hello, dear viewers of the phil majlis program , what are you doing? he said, i am creating a slogan for the merchants of the majlis in the world . do not vote.

special sale of carpets with an attractive plan

to replace old carpets with new ones in the iranian grand palace . selling in pieces without cash payment without guarantor in the iranian grand palace. a new carpet for every iranian in the iranian grand palace. looking for a good opportunity to buy carpets, all heavenly carpets at the factory price. now is the time. unrepeatable discount during the great sale of beheshti carpets from 5th of february to 5th of march. sir , i'm sorry, sir, do you know where his city and the city of home appliances are? you start again and you go straight to the 5th kilometer of the special road, where you reach a big sign in front of tehran. the city of faju is the city of household appliances

. i mean, i'm asking if i'm unemployed. i'll stop here and take the sign. what are you doing? let's give directions . let's see where the address is. you trust what you say on the phone , why are you giving the wrong address here, when it was not home to the city of farsh, the city of lavazar, pay attention to the destination, city of farsh and city of home appliances, after azadi square, facing tehran.

in the name of god, the most merciful, the most merciful, i would like to greet you, dear viewers of the khabar channel , on the 14th day of bahman, from milad tower, tehran's ahali media hall , on the occasion of the 4th and 2nd fajr international film festival . and we are mr. majid zain al-abidin

about the collection of works from this film foundation this year , they are present at the 4th and 2nd fajr international film festival, and they are in different sections. let's talk . mr. zain al-abidin. hello, greetings and courtesy to you, dear viewers, and all colleagues . thank you for coming to this discussion at the farabi foundation this year. it seems that de separ is present at the fajr film festival with various works that are in different genres . please tell us more about their number and genres . thank you very much for the opportunity you created to actually be at the festival. iranian cinema in the fajr decade is actually a manifestation of the ability of iranian cinematographers to be able to actually reflect to our good people , and after all, this festival is an international festival , observers who are actually paying attention to the celebration of iranian cinema and the fajr international film festival know

and can get to know more about the capabilities of iranian cinema, we at the farabi cinema foundation this year, we had a policy of facilitating and watering down the productions, and based on this policy , we thought that maximum cooperation and support would be given to the productions that we are actually obliged to help in terms of content and content, or cinematographers who are not able to produce films independently. being in need of in fact, let's do it with this policy of support and education, which is actually a symbol of the expansion of the government's support and sovereignty over cinema, and it is considered to support the artists of this field. fortunately , there are 12 films in the final list of fajr film festival. we hope that each of these films

will find their own role and place in the history of iranian cinema. inshallah, these 12 works, as i have already heard , are correct from among the 17 works that have been sent. yes, naturally, the number of works we started was 17 works this year, but the structure of fajr festival it is a structure that the selection board sees other works as well, while in fact all filmmakers have the right to participate in the festival , that's why our final 12 works were liked by the selection board and were selected. okay , let's talk about these works in more detail. on what basis did you decide to support these scripts? now take over these scripts in some way. the film foundation will make these choices, criteria, priorities, maybe i should say on what basis .

institutions involved in the production of motion pictures they take different policies, our main strategic policy is as i said. supporting and accelerating production, this was actually our general policy, but we were thinking about several issues in the discussion of the theme, and based on a system of multifaceted issues, we actually decided to support these productions, one of the issues that we think it is one of the duties of the faraway cinema foundation with a 40-year history. this year is 1402. the faraway cinema foundation was founded in 1362 and it has been 40 years. year at the farabi cinema foundation to serve iranian cinema, thank you, in fact, the nostalgic part , what is actually the fash film festival, the same

farabi cinema foundation was held for many people from there, yes, yes, i apologize to you, apart from that discussion of the umbrella over all iranian cinemas, naturally, the goals we also had another side that was under this main goal, one of which was that we thought that filmmakers from different generations should have the possibility to produce in the cinema . from the generation of yes from our generation of cinematographers are ahead of us . those who actually have their first film this year are making films both in the field of directing and in the field of production. therefore, one of the issues is attention to the dispersion and extent of cinema's human capital. the second issue is cultural justice, which

