with theater, opera, and music. in this case, it adds a whole new dimension to a truly moving story. but what about a high off is something intrinsically human. so should we be using a for it at all? ultimately, it would be up to the artist. i think that needs to be somehow connected to our reality, but that reality today is one which is increasingly influenced by technology. so why not involved robots in general to say i, what do you think? can they, i add to the odd word without taking anything away. we would love to hear from you to you next time. i am

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