the qualities are actually confusing or can actually be tasteful. in fact, we want the approvals to happen, the orders to happen, and these productions are not necessarily high-quality productions , so that an iranian child would be happy that he is watching an iranian animation, a family would be happy and willingly let the iranian animation air. what are they doing in the world to solve this problem, because i am, for example, 40 years old, i am 30 years old and i am the manager of a museum collection. we are ordering. well, i

have one taste, one interest, and one i may like animations, but i may not be able to produce according to the mentality of an iranian child. what must happen is that this industry must be connected to the market , that is, what the audience chooses must be produced. well, this is very complicated. you should be the government and allow the producers to have an active presence in the market . this is how i criticize seza siman organization of seba center when he orders production, his hands are tied. when he orders production, he cannot release the rights to go to the producer and produce his commercial products, go

to produce his movie, go to the series. it is true that the financial turnover itself is not very high , but the by-products and actually the flying character that happens are very valuable . the example i want to give you is the disney company, which has a large number of companies , is actually considered a holding company. in 2022, he announced that he had 82 billion dollars in revenue from 82 billion dollars about 10% of his sales are vidava, which means 90% of his income is related to that video, but there are other products, such as theme parks , side products , merchandise, etc. it must be the private sector. and the economy, these two should

be tied together to create an ecosystem. if we always want our input to be order input and not to create a cycle from that side, a system and a vicious cycle will definitely be created. i will summarize your words or something. that is what i received in any case, there is talent, there is capacity, there is also technical ability, but in the middle , there is funding and money, so i'm sorry, i 'm talking too much, look at funding.

this is a problem in itself, if you ask me now , tell me that if you now, this scale is also good so that your loved ones at home know that, for example , if a movie animation is produced in iran for, for example, half a million dollars, it is a million dollars, with all its aspects and its foreign dubbing. in disneyworks, for example , big companies pay 150 million dollars, which means 150 times, but if you tell me now , i will give you 150 million dollars, can you produce the work? i say no. why? because there is something more than this number in human resources that we don't have, it means that when a company in iran wants to actually produce an expensive and high-quality product , it will find the problem of finding an expert human source, which is the infrastructure that now has morals. there is also a profession that takes a long time to create, that infrastructure takes years to actually become an infrastructure that can be fruitful. yes, mrs. doctor

, what plans does mr. hamdani have for these problems? it was a very accurate reference. we are talking when we are talking, it is not a direct order, whether it is this institution or any other institution, it is not supposed to be a mere client for a land where there is no one to work on. and understanding the need for space is an important issue, so when we say that we have the duty to increase 7300 hours, it means the whole cycle and process that can help the private sector. do the work, no institution can come and say that i will leave money on the table and let this happen during these 5 years, we have to teach the subject. helping the studios and companies that are doing this, attracting the attention of young people who can come and work in this field and

stay in this field, and when you ask them what they do, in what field are you active in i work in the field of animation at the same time as the legal subjects of our subjects. or the conditions should be provided so that if someone wants to work in this field , the national animation foundation will not be the producer. it is definitely a matter of management of this discussion of regulation and supervision that i mentioned. he says, show him how do you want to ensure the orders that you say are at the level of models and samples? an important thing has happened in the ministry of culture and islamic guidance , what does this help us to see the national animation foundation as a non-private and non-governmental organization? we will not be like many other institutions that only have to wait for the budget, god willing.

