which we have to be their advocates, yes, because if there we as actors are going to be negative purely negative about our character, he's just going to be uninteresting, an uninteresting scumbag, just like a very, very good, cool character, they're not interesting, and that's why we will also tell our viewers who hasn't watched the tape yet, volodymyr akimov, it's actually, he looks a lot like young putin, he's such a moth that comes to the house word, he's a talentless actor. who is not a talentless poet who does not know how to write poems, and that's it he sees a wave, other talented poets, and he makes complexes, and there he is also rejected by women, in short, he is humiliated, and that is why he becomes angry, well, this is to oversimplify, but tell me, in fact, how you justified your character, how you he was attributed, along with the authors of course , moments that could really justify

his further such completely cruel behavior, you know, actually the fate of prada is in this, we try to understand what exactly motivated the character to certain actions, and in this way we analyze his character and in general, one gets the impression of what he is like as a person, and of course, we as actors can accept it or not, mykola hryhorovych khvylovy. but actually, actually, when i was working, directly, i was trying to do, i understood that this is a character who appears as a very bright, very good, very naive boy, and under the influence of certain circumstances he turns into a great tyrant, and at the same time, i was interested in making him not so formulaic, so that

he did not come immediately as some kind of total evil, but that there was a certain development, that is, for him to become an antagonist from such, perhaps, a protagonist, and of course i tried to understand what events influenced him, why exactly he made the choice that he did, why exactly he turned to the dark side, and actually, when i i remember when i was working, it was 6 years ago, and i understood that it was, firstly... his character traits, secondly, and a certain number of different events that happen to him, and actually his choice , which he does, he does under the influence of what he, as a man, very much wants fame, very much wants recognition, he came precisely for this, that is , his goal was to be recognized, to be loved, and it was precisely this motive that prompted him to... that act, to

go over to the side of the nkvedists and start monitoring, hunting for by his colleagues, friends, that is, he wanted to make a huge career for himself, then there were some actions, well, some factors that led him to the fact that, firstly, fear was very strong, fear led him, because he actually feared for his life , for his skin. and the fact that the nkvedist is the main one, that is, the system made him the leader a big star, somewhere in the middle of the film he receives recognition, european recognition, er, money, and here, here, here, this whole helmet, a cascade of all these factors, they ultimately made him the character he is, made him the person he is. dmytro, and if we can justify. dmitry, we're all interested,

by the way, it's always interesting, because when i read interviews with different actors and when they tell me how they technically worked on the characters, it always fascinates me, because the audience doesn't always notice everything there on the screen, someone says that they somehow changed their hair or tried to somehow change their facial expressions or did something else or some overlays, and when you started with... on this character, you can technically tell a few moments how to do this such a heathen, even perhaps pathetic, that you have to take into account technically, or what you find to embody him, so that he is so convincing in you, you know, actually every actor, he looks for his own levers, his own techniques, and it's very difficult to explain , as it generally happens, but...

but i, when i start working on this or that role, it doesn't matter if it's cinema or theater, i first of all, that is, i try to understand, so to speak, theoretically all this. a new character, so to speak, this table period, to understand what he wants, what his tasks are, in general, where he is going, what kind of person he is, and what actions he does and so on, then i am already trying to look for his features, taking into account this whole technical, theoretical side, and actually, when i was working on this role, it was my first big role in a big movie, it was a certain... challenge for me, and of course i read about the era, studied the word of the artist in the house, i tried to find prototypes from the last century, and similar people, because there are examples of ukrainian artists

who collaborated with the nkvedists, and from my point of view, the fact that i i look at the reviews, there are a lot of them in my facebook feed, on instagram already... well , they praise you all so much, i tell you honestly that in the posts and when the actors are mentioned, they write about a wonderful cast, but i especially want to talk about dmytro oliynyk, and here we have several such films in which the negative characters turned out to be the most vivid and the most even, well , attention was paid to them, they were praised, they were discussed, from your point of view it is... well, i don't know whether it's good or bad that we had , for example, in the cool the most discussed character of vitaliy saliy is muravyov, he was simply gorgeous there, and all the others went as well, unfortunately, in the shadow of muravyov, how do you,

