give me everything, but also go to bed with me? seryozha is a hooligan, monstrous, that i can’t imagine my life without the presence of seryozha makovetsky in it, i can’t take pictures in the cabin of the plane, especially business class passengers, but no one forbade peeking, i read mokovsky all 4 hours of the flight to the mineral waters, from breakfast he refused and gave a chocolate as a compliment to his seatmate . no meetings for very important people with fans at the ramp, only a short smoke break outside the arrivals area, makovsky smokes a lot, but the cigarette is out of frame tries to clean up, he is a professional and knows that this bad habit is dangerous to health, and its public demonstration entails punishment. 40 minutes to the hotel in the resort yasentuki, 2 hours to rest, here on the balcony

of his hotel room, our first conversation. it’s hard to play the same performance for several days in a row on a tour. when i played six performances in london with the vakhtangov theater, the most amazing thing is that the day before, next to the theater, we played at the olbil theater, the day before there was the premiere of dyadivanie oni received four stars. when we played the first performance, they immediately gave us five stars, then we continued to play with them. they took away one star from the poor and i remember that the heaviest was the fifth, for some reason it suddenly became so difficult and not just for me alone, for everyone, not because i was tired of saying it, no, well, somehow there was a feeling that... then heaviness, suddenly the sixth performance , i think, i wonder how the sixth will go, as if a second wind had opened, after the sixth performance, i thought, now there would be one or two

day break and you can have more, and coffee helps you hold on, it’s very tasty, give me the recipe, the recipe is very simple, tasty, good, coffee, this time i took handuraz, usually i take brazil, but they told me, take handuraz, no - almost no worse, but much softer, i like non-acidic coffees, they grind it for me, i say, for a cup, it’s a little coarser than for espresso. coffee is present in sergei vasilyevich’s daily diet every hour, not in liters, of course, but there is a lot of coffee, its notes can be heard in soft, calm, almost purring speech makovetskogo, we rely on coffee, the people’s artist noted, this used to be in soviet times, for some reason it seemed to us that we were tired of the grains, and when we bought the hammers, but no, we didn’t buy them, we bought them as part of an order for a veteran.

food for the holidays, yes, food for the holiday, some saleswomen already knew me, they knew that i was the vakhtangovo theater, i walked in front of them like that in the morning, they said: “in the evening, in the evening you will come, in the evening you will come,” and they gave me two orders, in which our viewers today, thank god, they don’t know this anymore, but i remember, i remember, tea with an elephant, i remember, tea with an elephant, indian coffee, so small, flat, flat, but for some reason it seemed that you had won a trip to the moon, because all this was arabica and rabusta, which was , and you got tired of these beans, and when you bought a jar of instant coffee, it turned out that everything was rich, and then your tongue couldn’t be cleaned with any brush, because it was that color, but we got something that, that... wasn’t there , and

raw smoked sausage? seryozheka, our wedding took two orders, lina and i once recalled, as soon as we set the table, i went and took two orders, there was a jar of caviar in each, that means a jar, there was meat, there was a stick of this sausage, there was also some coffee, tea, a pack of buckwheat, i bought it: they left everything , there was nothing, but when you came to visit someone, they opened the refrigerator and set the table. elenochka prepared an amazing roast, with fish, with caviar, with sausage, we set such a table for these two veteran orders.

at the age of 34 he became an honored artist of russia, a year later, the european film academy recognized him as the best artist in europe, he is already a people's artist, and at 40 he is a state prize laureate. makovetsky is the winner of all kinds of cinematic awards, niko and the golden eagle are honest professional trophies in his hands. 5 years ago, sergei vasilyevich mokovetsky became a holder of the highest state award of the order for services to the fatherland, fourth degree. it’s very tasty, well, i grew it myself, a planter, a planter, i grew it myself, fried it myself, and ground it. sergei mokovetsky flew to the south of the country on tour with his performance

dad, based on the play by the french writer florian zeller. this is a project of a private production company, staged exclusively by sergei makovetsky, he allows him to be the dad of the stage. not often, only when free from filming and repertoire performances at the vakhtangovo theater. you arrived a day before the performance, your colleagues will arrive only tomorrow. why? i'm always afraid to fly on the day of a performance. i experienced this once, when i was flying out of pitter, the shooting was delayed, they begged us to take you on the very first flight. i'll think about it, well, the very first ray 7 morning, okay, i’ll be in time for the evening performance, i’ll come to the pool. delay for an hour, i’m still calm, delay for another hour, it’s already 9, delay for another hour , i’m starting to get nervous, i’m already starting to walk, but don’t worry, fly away, i say, when i don’t know, we took off in the first hour, i’m already

