who would be generally responsible for all these processes, say, the sbu deals with naval drones, and the main intelligence department of the ministry of defense also partially deals with naval drones and certain weapons systems, in our country, let's say, minstratekhprom through ukroboronprom, deals with the development of powerful unmanned systems, large and anti-aircraft missile complexes, on the contrary , the ministry of statistics deals with small, small... unmanned means and small rebov systems. the ministry of state and state communications, state special communications, as well. ministry of defense created an accelerator, but the role of this accelerator is still at a very low level, and it is necessary to change the paradigm here and for the accelerator to act not only as an analyzer of what the private defense industry offers.

words, but would also act as an integrator in the creation of new weapons. one of the most important elements for the successful conduct of hostilities remains the production of artillery ammunition. the ukrainian armored vehicles state that they have established the production of more than 20,000 mines per month. they also make several thousand shells of 122 mm caliber, jointly with an enterprise of a nato country. in 22-23 , he was transferred there. called, let's say that the main 155th will remain the larger caliber, the 122nd will remain smaller, due to the significant number of existing barrels, since the bottleneck in the production of artillery shots is powder charges, and even if it was decided not to divide them into 122 a little a little on 152, but concentrate on the 122nd artillery shot. at the same time

, the state ukroboronprom announced ukrainian shells of 152 mm caliber at the end of the 22nd year, but the production of nativskyi 155 caliber, minister of strategic industries of ukraine oleksandr kamyshyn promised to launch this year. for obvious reasons, the details remain non-public, only the interest of a number of foreign companies in creating joint ventures is known. with ukrainian colleagues, in december the president of ukraine returned from the united states from the forum of such an industry and announced that two enterprises of the united states are connected to the production of 155mm ammunition on the territory of ukraine, yes, this is an official statement, so i i take into account, then the czech company very forcefully declared its readiness.

to work specifically on the topic of ammunition, three french enterprises have declared their readiness during these last months, and there , in addition to spare parts for equipment, the same went for supplies. it is important for us to organize the physical protection of enterprises one, the protection of information about the defense industry two, and to open as much as possible the doors for defense companies in the sense that, according to simplified schemes, we can do tax issues and issues for them obtaining land plots, and if we take into account all these named and unnamed companies , then if we take it all into account, then we can really count on somewhere around 300-400, and maybe even 500. thousand

ammunition annually, but such figures are obviously not in the near future, because according to cnn, even the defense complex of europe and the united states can now produce 1,200,000 155 mm caliber ammunition per year, despite the fact that the armed forces need twice as many such shells on the battlefield. but ammunition is not the only direction in which western companies are investing in ukraine, in particular. production of armored vehicles, gunpowder and anti-aircraft weapons. a joint enterprise for the repair of military equipment is already operating. ukraine should impose the so-called executive order, yes, that is, the agenda of production and the order of production and development, and not follow what is offered to us. i will remind you that rain metal offered us to produce an old car first. we don't really

need a combat vehicle now, because we have our own armored combat vehicles that are being produced, and we can eventually buy them. it's not like that high-tech equipment, we can produce our own modules, we have several types of combat modules for armored vehicles, and we need modern pppu systems in particular. this year, ukraine spent eight times more on the development of weapons inside the country than in the 23rd - this is the data of the new york times. the publication also writes that the production of armored vehicles has increased by three times, by four times anti-tank missiles. it is known about the development of an air defense system and missiles with a range of 700 km, and only about 200 companies are engaged in drones, and, despite all the growth of the defense industry, there are still there are enough problems with staff shortages or open registers, which on the one hand reduce corruption risks, and on the other

reveal the location of enterprises and help the russian command plan missile attacks. unfortunately, the bureaucratic... process that we had, it did not go anywhere, and just to create a production, create, launch such a production, pass tests, well, it is officially declared that it has become easier, in fact, titanic changes took place only in the field unmanned systems, and there are unmanned munitions, and the drones themselves, v weapons of this kind there are direct drastic changes, simplification... we do not feel it yet, that is why it is one side why it is difficult, and why it is risky, the other side is that as of today yes, the registers of manufacturers are not closed, data on defense industrial enterprises of the complex are not closed, moreover, now, well

