in the 15th century, he had a parquet factory, distilleries, brick and sugar factories in slobozhanshchyna, and he built this house just for the head of the sugar factory. the master or the manager lived all upstairs, but the servants lived all downstairs, in the basement, all the rooms were such that they lived there, cooked food, did laundry, everything was done there downstairs. only the fireplaces went up, and it was warm, this house was brought all the way from karelia, we don’t have such wooden beams, the bottom was made, one row was made of oak, and then everything was gone karelian pine, everything we have, all the architecture somewhere inside our borders, it's all ukrainian architecture. tour, it can

be somehow austro-hungarian, i don't know, polish, from which other empires, soviet, but this is all ukrainian architecture, and it should not be given to anyone, but it is all our heritage, and what happened, happened, yes, and we were there, accepted in this. part in some different ways and that's all, it's all ours, it must be preserved. the building does not have a simple history: in 1917, the bolsheviks and kenikhs came managed to emigrate, and the estate was remodeled. the so-called fzo school, factory factory training, was created here, and it existed until 1975. in 1977

, they distributed it to people to live in, they gave them apartments, i was born here in guta, i lived here, i went to school, i finished everything, and i worked at the factory when i distributed these same apartments, and here i have been living here for how long for 40 years, during the soviet era , the large rooms of the estate were distributed among the factory workers, 60 square meters each, the interiors have changed, but something from the past life of the house has remained. see how high it is us, look at the stucco, look at the edges, what the stucco, and here, here are the fireplaces through which the heat went, here there is the chimney, well, i already pasted over them a little, and not white marble, well, i’m here, that’s the same i heat, if with firewood, then one goes here, and that's why you see, these are such rooms, with the beginning of a full-scale war, the apartment became housing for a large family.

children and grandchildren came to their parents. the place became a temporary shelter for immigrants, who also came here as families, taking cats and dogs from home. the basement, in which during the times servants lived in the kenikha, it was used as a bomb shelter. well, you see, there were windows, they were fixed, then, of course, you see, there were still windows downstairs, windows, windows, windows, they were fixed, well... yes, a servant lived here, but i will discover now, well, here we are now settled down, well, it’s the war, they’ve stocked up, that’s gas, well, they’ve stocked up on firewood, we think, but look at the ceilings, there’s a bomb, you see, get ready to move something, grab here, well, yes, it’s not just one, they took it there, there was a stove,

i don't know, in the part where people live, the house is somehow maintained, the other side is slowly collapsing, because the owner of the apartment went abroad, he does not sell the apartment, but he does not repair it, a few years ago a brick extension was made to the house, which now has a living room and a kitchen, to arrange your life in such a way that at the same time to have comfort... and at the same time to preserve the authentic look of the estate , there are no funds, what we ourselves support is what is supported, nobody gives anything to anyone, the roof was covered in the 60s, somewhere some hole was patched, patched, well, we support it ourselves, they mostly live here now, that is i have been a pensioner for 10 years, there are also the same pensioners living here, who will do what here?

she, in my opinion, should be protected a lot more than she is now, you know, it's like with elderly people, they, they're very... difficult to take care of them, it's a lot of medicine, i don't know, some different things, and this, but we do it because we are grateful to them for our lives, for which they gave us, and also from this very architecture, well, for example, in many countries there is... special additional state funding, well, for example, if you you have some kind of old house, there is a certain one, i don’t know, pensions, scholarships, etc., which are given to support it, they came there, a lot of people came here for

an excursion, looked at this house and everyone said, oh, we need it under protection, oh, we have to do something with him, we have to do everything, everything .' that such a house, no one, no one needs it, after learning about our interest in ancient examples of local architecture, local residents advised us to visit the nearby village of pavlivka, where a hundred-year-old wooden school has been preserved, and not only preserved, but also works successfully. this school was... built in 1906, and a customer specially traveled to siberia from the village, who ordered this wood for the construction of this school, brought it here, and this school was completed without a single whistle. this construction was financed by the same leopold koenich, who was a patron and