i thought, all that i should do, then there were no soviets yet, i calmed down, you know, when seriously, when i arrived at sheremetyevo at 4:00 in the afternoon and therefore after that, so as not to experience these monstrous uh emotions when my heart you they stop, then jump, and then recover again, if possible, you should always fly away the day before, how did you persuade sergei vasilvich to work in the play dad? it all started with the fact that several years ago, in london, quite by chance, on a free evening, i found myself in the theater, and we saw a wonderful performance, my partner and i are also a co-producer of this performance, kiril zayakin, the performance is amazing, the play is magnificent, we left the theater and i thought, we all have to find the text, we have to make a translation, we have to to make a play in russia based on this play, naturally it turned out that a translation exists, no one staged this play in russia, because it was not clear who could

play, different producers tried to come to different artists with this material, to yursky, who was then is alive, and to some other famous artists still living, all the artists refused, because few people... want to play an elderly person who, by and large, loses touch with reality, he develops dementia, and, in fact, he passes away , somewhere for 2 years i persuaded vasilievich, with whom we knew each other, with whom we traveled a lot with his other performances on tour, to read this play, for about 2 years he read this play, three or four times i personally gave him printouts that he lost, in the end i read it, read it, called me and said, i understood everything, i understood what this play was about, i understood how to play it, i agree, i will, i want. daniilukhin is a little over 30, and he is already mokovetsky. one of the country's most respected theater producers. erokhin is a guy from the urals, he graduated from the university in yekaterinburg, began by organizing tours of moscow celebrities in the provinces, but one day he took a chance and invested all the money he earned in a theater

project. today only stars work with erokhin and his comrades, one of them is sergei raz two, work in. is it the material itself or is it money? material, money in general in this profession, some rather strange thing, in the theater no one earns much, everyone earns as much as they are worth, i don’t think makovetsky will ever to play material that is uninteresting to him, for some big money, sergei makovetsky is a self-respecting artist, but without starry show-off tantrums, his rider does not have a luxury car no older than 3 years, lush cognac and a separate toilet seat, many have, but he no, guys, barberry caramels, if i check into a hotel somewhere, it doesn’t matter to me how many rooms, they once put me in where there are four rooms with a royal, get lost, i

said, no, guys, you can, what didn’t you like, i i say the fact is that it is so lonely and empty and cold, can i have some other room, oh, well, we wanted? i say, well, they will move from one room to another, and then to warm up, i will be on the royal, and they gave me a one-room suite, with a beautiful view, warm comfort. i was so pleased, but at first they were scared when i said, can i change it, because they gave me some kind of presidential one, i don’t need many rooms, the only thing i ask is to always check that everything works, if there are hot and there should be cold water hot and cold, if there is no hot water, but i know that sometimes it happens that the hot water is turned off, although i had a monstrous case, i was in one in some city, i arrived at the hotel, it was already... quite late, since i arrived late, the room was already asleep, i come to the room, take a shower,

ice water, i think, okay, it happens , somehow i get cut in half by this cold water, i get up in the morning, again cold water , ice cold, i think , but what is it, well, there is no hot water in the hotel, or what? again i washed myself with cold water, did everything, went out to take a walk, and passing by the maid i said, please, there is no hot water in the hotel, he says, no, of course there is, all the rooms have it, i say, i don’t have it, no maybe this is it, we go to her, i open it, i say, my god, the day before a mechanic came and was supposed to fix something there , he turned off the tap, the taps that are on the corridor next to the door, there is such a small door and there are two taps, he blocked. one turned on, the second forgot, then, as in a play, a remark from

author, it was getting dark, the sun was rolling behind the mountains, in the distance, sadly, familiar songs sounded quietly, and what, and what, and what, harmony, from the fact that someone, this is the song of my childhood, rulats, rulats, rulatyruts, or lived got it, the black cat is around the corner, or, or, hold on tight to the steering wheel, best man, or you left for the sultry steppes, i went on reconnaissance in the taiga, above you, only the polar sun is shining above me, only a cedar in the snow, and the way and an idol and we can’t turn back, i was brought up on these songs, what could ruin it for you?