the amount of funds that the government can provide is used as initial capital, as something that can be used to start up , and this. an institution that is seen as independent helps along with private collections to be able to value itself create and create wealth. we need to think about the world of stories and the world of ideas instead of thinking about single products . in addition to every product that you see today, there can be 52 other products, and if such a foundation goes to this space and can operate in the space of investment in the space of market creation and marketing , it can enter this financial cycle. . let the private space do it , don't just wait for the budget, we create this system in many places in the government space , we create this system, we don't use it. the ministry of guidance is that when we

have approved and are launching a dependent but independent structure in our country in this way, it will be able to enter this big important game for a year, it will have eight legal members and five real members. this foundation, which is basically the main form of the foundation, is formed with the same elements . there are eight legal members, the chairman of the board, the chairman of the board of trustees is a high official of the ministry of culture and islamic guidance, and the other seven members are from various professionals in this field, such as the head of the academy of arts , the director of the intellectual development practice. there are five real members in the board of trustees who can have synergy displayed. from the professors and experts in the field of animation and children, who are elected to the supreme council of the cultural revolution, it is confirmed there, and the meaning board of the activists of this presentation, for example, can mr. hamdani be a real member of this foundation, which is tried the selection of

real members of this board of trustees, who actually do the work of approval and the main approvals of the route , should be used more in advance. what happened is that i personally talked to all the dear ones and i got their opinions on which direction they are going and we used it in the establishment space to have the right to vote or to be present in the decision. makers and decision-makers. yes, the boards , there is a specific board of trustees, of course, the programs that

are presented to the board of trustees are presented to the board of trustees through the officials of the foundation, and i am also present and i am fortunate to do this work . it must be the opinion of the activists in this field that they are supposed to be from. do the work without the guild, without those who are working or will work in this field , nothing will happen. now i want to ask the same question to mr. hamedan, how can this national foundation help you, sir. let me tell you that the answer to this question is naturally very long, but look, i will give a general overview first. we want to help the industry to get started, in fact , it is possible to involve different industries for it to come to fruition, for example, the automobile industry, when it wants to get started, now separate from specialized industries such as steel, etc., which should all work together, even public participation. it will happen and we will bring all the people to the same understanding. now

we will either actually reach them or we will reach them that they should use this car in order for the industry to start. that you have a network that actually broadcasts online and buy a subscription, go inside, you will see that there are actually different titles, different genres for movies, action, drama, i don't know , romance, and iranian movies, iranian movies have become a genre, that is, the audience. many audiences like to watch iranian movies when they go. in that category, iranian movies are being played in general, when you enter the world of animation , iranian animation has no meaning, foreign animation , you enter the world of a child, and the child does not know where it is. it is produced because it is possible that there are actually characters be creatures at all. that's why i want to say

that when we come to the home screen network , we will be placed next to the films that are placed on that home screen network with a simple download, while they cost 100 times to 200 times the cost of their production, and we come to a we are making an iranian animation, we are going to compete with this, so we will definitely fail because there is a copyright issue. the issues of supporting the iranian industry means that you support it in a way that makes it competitive or the copyright is such that, like everywhere in the world, the home television network has to pay a high cost. in fact, it is the work that we have done to support the domestic production, that if we have domestic production, for example, its import should be banned, and the supply will be limited. the aim is that we can enter

the economy and enter the market cycle of production and distribution . well, this is logical. ok, even the private investor is ready to come and invest and go to the show network and make money . there is a high turnover there. the second issue is the secondary production sector. in the field of dolls, let me tell you that we always import dolls worth several thousand billion tomans, and more than 90% are usually smuggled. it is happening and now the advertising products that are using this, if this event can happen officially and in a way for the iranian character and its justification, that we are doing a strategic work and we are creating a fictional iranian islamic world, well, that would be great. it can be effective and can compete with quality dolls. which is being smuggled in , the next issue is that we can connect to the world market

, which i think is very interesting, the basic knowledge can be taught, in fact, it can even introduce iranian culture to the world, so facilitating for entering the international arena means, for example, that we have important markets in the world where tv and series products are launched. well , we must have regretted this for many years when we were in the international market, where there were umbrellas of countries. and at one time, for example, 30 companies are present, for example, china umbrella, south korea umbrella, well, these are very effective in the international markets, it means that a manufacturer knows that he can do it at a reasonable cost , because the costs are very expensive, you know in the discussions sanctions and exchange rate differences discussions for us so hard. for now , i will mention the small companies, it is very difficult for them to be present here and be able to

