which can only be practiced when you communicate with people, then you have something to play, because the entire acting profession consists of observing who walks how, who speaks how, who dies how, who is born how, and so on and so forth who dies how is a complex topic, but nevertheless, i again know myself and have heard about it many times, that a huge number of soviet cinema stars lived out their years with dignity thanks to your... financial help, i don’t really like to talk about it , it really was like that and it wasn’t like it was on purpose, it just amazed me all my life, from the first moment when i started doing this one way or another, the indifference of, well, let’s say, the trade union, or even if you want the country, while people were popular, even superstars, but when , due to age or illness, they left the profession, then after 3-4 months, after six months...

there was no one to help, novikov, larionova, well , there’s a really long list of these artists who were very quickly forgotten, i don’t know how much it's appropriate to talk about it when our meetings, but i still believe that this problem still exists today, because i believe that these are the people who created us, and partly created this country, so the country should be more attentive to him. they should have some kind of untimely permanent pensions, there should be some kind of state sponsorship so that these people do not deny themselves anything, especially since it is difficult to imagine more modest than these people, that’s all. i hope, dear viewers, you noticed that in the credits of our program leonid yarmolnik listed without any titles, just an artist. he has many professional prizes and awards, but no honorary titles. in 1994

, this is the rate for a shooting day, a fee for a performance , so they can differ and show off something, then the more popular the artist, the more profitable he is, and for any organization, once in the soviet... times there was only one charm , that if you are a national, then you go on tour to st. or fly first class, live in a suite in a hotel, on the poster your name is written in red letters, the red line is it was called, that’s it, today this is not by definition, today every artist has this rider, it’s not popular, it doesn’t matter , you still agree on which carriage, which hotel, which one

“alexander nikolaevich, how to introduce you to the public, you are an honored artist, or maybe it was popular, there was no internet then, the truth and soviet culture didn’t write about vertinsky in the newspapers. vertinsky smiled and answered: “i have no titles, but i have a universal name.” we began our conversation with the country’s favorite artist leonid ermulnik cheerfully and we will continue it immediately after this advertisement, it will fly by dynamically, the bright taste of instant coffee jardín gold and jardín deep dark,

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today at 6:00 pm on ntv. leonid yarmolnik is 70 years old, he is one of those artists who were born into the profession not by an assembly line method, in the process of manual assembly from the greats teachers, then, when the artist was a piece of goods, and not a product of consumer goods, this is what he answered to my naive question: why?

complete shit, this is a little about today, about how today they shoot an endless number of tv series, the most amazing thing is that the artists are young or average, they all work fine, that is, i believe them, they are organic, they are accurate, they can do everything, but i can’t tell them apart, they don’t have that charisma that distinguishes every person when you want to remember your last name, because he he did something like... like no one else, one could never confuse sasha abdulov with some other artist, just as one could confuse or not

remember oleg yenkovskaya. leonid yarmolnik is one of the most popular artists in the country; his biography includes hundreds of roles in feature films, a dozen voice-over works in cartoons, and two dozen television shows where yarmolnik acted as a host and guest participant. viewers especially love him in comedies. one of them - look for a woman, director alla surikova, not touch me, so this is already resistance, this is an attempt to escape, this is at the rate of 8 days in prison, my dear, that the beginning of the artist’s professional biography largely determined his role for many years. leonid ermolnik’s comedic talent was first noticed by his teacher, the outstanding russian actor, yuri vasilyevich katin yartsev. it was the first time i ever entered after school, i went to st. petersburg, where they told me to stand in

the leningrad queues and listen to how the st. petersburgers spoke, the hypius told me this, i will never forget this, but i had nowhere to go in st. petersburg then to stay, in the summer of the same year, or rather in september, there was an additional recruit from the chyukin school, stavskoen was recruiting, in my opinion, two boys, two girls, and i came to the point when i... passed, i’m already on my way, yuri vasilyevich is coming, and he we already had such a sharp one, he says: lenya, if you don’t change your mind, come next year, i... will collect everything, my life has generally changed my goals, meanings, in fact, the shchukin school - it may have been the happiest time, and these 4 years flew by like 2 months, we spent days and nights at the school and we didn’t need anything else in life, in our years it was that when you enter

theater school, then in the first year you are a people’s artist, then the ussr,

which he professed from the point of view of his decency , attention, tact, appropriateness , someone recently asked me a question, what is most important in a teacher who teaches you, that he is an artist, that he is the main artist or teacher, yuri vasilyevich was absolutely, these were absolutely balanced scales because he