, that does not concern us at the moment, but here , for example, state factories, heads of state factories all declare themselves, indicate their places of residence. income and so on, well , it should be a little, i think settled the management of military resources and the development of the industrial base play a key role in winning the long war of attrition, in this sense it is important for ukraine to develop its defenses. but it is obvious that without western technologies and capabilities , it is impossible to surpass the russian military-industrial complex. if ukraine can still theoretically cover the need for drones on its own, it cannot, for example, in anti-aircraft missiles, tanks or airplanes. in the already mentioned new york times publication, it is said that

last year the weapons were purchased for the armed forces 10 billion dollars worth of weapons. the amount for ukraine is huge, but still, it is almost five times less. than in the us military aid package that was voted by the senate but not yet considered by congress. these were donbas realities, i'm yaroslav krechko, see you soon. try flebodia 600, pink french pills for acute. hemorrhoids 600 cure hemorrhoids without any oops. every week, maria gurska meets with the head of the committee on

foreign affairs of the polish diet , the representative of the polish government for the restoration of ukraine, pawel koval. as always we we are talking about the most important things that happened this week in poland, ukraine, europe. what is being said about ukraine in... how should we perceive the statements of european politicians and what will our accession to the eu look like in the project about politics about the world with maria gurska every sunday at 3:30 p.m. with a repeat at 10:00 p.m. in cooperation with sestra eu. the football format changes the time of airing. from now on, you can immerse yourself in the atmosphere of football every monday at 22:00. professional match analysis, exclusive interviews, goals, saves, emotions. the project is both for experienced fans and just for people who appreciate a non-committal view of football, football format every monday at 10:00 pm on the espresso tv channel. the premium sponsor of the national team

represents. united by football, stronger together. the espresso channel and ukrainian pen present the self-titled project with myroslava barchuk. a series of conversations with ukrainian and westerners. intellectuals who interpret and comment on the most relevant social discussions, which news will be analyzed by the guests of the project this week and, in fact, who will be the guest of the studio, we will find out already this sunday, clearly, the topics will be relevant, the guests special, own names with myroslava barchuk, sunday 17:10 at espresso. friends, i welcome you, we... today we will talk about how to get teenagers interested in cinema and

immerse themselves in this topic, because we are starting to talk more and more about cinema, about ukrainian cinema, in particular to discuss it, but it is not enough we have expertise, say people who do it professionally, what does it mean to be a professional moviegoer, we will talk with olga birzul, a film curator who wrote such a wonderful book, and here we are about... we will talk about it today, and i am your book about cinema, recommended for ages 14 and up, well, considering the fact that our school does not offer film education, this is a very helpful thing, but before that, we will talk about such events, some notable ones , which happened in our culture this week, well, first of all , betrayal again, let's start with betrayal, because there is no advice for it, a film by serhii loznytsia, which is called invasion. will be shown at the cannes film festival in one of the programs, i will remind you that serhiy loznytsia, he is still obviously needed

to be called the most famous ukrainian director in the world, well, maybe mstislav chornov has been competing with him recently this year, but in general loznytsia, his name is quite popular, he has been doing this for many years, and constantly, when there are some prestigious film festivals, serhiy loznitsa is crazy. conditionally takes part in them with his films and even receives awards, but the fact is that serhiy loznytsia, well, he has always lived in russia for a long time, although he is a ukrainian director, he has ukrainian citizenship, but he was born in belarusians, which he does not always want to mention, he lived in ukraine for a while, then he lived in russia for a long time, and for the past many years he has been living in germany, and his ties with the russians are quite strong, and well, this is just... it manifested itself especially at the beginning a full-scale invasion, because serhiy loznytsia initially took such