mood? some information is false, either about my close people or about me , i can’t help but pay attention to it, although, as sima shefrin once told me, seryozha, any sensation lasts for at least... a day, well, yes, today newspapers, tomorrow the trash cans are full, yes, yes, this can spoil my mood, despite the fact that i try not to pay attention to it, but it doesn’t work, i always believed that journalism is the same as medicine, do no harm, chief the postulate, do no harm, i sometimes tell young actors, if you were captured with your face in a salad, why blame yourself? well, everything is already a certificate, you received a certificate that you are going into the salad, but if this salad was installed in the assembly, this is vile and

ugly, sakharov died like that, read some nasty stuff about himself, his heart suddenly began to pound, they couldn’t save our the hero is a vulnerable person, such is the nature of acting, try to live a hundred other people’s lives and not go crazy, it’s time to let makovetsky go on vacation. his night will fly by quickly while this advertisement is on ntv. are you coming soon? already coming, boldly forward. and now i will lead the lada vesta boldly forward, the girls came standing with little rafts

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bandage, tire for the car, poems, tomorrow at 20:00 on ntv. fresh morning in yasentuki, warm wind, joyful flowers, playful sun, tasty water, clear-voiced birds. sergei vasilievich mokovetsky has not yet left his hotel room. the master is preparing for the evening performance, until we get in the way and are transported to moscow, to the yevgeny vakhtangov theater, where sergei mokovetsky has been serving for 40 years. i can't do that, wash you can start vashka, as you call our hero, gray, makovka, my love, baby, in different ways, we always meet we really haven’t seen lenochka for a long time, but for me seryoga is such

a person, you know, i won’t name names, i watched program, and one artist is asked the question, this woman who loved you laid the foundation for your career, suddenly the artist says, without comment. i want to immediately get into the screen and say: listen, well , it won’t happen to you, friend, but we are all witnesses to how you got to your feet and whose hand you held, here seryoga is a person who, if he is asked this question, will definitely talk about his wife, about lena, with reverence , with love, with respect, with grateful words, he will call her muse, he will call her mother, he will... call her his love, his pillow, his vest , for me seryoga is a big man in this, this is his respect for lena, this understanding that lena

took him in her arms at the moment when she needed to take him in her arms , you mean breakdowns, conflicts in youth, but seryoga was very an unrestrained person, there were such stories about seryoga, seryoga is fire, he is fiery, this is his, do you remember your first meeting with him? these were summer people, we were filming in the czech republic, spending a huge amount of time together, and, in fact, an extraordinary time when i was not in the frame, but working in the frame. i had a huge number of conversations with my master. ivanov, when ivanov told me vents, vents, vents, what vents mean, due to the fact that i am a characterful slapstick comedian

, and vladimir vladimirovich always tells me said that our task is to show the tragicomic nature of the character, that this means that i, you laugh, laugh, and then you don’t understand why you felt sad, you, as a viewer, don’t understand, something, oh, what happened? this ability to make a moment of pain internal, these are the windows i observed with seryozha makovetsky, this is a king, from my point of view, one of the few artists, may everyone who knows this forgive me, because if you carefully watch seryozha’s work in the frame, for example, then you will see a change like he folds his mouth, his gaze, even the shape of makovetsky’s eyes changes when he opens this moment and we understand that behind the hissing, funny, amusing person who still

has a fantastic intonation, the intonation that seryozha has, there is none who, because he can talk, talk to you, you did something, and if i did it, then the person should say, masha, or masha, well... surprise, but seryoga will do, masha, he will make an intonation that is incompatible with this situation, so these eyes of seryogin, a tough, powerful, courageous person, he shows you for a split second, and then he is soft again, and then he is intelligent again, and then he is a little in the cloud, and a little bit romantic, the hymn should be sung to seryoga, because this an artist, a real artist of the russian psychological theater, he has a lot for young people to learn, this is a treasure for those who are starting to engage

in the profession, you have to sit down and watch how he rehearses, how he searches, this is a treasure, absolutely, this is the asset of our theater, seryozha, and kinetograf, of course, because from my point of view, one of the highest level of directors in cinema is seryozha ursulyak. name me a film where makovetsky is not present, this is a talisman, as it seems to me, ursulika, not accidental, not by chance, sergei ursulyak shot his first film russian river time without sergei makovetsky, which he publicly regretted. makovetsky appeared in the director’s second film, summer people, immediately in the leading role. today, the biography of this tandem includes 10 joint works, the most recent of which is military. aired in the spring of 2023, in which makovsky played reuben yankel. and every time i sincerely try to avoid

