and this is very helpful for people who, for example , know almost nothing at all about that period and do not know anything specifically from a certain everyday point of view, because the authors tell us there how they went to discos, how discos were held then, how they traveled there by train, or how some gatherings took place there, or how the musicians held rehearsals, how they had to adhere to some ideological points, such as... they left them, how they bribed the watchwomen there, who warned about the arrival of some commission that would check and say that the bass guitar need to make everything quieter and quieter, or even further away, so that she could not be heard, that's what all these moments showed us, i think that this film is very timely, just such a film is what we need now, although many, especially those people who have long in the subject, they are possible... perhaps

they think this film is too simple, too obvious, and i would like the main character to be revealed much deeper and much more, well, not so complimentary, but in the end, still, although the personality of yaremchuk, as it seems to me that i have been sufficiently dotted about this film, but i hope that we will have many more ukrainian films, in particular , about yaremchuk, which will reveal more deeply his... personality, but still, we saw some hints, about the bright features of his character, well, we already see that he was a very handsome man and the film showed several times how women treated him, sometimes it was quite funny, now to see one of the scenes with the journalist, both times when i watched the tape, the audience just laughed at that scene, let's let's see, girls, let's go let's remember how nazarya yaremchuk appeared to us in a smyrichka. and i was there all the time, i was just

born under a pine tree. he is majestic, women loved him, perhaps the reason for your visit - well , darina yaremchuk also starred in the film and talked about her husband, and maria yaremchuk, his daughter, was also a little bit. who was also a producer, but i'm told she's not very, shall we say, glowing around this tape, and again, i 'm told she doesn't really want anyone out there to think she's promoting herself in any way, eh hereby film, she just wanted to make a film about her dad, i will say the following, very often when someone from relatives makes a film or a book. anything about your

dad, about your mom, about your sisters, brothers, about, i don't know, about your children, but there is a great chance and probability of sliding into such a compliment, making a film that, well, let's say this, will not reveal a person , as a multifaceted person, as a person with some demons or flaws, as each of us had them, and there is a great risk. such a very emasculated image, with from my point of view, the image of nazariy yaremchuk in the film was just like that, although i repeat, a large number of viewers liked the film very much, and i am sure that many of you will like it too, because it is made interestingly, dynamically, it is really quite pleasant to watch , exactly such an emotion, i would say, and the authors put it in it, so that we... somehow connect with each other in the hall

with laughter or, on the contrary, with some not so cheerful emotions, this is what some songs show us, show us our history, that is the movie is generally very good but if you if you want to see a really complex image of a complex person on the screen, then it is certain that either nazariy yaremchuk really wasn't like that, or the authors didn't want to show him like that, and the sons of the hundred. that yaremchuk's sons were not in the frame, they, as i understand it, either refused to film, or were not offered at all, well , vasyl dzinkevich also refused to film, and we see that there are some scandalous or personal moments in life this musician, they somehow smoothed out a little. on the one hand, it can be called such unwillingness to fall in october... in october, there are also various scandals

and authors talk about the fact that we immediately deliberately moved away from this, for example, the divorce of nazari rymchuk from his first wife is also shown in this way, well, quite simply... they divorced because they were there are some troubles and that’s it, they don’t start there anymore, but if we talk about the conflict in the smerichka band, after the death of ivasyuk, after the murder of ivasyuk, which has not been proven, and the film also talks about it, but there were conflicts and we don’t really care about them then they showed how there are many different ones that are not very unambiguous moments in the life of nazariy yaromchuk, we didn't see it, and on the one hand... it's good, because at a certain stage, now it's another film, which i'll talk about now, in any case, the film is about the film now about of our prominent musicians, they will be approximately the same type of musicians, actors, writers, and because we are just

getting to know this era, many of us are just getting to know them, and that's why we decided to choose first, as if we will simply define it. that we had such people, this is where the shot revival was, here the sixties, here is the music, there was something else there, later on, when we study this first layer, we will go into some subsequent periods and talk about these people in a much more complex way, well, now we can talk about volodymyr ivasyuk, because his image is also extremely popular, on the youtube channel squad of movie maniacs, and... some time ago there was also such a youtube - it's called journalism on youtube, i don't want to call it a documentary, which has become very popular, somewhere around one and more than a million views are already there, and the author vitaliy gordienko is there, i really liked, by the way, how

he spoke about ivasyuk, for one thing, he really managed to create such an interesting image, although also complimentary, but interesting, he delved a little deeper, he tried in some way... first of all , he says to destroy this myth surrounding ivasyuk as the prime minister, then he shows him and asks one of the presenters there, he shows an excerpt from the program, asks how old, how old was volodymyr ivasyuk, in your opinion, when he died and the host said, well somewhere around 39, in fact, ivasyuk was 30 years old, and he was positioned like that often before there through photos, through some texts or stories, that it seemed that it was already enough, older, a little bit of a man, yes, but it was actually, well, a boy he was a very small, young person, but many people do not perceive him as such, and here in this film the author somehow tried to correct it a little, and also tells vitaly gordynka about the life

