we do not agree that you are higher than any low or higher today, wherever we are, fran. in the name of allah, the most merciful, the most merciful. greetings and have a good time. dear viewers, thank you for choosing the above program to watch. today , the topic of the above program is a cinema issue. well , according to the statistics, last year, the year 1402, was actually a good year for the sale of cinema in the country. according to the statements of the minister of culture and

islamic guidance in the last meeting of the government council last year in 1402, about 28 million iranians went to the cinema , which resulted in the sale of 1300 billion for the films that were shown the previous year and about 900 cinemas were active last year and hosted the audience of this art, but in this field there is now a point of view. some believe that the sale of movies, especially comedy movies, is a disadvantage in iranian cinema and it can turn this art into an industry. push it and it is the first step to transform the art of cinema into an industry. some people believe that the sale of these films may lower the taste of our audience and the position of other types of cinema, including social cinema or cinema of thought.

reduce the width among the films that have been shown. today, we will discuss this issue with the presence of two cinema workers. we will sit down and examine this proposal whether it is harmful to support popular cinema or not. please accompany us. we are at your service with the topic of supporting popular cinema. farhab bakhsh, the producer and director of the cinema, and mr. babak khawaj pasha , the director and screenwriter of the cinema, discussed with mr. farbash in terms of his age, mr. hajeh , let us start with mr. farbakht. iran is active, it is the telling history of cinema after they are our revolution, mr. farabash, basically, i want to ask if the sale of comedy films now, especially in the last year and this boom, which is responsible anyway.

our culture is being mentioned. in your opinion , is it a virtue for our cinema or not? in the name of allah , the most merciful, i salute you. dear viewers , your excellency, our dear friend and all colleagues who are behind the scenes and work hard, why did you make us old men first? but iran doesn't have it . let it be said to you that this requires an introduction . look at your statement and your question. you say a glass, a glass of water , a glass, for example, i can't call it at this time. livan chih cinema has come into existence in the west, especially in america, the main thing is that when you want to pray, you first say bismillah , rahman, rahiman, the first thing that cinema says is that the audience should watch the movie. if you make the most brilliant movie in human history, don't watch it all. it has no value then this.

to make people pessimistic about cinema, mr. tu is the movie he sells. say there is a problem , it is the pride of a movie that sells, and in my opinion , i don't want to tell everyone that most of the people who have a problem with blockbuster movies have some kind of illness , or for example, there is a problem, or they are ignorant, if in fact i want to sell it, which is not a problem, why is he saying the same thing now, sir, why is he selling this movie, if this cinema doesn't sell, how can mes eshgh and bibi go and sell it, well, this is not a family , we have made dozens of other movies, we have made all the social movies. we sold

, people are feeling better with this situation in the world, not us, we have some of our internal situation is affected by the situation of the whole world, that is, for example , he went to canada, he says, sir, i want to return from the economic situation. you know, he can't do anything . look, it's better here, sadr ahmed, here is one of them these friends recently went to algeria for arbitration. he said, "i want to run away for a week , i want to run away from here, come to my own country, we don't appreciate it here, that is, when we put our paws outside, we realize that i strongly agree with this policy, i disagree with many policies of the ministry of guidance , but even though this the motivation was created in them and

they really helped and sold these films and also helped in the release, which means other than allowing these to be made, these comedy films are especially helpful . points to these movies it was given and all this, for example, now two films were released from a director at the same time, then some remained behind the screen and still after a long time , for example, 6 months, a film is on the screen. does n't this actually cause our audience's need in this direction? go to the cinema again. now i don't value whether it's good or bad. first of all, irshad didn't teach anyone. this is what those who don't release their films do. ershad only did what he did because it was a regulation, for example, after 10 weeks, 14 weeks before the movies , yes, now they don't stop it, that means nothing. ershad didn't say, sir, look at his sample film , for example, you can see the first decade of muharram , mr. sohrabi took comedy movies, sir, cinema sales

went up by 1000 percent after the imam week, which he put up, went up, well, people were showing non-madeh akram movies, i didn't have a holiday anymore. even during the time of mourning, there was a movie called komdeh ikram, which has nothing wrong with it. i like it . it's not like it's a matter of taste. i have a memory to tell you. it was from 136. there was a movie called "let them live " by the late mr. shapour gharib, mr. mehdi hashemi. the evil officials of that time were playing 10 60 jim had given him this movie on the first day of release until the last day of 21 days . without advertising, the cinema was full from morning to night. the movie was a melodrama. yes, but because with thirty writers , there was one person who thought that the whole was a terrorist. the cinema turned to this wind and we sat here, mr. dr. beheshti, what happened that made no one go to see that movie, 7 people go to the cinema, but let's live their lives