was a wonderful artist in the malaya theater armored, so he was one of the best teachers, and i know that the teachers... watched the students, graduates, everyone was sitting, vysotsky, khmelnitsky, fillatov, demidova, lyubimov, slavina, well, about 20 people, they watched, then he also watched me for 2 years at every meeting, i gave an example of what a real artist should be, flexible, brave, shameless, and so on and so forth,

there were a lot of compliments, but i didn’t play anything special there, but for me it was a second school. graduates of the shchukin higher theater school have always been different from graduates of other creative universities with their ease, musicality, flexibility, ability to improvise and parody. you don’t have to go far, maria aronova, sergey borunov, nonna grishaeva, alexander olezhka, all well-known masters of transformation. but long before them there were those who today are called the creators of brilliant images. the number one master at the shchukin school was always kostya raikin, he was the best at making observations, and i was already the second stage, who not only also became imbued with this, after i showed it in programs there around laughter, which were very fashionable , maybe the only entertaining thing, it became a genre on the stage, the first was the vulture, which i showed, i kept telling him

that i went to the zoo, i needed to watch the vulture, really natural. it’s not easy to show, it’s a whole performance, you played his life, the drama, the chicken was felt in everything, that he would understand the end, i showed the chicken tobacco from those times when it was leather and...

it happened, that they convinced mark anatolyevich to film me, he then spent his whole life he said, he could have been mistaken, thank god they told me, well, in short, that no one could play such an idiot as this feophile except me, i can’t calm down, mom, all my misfortunes are for him, i’m already 19 years old, and i’m only only a carnet and no prospects, i wasn’t even allowed to attend maneuvers, maneuvers, maneuvers, according to leonid ermulnik, half of his creative life was spent in episodes... he played either bandits or crazy people. many great artists, like yarmolnik’s teacher yuri katen yartsev, said that sometimes to play an episode is more difficult than a big role, they say there is no

room for error. in the episode, accuracy in getting into the image is important. only at the end of the 20th century did leonid ermolnik get leading roles in lyrical comedies, crossroads and moscow holidays, and in the drama my stepbrother frankenstein. and if he kills someone , everyone is his enemy, then hand him over to a mental hospital, man, what can we do, why are you talking to me like that, and why are you hiding in offices, and why did you even set up all this? have their own children, here are them publish, this is my happiness, my stepfather, finally i waited my turn and valery petrovich todorovsky, with whom this picture has connected us for much more than a quarter of a century, drew attention to me, one way or another we don’t... stay, i always i’m proud to say that valera , even as a sovgeek, dreamed of filming cholera and boogie on bones, and it just didn’t work out, it didn’t

work out, so both of these pictures i can say without hesitation that they were made because valerka had me, arrogant, brave, like producer, cholera and boogie on bones - these are the hits of director todorovsky and producer yarmolnik, odessa and stelya , today he has eight production projects under his belt... i became a producer for the first time during the moscow holidays, when everything was falling apart, this is ninety -four or ninety-five, i think, when we started filming on massfilm allako, after a week we all ran out of money, and none, well, it was literally falling apart, i think you remember that time, that’s it, and i went, well, not with my hat in a circle, but i began to run all over moscow and collect money literally. sense and collected it, then it was one of the most expensive paintings, i think i collected around 600,000 dollars, all the artists received decent fees, and there

the entire painting practically consists of stars, it was a difficult time, but then somehow it was all easy for me, because -first they gave me the main role, i wanted to play it, then it was braginsky, well, that is, everything coincided there, like sorry for the riot, there was no way to escalate, so for me... everything worked out , this movie happened, and then i didn’t often became a producer, i became a producer then, when i realized that i have that charge that can make allies of those people whom i can convince, of course, all these years, my production was supported by my friends, who, let’s say, have more money than me, they respected me, they respected the idea, they understood that...

now you won’t remember, but the dudes remained, in my opinion, forever. we will tell you who and how left their traces in the personal life of leonid ermolnik immediately after this advertisement, 2 minutes will fly by quickly, wait for us. we have a whole world of juicy berries and fruits carefully preserved for you in dzhemma maheev. dzhem makheev - 100%. for real, it’s already winter, there’s no snow, and it’s summer, it’s summer, it was, it was, it was summer, it was summer, without rain.