. now, if we consider this editing for the output, the producer will definitely look for quality, that is, if you expect the national animation foundation. provide facilities for you. look, as i told the doctor before, the companies that grow up expect that no one has anything to do with them. i will tell you from another hour because i was in charge of the animation house for a few years and our job was empowerment in the country, and we had a slogan there that empowerment is beneficial if it can reach independence, that is, it can bring that team to a point where it can go on its own in the society, in the market, that is, it can create an ecosystem, but if we if we want to start a large number of start-up companies and we have to let them go, well, when they don't reach the market, they will definitely disappear and in fact, they will be disappointed

, that's why big companies may have other demands, that is, finally, for example, this. how many big companies are there, for example the problem of social security insurance, for example , is not really breathtaking. at this level, we do not need support, but there are many companies that may ask for support. it is possible. well, this support is financial support. there is no one who wants to allocate, so in this field , you can place where we need, even when we have a specific budget, we do not put it for production, so that someone can become a producer , let us put it so that someone can create his own market, and this is where a place like the foundation national animation

it makes it different from a group of manufacturers who place orders, who don't care what happens to the company that is formed for that product . you have to present the product somewhere and only give one order . let's create an international region and help those who are working in this field to become independent in this field and be effective themselves. in the first year, we should contribute 70 , and in the second year, 50. how are these aids? the type of these aids is also help. that is, when i let me specify a period, for example, a total is exactly the part that you say is financial, considering that the foundation basically has no budget and is not supposed to actually produce , i don't know how it can be said that the foundation has no budget. you said that we

are expecting that other institutions and other home ministries and these will cooperate, that the work is right ahead. everyone should help. a specific budget will definitely be considered in the ministry of culture and islamic guidance for animation discussion and for the final part of the national animation foundation. my opinion is that we should not be limited to this. because we all know that the budgets in the government space and in the cultural space are limited, and this budget should be invested in a place where it can have multiple returns, instead of being directly formed in production and starting its own work, it should come in the so-called space. you are going to provide the constructions. i can give you a few examples. maybe in fact this can go better. for example, many times, if companies want to do international production , they need bank guarantees, which means they need a bank guarantee from you. make it valid until you can enter into an international contract or in the categories of presence in international markets

, when you buy an umbrella, there are very good discounts. biru means that the same discounts can help a lot, even if they make their payments correctly, or another example is participation in the production. well , now the broadcasting organization is not allowed to participate internationally in the production. we have come up with a plan that an important part of the production cost of a certain company is either joint production or it is investing. we have such a weak capital. that when even production participation happens, usually the market will be a more successful market because if a company , for example, a company from another country comes , it will definitely be leading its market , that's why i want to say that even your animation foundation is possible. in this field, i don't know how much the budget is, but in this field, he may enter into a partnership

, he may do a tailoring for the legislation that the broadcasting organization can do this, he may be able to do things in the area of, for example, customs, so that we can do productions in side products, for example. for example, those that can be done in other countries can be completed in iran. it is true that these are legislative problems, in tax discussions, in social security insurance discussions, in municipal housing discussions, in a thousand and one other ways. now, it is not industrial , it means that the art of animation is not industrial, and usually because it is new, i think our first animated film was made by mr. ahmadieh in 36, if i am not mistaken, it is a short movie . it is the same that entered our country and it is new recently, we are entering the field of film productions , that is, it has been a few years, maybe a decade, since we entered this field, and anyway, new pass needs both

planning and support. one of the main problems of financing is that you may have very good ideas that are in line with the goals of the islamic republic of iran, but in any case , if you don't finance it, it won't be produced. now, if you allow me, i think we have about 78 minutes until the end of the program. we have and discuss about the current state of animation today, which is now this the circumstances have created that you will come to the conclusion that you will get an approval from the supreme council of the cultural revolution as a foundation for the establishment of a national boyan, ms. dr. fakhrian . let's examine the animation production sector, as friends have said and it has been said in the media space , we have to accept the fact that less than 5 % of our animation production space is at that high level that causes satisfaction and causes a public mood

