oh, sit on the first page, oh, sit on the first page, the row of sacrifice is over there on the other side of the fence, look, the joy of meeting is there, oh , you are sitting, sit on the first page, stand up for justice , lift up the burden of trust on your shoulders. the first line, the first line, the line of service, the line of service, your stronghold, your stronghold, this is the table and there is hope for you on the other side of the table, in the eyes of a martyr. stay with us

, in this program we will have a look at the activities of the 13th government in the field of culture and art, which are mostly in the ministry of culture and islamic guidance and zail. this ministry takes place in the art department of the ministry of culture and islamic guidance. his excellency mr. mahmoud salari, the art deputy of the minister of culture and islamic studies, is a guest of this program from the first page. up to the visual arts and other fields that were active in this vice-chancellor. hello sir, you are very welcome. in the name of allah, the most merciful, the most merciful, i offer my condolences to the vision of the most high and the learned viewers of the khabar network. hussein peace be upon him put it in the category of real pilgrims, god willing , we want to give you a quick overview in the first part of the program in the short time

we have until the maghrib call to prayer, tehran time, and then, god willing, after the call to call, we will go into the details. in your opinion, your excellency, from shahrivar 1400 to the present day , august 143 , we would like to have a quick overview, a comprehensive overview of what happened in the artistic vice-chancellor of the ministry of culture and islamic guidance . do you expect that when the government took over the new government , what happened to the friends of corona? was. which disrupted all artistic activities it had closed, the people of culture and art had really stayed at home and this had caused the economy of these dignitaries to be severely damaged. therefore , our first order of business was to melt this freeze that occurred after corona. naturally, the agenda went in this direction to facilitate artistic activities. this was your main priority. this was the priority. that the economy of this

big family and their livelihood was disturbed, naturally, the first steps were to remove the obstacles from the way, so that the performances could start sooner, the theaters would be activated sooner, stage performances, music activities if the galleries were really launched , in order to remove the obstacles, of course , the bylaws should be revised, the councils should be facilitated . perhaps, if there were any obstacles on the way , those councils should be multiplied, or their members should be changed , or they should be notified to the provinces. it would be possible for them to decide and implement to remove the obstacles. indeed, mr. wazir himself was very helpful in this field and we were able to quickly slaughter the ice produced by corona. besides these , other things had to be done. regulations were revised. the differences between the sections

there were differences on some issues and positions, such as the debates in the music field, in some parts of the show. ahl al-bayt, this happened very soon, and the theaters were sometimes forced to perform in three shifts, that is, because at what time interval, between the time of the deputy and immediately, we started this process so that on the night of eid of that year, all the theaters were activated and all those who were ready to perform were on stage and this happened, thank god, we were able to finish the festival because the festival

was held offline in the previous years, we were able to hold a theater festival, a music festival, a visual festival, and this event, well, finally, i think it was an important thing that should be done. after maghrib azan, tehran time , i will be with you on the first page, in the name of god, in the name of god, noor al-noor, in the name of god, noor ali noor, in the name of allah, noor ali noor, in the name of allah, al noor ali noor, in the name of

allah. allah is great, god is great, god is great, god is great , there is no god but god. there is no god but god. there is no god but god. the witness of muhammad is the messenger of god i testify that muhammad is the messenger of god. i testify that i am the most high. i am the witness

of god. i testify that i am the most high . hai ali al-falah hai ali al-falah

hai ali khair al-alam hai ali ali khair al-amal god is great, god is great, there is no god but god , there is no god but god.

i invite you to join us on the first page . i am the host of mr. salari, the deputy minister of culture and islamic guidance, mr. sari. in the first part , we had a quick review of what you went through, especially in the priority of the work that you explained , considering the circumstances. which the country was in in 1400 and before that due to the issue of corona and the impact he had on various activities , especially in the field of art and activities that were related to janabali's field of activity, before we review each of the fields separately, such as music theater and other programs, to compensate for what happened. you mentioned, sir, that many loved ones. our artist was forced to stay at home to compensate for this issue and specifically the livelihood issue of the artists, what did you do apart from preparing special programs in which each of the departments explained that theater, music, and visual arts can carry out activities from yes, i am

i have to mention the martyr president, ayatollah raisi, who raised the artist's livelihood situation with him after mr. dr. esmaili, the honorable minister. they injected a significant amount of money into the art fund, which was paid to the artists who were members of the fund in 3 stages. the second point was that the art fund, which mr. minister and his respected ceo, are working hard to expand the insurance of artists, increase its services, increase loans , and in the long term, the same number and a part too free payments were made in the fund. the number of additional artists has increased, the number of members has increased