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but how great a theater artist they know those who love the theater and go to it. in a moscow contemporary duet with marina niyolova, yarmolnik stuns in the play 203-205 based on the play by the popular american playwright neil simon. but with boris shuvalov they are selling out the russian song theater at the play again with the upcoming one. having ended up in the corpse of the legendary taganka theater, after graduating from theater school.

moreover, i was rehearsing all the time, when the premiere came, zina slavina played everything, she played all the premieres for six months, and then i, then vladimir semenovich vysotsky, who i really liked, really loved the picture, the same munchausen, when he had to leave, he is absolutely sure that i can replace him, i was 24 or 25, that i can replace in the role of kerensky in the role of hitler and chaplin in the fallen and alive. i played both once or twice, i played terribly, but it’s just my arrogance , this lack of embarrassment and fear, well, i didn’t because, well, okay, i played terribly,

because i didn’t play kerinsky, i wanted to play vysotsky, i said so, but i can do this now, then no, i remember how i said the first phrase on my shoulders,

my wife explained to me that when i was already working on the taganka, i don’t remember the devil, he was doing something on the armored one, and he offered me what - a lot of work, but i was like this, like today, the struggle between channels, you are the face of which channel, so i was, i thought that i go to this synagogue or church, yes taganka, this is mine, i didn’t want to to betray, it was probably stupidity due to age, unlike me. it was such a time because some kind of television, some episodes in i went nowhere, nowhere at all, no, there was a movie, but all this was permanent, not on an ongoing basis, plus to everything, ksyusha

was pregnant in the sixth or seventh month, but in fact, i was unemployed, if so by and large, it’s fashionable today to be a free artist, i signed a contract, before there was no talk about it. well, somehow i lived, but on the one hand it’s amazing, on the other hand it’s great, because i understood that everything depended only on me, so when they say that a person made himself or you... practically one after another, i didn’t

feel anything, i felt that in some sense life was ending, at least mine, i’m not exaggerating at all, because to this day i day i can’t come to terms with this , that they don’t exist, he was a genius, a genius that he could pat on the shoulder, could pin him down, mock him, me, me, him, he was an incredible adviser of mine, he didn’t so much teach me a profession , how many have taught me to choose correctly in this profession and not my own, oleg was the most boring artist from the point of view, that’s when they agree to... a proposal, sometimes i thought for months, yes or

no, yes or no, read, thought about it, met with the director, was interested in absolutely everything, if you start to compare, then i i think that oleg is the number one artist who made the least mistakes in his life, i think that he made almost no mistakes at all, he was always ashamed, he says: lenya, you and i are not a bad artist, he me, i say, well what, he says, no, you and i have. two shames, you have one i have, i mean, he he says, you have this terrible movie crossroads, he hated it, i say , but you have a chinese set, he hated chinese set, as for sasha, sasha was completely different abdullov, sasha is my oldest friend, we were friends 36 years old, sashka was not very picky, sashka could act in films, he liked it a lot. he sometimes confused where

he was filming, where he should fly, where he should go, but this is his character, sashka was an absolutely round-the-clock, crazy person, crazy, so of course he had a lot of films that he could not regret to have, but nevertheless he was so powerful that he had enough for bad films, and enough to stand up to the classics , well, he even decorated bad films. he decorated, of course , but it was he who taught me this, he says: act in film, bitch, act in film , you must flash, you must, you must be seen, but really, when they see you, even in a bad film, oh, what a face, yes, come on, call him, we’ll watch it, that’s why i have a lot of films that people say, also this is a film you have, i don’t remember what it’s called, but you’re there they played this guy who came to his ex-wife, i...

incredibly unexpectedly very quickly, if there weren’t any mistakes, lenya might still be alive today, he just had a donor kidney, and i’m already in this , unfortunately , he’s a major specialist, you can’t even have a runny nose , there’s no, what is it called, when the body has no immunity at all, that’s all it’s a runny nose , it happened, well now... let nina shatskaya, the deceased, she brought him to the dacha

there the heating went bad, she put a sweater on it, they started fixing something else, no, to get in the car and go back, he still caught a cold and i understand what loneliness is over the years, loneliness is when you lose close friends, this is real loneliness, on... it was carried out in 1994, but it’s wonderful, exactly according to the rules with which we his winner is sent to the central gaming table and remains there until he loses, you can give up right away, your own game,