, they watch it from morning to night, so it's an insult to the audience that we say, sir we are protesting on quds day, the people of israel are speaking on stage. people here are happy they understand there, they don't understand, no, people are very smart , people are smarter than people like me and the filmmakers who read tasher, so it is a useful thing that the ministry of education allows these films to go and sell them, and people , there is nothing wrong with having two directors at the same time. it has nothing to do with irshad, cinema and cinema have nothing to do with irshad, the union council, someone goes there to record their film, they are reluctant if someone can't or look for their work , we have nothing to do with irshad. in any case , if a name is mentioned, the right of defense is for this dear sirs, with your permission , don't curse the umayyads of rome, we

have the right, mr. khaj, to ask for your opinion on this matter. the value of the book is another thing. these two people are two subjects in the same group. but because we want to support book publishing, we cannot support printing houses and say, well , every book must be produced now. here , i will return to another discussion on the topic of persian film, which was also said by the respected teacher. in the persian discussion film category like morality, like the lack of characterization and character, and drama in its own high sense, because it didn't exist, maybe it would be criticized from the point of view of some people

, that is, a movie that had an identity that also has an identitylessness, not in all the movies of the 405s, good movies. it is in that decade. which can be supported and in the speech , you can see the indicators that we bring for the persian film, and in my opinion, they are the indicators that are moving against the cinema itself. currently, our best-selling cinema is a cinema that has fallen short of its own artistic rules. a good, best-selling movie is a valuable movie. definitely, cinema is not an expensive art at all. without sales, it is not possible to grow , it is not possible to survive, it must have sales, but at what price do we want to sell, at what price do we want to keep our publishers. in the field of books, we are dealing with books that are left on the shelves or some officials order them on their own. you have seen

that we go to some offices, there is a corner full of books, and only a few publishers want to survive, but the books have no value and will disappear in a short period of time. cinema has a history and is a guest in the movies that rock our box office. which movie has lasting credibility? we face his concerns and this character is placed in a situation. and hamzad imagines that our audience will join the story with him, make bags

, laugh, and probably the audience will be punished and influenced by him. take a journey and be in a process, and now, yes, you are in a situation. is this the interpretation of something other than betrayal ? define infidelity from a moral and human point of view . what does it mean when a man cheats on his wife? together getting married, betraying a friend to his friend is a word of betrayal, it has its own meaning. look, betrayal, if i do something, i don't encourage anyone to do it . you should say this from the point of view of sharia and law, because this is a personal thing that

happens in the situation where the betrayal happens. it exalts art. i say that betrayal . this is the betrayal of this glass of water that i say. this is totally wrong. if you are right, i say that the betrayals of those betrayals are allowed. why are they allowed? because if tell me if there is a movie, i haven't seen it. if i watch all the movies, a man will choose his second wife cheating should be the first wife, where did he say this? look, in our religion, in our morals, in our city, in the conditions where love is flowing, betrayals are happening. look, i

don't approve of this at all. anyone, let me see. when i say it myself, if someone takes more than one wife , he should sleep on the side of the street at night, which i accept. i don't have it , so please allow me to do this, why is the word betrayal something that the holy city knew and could not do anything wrong

for me? yes, right here in st. petersburg , lily is with me until now, sir. sir, you have made 2,500 films, four of them are very good. because of our weakness in the structure of our drama after all. i want to say that when we do something superficial , it's enough for the story and this in the process of the formation of the film, the audience

thinks it's a sibling, likes it , goes along with it, and likes it. in the end, the result that you see to the audience is the result that, sir, this is a superficial act or immoral or anything else was right , go ahead and laugh, in which movie did he do this and at the end he said this? this address you have gives me, the hotel is not mine, it belongs to someone else, by the way, the hotel is at the end he says that it is all misery and

among the many comedies that have been made , they are funny. why do people laugh ? they like them. you can make everyone laugh by telling jokes in your family . it is a good criterion for us to go, whatever. people , friends, at all, 100 at all, look, even though people like what he says, they keep four movies like rent, which is the movie that he

said, i like all of them. like me, i made it one of the first post-revolution comedies. that mr. abdi entered the cinema with him at all. yes , you are paying attention. i made this comedy, stranger, i made it a comedy. the comedy of mr. abdi and mr. mehdi ashmi was a social comedy at that time. look at this example that he gives. because we were all before the revolution and after the revolution. it was because we were excited, otherwise we are the same age as him, i am younger than you , because of your smallness and the smallness of the people of iran.

today, even though the cinematography industry has been around for 8 years since 1990 , we do not have the social security of the society, which is the responsibility of the government.

it is if this theater is successful , if the movie "rental" is released, then the movie "saint petersbor " is in it. by the way, mr. ofgami was in my office every day. he said to the first grader of your elementary school , come on, do something for him, tell him to read the shahnameh , he doesn't understand what it is at all, even if you read it, he doesn't understand, you have to give him water to understand what it is . in prison , there is no entertainment at all. well, if i want to say, i say because have fun watching the gentlemen who came in 6th year, mr. beheshti anwar and that iranian cinema group , and laid the foundation for the post-revolution before mr. kalhor and these, it was wonderful to be a spectator in those first two years, they took the cinema to a direction

that was entertainment. and the hero went out. now , one of their characteristics was that i was forbidden to work with people before the revolution. what was in your pad? mr. hashempour , it was not because they did not want entertainment or, as mohammad salehla says, that their films should be made.