how do you look at this situation, that your hero is more handsome in this film and overshadowed, even, i can say, overshadowed, you overshadowed even vyacheslav dovzhenko thank you very much for this kind of feedback, actually i have a lot of questions about my work and i am happy that people appreciate my work like this and i want to say that there is actually a great cast in the house of words and actually i can't say , that i am personally my subjective opinion, i can't say that i have darkened, but of course i am very pleased that people give such feedback, well, you know, for some reason, it probably happens that in fact people like such rather ambiguous characters, and i know for myself that i , as a viewer who chooses a movie, like me a lot i like gentiles, i love watching cockin phoenix play the joker there, i love gary oldman when he plays gentiles and it's very

interesting because it's very charismatic and they're such ambiguous characters, maybe that's why the audience likes it so much and it's interesting to watch, because there are certain... contradictions in them and it's interesting to find out why they are like that, in fact , taras tomenko and i were at the premiere and he said it at the press conference, then we too they said, we are waiting for taras to hear us, by the way, we have five left, taras, can you hear us, man, i already heard you, good, hurray, class, then i quickly ask everything that i could, should have asked, but actually, i want to ask right away about what was discussed at the dinner, this one... it was not the premiere screening, it was before the pre-sale screening, as it is correctly called, such a big premiere in the capital, and there it was discussed, so the question of what shot dead revival is now moving into the category of pop culture, and it's true, some people like it, some people don't

like it, people who don't like it, they say, so you, this is that, those were such smart people, our writers are so high-minded, you can't call them populture, others say that on the contrary it's cool, because it's ... because many people are already predicting that this film should be a hit, you know, it's hard for me to judge like that, because when we made a movie, we made it first of all as a work of art, without even thinking about any for.. it was important for us to observe within the artistic framework of this fate imagery, adherence to metaphors, adherence to frame composition, authenticity of acting, these things were not thought about, what do you say, if this film becomes

a pop culture somewhere or not in the pop culture, it doesn't really depend on me, it started living with his life in fact, and well, you understand that... networks, they are not, they are not controlled, where his fate, this film will take him, god knows that. by the way, i am interested in watching this, it will be even more interesting to see on monday, tuesday. the results of rental, and very often also among compliments of this film, by the way, i haven't seen any negative feedback about this film since thursday, although i have completely different reviews of the film in my different feeds in social networks, here i haven't seen any yet and this is alarming, this alarming, by the way, this is alarming, this is something abnormal, so something must be done about it, but very often among such well... standard compliments, first of all, compliments go to dmitry, and other compliments go to

this very debunking of this memory "prisoners" writers, we talk about it very often, but it still remains a problem that we are trying to overcome everywhere, which generally means depriving the characters, our writers of this monumentality, when you and dear yakymchuk worked on the script, on the film itself, well, obviously the thought... how to make these people alive, how not to make a mistake, so that they are not again these bronze monuments, well, really, how to do it? and this, you know, it's very simple, everything is done, because when you go out on the court, you need to say something to an actor who plays this or that writer, and the main thing for me is that the actor played a living person, the drama and conflict of a living person, he could not just play some cock in a coat. living things, you always collide

characters in a conflict, you always invent this conflict, intensify this conflict, and this is the only way to make an interesting movie, to make, to debunk them, to shake off this dust of archival and monumentality, well, i am not... this is probably an automatic process that occurs in the mind of the viewer when he sees a picture, when he really sees an exciting acting work, and all these things fall away by themselves, he passes into another reality, into the reality of cinema, and which mesmerizes into the magic of cinema, and other laws are already in effect there, and why , by the way, by the way, our cinematographers have taken so long, by the way, and various other artists were afraid to scratch this... this bronze, because we have, unfortunately, a whole series of films about our prominent people, which were really

so boring that it prevented it, what was this fear of doing just live on the screen a person? i don't know, i don't watch such ukrainian tapes, i don't like it it's interesting, and i don't waste my time on it, well , i just can't be responsible for my colleagues who did something wrong in ukrainian cinema, i, well, i look after myself and me. absolutely not interested in all these things, really. and taras, briefly, because we have one and a half minutes left. when you and lyuba were developing the idea for this film 10 years ago at the press conference, you said that then it was not as interesting to the general public as it is now. now we see just not , well, incredible, just these 20 and this shot revival in all tiktoks, all instagram what happened, why did such an interest appear? i don't know, well, i guess we put a little bit of effort into this in our work, well, i guess we spread it, we worked