the invitation. well, as far as possible, but it’s no longer possible, it just looks strange, and every time i come across the fact that i don’t really understand who this character is, how he should, when i’m stuck, i turn to makovetsky, and he has never let me down, because seryozha is an artist of outstanding talent, absolutely and boundless courage , he never has any questions about how attractive i am in this role, how strange it is that such conversations exist even among male artists, but seryozha has never let me down in in this sense, and the nastier he looks, the better, so to speak, he plays, have you ever wanted not to shoot makovensky, thank god, even such a thought could not come into my head, so as not to work, it didn’t happen in all films,

let's just say, he has a role, but imagine that...' not if there is a role for seryozh mokavetsky and don't cast him, we actually even when we filmed the demons, his role actually didn't exist, this role was invented for nemo, he plays investigator, there are literally two lines from roman dostoevsky, then how this was investigated, and we made this the basis, he turned into a person who looks at this whole situation from the outside, and this role is of course the most difficult, when sergei makovetsky met... each of them already had a dozen notable works in cinema on their creative account, but for some reason everything critics are sure that it was khotinenko who discovered makovetsky as a great and serious artist. i started shooting a film, a patriotic comedy, my permanent assistant, then it was called acting assistant, now casting director, inna, with whom i’ve been with all my life was working, and she’s a terrible theatergoer, she saw

him at viktika. says: there is a very interesting guy, we invited him, got to know him, so we got acquainted further at work, and i almost immediately realized that this is absolutely my man, this is my actor, having enjoyed working with sergei vasilyevich, a year later vladimir ivanovich a little did not bring the artist to a psychiatric clinic, we had one shift on makarov, there was little time, little money, in the 9th year we were filming with enthusiasm, we had a shift that lasted 29 hours, they filmed in the countryside, at first in the country all the scenes were so startling and now we were completely exhausted, the scene was extremely important, it was impossible to fake it, when he finds a pistol, which he seemed to have thrown away , and now he has a monologue with a pistol, he is exclusively improvising , you understand,

this is impossible. because at this moment he communicates with the gun as if with a living creature that has already taken possession of it, now you and i will live, do we really need anyone, no one, just me and you, listen, old man, it’s okay i call you that, you won’t be offended, but a real shock for the audience was vladimiranenko’s film 72 m. i’m not filming. scenes, because there are no costumes yet, there are no sets yet, the actors don’t know the text, well, in general, no , every time i come up with some kind of technique, and in this case we made a set, like something like this, well, a photo studio like this in the south, like this in the south photo studio, i was portrayed by photographers , i wasn’t in the frame, but i asked questions behind the scenes, they came to take pictures of the character in my studio, i asked them questions, they answered, there was no need to remember the text, when they tried seryozha, it also became clear that

it was he who was speaking, but you know, my mother... she loved one song, and then she starts singing, at auditions, all this happens, here i am, we are filming it, i am bloody, lita, dalit, and we understand that this song should not have been in the script, and when in the final scene he sings it, to these remaining on the boat, it is poignantly incredible, as if i were the same person yes, i earned my master’s training for the summer, and that training is fast and furious, crazy. tura walk around the garden, drive the chicken. we will return to sergei vasilyevich makovsky in 2 minutes immediately after this advertisement. this is the ecology of the city, this is a contribution to the health of our children. this is clean air. they talk about switching transport to methane, about protecting nature, but it’s not just that. methane is cheaper, saving on every kilometer. the methane engine works

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author's project by andrey kunitsin, a person has the right, today 16:20 on ntv. let's return to sergei makovetsky. we go with him to the theater, our hero calls this work service. a walk to the theater with an ice cream, a little joy before a complex psychological action. meeting with arriving colleagues and leaving the stage for adaptation. makovetsky himself will check all the scenery and props, walking through the entire role from beginning to end. the artist's dressing room is an ordinary room with amenities, no delicacies or alcohol, spectators in the hall, artist in makeup, third call. and then surprise. good evening, our dears, we are glad that you came to us.