is the strategic policy of the people's government. to make this possible, in addition to using the different human capital of different generations , to be able to produce films in different climates of our country. produced in sistan baluchistan, both with human capital, actually native to the region, and with a story native to the region, we have a film in the region of azerbaijan , east azerbaijan, we have a filmmaker who is a story from tabriz and a film made from tabriz, a first film worked. yes, a first film worked. cinematography in khalkhal, gilan, neishabor, mashhad and tehran, and because of the fact that we can see all regions of iran in the works, this is a second policy. diversity is actually an issue of our third policy, that in

fact, the farabi foundation's product portfolio is a one-sex portfolio. don't worry about the different needs of people in cinemas we have a family movie and a comedy this year. in fact , we have a movie with the discourse of the islamic revolution. of course, in my opinion, all our films are under the discourse of the islamic revolution. it is placed and we cannot interpret a film outside of this field . we have a film in the field of sacred defense . the movie of the media will be screened in the field of islamic resistance, and we have a film about women after the revolution napida by mrs. ansi shahsini, who

is the only female filmmaker of this year's festival, and for this reason , we thought that as our next policy , we should have thematic variety in our portfolio of productions and the maximum taste of the people . we are not entering the production field. you also apparently have a film about the karbala event . yes, it is true. now we have a large number of films in contemporary history with three different topics in the field of contemporary history. in milad tower of akran on the one hand, the issue actually goes back to the issue of imam khomeini's movement, may god's mercy be upon him, and the uprising of 15 khordad and the martyrs, in fact, this history-making event, which

owes its existence to our islamic revolution, is also in the field of contemporary history, the film paradise of criminals by mr. jafari. jozani is related to the field of oil nationalization in the 30s. parveen's film is actually a film in the field of poetry and poetry, but it is a contemporary figure in contemporary history. we were not limited to contemporary history. this year we thought that we should be able to do something in the history of islam. the ahl al-bayt caravan and the stories that actually happen from kufa to sham, of course , the author's take on the story is based on the narrations of the film "history of islam", but mr. dariush yari is the producer, writer and director, and after many years, we have a film with the theme of events. we have ashura in the festival, which

seems to me to be a good variety of topics and themes. well, now that we have talked about the movies that are actually in milad tower today, which includes the morning of the execution , let's see a report about what will be shown today in the four times. movies have been and will be released here a film with black images and. and with the cinematic narration of the character and life of martyr tayyab haj rezaei and ismail rezaei after the incident of 15 khordad 1942, which was depicted in the movie sobbeh of execution, directed by behrooz afkhami and produced by ali shir mohammadi , digital tools are much easier than old filmmaking. because there were not many locations, the work was very smooth and easy to progress. the death of the father

of a family and the events of the problems after that is the story of the film shahresavared. in your life, one wants to just look and learn. god is right. a movie in the social comedy genre directed by hossein namazi and produced by saeed atayan shama. usually, we have not seen a comedy movie that, for example , has a romantic moment in the door, in terms of extravagance , or an affecting moment, for example, the audience cries because it is something that is very serious from the beginning. you don't get it, and this is a very difficult task . in this kind of film, in this film, this is the way it is. the events and incidents of the last few years in syria and the axis of resistance made the heart of raqqa. and produced by saeed parvini

