they are officials, they are officials, that is , there is nothing sacred about them, and they can work only when they are afraid, well, but it happens, you see, now when journalists start talking, doing some investigations, making them public, they say to journalists, just the claim is that they say, let 's do journalistic investigations already after the victory, it's better to keep silent, because it helps our enemy, i have a slightly different opinion here, but it seems to me that it is still very important. accountability and accountability starts with being transparent a competition and a person with the necessary competences and understanding is taken, again under reporting, and not as if we hired a friend so that he would cover up some schemes in our interests, well , we all understand where it leads us, the mistake of victory, because the first thing is that you are against us, we all have an idea that victory is for me. will be destroyed except,

i understand that, even if we go to the borders of the 22nd year, ideally we should live here, and this is the life of ours, ms. oksana, thank you, oksana korchynska, a frontline volunteer was with us, dear friends , we encourage you to stay with espresso, because the broadcast continues, we remind you that andriy seychuk and i will return to the broadcast at 14 and continue, we have a lot of interesting things for you. and interesting topics, we want to thank you for these +13 00, which were added to our collection, who is afraid of such an amount, then throw in more so that it becomes a little more, who is not afraid, well, it 's just a number, we still have 23 left to collect , hryvnias in order to reach the mark of 2000 on today's mark, and on this mark to finish today's, my god, today's, this week. here's a qr code, you see, this is andriy, and there

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the life of a buckwheat is not a win, but a very difficult thing. if you want to be a writer, prepare a lighter for your heart so that it endures and does not break, a writer is born from love and pain, there is no other way for him. i also saw those humped roots,

ordinary roots, in some places covered with tufts, in some places with tangled roots, i saw the masonry. i saw a nondescript willow board cracked at one end and a path old, sinewy plantain. in ukraine, how many of those brickwork, wild paths, osokors, how many small rivers, which seem to have no water flowing in them, are asleep. and how many oksens, orys, timks, greeks, doroshes, and all that do we have in ukraine. and all of them are known, seen, but not all of them are open, not all of them grow into the honor, poetry and glory of the people, because in order for it to grow into a poem of beauty, a poem of happiness and grief, joy and sadness, they must begin from the heart of a kind, loving, selfless , little

to see, little to understand, one must love. the brothers hryhoriy and gryhir tyutyunniki were born in the village of shilivka, zinkivsky district, poltava oblast. they were related only by their father's name, mykhailo vasyliovych, they were related by blood, kindred in soul, they became after many years. those years were woven from joys, which were few, from suffering. as their wedding ceremony, but also out of love. the sons were growing up, both dark, with thick hair and expressive dark eyes.

mykhailo the tobacconist taught his sons poems by taras shevchenko. he himself knew almost the entire kobzar by heart. mykhailo loved children, god, how he did cheered behind them, hanna mykhailivna, hryhor's mother, later recalled. working hard in the collective farm, mykhailo vasyliovych did not give up hope of becoming a teacher one day. but they knocked on the door of millions of ukrainians in 1932-1933. holodomor

good afternoon, dad, good afternoon, son, sit down, what, what, what, here, dad, on the way to school, i decided to stop by your place, and what is it, i brought you some bread, beritsa, thank you. my dear, you are growing, growing, and you know what we will do now, here, here, this is for you, and now we will break it, this is for the younger brother grigor, and this is me you agree, yes, dad, it's good,

it's good, after the horrors of the famine , people gradually gained strength and... and new trouble was rushing to mykhailo the tobacconist. mykhailo vasyliovych, tobacconist.

mykhailo the tobacconist was arrested in 1937, he did not return home, he went to live in eternal permafrost with millions, mykhailo vasyliovych tyutyunnyk was rehabilitated in 1957, posthumously, grief reconciled the mothers of hryhori and hryhor. they no longer avoided each other. i only

remember dad in bits and pieces. they were big, and a hand in them was also big. they often put that hand on my head, and it was warm and cozy under it, like under a hat. maybe that's why even now, when i saw a parent's hand on the head of a boy, i also want to stand. small, after many years the literary official will offer hryhor to join the communist party, they say they will print better, and it will be easier to apply for awards, i will not join your party, hryhor will answer. why? your party killed my father. in 1938 , hryhoriy went to study at kharkiv

university. grigor is taken to his home donbass, father's brother felymon vasyliovych, his wife natalya ivanivna. in the same year, 1938 , grihyr went to school. to the ukrainian first grade, where there were as many as seven students. so, after some time, the class was disbanded and grigor was transferred to the russian class, from then until 1962, grigor spoke and wrote exclusively in russian. except for the years 1942-1949, when he returned to the village.

the ukrainian land did not rest for a long time after the famine. the second world war covered it with fire, grief, tears of children and widows. hryhoriy sr. went to the front as a volunteer. he received two serious wounds, escaped from captivity twice, took part in the actions of the partisans. chased and until the end of his life carried a fragment near his heart. what is grihyr at this time? grew up, became similar to grigory at his age and to the heroes of future biographical works. at the beginning of the war, my aunt gave birth to a sister, and my uncle was taken to the front. already in 1942