on this topic, and there was a documentary film before it that went viral, so to speak in modern slang, and became extremely popular, ah , and apparently, well , young people picked it up because they are interested, because this period was, well, pulled out, torn out of the life of ukrainian culture, and probably that... this return that is happening now, it is completely natural, probably these writers deserve to be read, studied, quoted now, and that's cool, actually. and finally, very briefly, where can i watch the documentary house of the word, legally? it is, it is legally available in the public domain on youtube, on the fresh production studio page for free. great, come and see who hasn't seen it yet, dmytro olinnyk, taras tymenko were our guests, thank you very much, and once again we invited our viewers. go see the tape house word endless novel, of course, if you have it in your locality

cinemas, but if there is none, then now our ukrainian films are also legally available online in our cinemas, so you will most likely be able to watch it a little later. that's it my friends, i wish you a nice, relaxing weekend and see you next saturday. there are discounts representing coco discounts in may on tablets. yana bolgarska 10% in psarynsky, bam and oskad pharmacies. an unusual look at the news. good health, ladies and gentlemen, my name is mykola veresen. sharp presentation of facts and competent thoughts. and in america they also say, let's have better roads, we will have even better ones. a special look at the events in ukraine,

there will be some katsaps on the border of kyiv and beyond. what kind of world is mr. norman dreaming of, can we imagine it? all this in an informational marathon with mykola veresny, saturday 17:10, sunday 18:15 at espresso. vasyl zima's big broadcast. this is the great ether, my name is vasyl zima, and we are about to begin. two hours of airtime, 2 hours of your time. many important topics are discussed with you today let's discuss two hours to learn about the war. now we will talk more about the war. serhiy zgurets with us and what the world is about. and now , yuriy fizar will talk in more detail about what happened in the world. good evening. please, you have the word. two hours to keep up with economic news. time to talk about money in wartime. oleksandr morchyvka is with us. alexander, congratulations, please. and sports news. review of sporting events by yevhen pastukhov. two hours in the company of your favorite presenters. thank you very much, elina chechen for information about cultural news. presenters who have become like relatives to many. natalka didenko is ready to tell us about the weather for the coming day. and also distinguished guests

of the studio. andriy parubiy, people's deputy of ukraine, was also the chairman of the verkhovna rada of ukraine. a day in two hours, a big broadcast of vasyl zima, a project for smart and caring people, in the evening for espresso. verdict with serhiy rudenko, from now on in a new, two-hour format, even more analytics, even more important topics, even more top guests: foreign experts, inclusion from border, about ukraine, the world, the front, society, and feedback. you can express your opinion on the bad day with a phone survey. turn on and turn on the verdict with serhii rudenko every weekday from 20 to 22 at espresso. congratulations. today i will talk about three children from the kherson region who have gone missing and whom we are trying to find. i will say right away

that, unfortunately, not much is known about them, so we really hope for your concern. and help please watch this video carefully and if you recognize any of the children, which will be discussed, do not delay and immediately notify us on the hotline 116.30. so, oleksiy khrustalov, stella naydenova and bohdan kotenko. all of them disappeared during the occupation and nothing is known about them until now. the connection with oleksiy was cut off at the very beginning of the war and there was no more from him. news we only know that he is 17 years old, and before the start of the full-scale invasion, he lived in the village of nova-zburivka in the skadovsky district of the kherson region. unfortunately, we do not know what happened to him and where the boy is now. and i emphasize once again that there really is there is great hope that one of you will recognize oleksiy. so look into his face. and

if you suddenly know something about the boy, report to the hotline. child tracing services 116/3. we will be grateful for any information. and this is 14-year-old stela naydenova. she, like oleksiy khrustalov, disappeared at the beginning of the full-scale invasion. it happened in kherson, when the city was under russian occupation. since then, there has been no contact with her , and it is not known where the girl is. unfortunately, it is possible that she could have been taken away. or deported to russia. in general, the deportation of children is a component of the crime of genocide, so i would like to note that if you know about any crime against a child, in particular about abduction or deportation, do not remain indifferent and immediately report it to the police, or report it to our website stopcrime.ua .

