an award for simorgh blu-ray should be presented in the name of allah, rahman, raheem. greetings to

you, dear viewers of khabar channel , we are with you with the second episode of cinema 42 program from milad tower, tehran, the location of ahali media hall on the 4th and 2nd fajr film festival. stay with us. a short song from these words, the story of the movie majnoon sede , composed by majid tzamami, starring sajjad babaei , their presence in majnoon island, as the name suggests. it actually

covers a short period now. this is the voice of a rice farmer who has broken the limit of world war flights. yes! yes. martyred pilot ali akbar shiroudi. it was a good shot we beat this mercenary enemy. a prominent martyr whose story is narrated in the movie asman gharb. it was painful to see the servants of chimera's hot house by acting. unsaid things about major general of guards martyr ahmad kazemi in the first 18 hours of the bam earthquake in the movie ahmed, it is said that with the role played by tino salehi, parvin eitsami appeared in the movie miracle of parvin maral bani adam in the role of parvin eitsami, it

is a slice of the life of mrs. from the heart of a failure and liquidation, with the help of a number of shahinia and aliabdo , you built press police club, the first head coach of perspis team, someone for whom morals came before sports. slices of life the famous and well-known characters whose stories are reviewed in the films in chehl festival are the children of sed and sima news agency.

well, after watching the report that we saw and it was about real characters that are going to be introduced to us in the 4th and 2nd fajr film festival this year , we are at the service of mr. mohammad reza abbasian as our guest today, who is a member of the selection committee of the 4th fajr film festival. it's time to talk about different movies this year . also, especially about the heroic characters that we are going to see on the cinema screen this year mr. abbasian, hello , hello, have a good day, be healthy, thank you for coming to this conversation as a member of the selection committee for us . well, you observed the films you saw and finally selected. this year, nearly 70 films have reached the festival secretariat the selection committee managed to see these films and

among them 33 films made it to the festival , which is an important event to witness this year. and it seems to me that this situation existed last year as well , that is, iranian cinema has seen a growth in some of the plagues that were in the previous periods. it has been resolved. i think the most important thing is that we almost don't have apartment movies anymore. something that was criticized for years is that the movies all take place in an apartment. well, the films that were received this year, and especially the works that entered the festival , are in this position. at the same time, watching a story and a film, the audience is faced with a different and new geography, whether it is urban geography in some films

or actually geography as wide as our beloved country iran, that is, we have films that are set in the south of iran or in khuzestan region, whether in the coasts of the persian gulf or in chabahar, for example we have films produced in baluchistan, which were produced in the desert. we have films which were filmed in the green nature of the north. i think this is a very important event . another important event is the variety of genres . open cinema, social format, in fact , sit. it was thrown on the festival, that is, films that are dramas, which now have that plague of apartments, social issues have necessarily been limited to social dramas. this year, we have this variety again that we have comedy and comedy films in the festival

, good comedy and comedy films. we also have the holy defense movie but we also have social drama films , films that were historically in the past decades are also present in the festival , films that are actually the subject of the day, these are also in the festival, it seems to me that this rainbow our rainbow is good, while our cinema in terms of filmmaking seems to be growing like it has for years, this growth seems to have slowed down a bit, which means, i think that unfortunately some films are like a project that just had to be done. that precision and sensitivity that should exist for every good movie of yours look, if a good movie is made, we

have many examples of movies that have been produced in the past decades. a movie has a lot to say about the security genre like mr. behrouz ofgami's day of the devil. if it is shown , it will be a remarkable movie. and the viewer enjoys watching it, and it has words and messages, like ibrahim hatem's films , for example, you can see this from karkhtara even today, after a few decades, it can be interesting for you, but in general, our filmmaking is a bit sad. a certain amount, not all the movies, but a percentage. a significant number of films this film was only supposed to be made , that special attention that you have a golden opportunity to make a film that the audience may want to connect with for years, this does not exist in

the selected films this year . what do you think of these works? now, in any case, when they come, it is possible that this will happen. there is another point that i want to get to a very important issue that was also in your report, the discussion of hero. it is produced by the government. it seems to me that while our expectation should be that these films are made in the public sector with government money and are the product of the thinking of cultural managers , these films are only required from an office of a producer . it didn't come out of an organization called arija toil with several hundred employees in different departments. it was produced through this support. our

expectation is the viewer's expectation. yes, the results of the films that are making a peak for all three films in terms of content, they are especially valuable works, but unfortunately, we have institutions and organizations that i do not want from them. let me name some films that have been produced and released in them that do not meet your expectations at all, and there is a concern that there was actually a shortness in the production stage of these works . in my opinion, the most important thing is the most important factor. in the production of a movie, there is a movie in its name , which means that no matter how much time and money you spend to promote that product