took care of the development of the region. our school suffered great grief during the great patriotic war, because it was located here . the stable, the fascist stable, and when the village was liberated, then the people began to rebuild this school with their own efforts, and the parents of the students, and the students themselves, and the teachers brought the school to a normal appearance. residents of pavlivka independently restored the school. it was preserved in its authentic form for a very long time, and only in the last 30 years were the wooden roof and windows replaced. what's nice, they are proud of their school here, they don't want it to be like everyone else, they don't want to cover it with bricks or cover it with clapboard, and it happens so much that whenever someone they know there comes to visit, they definitely come, take pictures here, look, is there really such a school here and is it really so beautiful here, no we live one day, one life, we

try to make our school flourish, be beautiful so that students go to this school with great pleasure, students are proud of the school. and the school is proud of its students, everything is as it should be, and the participants of the ato as well, we had students of our school, these are ustinov, and shcherbak, and kupovyh, and of course now these guys are ours, and the wader artem, now these guys protect the borders of ukraine also from russians. every time we travel with expeditions, we are most fascinated by people who do not strive the sooner they leave their village or town somewhere further away, and stay and develop their own.

well, we built this wall, there were nine of us at the time, well, just look, all the surnames who worked here on... the wall, right from me, i, of course, planned this wall, got up and she told me that you will make a pink flower, that one makes leaves, that one, that one, and so it turned out amicably, beautifully and very quickly, that as it is done, so it is done, they started and worked from early morning until late, but they did it, well, my task was to do so composition so that it is unique. so to speak, in each work, you see, here we have birds, there is a rooster, there are viburnums and so on, this was our main goal, so to speak - to decorate the center of petrykivka with these wonderful works of ours. petrykyvka is

a unique place on the map of ukraine. it is unique in that not only a special local painting has been preserved here. it is still developing at a frantic pace. a large number live and work here. modern masters who are constantly teaching the next generations. petrykivskyi painting arose as a decoration of a peasant home, those who had the best in the houses called them cheporoshkas. our clays were of different colors, and juices, berries, there, flowers, leaves, all this was used together with, with an egg, that is, either a white or a yolk was taken, a painting was created, simple elements, but it was already a wall painting . petrykivka itself was founded in 1700, in 1772, even then there were eyes, so to speak, after making small progress,

someone started, did, and all the time it was polished, polished, until bright craftsmen appeared, every petryakiv housewife made a pot, so that her house had, of course, a petryakiv ornament, as they say, in our petryakiv people, in the house, as in the church, but not all housewives had the same flair for... so artists or artists created also, as they said at the time, little pictures, small drawings for sale, cattle were driven through the petrikovka, grain was traded there, and at the same time, since there were many people, you could sell all kinds of shops, all kinds of products, and now these women began to draw with the appearance of papers such swags for that... to embroider the svulok and such leaflets that were attached to komen's mirror, then he knew how to do it more elegantly in

that, in that there were even bigger hundreds. the phenomenon of petrykivsky painting arose here for a reason. the fact is that the village was founded by cossacks, it was a freehold, where there was never serfdom. people who were freedom-loving fled here, these are the kind of people who did not like the oppression of anyone, here they are. ran away, since there was no serfdom here, settled, and what they owned, they survived. in addition, in petrykivka had a favorable location, at the crossroads of important trade routes, where huge fairs were held four times a year. someone embroidered, someone wove, someone cut wood there, or wickerwork there, or straws there, or painted, well, everyone survived in their own way, and that is why all the people here were creative, and... one learns spirituality, this is a highly spiritual settlement , we can say. if the first drawings were simply brought to fairs

to be exchanged for something else or sold, later artists began to be approached from orders craftswomen appeared who actually became the founders of petrykiv painting. these are tetyana pata, bilokin, pylypenko, pavlenko, and even earlier the surnames of artists and painters are simply not from. were protected and their works also disappeared, because they were created with paints of natural origin. this work was created with the first factory paints, aniline, which is why it has survived to our time. at some point , professional artists became interested in folk art, one of whom was oleksandr stativa. in 1936, he founded in petrykyvtsi school of decorative painting for young people. the daughter of the petrykhiv painter, he took tatyana yakymivna pata, one of those craftsmen who were just the first, or