, obviously, for example, in our theater field, the artistic deputy , when the respected managing director of the theater house stated that some members of the theater house, or members of the theater guild, i should say , are really unable to pay their additional insurance premiums, we are trying we decided to pay that part, that is, i want to say that together with the small budget that we had in 1400 and the expansion of the budget had not yet happened with the model that happened later in 1401 and then in 1402, these events and these steps that could be taken were taken and we tried as much as possible to establish connections between different institutions with secondary artists , so that they can get commissions and sell works, for example visual works. to be able to sell works , to present works, to be able

to link the economic sectors with these collections, so that a part of this is actually to compensate for what happened and to compensate for what happened, this was one of those things. yes, let's move on to the theater field. it should be created. in addition, we must say some kind of compensation for the corona situation that you mentioned during the nowruz holiday of 1401, according to your excellency. are you working? 3 until fajr theater festival was held, your excellency , let us have an overview of what happened, what were the conditions , how do you compare these three periods with the previous periods, and how do you see the political and social conditions of the country in 1401 as well? it was in such a way that we can say that he had left his mark in such programs as well. in any case, the slogan of the martyr raisi government was justice in all areas. in general , cultural justice was included in this part

. let's take the upper hand into consideration. cultural justice was our duty to revive. naturally, we went towards reviving regional festivals first . after 89 years when regional festivals were closed, in the field of theater, i would like to say that a regional festival was held. it was not possible. we divided the country into 8 regions and started holding it. regional events are really expensive because you have to buy a hotel there . economic work requires various activities. sometimes the provinces are not ready to equip their halls after the annual event, so this is a painful task. it fell alhamdulillah thanks to the efforts of my friends in the general administration of performing arts. it happened and the regional theater festival festival was revived in 8 regions in 8 regions

later in 1401 or during these 3 years , we held the festival during these 3 years , i want to say that because this freezing is only it was not tehran that the provinces were really affected by this plague, and this regional theater festival had some achievements, one of which was that the theaters that had been closed for two or three years and were sometimes damaged were actually damaged. and the tools that were there, being forced to revive these means to build them renovate, repair, well, this happened to the groups that were in the provinces and had already gone to liquidation or were really disappointed by these events, now it's their turn to renovate , rehabilitate, and do wonderful things. maybe at 11 o'clock. it was night in one of the provinces , i went to one of these theaters, the crowd was really crowded there was a scene of sitting on the floor and one enjoyed it because there was a fire

after the corona period and this was the answer to that fire, so this was a happy thing that happened in the theater and i did it because i was responsible. i have, because really, we have success by allah, which means that every success has been from god, but these works were very effective in that we could slowly turn on the lights of the theaters to bring them to the stage twice. when this happens, naturally, the economy the surrounding areas are also active. the result of this event was that we had many of these groups as invited or selected groups at the fajr theater festival. another thing that finally happened in these years was that some of these big or famous halls were in the hands of groups that were stable. this the group would perform and leave, the next group would come and the cycle would repeat itself. well, we tried to expand this cycle a bit.

groups that are not known, but are capable of working in different provinces, but in tehran. the reason that what i am saying is not seen is because you are involved in giving the artistic degree. well, we actually have a regulation. in this regulation , there are some things that the artist must verify to obtain them . well, when an artist in it has not been performed in big halls, and there is no professional hall in my own city , so how can this get an artistic degree? we tried. this moan. let's assume that they can do this work. really, so much effort was made during this time to get city artists to look at and work in the field. the department of cultural justice should be revived

. i would like to open a small parenthesis in the subject of my theater , separation from the programs that you explain. for the people of the theater, you had and followed because the theater has a certain difference from the cinema , it has a certain audience because the distance between the general public and there will be fewer theaters and more people in theaters. what program did we follow? in the same direction as i said, we revived the regional festivals. we tried to make theaters and their tickets cheaper as much as possible. theaters that can stand on their own with cheaper tickets. another point is to take the theaters to the less privileged areas, which means a professional theater. on the other hand , we tried to expand street theaters, because street theater is both an idea and free, and it connects people with a concept called theater, because many people really

when we talk about theater, their mentality usually goes to the spiritual side and a series of works, for example. trivial, well, we tried to revive street theater or field theater as a type of theater that is more social and its issues are received from the community, or to help it stand out and be seen in various festivals. we worked or the student theater festival, which was not organized by the ministry of science, research and technology for several years. in last year's fajr festival, we brought the theater side to the festival and revived the student section of the festival student theater means people's theater, because these are not professional people's children, this specialized model does not mean that, and their skills are not very high, so this work can easily be revived