a step, which was welcomed in ukraine, because he refused to be a member of the european film academy, because he noticed that european film academies do not react too briskly and generally actively to the war in ukraine, but then he agreed participate in such festivals in france from lviv to the urals. you understand from the name itself what should have happened there, and for that he was expelled from the ukrainian film academy, and then he went to the cannes film festival, where he began to defend russian culture and then called his expulsion from the europeans from the ukrainian film academy fascism, he said : unfortunately, this is fascism, well, just imagine how such strong words exaggerate on an international audience from such a well-known director, he says: what even in the cultural community fascism is flourishing in ukraine, well, it

could be called there, for example, an unfair decision, but definitely not fascism, and so we have serhiy loznytsia, and i very rarely use this word in a non-ironic context, but serhiy loznytsia is really somewhat withdrawn here , and he is not very well received by our moviegoers, but here we see, now we can once again look at the post that... was made the day before by the ukrainian producer mykhailo melis, and he wrote that this film about the invasion of loznitsa will be shown at the cannes film festival, it is, i asked him, he is a local producer of this tape, but he didn't answer my question any more, maybe he was preoccupied, i asked him if serhiy loznytsia came to ukraine to shoot this movie, it's a documentary, and apparently serhiy loznytsia didn't.. . ryzdiv , and here he is, he has such a technique, when he uses footage shot

by other people, and then simply edits them, but in order to make a good documentary, you obviously need to be at the scene, that serhiy loznytsia can remove and reflect, invasion and our life now, most likely not being in ukraine, it is unknown, although the director is definitely talented, it is... to admit, but we see that in the end there are even theories that oksana zabushko directly talks about it, after she visited berlinales, she wrote to herself on facebook that serhiy loznytsia promotes the issue of russian culture abroad and russian culture in ukraine, the protection of russian culture in ukraine, and you know, this is a practice that we don't really like now , to put it mildly. profitable, but it will be serhiy leznytsia to represent ukraine at the cannes

film festival, because he positions himself as a ukrainian director, films about ukraine and... it is necessary to understand that it is his point of view, precisely his interpretation, if we did not see it, but it will determine the vision of many people at this film festival, and not only. well, this is such an informational, cultural war, it also continues. oh, and i would also like to say that the anakan film festival will also show a film by the russian kirill serebrennikov. now we can watch the cannes film festival. what it looks like is such a glamorous event which is very tolerant of russians, and in 2022, kirill serebryanikov, he was also at cannes with his tape of tchaikovsky's wife, and then he uttered absolute nonsense at the press conference, he first called for the lifting of sanctions against abramovich, who sponsored his

tape, and then - secondly, he called to sympathize not just with russians, but with russian... military men, moreover, he called to help the widows and children of russian soldiers, because they are also victims and widows, and the military themselves, victims of propaganda, this is what kirill serebrianikov said, some people they talked about what's in the movies work, they said that allegedly at the cannes film festival they were partially shocked by this press conference and still understood that russian opposition artists are not quite... positional, but now we see that kirill serebrnikov was invited for the second time, well, not the second time, the second time during the already full-scale invasion was invited to participate in the main program of the cannes film festival, and this already looks like an absolute trend, well, if we talk about russian influences on world art in general, then they are colossal, if you look and read even oksana's interview

liniv, who is now being so actively discussed, she speaks directly, and many other artists also speak about it, and i... what kind of abolition of russian culture does not happen in the world in general, it is considered barbarism in the world, how can this culture be touched, well and russian culture is often academic, and literature is classically among the top, russians are very concerned about the development of their culture, they achieve absolutely productive results, that is why we see such a situation, plus we do not forget that russians have a lot of money, so... well let's say if some people say directly that russians buy people at various film festivals and in hollywood, in particular, too, but it may be an indirect purchase there, it may simply be such an interpretation of the russian market as a profitable one that cannot be refused, for example, the french of the past earned a lot of money from selling their films