of volodymyr ivasyuk, shows a lot of materials, photos, and, well, tries to show ivasyuk from something unexpected perspective, and he succeeds, and let's look at the passage. this is actually the beginning of this film, and vitaly hordienko is simply talking about what a surge of popularity is happening now around volodymyr yefasyuk, how many views his songs are getting now, and now he is trying to figure out what this phenomenon is all about, let's let's see, many people heard this melody for the very first time and immediately fell in love with it, it flooded social networks... people edited tiktoks with the exploits of our military under it, its views in youtube immediately grew to millions, it is not surprising, but she gave the hope that we needed so much in a difficult time. how did its author, volodymyr ivasyuk, 42 ​​years after

his death, manage to unite people in the time of the terrible war with his easy song about love, in an old recording, in his own performance. well, four years ago... and just, i think, in that period, this certain boom in music began, in the period of the 70s, 80s, it was then that it got the name mustachioed funk, a documentary film was released, mustached oleksandr's funk kovsha and vitaly berdetskyi, and he is in a bubble, however, he caused a lot of discussion, and this is understandable, because earlier in this vein, funk, this music, which used to be called pop music, soviet, ukrainian pop music, it was all called , it was not, because the film, it is very modernly made, here we see a form that does not usually correspond to the form of those films in which

we heard about the same smerichka, about kobza, about arnica, about all these bands, which also seemed through this style is somehow very, very, very naphthalene and... interesting for young people, who say that it can be interesting only for people who were young at that time, and they only remember all this with a sense of nostalgia, but in this tape, the authors for the first time, for the first time, said .. such a wide enough audience, as all this music was written, why was it such a bizarre combination, truly world trends with soviet ideology, because the musicians wanted, or rather did not want to play ideological songs of these sovkovy boring, wanted to do something fashionable, but they did not could to do it to the fullest extent, because well it was forbidden and it was controlled, and so they tried to somehow do it, but... somehow to cheat this system, it partially succeeded, although on the other hand, equally all these songs,

if you look at of them now, they are so there, there are a lot of these moments, you can hear absolutely successful, successful attempts to copy the music that these musicians received on records, british, some american music, but still this component... soviet style is still in these songs was, well, let's listen to an excerpt from moustachioed funk, in principle it is partly said there, you confess to me, you have hundreds of songs of incredible beauty, fashionable sound, extravagant costumes, new ensembles in almost every ukrainian town. where did all this come from in the soviet

union republic? now this music will have a new name: mustachioed fang. and i am also pleased that such new definitions are appearing, for a period that did not have any name, or for a period that does not suit or is being discussed, new ones are now being invented, it is very cool and... i will repeat that yaremchuk's incomparable world of beauty is currently at the box office, a film that i highly recommend you to watch, and it will be very interesting to watch in a week or two, how many box offices it has collected, it is considered that the documentaries i shoot are usually not collected very much, so which have less demand, but here we see that the situation in our country with the beginning of a full-scale war, well, it has changed, not a little, essentially, ukrainians are incredibly... interested in documentaries, precisely such popular documentaries, and they watch them

very active on television, for example , the ratings of documentary films take quite a lot, and here, i think, it should be the same in cinemas, and now we will move on to the issue of state cinema, you know, once again we have to discuss all this, and the situation is not very comforting, because in general, since 2009, when maryna kudarchuk was elected as the head of the state cinema, ukrainian cinema began to fall into a certain stagnation, because ms. maryna was not very competent, according to many people in the industry, and in my opinion, she was not established relations with foreign colleagues already after the full-scale invasion, when we were offered to do it, we were drawn to... help of some kind, financial or any other, but the head of the state cinema, in particular because of the language barrier, because she did not

knew english, for example, could not do all this, and we lost a huge number of opportunities, and also now we see a trend when television people come to do something in the cinema, they are not at all familiar with this industry, for example, they were engaged in television series there, which in us not very good quality in general, and they are trying to make a movie, but what is being done is... a bet on commercial cinema, which is extremely important, but when there is an influx of commercial cinema and almost nothing original, serious, documentary is shot, then this is already bad. the situation worsened also due to the fact that a large number of cinematographers who are engaged in such serious cinema, which, which in recent years were responsible for communication with the world, communication, cinema, cinema communication. with the world of ukraine took place mainly at various festivals, and we were known at various