, the famine began. then i ate potatoes with acorns. tried horse meat. people, looking at my exhausted aunt and at us, hungry children, advised me to go to my mother in poltava oblast to it became easier for the whole family. i did so. i walked, having 11 years, three classes of education and an empty bag, which at the beginning of the trip contained nine crackers, a pretzel and a jar of honey. the compatriots gave way, then the food came out. i started to get old, the first time asking was incredibly difficult, embarrassing, took away my tongue, and i endured it in my chest, then i got used to it a little, i walked for exactly two weeks, through sloviansk, kramatorsk, pavlograd, poltava, dekanka, opishnya. from that terrible war, from the pre-war and post-war fate

of the compatriots, roman was born, which brought to the eldest of the brothers grigoriy. national recognition and the shevchenko prize, albeit posthumously. here it is, dad's pine tree. a pine tree planted by mykhailo the tobacconist, near the local cemetery. home. it was from here, hryhoryan, that i saw the beginning of the whirlwind, and by the time i got back home, it was already written. anatoliy dimarov was the first to read that novel. he brought me the first part of his whirlwind novel , put it on the table and said: they don’t want to read it in the magazine, i submitted it to the magazine, it ’s dragging on there, they say that they have so many different materials, let them lie down, i couldn’t i couldn't tear myself away from this novel until i finished reading it,

it stunned me so much, i sat all over, even devastated after this novel, i still... things at that time about the war, about our people in the ukrainian war, i did not read and met in our literature, and then i gave him a telegram in kamiankobutsk that he should come immediately, he appeared and asked, well, what’s wrong with the threshold, well, what i told him, in general , i told him directly that all modern writers lick their lips, the novel also impressed the people's... of ukraine, anatoly palamarenko often reads fragments from it. a stillness in the quiet stillness of a summer night, somewhere far away, something hummed, as if an empty barrel had been rolled from above. and that rumbling polish reminded the tymka that there

were grims behind that moonlight. war. he did not want to go into the house, and he sat down under the house on the porch and began to look at the quiet prytashan night, which rolled towards him, gently, gently, whispered to him in prytashan whispers, reminiscent of distant, completely forgotten ones. memories are like fragments of children's dreams.

he saw himself on green meadows, up and down viburnum stick, or together with mark and other shepherds near the chere. and then the days unfolded in front of his eyes like the milk of buckwheat, on those buckwheat the sky is blue, where did it go, that is childhood, he remembered quietly. that 's enough for me to go to war, but what is war, what

is killed, and the executioner climbs onto our land, let 's go to sleep, let's go to sleep. shouted somewhere on the steppe, a quail, when i read this novel and thought, my god, what a colossal power, what a wonderful return of our ukrainianness, surprisingly, two brothers felt ukraine in this way, i... personally had happiness to meet grigor, see him, read his works, and he was waiting a lot, and i was

ready to prepare a whole concert of his works, but at that time i was working on shevchenko, and grigor said: "okay, i'll wait , the man was handsome." by the way, about grigor's beauty and talent... not only as a writer. in 1960, mykola vingarnovskyi worked as a director at oleksandr dovzhenko's studio. he invites grigor to audition for his film based on the story of vasyl zemlyak, stration's daughter. when they watched the film tests on the screen. all admired grigor's talent and skill , everyone exclaimed that this was a discovery, but that

was the end of it, someone, someone, somewhere called vingranovsky, and they strongly advised him not to shoot grigor in the film, let them say, and continue to write his short stories, but then he played anyway, he worked with grigor in the cinema, later shooting a film at the behest of grigor, klimko, stop, stop, don't be afraid, it's me, if you want, i 'll give you some potatoes, and some salt, don't snort, otherwise the germans will hear, they'll kill me, and they will eat you.

ours have come, and dad? father is not there yet. that's it happiness to write such a book, so that the reader... will deliberately drag out its reading for a longer time, touch the unread pages and think happily, there is still, there will still be tomorrow, when you approach

grigor's mother's house... anna mykhailovna will definitely remind you of herself almost the autobiographical story in twilight, which began his writing career. midnight is early in our house, especially in winter. this is because the forest is nearby. there is still an icicle gnawing at the top, and between the trunks and in the snow-covered bushes, shadows are already scurrying, climbing into mooring the windows are standing in the corners, mute and cold, the house is shrinking at once, the ceilings are crumbling. in 1946, grihyr went to zinkov, entered craft school number seven. i joined in order to have some clothes and 700 g of bread a day, they got 700 g and saved them with my mother at the age of 19.

he carried a piece of slime from the city every day and flattened it in his pocket like an empty wallet. i wouldn't want someone, small, teenager or young man, to walk on his light, but ruined from the earth, i wouldn't want someone to ask the aunt, here... to drink some water for you, while she draws water from the well, looks at the boy with sad eyes and says: i guess you're not a lad, you want to eat, son, but come in, we don't have anything like that, but there are potatoes, then dear, she also tied a knot with a potato, for these people , that so close, at a distance, the heart feels

the grief of the entire nation. i bow today and give them my best feelings. if you have never felt the desire to hug the whole earth, caress a stray dog, pick up a torn leaf from the ground and kiss it, then you have not yet loved.

greetings, it's news time on espresso, in the studio kateryna works. rokupoyas fight with the dead, at night the russians hit the city cemetery in kupyansk, kharkiv region. as a result of this attack, many graves were vandalized. this was reported by the head of the region oleg synygubov. in general, during the day, the occupiers shelled 20 settlements in the kharkiv region. the enemy massively

attacked the kherson region. one person... died, two more were injured.