purushkas, who, well, as it were, distinguished themselves at the fair with their best paintings, since then the number of masters in petrykivka increased, among them appeared men, and painting began to develop at previously unseen paces, and is still developing. every school has petrykivskyi circles. there is also a circle at the house of children's creativity. senior classes we have industrial training, and in this industrial training school children master the elements of petryakov's painting. if you wish , you can also become a professional master after graduating from a special school located right here in petrykivka. children from lviv, kyiv, and donetsk studied with me. petrykyvka will learn, it is necessary only in petrykyvka. here. it arose, here it was born, here they must learn. the approach to the study and

distribution of the petrykiv painting continues to gain scale. there are museums, schools, festivals, special literature and even prescriptions on which children learn to reproduce individual elements of painting. in this place, where we are now, always visit us every year in the month of september, miracle flower. craftsmen from all over petrykivka come here. it is interesting that, thanks to the festival, the painting still lives in its authentic environment, the walls of petrikyvka buildings. masters have been painting the village with their compositions for 14 years. when we painted the first fence, the first one, and people pass by and say, well, what are you painting, they will smear it, they will write everything on it, for which it is only a labor of translation, and we we are standing, i think, when the young guys are walking, and they stop and say, oh, thank you so much for drawing this, and one is on his knees, and you

, he is, i say, no one will pee, no one will draw, once the youth said that it is very beautiful, that they like it, until today no one has written or done anything there, thanks to the masters of the village administration, 10 years ago the petrykiv painting was included in the intangible heritage of unesco, and we were just painting this wall when we arrived on the 9th representatives, those who had to vote as a youth, then they and we finished some elements on this wall, here, for example, look, here is a berry... there is a berry somewhere. the voting process was not easy, but in 2013, 600 experts from 95 countries of the world cast their votes for the petrikovsky painting. how do we know that this is exactly the petrykiv painting? first, only in

our painting a cat is painted with a brush, it is called a cat brush. wool, eh, it is this brush that gives that unique smear that distinguishes our painting from others. chives, chives, these are flowers, which ones are you you won't find it in other paintings, and many of us paint viburnums, it is a symbol of girlish, feminine beauty, oak leaves, it is a cossack symbol, male strength, courage, by the way, a bird is a symbol of goodness, and more. peace, coziness, well, that is, many elements of our painting have their own sacred meaning, and why the walls were painted, there were friezes above the door, above the window, because people believed that this beauty would not let evil into the house.

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among the flowers are older parent birds, well, it’s like a family and their children, birds, it is believed that even the buds on the flowers are future children. kyiv painting is a complex technique that requires a high level of skill, and if today in order to master this technique, just desire and perseverance are enough, 50 years ago it was not easy to learn to be an artist in the village, i had my first impression of painting somewhere in three years ago, when her neighbor, her grandmother, was repairing her hut, her mosaic, and took down all those drawings, what...we were on the street and gave them to me, she was such an enemy, well, i was little, for me it was the enemy of those girls , and all painted,

bright, i have never seen such a thing in my life, or life was after the war, since 1957 i was just over the moon with happiness, i remember the jews, then i had a strong first impression of beauty, i started to copy those the drawings, how much... i liked them, that i just made copies of them, and that's how i just came to the art school, i got to vasyl ivanovich sokolenko, i didn't have anything, no forbs, nothing, so he invited me to his home, gave me three powders, you know what kind of powders they are painted eggs for easter and sold them in the bazaars, and he also gave me his brush, a brush made of cat hair, and that was it... my first path was to painting, but to realize my dream of studying at an art university in lviv and failed, due to difficulty with exams in mandatory

subjects, ukrainian language and literature. we have, so to speak, a pro-russian city, dnipropetrovsk, and the ukrainian language and literature were ignored in a special secondary school, and i come across an enchanted tooth, that is dovzhenka, and we are her did not pass, because... in general, only russian language and literature and that's all, and my such attempts ended, but the artist managed to realize herself in her native village under the supervision of experienced masters, and as soon as the level became satisfactory, work at the factory began. at first it was called friendship, and then petrykivsky painting, and the factory created a souvenir that went not only all over ukraine, but even... abroad, souvenirs, plates, caskets, fishing sets were made there, then the tree went, already gone , spoons, there, well, different-different