. we have grown and reached 95% they are working at other levels. in the field of production, we should increase this share of highly professional space and premium and first-class space. let them take more share and move away from that point close to zero. from the side of the audience, if i want to say , the fact is that now our children are growing up with a non-iranian dynamic. what they know about the characters and the world of stories are the world of non-iranian stories, and we have a lot of work to do in this field. this saying is very common if you ask the children 10 popular characters or even 10 characters. those who know animated productions, please mention these 10 of them , none of them are iranian, and the productions that are being made now

do not meet the broad needs of children, especially with their connection to virtual space. we need to reach a space where these productions as an islamic iranian production, first of all , families and children should know them, then we can present them globally as iranian animation . we have not reached the point where you see a product. realize that this dynamic an iranian view with an iranian mind, with iranian hands, and of course with the latest technology in the world, in this field , something must be done fundamentally. intellectuals, experts and practitioners are considered and based on detailed research, it will be done this year, god willing, so that we know that when we talk about iranian dynamics , we have we also have a computer that has been working for several years. did you diagnose it? are

you very similar to the goals i think? i mean, even now, a part of its audience is actually teenage children, anyway, i think it has the same responsibilities. how successful has it been and are you using the experience of this foundation? mr. wazir gave it will become a game and entertainment foundation, and all matters related to the field of entertainment will be followed up under this foundation. well , it has had many highs and lows for many years. with special efforts, he has progressed to the point where he is acting independently and instead of being in the competitive environment and delaying the work that needs funding and competition. they are dealing with the same regulation, support and supervision environment. now this incident in the national animation foundation can also be a way forward. these two

foundations can work together to take a path in the marketing space, and this is one of the collections that we are promoting this space with. do you want to use the support of other institutions of the ministry of housing? one is that production-oriented is a good focus now it is in the statute, which means that a production is actually

put in the middle if this production. without us , we might have spent a lot of money on towers that are not targeted. in general, education in the field of animation should take place in the form of cellular education, that is, it should be in such a way that it expands around one axis and human resources can be adapted to the field of education and production. the two will be linked together and grow. well, we have different fields, for example, in the international field, where very serious cooperation can be done, and these are the responsibility of popular and public institutions, not private national-based institutions. my opinion should definitely go in this direction, for example, one of them is participation in educational institutions and connecting them to the production body, that is, for example, many institutions that

are actually universities in the field of... a large amount of work that i don't know how much is actually in the hands of dr. and how much can they actually advance in this field by expanding to enter the field of education. in my field, let me give an example regarding the customs of son d. well, he finally started a controversy , but his side products were stuck in the customs for several months and our screening did not arrive, well, these are the things that we must have, if there is an opportunity or a situation that he should be the responsible person of the country so that we don't need to import these things, the customs problem

is too far ahead of our time. we have a technical field, mastering the software, because maybe this is very important for families, mastering the software is the first step of empowerment, after that, mastering the art and acquiring those software for the art, after that, access to the script, thank you very much. thank you for joining us the program is higher and my honored guest. thank

you, mr. mohammadi, a validator and legal activist , and mrs. dr. farzane pakhijan , who is responsible for the establishment of the melaminei foundation and an advisor to the honorable farhang rashadeh minister. thank you for staying with us until the end . may god bless you all again. . this is gymna publications. we always tried to serve you with the latest methods. and today we are going to offer you 60% of your educational resources for free. only by sending the number 5 to sms system 30085.

get 60% of your educational resources completely free now get 60 gilna publications as a gift by sending 5 to 30085. good time, dear viewers , we arrived at 2 o'clock in the morning. the head of the assessment and evaluation center of the ministry of education said that the students who have not yet managed to receive the admission card for the final exam session should not worry. it is also possible for students to attend the exam using identification documents.