. fine art about. mr. minister is very supportive , mr. dr. esmaili is really supportive in the field of theater, but this field in general is small and the dough is small. and this the view should be reformed in the entire budgeting structure of the country and our theater friends should take a more serious look in this area, it is the area of ​​thought, the infrastructure of thought is those who produce thoughtful cinema, those

who revive the thought-provoking serialization, but unfortunately it is forgiven. i refrained from telling the budget number because it was very small, very well, very well , an issue that happened in the ministry of culture in the 13th government was that the art council was revived after many years, what did it help and what will it help , the activity of the art council in the areas you see, we are confused in some areas in the field of art let me give you an example, for example, in the field of music , during this year after the revolution, you have no document that even mentions the name of music, you don't have any law that even mentions the name of music, so our music artist is finally from this place. it seems that the regime of the islamic republic of iran is taking advantage of music, but they all withdraw themselves when there is supposed to be support for music, when

music education is supposed to be taken seriously, the artist who makes music, the artist should be taken seriously. thinkers in the field sit down. thinkers in the field of art sit together and to solve these problems once and for all, one of them is music. thank god 10,000 times , the ministry of guidance was tasked with writing a music document, which you recently showed . alhamdulillah, this happened in the art council and a jurist like the late mr. raisi announced this . you see, writing a document is a matter of whether it will be announced. and everyone should be obliged to implement this discussion. this stage had been passed many times, but no one was willing to notify , alhamdulillah, it was notified of such events. well , we had, and we still have, the art council , thanks to the efforts made in the ministry regular meetings were held in which many of these

processes were modified in that council, many bylaws, different musics, not us , different areas, the document was written and approved. which is being done the way of the collection of art dealing activities in this art council was completely clear and from wandering, confusion and clashes of taste in this area, in fact, we tried that very well, mr. ali, you mentioned music, and we want to talk more about music. let's see the report i will continue the conversation with you in the field of music. the most important event in the field of culture took place. finally, the national music document was unveiled. in

this meeting, which was held in the presence of the minister of guidance and accompanied by music people and media people, the points and opinions of music experts were expressed. what henry fakher had in common was that legally there are many ambiguities in terms of the general guidelines and upstream documents of this area, and this document should be resolved . finally, we all complained about this issue .

to prove that the islamic republic recognizes music as true, compiling this document is, of course, the result of many efforts and pursuits, a document for. aidan , the work that happened, in my opinion , it was a very, very big thing, that a confirmation nut was put in place once and for all, what is the relationship between the islamic republic of iran and music, a platform for creating new events in the field of music that are more possible to document. it will give enthusiasm to the young musical talents of this country and it will cause the best works to be written and performed and definitely the economy music should be included in the document. we

use music on radio, television, in celebrations, in mourning, we all dream, but the price that is necessary is not really paid for it. there is no document at all without the burden that it needs money to be performed. national music document now on foot. kenan, the most important thing in this document is that the decision-making authority in the field of music

has been left to one place. it is a problem that we had in the past years. if he were to monitor us, this would annoy him these artists, in this document , it has been specified once and for all that sir, you must give permission in one place , and in the same place where he gives permission, he must supervise himself, and if he is going to give a warning, he should give it himself. which is in this document, for any institution that has influence in the field of music, it has an influence or is a consumer, it is not clear to me that you give permission to use a domain, but do not pay the rights of that domain. now , if a music artist loses his rights, he knows that there is a law, there is a text called a document. the music that was announced by the president and approved by the supreme council of cultural revolution, and he

can go by his rights by objecting to it. we have radio payam, different televisions and different networks, and many private sectors. they are playing music every moment. imagine if each piece of music is 5 minutes , multiply 12 pieces of music in one hour by 24 hours and see how many there are. it can be music. well, for example , the respected broadcasting organization itself, the ministry of culture and islamic guidance , which has the music office, the art department, the advertising organization, the various cultural and artistic departments that work 50 or 100 works are not produced by me, the rest is provided by the free music sector or the private sector . all 100 of them

are not produced by themselves, the artist has the right to say, sir, what am i doing here, i am working, you just consume or , for example, well, this should be resolved, please take care of it, and the second point is if we want to lead in the field of music and this herd that the respected companions have culture and art, sir, why is our music going in a direction that is not for the educated, so we should let's make a presence in this production area and produce great work with these small budgets and with these views that we can't be influential when we can be influential so that we can be centered in the production field and artists look at the hands of the higher ups. the continuation of that path is not like this now, and this document can , but this document does everything, not

the document. writing with the execution of the document means that the document is sufficient for implementation , the document of this document must be implemented, it must go and it needs implementation in all. yes , there is a working group for this document, where this is actually the implementation process they should be followed because the executive regulations have been drafted and are being drafted. the work is being done . take it seriously and continue, because this is really important, of course, it is a legal duty to mention , it was a duty. in the title of achievement , you mention that at the same time , take a look at music festivals. yes, see one of the open events what happened was that we tried to slowly bring music artists to the stage of the music festival.

we started the regionalization of the regions, and the music festival of the regions was held in 5 regions, and this caused the same thing that happened in the theater to happen in the music, and our traditional music is our national music, i must say, it was paid attention to despite at first glance, it may appear like this in the minds of the viewers and dear audience that, well, we who see billboards in the city are pop music. for example, everything we see happening in the field of pop music, yes, there were more manifestations of pop music, but we in the field of national music and traditional music, we really tried to support, for example, in the hall of the rudaki foundation, the members of traditional music or national music will perform a program for free, so that we can buy less tickets for this event.