between, between filming, when it was necessary to leave this palace, they stayed, hid behind the curtains, the palace was closed, they stayed there, they prepared a drink for themselves there, they laid down on catherine ii's bed and said, here we are going to have this walk, and says, there is a quote, strygun quotes mykolaichuk, that, what mykolaichuk says, so that this whore... knew that satisfaction took place, i didn't know that, it's a beautiful story, and now you have already mentioned the shadows of forgotten ancestors, what do you remember about this movie, when you first saw it, first, when it was, and what you remember about how ivan mykolaichuk reacted to this fame, because it was a great international fame, what do you remember about it, i remember how ivan traveled, marichka told us that ivan went to... to argentina for

an international festival on parodzhanov was not allowed to enter the contest, because parodzhanov told me a one-way ticket, well, you didn’t let him in at all, he, kadochnikova and ivan mykolaychuk were supposed to go, and they already arrived with awards, ivan was already a star, but on that the star, you know, ivan's star was popular. he didn't mess around with those stars, he remained himself, because he was gutsu, and he knew that he, what, that he is proud like that cherry tree, as he said, my will is proud like a cherry tree. there are versions, i don't know if it's true, that at first paradzhanov didn't even realize the strength of his talent, he initially took mykolaichuk for his beauty and the fact that he was a hutsul, and no, he should have come first. to be in the main role, i forgot

the name of his russian actor, i understand it, i understand it, i even know, maria mykolaichuk told me that kadochnikova insisted, that it was that russian actor, and after all ilyenko and peradjano, they still chose ivan mykolaichuk, well, the same ivchenko came to totorajan and said: "listen, i have a hutsul boyfriend, well, a real one, this, his there's no need to teach, he's a hutsul, he just needs it." remove him, well, paradzhanov, is it ivchenko or ilyanko? ivchenko asked parajanov to look at ivan mykolaichuk. yes, of course. yes, try it. well, porozhanok says, he said to liyank, you're there, don't spoil it, just look at ivan. and when yuriy lenko saw mykolaichuk in the frame. he flew out of this studio and began to catch up with the born, says: "come back, look." paradzhanov

returned to the studio, looked at ivan, there he asked him to do something and approved him for the role of paliychuk, and we will see it now, because how the mice fell in love with the dry dumps of the mold, and how the mice became bald, the lilacs faded, oh, marichko , sweetie, uncle, razmaita, commas... we fell in love at least one summer, remember me, ivanochka, twice a day, and i will remember you seven times an hour, and i think that for me, this is the strongest film, and another film that for me, well, actually it...

is waiting for such a swan song, so it is babylon 20, babylon 20, which i think is an absolutely brilliant film, and here are all the inventions, such as , when the oxen sigh, when they lie down, yes, when the cows also sing, yes, when they lie down and seem to moo like that, the cows and goats walked, or when these boys walk in a line like that and sing, yes, yes. with such a swan's wing, oh, let's see, the world is on ariyne, it would be better if you married the world on ariyne, you would live with the young wife, nelylsya, here i bowed to my native mother, here i bowed to my native mother,

do you remember how you perceived this, he came up with, this is how it was done, it is more, it is more countryman, or it is more mykolaichuk, who is it , who, who is more here, well , the countryman himself, when he reread it, ivan was writing the script, when the countryman... read it, he even says: ivan, i would rather not write, this is ivan mykolaichuk, well, ivan could do something with everything, he, he he was so talented that he had these different ideas, there were a million of them, and he gave them to everyone, everyone, everyone, everyone something

advised, did something, also, he supported ivan gavrylyuk a lot, gave him advice, he is playing for him here, yes, ivan gavrylyuk. and yaroslav gavrylyuk are played by ivan the greeks, i know that ivan gavrylyuk, yaroslav gavrylyuk, well, stepankov, of course, and lyubov polishchuk as malva and khosikoyeva, did you mean khosikoyeva? well, in a word, it's actually, well, of course, these were absolutely brilliant guys who created this film. he too, he was also on the shelf, that’s right, this movie, i don’t know about babylon, i know that the missing certificate was on shelves, for quite a long time, more than 10 years, because when it, i apologize, i will prove, when this film was cut here endlessly, that out of two, almost two series, they made one, and

then they took it to moscow for commission, this film the letter was lost, and there he said, well, you know, a good film, well, there’s something about it... director boris ivchenko said, well, i can’t cut the spirit anymore, so much so that this film really had such an inner energy, very , ivan mykolaichuk was not allowed to work for 10 years, and i understand correctly, but all the time they were still writing scripts in the apartment, there were some... guests, there were some creative people, and osyka was, damn it, yes, there was always some kind of this process fanning, supporting, the one who made the film, the old men are fighting, bykov, leonid bykov, bykov was very supportive,