everything was made for kitchen sets, there was a lot of work, and so i gradually grew, grew, i joined the union of artists, and continued to grow in this creative environment, although souvenirs were exported... to more than 20 countries of the world in order to survive , ukrainian folk art in the soviet period was constantly teetering on the edge of bans, it was necessary to survive somehow, so there, let's say, for some congress, for some anniversary of october and so on, plates were produced, which were also dedicated there to victory day, for 1500 years kiev, well, that is, a little politicians contributed to the petryakovsky mural, and thanks to this... it was not oppressed, on the contrary, it developed, with the collapse of the soviet union , our factory began to decline, the salary

was very low, well, it was not there at all, we still had to create souvenirs, souvenirs with which somewhere to go to somehow support ourselves, that's why we traveled around the cities, that's how we somehow survived, we were very lucky to get to visit... artists valentina and mykola deka. their life, their works and their history are a modern personification of a living folk art and their family house is a living museum in itself, because there were many famous masters of petrykiv painting in the family. this is the founder of the first school oleksandr stativa, and his uncle, a well-known master and teacher, feder panko. in addition, valentina's sisters and her children also draw. this is fyodor sava's chapanka, the work in the 60s of the last century came back from the exhibition, he gave it to my mother, well... the children's works are already gone, it's

a light work, a forest work, one and the other, on this wall it's a mykolina work of the youngest son, it is interesting that the rooms in the house are made in a separate color, there is green, yellow and blue, each of them is decorated with a petryki painting, you see, there is a lot of positiveness in the painting, such symbols are all positive, all bright, sunny, and birds, in the beaks of which there is a twig, it means that it is a wedding symbol, well, just as the daughter was about to get married, this room was painted by the eldest daughter svitlana, this is my sister's work, a large whatman and two small ones, i will also show you the rooms in the green color, this room of

valentina ... was the first, another 45 years therefore, thanks to the special painting technology , it is almost not a terrible time, glue and egg yolk were added to the paint, flour was taken, if it was brewed as a paste, then color was added, and then such a whitewash was created, and then the painting was applied on it, well, this painting was done with watercolors forms, because there was no gouache then, that is, in 1976. you see, it does not peel off, nothing, when the base is good under the painting, then it holds. in addition to the painting itself, the house contains many family heirlooms, embroidered shirts, painted chests and an old computer from which applications for international festivals and exhibitions.

if valentina was fond of art as a child, mykola came to painting when he already had a family and children. well, at one time he was a learned agronomist, let's say so, he worked there with large teams of people, in two farms, they have irregular working hours, but we already had three children and construction, so the question arose that he should change the city . work, and he gradually began to help me with my drawings, plans and everything, at first in parallel, and that’s how it turns out, they say that i attracted him to my work, and it is framed, not his, because i told him, look for yourself, i don't want to be responsible for your decision, you have to accept it yourself and the choice is yours. in the end, the passion for painting turned into a big

family business, now there are even functions here. a new tourist village with a hotel and a place for conducting master classes. and there was only one old house there, and such a fence made of roofing felt and something and such a chimney stood above the grave. and look what we did with all that for these years mostly children come to us, mainly in spring and autumn, we hold a master class, this is petykiv painting, alka-motanka. pottery, that is, guests can choose any master class they like. arriving guests can stay in the mazanka, which is more than 100 years old, or in the newer, also clay building, which was built by foreign volunteers using the old technology. and there were three men from poland, one girl from germany, one from italy, and there was also a group of volunteers from ukraine, they wanted to

to see how it is being built, because now there is no one. there won't be such huts, so we have an adobe house of a mini-hotel, then we also decided to cover it according to old technologies, in the winter we mowed ochered and ryegrass, and this very mini-hotel is covered in such an ancient style, yes, please , these are the ones, you see the walls are thick, good walls. there are also rooms for convenience. the last couple built a family gallery. on one side - mykola's works, on the other - valentina's. and if the craftswoman continues to deal with painting, mykola also creates author's works works that captivated us with the naivety inherent in folk art. three works triptych, it is called.