to the russian market, russian cinemas, let me remind you that major major studios, hollywood... have refused this market, all hollywood films that are shown in russia, they are shown illegally, here, but the french and many other europeans, they just entered this market and have a big profit from it. well, next i will talk about the good things, because anatoly kryvolap's exhibition opened in kyiv. this artist used to be called very often. the most expensive artist of ukraine, and indeed, if you look at the sales of his paintings, they constantly set records at various auctions, precisely, if we are talking about ukrainian visual art, but in the end, it seems to me, with the agreement, this image of mr. anatoly has been detached a little, and they already began to call him differently, simply

anatoly kryvalapi, without knowing, one of the most famous ukrainian artists. sampan anatoliy was at this exhibition and it was nice to see what a huge line was waiting to get his autograph, to take a picture with him, these are the paintings he painted in the 90s and 2000s, he loves them very much and is very good at it to work with texture, and we can already see the icons that he has been painting since the 14th year, and he painted the church in the village of lyp. this is the kyiv region, near borodyanka, for sure you need to go and look at this church, and these icons, as you can see, are so luminescent, they are pink, they are bright, and the artist tells. that this is an interpretation of god as an explosion of color, and it seems to me that it is not so often that artists and god have interpreted

higher forces in this way, so i advise you to see this exhibition by all means, it takes place in the m17 gallery. and then the film me and felix by iryna tsylyk, that's, well, as she is often called, was released. adaptation of artem chech's book who are you, however, i would not say that it is exactly such an adaptation, this a completely different work, because iryna herself said at the presentation, at this screening, that she and her husband, they are husband and wife, with artem chech, that they have quite different views of the world, if artem chech's book is quite harsh, then and iryna, she is more like a bird, more prone to some kind of sympathy, that's why the film turned out exactly like that, it tells about a boy who lives in the 90s, and he lives with

his mother and grandmother, and brings the grandmother to the apartment a boyfriend, and a boyfriend is such a little, well, very special man, he walks in a black leather coat, he served in afghanistan, which took a toll on him. trauma, he often drinks, goes on binges, but the boy has such a specific friendship with him, and this man leaves an indescribable mark on his further future, this main character, artem chakh wrote him from himself, and the role of the boy in the film was played by his son iry and artyom, well, this is a family film, iryna tsylyk positions this film as an audience film, i... i strongly advise you to watch it, the only betrayal that is already spreading among people who want this film look, it's very bad, many cinemas have booked it, you can watch this

movie, for example, at 11 o'clock in the morning on the weekend, i don't think it's convenient for many people, but this is the situation, you know, cinemas are booked, the movie is bad, but then they say that ukrainian cinema is not watched well, although we see that, on the contrary, a lot of ukrainian films are collected much more than... the films there are foreign, american, so this has been a trend for a long time, now we see such good enough indicators, the films are a victory and berlin, this film will soon arrive there top three, as it seems to me according to the trend, well , now let's listen to iryna cilyk herself, i recorded a small interview with her at the presentation, in general, i do not position this film as a film about the 90s, it's just that the action of this story takes place all the time, and because the story is... autobiographical, we were going off of it, and i didn't choose, it wasn't my intention to make a film about that particular period, but i understand that of course, to some

extent, this film is about those times, so what about that a whole wave of our films poured out, well, we just grew up and started to reflect, and i think it was a very important stage like, well, i don't know, the transition from one... world to another, these 90s are shaky, post-soviet, with identity crises, with poverty, with our confused parents and us who were growing up, changed and looked for some reference points, figures that could be relied on, and of course, today we are adults, we see a lot of things in a different way and are probably ready to reflect on it a little, by the way, almost every time it happens. .. the film is not positioned as a film about the 90s, almost no one positions it that way, perhaps except it makes sense in its time, but the audience must pay attention to it at the very beginning of the trailer, and