sometimes he brought me fish, he says, here i am, well , in russian he said that i caught fish, ugh, but that, but that fish was sold under the house... and tell me, please, are you did you meet parajanov and osika in mykolaychukiv? yes , paradzhanova met osyka in mykolaychukiv, didn't she? and which ones do you have? memories of osika? aspen? osyka is very creative, he even when we were at the house of kadachnikova and yuriy elenko, there and that's how osyka was so creative, you know, the director, that's how he is, valya, you stand here, we sang, and you stand here, and you. .. stand here, and you, marichka, stand here. we already have to stand next to each other so that we, no, he placed us. yes, of course. he had his vision, he had his vision, yes, he became a new man, yes. i want to separately ask about, about, the death of ivan mykolaichuk and about, about

the film trizna, which was shot by vasyl viter, already after, already after the funeral, but i want to start, there actually is. the opening shots showing ivan's village of chortoria, i want to talk to you separately about chortoria and the world of his childhood, about his mother and what it meant, this is now the yard, we'll see, and what the world of the world meant to him of the bukovyna village of chortoriya, not high but not low, a leaf on the thaw. not far away , not far away, darling, in a foreign land, fall, fall, my leaf from that stick, oh, come back, my

dear, stand there, i won't come back, my dear. a long way, i'll take off my hat, and so on bow down, be nice, great! many very familiar faces, we see, this is a film that was shot immediately after the death of ivan mykolaichuk, this is the first film, the first film about ivan mykolaichuk, and by the way, vasyl viter was not familiar with ivan, so it turned out, yes, because he, well, he studied, worked at ukrtelefilm, and actually i want to return to this yard, he somehow miraculously, intuitively felt that for ivan mykolaichuk there was actually a four-story. this is the world of his family, tell me, please, about his family, where he is from, you say

an aristocrat, where did he come from, such a spiritual person, yes, well, chortoria, the very word ivan liked very much, devils, there are devils, devils, here, but it is connected with one owner, the chortoria was like that, ugh, ugh , these were his lands, and ivan grew up, of course, with many children. family, but this family, i recently talked to ivanka, the youngest sister of ivan mykolaichuk, she said that we, we were not so , you know, kind of poor, because the father worked on the railway, and he obviously well, somehow they had their own land, they managed in this life, father and mother coped together. marichka told me, well, that ivan's mother knew everything and read

to her children, that ivan was involved in school all evenings, at carols, they sang carols, but at that time you couldn't carol, you could n't, and the teachers had instructions, no to allow the children to carol, but they went and once they told me, ivan told me, he said that the teacher... accepted them on the street, the children say, what are you doing, yes, here, and this is where the salt of the council comes in, so pay the fine, three by two two rubles each for a fine, for the fact that you go caroling, ivan gives five, in advance, yes, you know that, yes, no, no, i don't know, well, i guessed, he says yes, that's another next year it will be, i won’t take the change, so he was cut out, you know, in a mythopoetic environment, because this mythology was preserved very much in the beechwood, you know, all kinds of

legends, this pereberia in vashkivtsi, where ivan went every time, and he and took part in these shenanigans, this is all this costumed such and such an endless performance, which even those foreign festivals do not have where to go, and hey, here he is... it is just like this and it fits the whole environment of bukovyna, and there is the whole family, they are extremely beautiful, all the mykolechuks are very beautiful, the family is so yuriy yurko , ivanka and anichka, they are all very, very, very beautiful so does mykhailo and mykhailo, and in fact you say that periberia and this is such a mystification and all the same it is a bridge. he treated his birth in the same way that he gave birth twice, you know this story, so

tell it, well, he, his mother gave birth on june 15 in vashkivtsi, and on june 22, it started the war, and on that day my father was transporting my mother home in a cart, yes, and my mother was holding a baby in a cart, sitting, and the little ones were already flying over, over , over the bukovyns. why did ivan say that phrase, that no

scumbag from the film studio should be at my funeral, why did he say that, she, he said that i don't need speeches, yes, i don't need them over my, over my grave, i don't need reports, and really, as you said, i don't need this, and in that... the women's team, we stood by the grave and sang a song about lelechenki movie a dream, which sounds like a dream in the film, but you also sang, i remember that there was a barn in the film studio, everything was covered with hay, the floor was covered with hay, and there were some sheaves of wheat, and you sang, behind you