platforms precisely with the help of documentary cinema and game, author's cinema, and at a certain period it was all covered up, and now, since this part of documentarians, they are categorically against the policy of state cinema, they do not want to come to pitches to receive funding, therefore, accordingly. .. we are left with this commercial production of various films, and we will probably continue with this for the next years, well, the next. for such a discussion, this is the election of a new member of the council on state support, this is a body, which is owned by the cinema, and its members are responsible for the distribution of money that is allocated for the actual production of the film, now we see the meeting that took place, it took place in

two stages, it took place, that's where the commission sat, yes... the commission, which chose these council members and there should be nine of them in total, and these nine people are very influential in the film industry, because they are responsible for the distribution of money. the press was not allowed in, they said that it was not very convenient, they could not provide security, they said a second time that journalists were not were accredited for this event, and therefore there was no control as such from the media, the sound was in the broadcast until... bad enough to hear everything, well, as a result, seven people were elected to this council, and there are no special issues for some issues, for example to arkadiylyuk or to volodymyr mula, but to some there is still a question of a conflict of interests. let me remind you that

there is such a producer, artem kolyubaev, who is a former partner of andriy yarmak. well, he was the head of the former council for state support of cinema, and it must be said that he did a great job the film industry has a large enough influence, and when the condescension of the previous members of the previous council has faded and they were forced by the court to leave their positions, their chairs, we see that artem kolyubaev through other people again passed into... the council now we see photos where we see artem kolyubaev and two new members of the board, these are taras bosak and denys tarasov, and these are people who work together with kolyubaev, for example, taras bosak is generally in his organization, is a member of his organization, and also produces

tapes with him, and denys tarasov one from these tapes filmed, her name is bozevilnya, that is, these are people who... and even you see, behind the photos they do not hide the fact that they are not just acquaintances, they are friends, and well , their business, connections are absolutely visible, two of these people, well, what they treat artem kolyubaev very well, they came to the current composition of the council, i will say that denys tarasov, he used to shoot tv series, he only has one movie to his credit, and you know, these are people who worked in the same field, probably who cannot this is how to come and occupy some important positions in a completely different field, because the field of serial production and cinema, it is completely, completely different from each other, and people who work on television, produce serials, they very often for some reason think that they are filmmakers, so that they are engaged in cinema,

although it is completely different, and these are industries that work according to completely different rules, and when tarasov... came and answered questions at this competition, it was clear that he was in many ways, well, not oriented at all, but he still passed , and we see such a situation, again, about artemma kolyubaeva, i would like to say that he is an absolutely ambiguous person, let's put it mildly, and his investigative colleagues have already done very, very many different investigations about him, which related not only to cinema, but now we can see fresh from colleagues from investigation info, they... they found such information that the wife of artem kolyubayev bought a house in the united states, and she borrowed the money, partly this amount for the purchase, from the russians, let's see. artem kolyubaev. you may have heard this name in connection with the head of the president's office andriy yarmak. these two

business partners used to make movies together. now one politician, and the other suddenly began to grow. business in construction, drone production and securities. we found out that recently the kolyubayev family, who fled the war, bought a house in the suburbs of washington, and they borrowed the money for it from, you know who, the russians. this is such an interesting situation. please look at this investigation, because there they explain that they did not know that it was the russians, and what they will do next is unclear, as well as from bigus-info, the magazine. also more than once, more than once, investigations were made about kolyubaev, and in each of them it was emphasized that, first of all, he is not only related to the field of cinema, from which he started, but also that... he and andriy yarmak produced the film rules of battle , for example, we started together with him, then andriy yarmak, when he became the head of the president's office, then the affairs of his partner,

artem kolyubayev, immediately and dramatically went very well, despite the fact that in quite different areas, from cinema to even the purchase of yasa is there for drones, let's have a look too an excerpt from the bigusinfo investigation. yermak is a producer. kolyubaev is a producer. yermak headed the president's office. kolyubaev began to get rich unexpectedly and enter the businesses of very serious people. these people have nothing to do with cinema. it just happened that way. yeermak vop, his partner kolyubaev in a big business trip. of course, we began to suspect that kolyubaev could only be a proxy, and the shares written on him, in fact, he would very much like to have the office of the president in his collection. well, roughly , this is exactly what he says with these phrases our film community

has been trying for the past few years, a part of the film community, it would be more correct to say, because the other part is trying to somehow be closer to state cinema, because it is clear that loyalty or disloyalty depends on friendship or enmity there, do they get money for production? of their films or for holding festivals or for anything else, now there are such two main positions in the film community, well, we understand that again the statement that is constantly heard, and in various investigations, and in particular in analytical materials about the fact that andriy yarmak now controls almost all spheres that we currently have in ukraine. the field of film production is also definitely under his control, under the control of artem kolyubaev, as we can see, which managed to maintain its