even though the supreme leader of the revolution saw the same movie it was mentioned in the footnotes that this movie should be allowed, mr. hashmi's memoirs, this is what has been stated in other places, like malik , who have seen the artists themselves, met the artists , it was broadcast on tv, it is a very good movie, how many people are in front of this movie. even though the movie is breathless in your words, this is the same duality that our art officials have, the attitude of our art officials , look at it as you see it, he didn't make 10, 60 films. unfortunately, these evil and evil rulers of the house stopping the cinema in front of it and not letting this happen , sorry for the swindlers who eat 10 rents and end up not having this social cinema , see the sim festival. the best and most social films in the history of this 42 three-year festival in siamae festival, browse and see what films are in it

. i know my rights, i am a follower of my ahl al-bayt school , i am not a follower of anyone, it is clear that we all have a red line, the red line is our belief, the ahl al-bayt is a political red line.

there is a leader, the officials, we are part of them, the investors , most of the movie directors are more concerned about entering different genres, you can enter into different genres in comedy , you can enter into horror comedy, you can enter into historical comedy and different genres. let's do the same movies that we mention, comedy, drama, that is, there is character, there is life, there is life, there is influence. there are movies that are currently bestsellers, not all of them , there are one or two very good ones, one of them has not been released that i have seen. it is a wonderful movie.

the script is grotesque, not at all in a comedy , put it now, because it is advertised, not advertised, what's wrong with it, it's a movie, the tv is in the service of cinema zar , i saw the movie, it's a good movie, i saw it, it's good, javad ezzati's movie is good, i think it's a good movie, i finally saw it , it's very good. and it fills the box office with happiness, and nothing but capital money has respect for him, this lowers the status of his own art. my order is this escape , this is your order. also, you can see us in our history in the display of the houzi board during the era of naser al-din shah. and so on, we have artists whose

work is funny. and bring happiness and this is full they love being a fan, but in the historical process of comedy and humor in our country, the art of comedy has grown in the world. chaplin comes to entertain at first, buster keaton comes to entertain , but after a process he realizes that i am influential in comedy. and people see me , i have a moral duty to make a great dictator, i have to fight and fight. buster keaton understands that i have a duty . sir, you see the works of mr. robin williams . it affects your family . do you have family comedies? the family is forced to go see comedy because there is nothing else to buy, especially melodrama in melodrama because the private sector does not enter and they only make it with government subsidies and organizations and many more.

when a child watches this movie with his family , there is no positive effect. the task of art is in its own right. i am not saying that it should do what social melodrama does. there is a reason why this comedy is selling now because of cinema. the tragedy that affected our cinema for 10 years. i am afraid to go to a movie that only had misery in it i think social melodrama is just full of misery , the hero either burns or dies or is an addict or the wife is unfortunate or is getting divorced and all melodrama that we can make adventurous family melodrama , the family that gets lost in the war , make a scary family in different genres now. now a historical film has been made, why is it selling? our people love

these topics, they love poetry. they are literary people and they go to see it. in my opinion, if a comedy is to be made , which i accept, it is a valuable genre. we have two genres in our genre: comedy, drama, comedy is a part of cinema, 50 % of cinema, but comedy should be made properly. i'm sorry for your presence. your words are not irrelevant statements, but i disagree with them. why do i disagree? you actually have a cinema that brings joy to people. what is the price of a good laugh, if you remember , a ticket for 10,000 tomans? no, my dear, look, you once lived in a government where morality does not rule

, there are no rules. these movies are being rejected. that is major these people who sit in the guidance council , the high-ranking directors of television, are not ordinary people , the rest are people who have the same culture, they are people who, anyway, the heads of the system and the big people of the system have approved this, so you should know, so this is not a comedy . if you don't see anything in the video or comedy that can be confirmed, you are bound to laugh. not to do evil, no, i have to do more than that . as an artist, my duty is not to do it that way. see, the order of religion is that i should not do anything against the city. so no, let me, no, it's not like this. look , if the artist doesn't make these comedy films, the audience will not come to the cinema and you will be told that

i will come out. remember that spirit of hope and remember at what point in time, it doesn't count. no, why is football like this at all? look, if the opposing team plays, he will be sad. no, i'm not saying that you broadcast football in the cinema, which mostly comes to the audience, not the audience, not the audience . shut down the movie about football. let the movie go to the cinema. we don't want a movie theater. we 're not talking about a movie theater. it 's not the cinema hall where people want you to talk to people what they say