, a cossack, all the country, the whole country is crying, but that is, we ourselves cried there when when... he said that so that no bastard was in the cinema, that means, on his shoulder, that means that he believed that exactly, that's actually this bureaucracy is a party and movie, it was they who did not give him, it destroyed his life and career, yes, he felt that way towards the end of his life, i feel, well, 10 years of absence for such an actor, even when he was shooting the film, stolen, he should have written the script for the film stolen happiness. had to shoot and it was taken away from him, taken away, together with that script, with everything, it was impossible to survive, he was so driven by this film, he also wrote the script and it was a race, a clean slate together with a french writer, screenwriter, who is also a pure

dozhka wrote this script, well, it's about a ukrainian woman, a little girl, who left for america. with a child and there she lost her child, she lost it, and because of that she, well, lost her mind and lived in an insane asylum for quite a long time, this is such a scenario, you see, that woman came from france, she wrote the script and ivan wrote the script, and who and again, when she read ivan the script, she said: "yours is the best, just like the countryman." but, but... gave, gave me the script to read, yes, that is, in fact, it worked, worked, but, but that’s all, that is, this is what we are opening now, let’s say in alu gorska, yes, which actually has everything that she i did it, i think at the time that here you are, you are writing some file, some text, and you lose some file, and you are sorry, yes, and

you have a breakdown, that you lost such a small text, yes, but when a person, yes, for example, like an alagu. when practically everything is destroyed, yes or when mykolaichuk, he died, he was 47, yes, 46, 47, as well as shevchenko, taras shevchenko, that is, a person leaves at such a time fruitful, yes, and she understands that she cannot work , everything he did is either on the shelf or recut or destroyed, what do you think, i heard it somewhere, i forgot where, it seems roman balayan is speaking in the movie trizna, he says that... if mykolaichuk were alive now, well, then he would, then he would just drink, that was in the early 90s, somewhere, i understand, that is, if, if mykolaichuk was alive, what do you think his fate would have been like, if he had lived for 70 years, or 80 years, have you ever thought about it, thought , i think that

ivan would have created, because somehow after already... when after 91, when there was already independence, he would have done a lot for a lot of ukraine wanted to ask you a difficult question about ivan mykolaichuk and women, he was loved by many women, and women loved him so much that they came to maria, they wrote letters, they made up stories, they called, they made up stories, ugh. life and that it was supposedly mutual, there was another ukrainian actress, who i will not name, who tells that she bases the fact that he loved her in return on the fact that she brought him some swimming trunks from japan, there

are different myths, yes which and it all came yes, that is, people created women who... of course he was loved, they created different stories, how maria reacted to it and whether and how and whether it was true, what did you, what did you see? no, well , the truth was, the truth was, they even called and said: "give me ivan, give me", but marichka endured all this very steadfastly, very much, she believed ivan, because ivan in the last days, he said, myts, he on her, we... said, i have never loved anyone as much as you, you are mine, and she, too, but for some reason he called her all the time, widow marie, widow maria. widow mykolaichuk used to say something to her all the time he felt, but he told her another

phrase, that people like you are not left, they are not left, yes, that is, it was such a special love story, but when ivan was gone and marichka, marichka was sometimes called the widow mykolaichuk, she used to say i'm not a widow, i'm the wife of ivan mykolaichuk, do you think that now, what... now that's what young people are starting to look at and be interested in, including shadows and babylon 20, is mykolaichuk coming back, i think he's coming back, you know, there are so many people, i was at the presentation, well, watching the film about palagrama and on podil, there is that cinema october, so very active there, so i went to see it and meet with bryukhovetskaya, larisa ivanovna, so very knowledgeable about cinema. and when i saw in ogolosh and read that there would be a meeting there, i asked myself to go there, i spoke there, told stories, you know, people are very

interested, after the film, after watching this film, after that, people came in, people asked me , did you really know ivan or marichka, all that and protriozolo keys were asked, so what can we talk about now about the kyiv cinema house, huh. there are so many people, there is such a raging creative life, i would go to the centenary of parajanov there, it's just incredible, the word coffee shop there is called babylon, babylon, yes, thank you, mrs. valya, valentina kovalska was with us today, she talked about the environment of poetic cinema , people who made a poetic film about ivan and maria mykolaichuk, we thank you very much for this story. i wanted a book for you, and it’s great, it’s good that you remembered it, this is the book that valentina kovalska singled out and it’s full of songs,

like ivan mykolaichuk’s song tree, it’s songs ivan mykolaichuk, songs from films, songs from ivan mykolaichuk's films, which were collected and actually published by valentina kovalska, on this we say goodbye and thank you. there are discounts represented by coco discounts in may for feny 15% in pharmacies plantain bam and oskad. vasyl zima's big broadcast, this is a big ether, my name is vasyl zima and we are starting two hours of air time, two hours of your time,

many important topics we will discuss today, two hours to learn about the war, right now we will talk more about the war talk, serhiy zgurets is with us, and how the world lives, and now about what has happened in the world, yuriy fizar will talk in more detail, yuriy, good evening, please, i have two hours to keep up with economic news, time in order to talk about money during the war, oleksandr morchivka from on... oleksandr, congratulations, please and sports news, a review of sports events from yevhen pastukhov, two hours in the company of your favorite presenters. thank you very much, elinia chechenna, for the information about cultural news. leaders who have become many similar natalka didenko is ready to tell us about the weather on advent day. and also distinguished guests of the studio. andriy parubiy, people's deputy of ukraine, was also the chairman of the verkhovna rada of ukraine. events of the day in two hours. vasyl zima's big broadcast. a project for smart and caring people. in the evening! on espresso. the football format changes the time of airing. from now on