today you are a theater audience, you yourself understand perfectly well that the theater loves silence, so forget about your phones for a while , no need to take photos, thank you for your understanding, good mood, thank you, during the performance i noticed that not all spectators understood you , smartphones in their hands were filming the performance, and some of their owners even sent with this all only causes a negative emotion, i want to scream, i i want to be angry, i want to swear at them, i address this because i thought that it just doesn’t work as well in a recording as compared to when you address it live, and you say, be kind, please, no matter what you say, it’s all the same, alone , the second, the third, he begins to take out his this and... so at you, as if you were sitting in a cage, as if some kind of

miraculous animal, he begins to take photos of you, the device has such a feature, as soon as you raise the light, it starts to glow, and you think, what to do in this situation, they don’t they know how to rejoice, enjoy, turn off their brains, i think that, unfortunately, everything is somehow mixed up, show concerts where these lights are welcome, i don’t see your hands, many times... as they are filming, this is welcome, with theater is the same thing, and why not, i don’t understand that theater is a completely different atmosphere, so you clicked, the audience looked at you, and you destroyed the atmosphere, the atmosphere is created not only by me, but also by you, you are with your text messages we missed everything, well, let’s go do it, no, i don’t want to, but why are you little andres here?

let's go get dressed, come with me, the actress or the actor did such a unique thing for you, they gave you such an impulse, and at the same time you look at the photos, also show it to your girlfriend, like how it turned out, and wants to say, you just came for show , then don’t go to the theater for show. are you embarrassed by the increased attention of fans, does their adoration stress you out? no, it doesn’t bother me, i sometimes like to take photographs, i always remember how they told me about raikinna. he no longer felt very well, but leaving after the performance, he

i signed each name with wishes, they told him, arkady sayakich, this is my audience, i will never refuse, if so , excuse me, you can take pictures yourself, please, but there is a completely different mood after the performance, i don’t like it when they interfere without asking , when they start not asking me to take pictures with... i had several exalted fans who were ready not only to give me everything, but also to go to bed with me, one in particular gave me a huge bouquet every time, a huge bouquet of roses, there were 100 or 200, then one day she finally asked me to take her to the metro, she started showing me a house somewhere in italy, a house somewhere else, i listened, i listened carefully, only you, only me.

a young girl, young, if there was a boor, you could take advantage of this youth, bite , bite, yes, but i said, i say, my girl, you don’t love me, you love my character, me and the character are different things, it can happen to me only my elena can cope, no, i know, i say, no, let’s agree this way, if you want us to preserve such. if you are counting on something more, let’s somehow stop our communication, although again i say, we could have used it for once. pause, silence, she did everything in the first row, near the aisle, performance, she’s not there, and again this huge three-basket, two wines rises, here she comes,

and i’m standing bowing, she lifts it up, thank god i didn’t hold out hands out of habit, because she was walking with it, walking straight towards me like this, she literally took a second, turned around, gave a bouquet to my partner, atoned for a broken heart, well you see, that’s why i say, thank god that i won’t last like this, you can imagine how funny i would look when i stretched out my hands to this broom, but it wasn’t a broom, it’s again such a grandiose bouquet, when this it happened so she passed. i went back downstairs, i somehow felt so happy, i thought: my god, you poor thing, you wanted to punish me like that, big people, big stories, soon on ntv, a special edition of the project one day, a big and voluminous

film dedicated to sergei vasilievich i will inform makavetsky about the date and time additionally, immediately after the advertisement, our broadcast will be continued by konstantin. and mikhail parechenkov. 2 minutes of patience. descend to a depth of 3,000 m. look at russia from the altitude of satellites, feel the cold of permafrost, share the joy of sports victories and scientific discoveries and find yourself at home. take an unusual virtual journey spanning millions of years and thousands of kilometers. in the gasprom pavilion at the international exhibition-room russia. moscow vdnh from november 4, 200 to april 12, 2024. grigory leps admitted that he has an illegitimate son, i saw him once, he is already very old. who gave the singer another heir? maybe this is not just his son, the illegitimate one. oh, what a lucky

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clients, make a deposit with a yield of 15%. tinkov, antibiotic, and disorder, drink enterum and don’t be upset, enterumin is a new generation enterumin, its mineral matrix removes toxins from the body, preserving useful substances. a smart solution against poisoning. ademi of russian television hosts the final events twenty-second all-russian television competition tefi region. volgograd, award ceremony. details on the website tefi.ru. the moscow art theater is 125 years old. let me remind you that this holiday is at the same time. at two troupes: the gorky moscow art theater and the chekhov moscow art theater. the tragic division of the great theater occurred in the late eighties of the last century.