you can even do it anonymously. bohdan also disappeared in the kherson region. kotenko, he is 15 years old, and we know that when the full-scale invasion began, he lived in skadovsk, kherson region. the same as in the situation with oleksiy khrustalov and stela naydenova, due to the fact that bohdan disappeared during the occupation, there is actually no information about him, but it is very important that we have his photo, and accordingly there is a chance that one of you will recognize him. so, once again, please look into the face as carefully as possible. oleksiy khrustalova, stela naydenova and bohdan kotenko. and first of all, i appeal to the residents of the temporarily occupied part of the kherson region, who can see this video on youtube, if you have information about these children, who may still be in the kherson region, please let me know immediately us on the hotline 11630. if you

are under occupation and you do not have the opportunity to call, you can contact us by writing to the chatbot of the child search service in telegram, or on our website. let's not be indifferent, and let's try to find out together. oleksiy, stela and bohdan. and at the very end, i once again ask you to take just a few minutes of your time and go to the website of the children's search service. here in the "missing children of ukraine" section, you can see boys and girls who are currently wanted. look carefully at their faces, i will be very grateful if you share information about missing children in your facebook or instagram. of course, the more people see the ad about the wanted child, the more chances there will be to find him, and if you suddenly recognize one of them, immediately call

our hotline 11630, calls from all mobile operators in ukraine are free. we have created a resource through which you can report any crime against a child. in any place. at any time, simple go to the site and report, and we will launch all possible mechanisms to punish the criminal, stop crime ua. on the right side of the kuban river, this is zaporozhye, who bought everything, so why am i... written not ukrainian, but in russian, i had a friend there whose surname was yellow-bellied, he was

a yellow-bellied hov, in order to hide that our surnames are ukrainian , zaporizhia, because they strangled us, my god, because the entire krasnodar region was made russian, and now we say, why are our great-grandchildren like this... these are shots from a 1992 documentary.

it is about the descendants of ukrainian cossacks, who russia forcibly relocated to kubay. on february 24, i had about 15 people, which in my opinion was a lot in the context of the 24th. wrote to andrii on february 24, and you teach ukrainian, i want to study with you, on february 24, i was in shock, they write about and i just look at the requests, well, you really thought about it so much today, in the 90s, at the beginning of the 2000s kyiv was russian-speaking as much as possible in my environment, and unfortunately, even there it was a shame to speak ukrainian, we lived in kharkiv then, when we heard the song, it... i did not understand what exactly was meant by russified cities, now i understand, so is the ukrainian song, after all, it is

the simplest form of spreading the ukrainian language. on the streets of my native city of stakhanov, in the 90s at zero, it was rare to hear the ukrainian language, and if you know the ukrainian language, you express yourself somewhere in it, then there was a certain such position. so how and why do ukrainians from russia... to ukrainian, what motivates foreigners to learn our language and what is the phenomenon of popularity and relevance of ukrainian today? proclamation of independence of ukraine. an event that has been fought for for centuries our ancestors, became a reality. that moment changed a lot, but not everything and not at once. revolutions will take place in the country, part of its

territories will be occupied, it will begin. the full-scale phase of the war and only then will the process of ukrainization unfold in full force. is this normal? absolutely, because as linguists explain, national and linguistic ideas are asymmetrical. and in order to understand the modern phenomenon of the mass transition of people to the state language, it is worth finding the starting point where it all began. but autumn will soon come, we will all disperse, in unified cities.

then, despite the control of the soviet security forces , unexpectedly for everyone , the national anthem of ukraine was played from the big stage for the first time. i apologize that i will not be able to play the kobza now because the string is broken. but we can sing like that. ukraine is dead, and glory and nakedness will smile on our brothers, the ukrainians. the main

musical event of the 90s, which was held once every two years, and which traveled through the major cities of eastern and southern ukraine. back then, in the pre-show business period, young ukrainian musicians had practically no opportunity to declare themselves, and the festival was such a chance gave the main condition is the presence of three songs in the ukrainian language. we are an example of how the russian language. they are boys, the red ruta pushed them to the main decision in their lives, to sing in ukrainian, they give you a stage, a huge, simply incredible stage, you are given modern conditions, and you have a chance to show yourself, but i fell down, i look at the table, the sun was shining so, or so i something happened, i didn't like it, dad couldn't be together very much , he says we need to earn money, he says mom needs

to move alone. was with kharkiv, russia, in the early 90s created songs in russian. most of the time in kharkiv , they spoke russian, russian-speaking, and ukrainian. disdainfully, it was such a technical language, and it was considered a sign of some wrong origin, like, as it seemed at the time, some log from the village, but it really was, one should not imagine that we were nationalists from...