, there will be a positive result. a very important point that, in my opinion , our cinema and our series, what are the series of sedah organization and sima, what series of our home shows are suffering from it? it is about the hero. the two heroes are actually branches and branches. one is the heroes who existed and were heroes, and we are making a movie about them. this is a very key and important issue in our history. unlike the owner of the cinema industry, which is hollywood and america, which has no heroes, our history is full of heroes, whether our heroes today or our contemporary heroes, heroes of the revolution and our sacred defense, or our national heroes, our poets, our culture. we , our authors and our national heroes

, are full of heroes. for years, we said that we are empty, yes, we are we have been saying for years that we have heroes, why don't we make a movie about these heroes? now , we regretfully have to say that sir , we should be very careful about the hero that exists and not allow anyone to make a movie about our heroes, by the way, right now. unfortunately, it has been the other way around, that is, we are looking at the weak works that are being made now . yes, we have very influential heroes that you just based on some archival image or two or three reports, the memory story that you saw and heard from these, a very beautiful mental image. and attractive, close to reality, we have movies about that hero we will see what is produced about these heroes.

in my opinion, this is a very important issue, the weaknesses mostly come back to the screenplay , in your opinion, or now the wrong look at it, which is perhaps the most important, in my opinion, the problem is with the screenplay, but from it is more important in the performance. the second part , which is rarely seen in my opinion, is that it means the story-telling work of cinema. the story must be told. cinema is a visual story-teller. the story-telling work is the creation of the hero . in general, we create the hero. you can see it in hollywood movies. who owns this anyway? they are an industry and we can discuss about their content , but they are definitely ahead of us in terms of technique and they are very successful, and we have to study and learn, and that technique is technique, both in terms of its technical parts and in terms of its dramatic parts. from the creation of the character in the script to the portrayal

of him in the film, you see that america has no real hero, rambo and rocky become a hero, his background as a hero is that he was in the vietnam war, the vietnam war was not a war of heroism, it was an act of aggression. famous filmmakers to ordinary filmmakers, but in big studios. a person in a situation becomes a savior in a challenge and solves this problem . he must have hinted that this hero of the iraqi war. this is the hero of the afghan war. this is the former officer of c. aya. iraq, the war in iraq was a crime and violation. the american who came from america and fought in iraq committed crimes and violations. in afghanistan. likewise, agents of the siam organization. their duty is known. we clearly know that they are not only heroes but also criminals.

he comes and introduces him as a hero in his cinema . unfortunately, we are in our movies and series we really miss this second hero. thank you, we would like to take a chance from the broadcast , if it is ready, to see a report about the films that will be shown in milad tower on the second day of the festival. come, take this in front of you . attempts to identify a dose in the family by placing a seven-year-old boy named atta and the prophecies of a movie story in the summer of the same year. this is mahmoud kalari's third work as a director, produced by ali oji. another bodyless movie is the second day of the festival palace he dealt with one of the criminal cases of the 90s.

this film directed by morteza alizadeh and produced by seyed mustafa ahmadi is one of the first films of the festival. flight 175 is a cinematic narration of the sad story of the mother of a missing martyr who finds her son's ring after 40 years. this work , directed by mohammad hossein hekhit , is one of the first films of this year's festival. produced by saeed sharfi, kia flight 175, in my opinion, if we want to count one of its most important features, it is my concern for the issues that arose after the war for people who left a part of themselves in the war. a mother who left her child, a sister who left her brother, and children who left their father, and their friends, their classmates, the person

they studied with, were by their side, playing together , growing up together. the movie bloody crocodile is also the story of a person who has lost everything in his life but still takes risks in his life. this film is javad ezzati's first experience as a director, produced by kamran hejazi. among the works of the second day of the festival in media cinema , there are three works from the first film. mahsa khavari of sed and sima news agency. okay, back to our conversation with mr. abbasian. continuing, mr. abbasian , apart from being a member of the selection committee , you were also the secretary of faj film festival this year and in previous years . in other words, as it should be and perhaps not heated, the opinions about the films were diverse and different, how was it in the selection committee

, was there a consensus or the opposite about some of the works that were supposed to be selected. first of all, regarding the festival, which seems to me to be crowded enough like every year , i was just watching the news yesterday. which was very good, a number of films are highlighted and you can see if there is a film that has a good cast or a famous director, and before the festival there is an expectation that these films will actually be liked by people