since then these are two autonomies, but they have common parents. osip mandelstam wrote: coming to the performance was like receiving communion. but for now the gorkovsky moscow art theater is on reconstruction, all public attention was drawn to the chekhovo moscow art theater. we were at the celebration of this significant date. over the past couple of years, not a single cultural event in the capital has seen so many celebrities; tatyana anavka , konstantin bogomololov, koren shakhnazarov, leonid ermolnik, the recent fiftieth anniversary sergei bezrukov with his wife, elizaveta boyarskaya with her husband maxim matveev, irina apeksimova wished to congratulate the first theater of the country. nikolaev polina gagarina with her new boyfriend and many others stars. mikhail

porechenkov came out to the first guests and the press with an almost programmatic statement. theater is warmth, it is love, it is the state of a family, or maybe a small state. this should remain as an unshakable thing, maybe from this everything will be reborn again. this is such a theater design because it connects. on very subtle and strong relationships , there is a connection between times, that’s what we are talking about, we are saying that the theater does not end, no matter what is behind the doors of the theater, the world can collapse, but the theater must remain, for the first time on the stage of the moscow art theater mikhail parechenkov came out 20 years ago with the status of a people's favorite, a national security agent. today he is the leading artist of the troupe, which is directed by his longtime friend, konstantin khabensky. the first performance was to go hunting. it was a performance on a small

stage, very good, wonderful. i played zilov, and i played the waiter dmitry. dimo the waiter. therefore, it was easy, exciting, fun work. i probably won’t remember the first day, i’ll just remember my conversation with olik pavlovich tabakov, it was the first, the first arrival. conversation with a great master, and beautiful, large, warm, professional, enveloping, during the celebration, oleg pavlovich tabakov looked after everyone present from the portrait faye , according to the rector of the art theater studio school igor zolotovsky, even after death the masters do not leave, their presence and influence is felt on the energy level , such and such a place of prayer, we are now standing, in the historical portrait foyer of shekhtel, mirhold is looking at me, in no other theater in the portrait foyer is mirhold looking at me,

wherever you look, tarasov, bugak, and these are all the people who walked on this parquet floor, my teachers, they came up with this space, wanting to say something differently to humanity, namely to humanity, not just the audience, they had such large-scale thoughts, i i say with absolutely peace of mind that we are smaller and thinner, as long as we want to reach out and this is wonderful, despite its venerable age, the theater is trying to be relevant in order to correspond to modern... audiences, there are new names of directors and playwrights on the posters and actors, portraits, corpses, just like the selection of smiling heroes of their favorite tv series, even a person far from the theater world will buy a ticket to the performance, so that later he can proudly say, i saw how this kept woman performs on stage, and will tag the moscow art theater on social networks.

in today's art theater is in search of a theme, this is important, it seems to me that the art theater is overloaded... this is good, it seems to me that the art theater makes such good hooligan surprises for the viewer, again, this is an art theater that, having gained impudence, gives rise to new traditions, we have a 125-year anniversary, this is by no means a summing up, it is, on the contrary, an idea the embodiment of something new, an example of this is today’s performance, which... was specially staged for the anniversary of the theater, written for the anniversary of the theater by yulia pospelova and it will be working on repertoire performances , as for me, it’s too early to sum up any results, i’ve only been in office for 2 years, we’ll sum up something a little later, but now it’s just ideas and implementations. the idea to create a performance for the important date of the moscow art theater belongs to konstantin

khabensky, this summer the playwright yulia ripened. and director denis azarov presented him with the project ninth row, tenth, eleventh place, in fact, these are overheard stories about great love, death and friendship within the walls of the theater, to its premiere and invited honored guests. our theater is created for whom, for the people or not, for the people, i am the people. 3 hours of emotional action: here is a girl accompanying her lover to the front in 1941. the stage editor tells how he buried his son, and the shawarma seller teaches the director his worldly wisdom, in the center of the plot is an elderly woman a couple, he, she were once in love , met again in the theater 40 years later, in my childhood, our neighbor guessed to my mother that i would die from my wife, and this

stopped me. or maybe because i really value freedom? well, of course, mahatma gandhi is unfinished, when tenyakova and lyubshin come out, it seems to me that the viewer doesn’t care what happens there, because they are doing something like that and we are standing behind the scenes, and i think it’s mkhad, it’s a secret, you understand, this is the trick with this theater. and this was the case at all times, and during the revolution, when here they were shooting, nemirovich came out and said, gentlemen, spectators, are you ready to watch the performances, they are shooting in the street, and the spectators said, we are ready, you say, i ’m getting goosebumps now, and at all times, mkhat said something that made the anxiety go away , and some kind of peace of mind came, i hope that now it is just as accurate.