the authors want as much as possible not to, and we are not filming about it, why is it that we have some kind of rejection of this period, some kind of rejection of this period is still there, well, probably we are already scared, how much can we listen to, what a god, there are so many of these films about the 90s, in fact there are not many of them, i would watch more, to be honest... a number of films that would highlight what was happening to us from different angles, so and books and films, let there be more, moreover, we all have completely different authors views, and that's why sensov's film is a kind of one world, my film, or buryachkova's, or noyabrova's, or sotnychenko's, these are completely different films, that's why it's also a frequent question whether the film can be watched with children and teenagers, i think that we... .the theaters say it's 12+, i'm going to play it safe and say it's 14 plus because the movie has a little bit of it. strong moms

and smoking scenes, all kids are different, they 've seen it all, it's not news to them, but of course i have to warn you, as a mother to other parents, that there is a little bit of that in there, in terms of scumbags, i, for example, i love him, because he has a poem by lena, but what is he like as an actor, what was it like to work with him, and what is the point of taking such non-professional actors, but famous in another field, what does it give the film? i was actually very afraid to approve him, because despite the fact that for me he is the bearer of an insult and a jerk, as a jerk in the proposed circumstances, felix is ​​perfect for me, of course there was fear, because he is a poet, a punk, a person, not simple, he is an introvert, he is not you can be with people for a long time, and cinema is a process, it is difficult, but i must say that he had it such a powerful internal motivation that it was

as... disciplined as you can imagine, i don't think we had any conflict or, well, any, you know, sharp corners, and of course it was risky to combine professional and non-professional actors, but it seems to me that we have somehow put this puzzle together, the family has grown to a heap, and it seems to be working, but what is the target audience, i understand that this is not a thing for auteur cinema. but still, who, who could be the viewer of this film? well, by the way, this is an author's film, but to a large extent it is for the audience, i really wanted to make a film for ukrainian viewers, and again, i am not objective, i am its author, but something tells me that we hit the different, for example, age categories, because i primarily wanted to talk about my generation of 30-40, but at the same time, thanks to this

film, some opportunities are created. dialogues with the generation of our parents, but also with children, so i honestly invite everyone to the cinemas, and especially the older generation, because these are people who do not so boldly go to the ukrainian cinema until now, but i already have some experience of previous screenings, and i see that people say, oh, next time you have to take your mother, grandmother, so please take the last one, because people are already coming in, right? pre-premiere screenings, yes, which are possible... the most frequent, most standard reactions were, the most widespread to the film, some, perhaps, the same questions were asked, oh, i don't know about the same questions, in general in i have a very different collection of impressions, and sometimes something surprised me, for example, we received one special award for quite such a large festival of teenage and children's films in europe, it's an italian festival, and it turned out that this prize was awarded

not by a professional jury, but by... 600 italian teenagers, that is, the fact that it is understandable and close to them, i was actually surprised, also i returned now from a tour in the usa, where it was shown at various universities, and often americans told me that they saw so much in common there with their childhood, youth somewhere in provincial massachusetts or some other states, i was honestly surprised too, i didn’t think so, i i thought that i was making this movie for ukrainians, but it seems that i managed to touch others a little. well, this movie is specifically about teenagers, let me remind you, iryna herself says that i watched the movie when i was 14 years old, and it will really be interesting to watch from around that age, and now we will actually talk about teenagers and teenagers’ perception of cinema and how to get them interested in this topic, because , unfortunately, cinema is not taught in schools in ukraine, and

many things are extremely interesting. simply stunning, we don't know in general masses, for example, the fact that in the 20s we almost had hollywood here, and this is not an exaggeration, and we will talk now, ask for this book that i showed you at the beginning of our broadcast, let's talk with the author, the book is called your book about film, author olga birzul, who is also a film curator, olya, hello, hello, hello, and... tell our viewers briefly what a film curator is? well , there, by the way, in the book, i better tell about it, ah, so that not only your viewers, but also teenagers have an idea of ​​what it is. this is a very good and interesting profession, which allows you to express yourself about certain m...