. a press conference was held an hour ago. and with all the factors , the fact that the movie majnoon is almost ready , it really seems to me that it is a brilliant documentary by mehdi shahmohammadi, who i don't think even has a short story history . it will be one of the phenomena of this year. the movie majnoon is about martyr zainuddin i think it is a very good movie there is always excitement in the discussion of the selection board. in fact, there is a serious challenge . in the case of some films , we unanimously watch the film at the same time as we have it. before summarizing, we really all agree that yes, this is a good film . we see that at the end of the movie, everyone comes to the conclusion that, well, this shouldn't be the case, but the

final conclusion is how many movies are included. in fact , simorgh's voice should be direct this year. well, according to the bylaws , we have the new look section again, that is, the filmmakers section was removed for the first few years, which seems to be i was wrong. i saw somewhere that you praised the strength of the first film. yes, they always promise all these years that we have good first-time filmmakers. no , it's really true. it means that our first films are good films. every year has its own reasons , young filmmaker. it is motivated, energetic, and the first film is the first film. i always say that there are seven, eight, and 10 years of decoupage behind this film, which means that this director has been thinking about this first film since the day i dreamed of becoming a director. we have many filmmakers who have a good first film and not a good second film the existence of good first films does not mean that we

are going to add the same number of first-class and brilliant filmmakers to our cinema. 11 films were selected for the new look section. 12 films were announced. of these , 3 or 4 films will be added to the sodai section every year. simorgh should also find a way, this is actually yes, it is the bylaws of the festival, it is also the routine of the festival every year , this is a challenging part, a sideline, and these days, in my opinion, it is an unprofessional job. you accept to attend a meeting . you must respect the rules there in fact, we have to respect the decisions that are made there. the new look section of five films was even added this year, in fact, the souda simogh film was added, which

are all very good and top -notch films. in fact , the selection board has a challenge with the secretary and the secretariat of the festival regarding the presence of some films in both sections. it was very serious and challenging, but in the end , persuasion takes place and everyone reaches a conclusion . what i have in mind is that all the movies in fact, with the majority vote of the selection board , he made his way to different departments, because we are reaching the end of the program now. my next question is about the comedy or comedy movies that were added this year to the soda section of simorgh, and now look at the first movies. this

has a connection with the sale of comedies in cinemas in the past few months , mr. abbasian, see, no, in fact, no rule was imposed on us, and there was no decision in the selection board to choose this number of films. enter the genre into the festival, this number from here, not really all the films based on the door in fact, their own character and their ability to be present, this is the first point, the second point of the discussion, in fact, the high sales of movies is a detailed issue outside of our discussion today, is this an honor at all, and this is a very brilliant event that we, for example, more than 60 percent 70 80 our sales and more than 90% of our screenings in cinemas are reserved for some films, which means that if we are going to do cultural design , this happens all over the world, for a movie that

is supposed to be informative, we should also give it a chance. there is a detailed discussion from where i got that we had less comedy movies in dar ain in the past years while even the comedy movie can be informative that we have had all these years that you find in the chance that a large amount of audience is attracted. see your works , moral teachings, general teachings, respect for parents , i am saying many obvious things, in fact, protecting the environment, dealing with littering in the street, these are the same things, i am not saying moral axioms, cultural strategic issues, these can be in the form of these works. the popular comedy culture should be transferred to our viewers, for example, because until now , we were very reluctant about the content of the films. we shouldn't talk because we had a condition as 7 people, only the film selection committee, but for example , the same movie tessa bloody that was shown today , one by one, actually has an informative speech

and a cultural burden that you can't get rich overnight, that's it. the message that a movie has in its atmosphere of humor and comedy conveys a very informative topic to its audience. i think it is valuable. if we follow these points in the design of the screenplay, our cinema will grow much better, god willing, thank you, mr. abbasian. thank you for coming to this conversation, audience and companions of the cinema 2 program, god willing, we will be with you from milad tower in the coming days.

a simorgh blu-ray award is presented to the best gentleman.

the home of the rescue team and the medical team of tantshal shahida, i targeted the house of the abu fayyad family in al-makhim al-jadid, west of nusirat. this is the targeting of the israeli occupation fighters for the house with missiles, the aim of destroying al-sar al-damar al-kabir, where the house is completely destroyed, and the civil defense system is working to reach the martyrs and the casualties are under the amount of this house.

the rescue team is looking for his martyrs who are injured under the pedals alia abu fayyad's house and listen to my gunfire , isolation helicopters in the northern western regions , the nest of sirat , special sale of air conditioners in a large iranian house with

exceptional conditions. the sale of apartments has started without cash , payment without guarantor , buy it this year, pay next year , a gas cooler for every iranian, in the big iranian house . and now, happiness and joy, and health

in tehran, isfahan and sari , in the name of allah, the most merciful, the most merciful. hello , you will accompany us to the news section at 5:00 p.m., said the minister of foreign affairs. no party can impose its political plan on palestine. mr. amir abdullahian emphasized in a separate telephone conversation with senior officials of hamas and palestinian islamic jihad that only the palestinian nation has the right to decide the fate of its land. mr. haniyeh, the head of hamas's political office , said in this telephone conversation: political initiatives are only conditional on realizing the interests of the palestinian nation. secretary-general.