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bigbully mega meat from a hot thing. inflammation and pain in the throat makes it difficult to speak. pharyngosep helps fight sore throat. pharyngosep. at the first sign of a sore throat - our answer. leonid ermolnik is 70 years old, the premiere of the film the flying ship is just around the corner, an amazing film story is expected, based on the cartoon fairy tales, beloved by many generations. and leonid yarmolnik will appear on the big screen in the role of his majesty. jump to me, take it, you were

a fashionable guy in your youth, probably, well, if your mother had time buy you in the eighth grade, i think she bought me, now no one will understand what we are talking about, a nylon shirt, a nylon shirt that could be worn forever, it dried up instantly. sometimes my parents bought me some things, but i probably, even if i wasn’t a fashionista, i strived for this, i understood that to have some kind of cool jacket, a shirt, boots, a bicycle, i bought myself. first for stolen money, for won money, not stolen, no, first stolen, i was such a game, i don’t know if it was in yours

when we were young, we cast a lead cue ball from batteries like this, like this, there we called it a game of tsok, it was a line drawn in the park, and the coins there were 15-20 kopecks, 5 kopecks. they formed such a pyramid, moved away about 10 meters, threw this cue ball, whoever threw it closest to this line was the first to hit these coins and it was necessary to turn the sorala to tails, in general, in short , the coin had to turn over, if it turned over, it yours, so i played this game a lot, i hid it, we had our first apartment one where the toilet was in the yard when we first arrived there to serve. and in this toilet in front of the entrance board i was lifting a board; i had a safe there, i had this

bent money lying there, once my dad touched this board with his foot, and he saw this money, so he chased me around the house with an officer’s belt for about 15 minutes, with a buckle with an asterisk with an asterisk , yes, yes, he told me not to see it anymore, that’s all, but i calculated it all, in general, my nose is slightly diagonal, this is when i was in sixth grade, this is when i crashed on with this bike, i rode down the hill

straight into the wall with two bangs. leonid isaakovich -yaermolnik was born on january 22, 1954. evo ’s homeland is the far east, primorsky territory, the village of gradekovo, now a border village, it is located 5 km from the chinese border. primorye shuttle boats know this place very well, cruising back and forth. his father isaac was a military man, his mother faina was a medical worker. i was there 15 years ago, when i was either the chairman of the jury or a member of the jury of the vladivostok film festival. yes, and the mayor sent me with flashing lights. about three o'clock we we were driving. i arrived and at the same time called my mom and dad. this was when i was 55 years old, and i told my mother, this is what it looks like, she said: yes, yes, this is this store, some kind of

lily, they didn’t lily, here is this two-story brick house where the officers lived, and i found my window, i found my window, near which my crib stood, then we went inside, and everyone there greeted me, they didn’t let me into this room, because it was at this window that there was this secret remote control under... because that this is the most serious organization like it it’s called there, well, the armed forces of the fsb, i don’t know where, if anything, press a button, if things are really bad with the country, there is this remote control instead of my crib, being born into a military family, moving around the garrison, one can assume that the upbringing was stern, oh, no, i was probably raised by my mother after all, simply and very simply, and any military child will understand me, i almost never saw my dad. yeah, he got up at 5:00 in the morning, when i was sleeping, and came when i was already asleep, then there was a time when

every year there was a harvest of grain in the virgin lands and dad was. that person who was sent for six months, dad came, the only thing he brought, you remember, these huge, white soldier’s teapots, a teapot, like this, it’s either five-liter, so dad brought this kettle of honey, that’s the only thing he brought grain from the virgin lands after six months of harvesting, it was such a gift, or something taken, i got to know my dad better when... he was already demobilized, he served for 31 years, dad is no longer here, but we are with him always argued, even swore, there was something so incredible and not because i’m so harmful or stupid, but i already argued, already when i was an artist, i argued that dad

lived his life wrong, that he didn’t have a damn thing, that he’s been doing this all his life. i realized that i am absolutely the spitting image of dad, to the position of my hands, to the throwing of my legs, to my reaction to what they say, over the years, apparently, when i was younger, i showed off and played at being someone else. myself, age is taking its toll, this is why my most dear, favorite picture, if we talk about cinema, is the film odessa, and this is the only picture in my life where when i look at the screen, i don’t really understand that it’s me, but i told valerka that i would play dad, because the character of this man who is there, he is written as my father, on the one hand i was scared,

because that well, how difficult it is to play dad , i don’t want to make a mistake if i had already decided so , on the other hand, it was incredibly easy, such a fork, mom is alive, mom is 89 years old, and she is absolutely, unlike me, not friends with elksheimer, i’ve been friends for a number of years now, i can argue and talk with my mother, she watches everything, sees everything, evaluates everything very accurately, otherwise... your mother says that i have legs like my mother, legs like my mother, and i am very glad that my mother is alive, they are the same age as anatolvich shirmind, they have a difference of 4 months, at most my achievement, let ’s say over the last 10 years, is the greatest creative success, these are two grandchildren, petka and

pasha, and if god. not just a given, but they are two people with whom i can spend as much time as i want, i somehow lived so quickly and so quickly, well, i think that as people get older, they all understand that time flies inexorably fast, it's just incredible, i don't really...