control, and any protests of our community, which resort to court cases and try to defend some of their positions, all the same they, well, i won't say that they will lose, but all the same their struggle... continues, let them win the courts there, win some cases, all the same, we see that the situation continues, and it is certain that we must adjust to the fact that, firstly, in cinemas we will mostly continue to see ukrainian cinema, which will be commercial, that is, it is not art cinema, it is cinema that will be aimed at making money, there is nothing wrong with that there is not, but there should be other films, and if our producers, who are engaged in author’s more... serious cinema, manage to find financing somewhere abroad, then we will also have something to perform at international

film festivals, but their number of such films will of course be to decrease, and this will affect the quality of our cultural diplomacy, unfortunately, because film festivals are not just screenings of films, it is an active communication of authors with the public, with directors, with all other people who come. at these film festivals, therefore, with cultural and film diplomacy, it is certain that for the next period we will have to say goodbye and direct all our hopes to the ukrainian institute, this is an institution that is under the ministry of foreign affairs and, probably, the only one that is really engaged in cultural diplomacy, although , too small money, and all money goes to completely different people. organization, that's all, friends, i wish you a nice, relaxing weekend and see you next week.

we are looking for 7-year-old anna abazina, who disappeared at the beginning of the full-scale war in the city of severodon. in luhansk region. the russians captured this settlement in the first days of the invasion. hanna was only 14 years old then. during all this time, there was no news about the girl, but i really hope that thanks to your concern, the child will be found. please look carefully at the photo and try to remember what hanna looks like. she has an oval face, straight dark hair and brown eyes. of course, the girl in this photo is much... younger than her 17 years, but i don't think that will prevent her from being recognized. if someone suddenly sees anna abazina, or at least knows something about her possible whereabouts, do not

hesitate and dial. from any mobile operator, the short number of the magnolia child tracing service is 11630. calls are free, if you suddenly cannot call, write to the chatbot of the child tracing service in telegram. i also want to remind that we are looking for six-year-old sashko hrytsenko. i have already told the story of this boy, also from the temporarily occupied territory of luhansk region, in previous programs: the child was abandoned by his mother, and now sashka is trying... to find his father, who is in an uncontrolled part of ukraine. we spoke with the man and now i will tell all the details of this frankly shocking story. his ex-wife asked for him, and i am looking for him, i want to take him under my wing. she left the house and then came back, but then she left again and i do not know the location of the common-law wife. so, when a full-scale

war began, little sashko lived. with her mother and her husband's grandmother in the city of lysychansk. this territory was occupied almost from the first days. at the beginning of last year, the child's mother left home and left sasha with his old great-grandmother. great-grandmother was with my grandmother. it was a long time ago, probably somewhere in the 23rd year for sure. this is the beginning of the 23rd year. i learned about it. maybe she threw it earlier on my grandmother who was willing to go up the mountain. she left the house. for a while the boy was taken care of by his great-grandmother, but soon the elderly woman died and the child was taken away by social services in the occupied territory. sasha was immediately taken out of lysichansky. all this happened about a year ago. the service came and took the child, after that i knew where he was, what he was, well, i relatively knew that he was there by hearsay, by anecdotes, that he was somewhere in alchevsk, then he was transferred to luhansk, and then already his location is unknown, so i

will look for him. is the child still in the temporarily occupied territory of luhansk region, or was the boy taken to russia? so far it has not been possible to find out the father? the man, of course , turned to the police, but so far there is no clue to find out where his six-year-old son is. my child, hrytsenko oleksandr oleksiiovych, please tell someone who has seen him, if someone can by some signs, she will be suitable, a boy, be a weasel, very much. i appeal to everyone who sees this video, especially to the residents of the occupied luhansk region. look carefully at the photo of sashko hrytsenko. the guy looks 6-7 years old, he is thin, on approximately 110-115 cm tall. he has straight light blond hair, an oval face and brown eyes. he is a very kind child, he is very drawn to people. if anything, what he liked was, well, playing there, well, like all

children. but this child has the status of cerebral palsy, he could not pronounce such formulations, words there, if there is any meaning. sashko has a medical diagnosis of cerebral palsy, which is why he cannot always formulate his thoughts clearly, but he is very sensitive and reaches out to people. if anyone has seen the boy or knows where he might be now, call magnolia's child tracing hotline immediately for. short number 11630. calls from all ukrainian mobile operators are free, if you suddenly cannot make a call, write to the child search service chatbot in telegram. we have created a resource through which you can report any crime against a child. in any city, at any time. just go to the site and report, and we will launch

all possible mechanisms of punishment with... news time on the espresso tv channel. in the studio kateryna shiropoyas works. at night, the air alert sounded in most regions of ukraine. in particular , a series of sounds, similar to explosions, sounded in the poltava community around one in the morning. the military was warned about the threat of ballistics. it was loud during the night near the white church in the kyiv region. there was a danger of an attack by the shaheds.