, one of the first films of the fajr festival is der del yak there is a war in the heart of a violence in the heart of a crime , there is a love affair breakfast with giraffes is another film on the third day of the screening of the works at the festival house maryam come come this movie is directed by soroush sahet and produced by seyed mustafa ahmadi in the genre of humor in the sodai section. simorgh will attend the 4th and second fajr film festival. the 4th fajr film festival will host the fans until the 22nd of bahman. we continue with mr. zain al-abidin, mr. zain al-abidin if we want

to talk about the quality of the works that are present in the fajr festival in the name of the farabi cinema foundation, with any percentage of financial support , what do you have a look at these few works , probably if some are stronger or not ? talk about the cooperation you had with other institutions. yes, you see , it is naturally very rational that if someone enters the production process , he must think about quality. i want to make a movie. but should i make a bad movie or a bad movie? i want to create quality, and everyone's motivation and will are in the same direction, but when a number of films are produced, which are now called a basket of products in the cinema , suppose that in one year, 100 films will be produced, which this year, more than 10,112 films will be registered in the festival. and a foundation like farabi, when

he starts working on 17 films together, naturally, the level of these films is different, but in reality. the experience of our filmmakers is definitely different . for example, mr. jozani, who made iranian cinema 75 years ago , can't be compared empirically with a filmmaker of his first film, but everyone friends, what is the argument that olya 's movies are sometimes actually better than the ones in the actual movie , they are all in the production of quality production, faraway also supports the participation. in any case, in cultural governance, we are trying to produce cinematographic films, which means that our first look is not the box office and the market

. . today's cinema is not familiar with the world's cinema structures like germany , france, america, let's go and study there too in fact, institutions and organizations that represent the cultural sovereignty help to produce some films that are not actually supported by the box office, because if in fact we only want to produce something , then iranian cinema will become a barbarian cinema, and there will definitely be damage and khosran will have so foundation. in addition to the strategies that i told you in the previous section, faraway started producing films with the view of cultural governance. the films are of good quality, it is implied that in terms of quantity , there is also a large flow behind the production of these films. see the film asman gharb , with more than 700 people behind it. the scene of this movie may be in

in fact , it is one of the biggest films of iranian cinema in recent years, and this actually boosts the production cycle and the ecosystem of the cinema . therefore, we also have low quality and quantity . production will definitely be the next step. quality , when in fact the quantity of the cinema's concerns, which are actually minimal, are solved. naturally, after those concerns, they will focus on quality. during the period when we were in my tv, we were the director of the tv, and we had the same policy that the antenna was empty of production. don't use the excuse that we don't actually produce now one day we will reach our idea. in fact, when works are produced, people like them, that is, human beings. farmangrah has this characteristic that he must have expected that it would be of a higher quality. yes , i said it mostly because some experts and media people

have seen some films in the past few days , not necessarily the films belonging to farabi, for example, i believed that some subjects in other words, it was wasted , even though the character and subject were good, but there was no script, or the script was weak, or the performance did not work, that's why i asked about your films. it means role model and hero character for the generation we are present. in order for the film to have its historical place, see that these films are in the festival today and will be at the box office next year. after a year, these will become the films of the history

of iranian cinema, and yes, at that time , these are actually short films. it is not necessary to think about his awards during the 10 days of the festival, then we should think about his historical work in iranian cinema . it is not the mid-term box office, but the long-term view of what will happen in the history of iranian cinema just this year, we have three films, which are so -called biographical genres in the production genre of iranian cinema, and we presented three characters who can be equal role models . the movie sobh introduces the execution of two martyrs of the 15 khordad movement, it shows how tayyab hajrezaei changed and how he stood at the feet of the imam

and how he said, "i have never seen him and become a buyer of mr. ruhollah ." well, today's generation should be familiar with these words, and the movie parvinam is the character of a contemporary woman. so it is a part of our films it works like this and i think it works. you made a good point, now with this introduction , let's go see a report, especially about the character that we will see this year in the movie morning of execution at the fajr film festival, exactly 60 years ago, a 62-year-old man faced the execution squad. a few years before that scene, when he was much younger, he had relations with the pahlavi court , tayyeb had given him a crown , he had opened a special account for him, especially after the birth of the crown prince in a

hospital in the south of the city, or for example, on the morning of august 28, when they would go with him. the streets from to empty the republic, of course, he did not come to the square until the afternoon, his name was tayeb, tayeb haj rezaei javani. he was a hot-tempered brawler and had tasted the cool water of the prison several times . he became the owner of a shop and his business flourished.