, you can immerse yourself in the atmosphere of football every monday at 220. expert analysis of matches, exclusive interviews, goals, goals, emotions. the project, both for experienced fans and just for people who appreciate a non-committal view of... football, football format every monday at 22:00 on the espresso channel. verdict with serhii rudenko, now in a new two-hour format. even more analytics, even more important topics, even more top guests, foreign experts, inclusion from abroad, about ukraine, the world, the front, society, and even feedback, you can express your opinion on the day of the day using the telephone survey, turn on and on. the verdict with serhii rudenko every weekday from 20:00 to 22:00 at espresso. may 8 - a special project

of the day of remembrance and victory over nazism will be broadcast on espresso tv channel on wednesday. about the role of ukrainians in the second world war. about 10 years of the european tradition of commemorating the day of remembrance. about the red poppy and the first minute of peace. about the rejection of may 9 with parades and immortal regiments. about 10 years of decolonization, breaking away from tsovka, and how it helped our resilience in modern warfare. world war ii remembrance day, through the prism of history, politics, culture in our special broadcast, your favorite presenters, extremely interesting guests, dear and respected experts, during the day on espresso. a new model of memory, a new symbolism, a new us. may 8, a special espresso project for the day of remembrance and victory over nazism. poppies of memory. 10 years. see this week in the collaborators program. the shoe seller became

the head of the occupying public chamber. as a result of the maidan coup , the legitimate government in ukraine was overthrown. but why are zaprodenko from luhansk region being taken care of by russian soldiers? i congratulate you on february 23. congratulations. i am olena kononenko and this is the collaborator program. about traitors who following the call of the heart and the wallet, they went to serve the russian occupiers. how much does a collaborator's oregano cost, for what benefit? citizens of ukraine are ready to sell themselves to the occupiers and serve murderers, an idea, money, illusory fame or a dream position, each has its own price, but all sellers have one thing in common, they will have to pay for their insidious betrayal. our today's issue is about those who in the temporarily occupied territories are blindly guided by the orders of the kremlin and vainly think that punishment will be avoided. exchanged mine ukrainian politician's career mandate.

how accustomed we are to the fact that we do not have an escalation of such hostilities in the east, and the state really thought that the issue was already over, but this conflict did not go anywhere, this is bulyuk vitaly viktorovych, he is 55, a native of the village of gladkivka, kherson region. in this three-year-old video, he, as a deputy of the kherson regional council, says that it is necessary to increase the funding of ground defense at first glance, a politician who cares about issues of national security, but how will the issue of national security turn out later he was not interested in defense, unity and ukraine in general. bulyuk's career began to develop rapidly in 2003, when he was appointed deputy chief of kherson customs. soon the man was promoted, and from 2007 to 2015, bulyuk was almost continuously the head of the kherson customs office, while at the same time

taking the first steps in politics. since 2010, he has been a deputy of the kherson regional council from various parties, the now banned communist party and our region. a party appeared that united all the people of the cause in itself. i made such a decision for myself, cooperate with this party. but when putin started a full-scale war in february 22, bolyuk decided to keep his warm seat in the deputy seat at any cost. having seen russian tanks in the kherson region, a certificate. he put politics far away in a drawer and happily ran to earn the crust of a russian official. according to law enforcement agencies , on april 16, 2022, bulyuk helped rioters seize the building of one of the city councils in the region, and also convinced local residents not to interfere with the occupiers distribute so-called humanitarian aid from russia. i made a choice too, i am for peace, for friendship.

i am for the fact that fascism will never happen again on the territory of the kherson region. for his pro-russian choice, he received dividends in the form of positions. at first, the zagardniki appointed him as one of gauleiter volodymyr saldo's deputies. and already on august 17, 2022 , vitaliy bulyuk became the temporary acting head of the fake head of the military-civilian administration of the kherson region. tree planting is timed to the day. connection with the great motherland russia, therefore we start, continue and will continue such activities. bulyuk has now been given a new position, now he is the first deputy head of the illegal government of the kherson region on matters of finance and economy. but the betrayal did not go unnoticed. ukrainian partisans gave him a big treat.