when you hear the phrase british zoo, you immediately imagine an island state with a constitutional monarchy. these are not parrots . this is life in britain. looking at the british, you want to swear not only at a parrot. in 2020, five parrots learned a large stock of swear words for unknown reasons. these five simply overheard british conversations about their power too often. and electricity bills. unlike their british colleagues, our parrots, even in a critical situation, always have their own thoughts expressed exclusively in decent terms. freedom for parrots, freedom for parrots! yes, with a government like theirs, not only will you start barking at passing cars. the swearing parrots were separated from the rest so that they would not teach ordinary birds to swear. by ordinary birds

we mean ostriches , peacocks, and a swearing peacock, and even with their beauty , but this is a terrible force, that’s when lions, elephants, crocodiles, bitch, hold on, britain, according to ornithologists, decent parrots can easily learn to swear with their rude feathered friends, then there will be about a hundred swearing birds in the zoo. the main thing is that these parrots are not placed close to the monkey bar. monkeys, of course, will not learn to swear, but they will point the middle finger from right to left. zookeepers hope that the parrots will be able to learn to emit various sounds, for example, the sound of a microwave oven. you can also teach parrots the sound of hot water from a tap, a running air conditioner and a washing machine. because with such

utility bills it has become a luxury, ornithologists have noted that visitors swear at parrots much more often than parrots at visitors, and even more often they swear at rishi sunak, charles ii, and borja johnson together. international sawmill, sorry for the birds. it was an international sawmill , see you in a week, but for now, for now, take care of the country of fellow citizens, one of the strongest poets of the front-line generation, and for me the strongest and most beloved, but his memory received much less fame than, say, konstantin simonov. or alexandra

tvordovskaya. this year, on march 14, we mark the 110th anniversary of the birth of pavel shubin. there is definitely a reason to remember him. this is not just magnificent poetry, this is a russian worldview, tightly packed into poetic lines. men are not born to take care of themselves, they are designed for something else, especially if this man is a poet, especially if this poet is a soldier. it’s amazing that back in the soviet years , the song “volkhov table” was played in one of the tv programs, and folk words were written in the credits. let us remember those who

commanded companies, some died in the snow, some made their way to leningrad through the swamps, squeezing the enemy’s throat, making their way well, usually in such cases they say:

the whole country also appeared during the war with this song. among the black and smoky fields, performed to the music of alexander vertinsky alyonushka, it was called behind the hut.

march 1914, place of birth oryol province, now lipetsk region, yeletsky district, village chernava, also known as chernavsk. he is one of the strongest poets of the front-line generation, and for me he is the strongest and most beloved, however, his memory received much less fame than, say, konstantin simonov or alexander tvordovskaya. this year, on march 14 , we mark the 110th anniversary of the birth of pavel shubin. there is definitely a reason to remember him, although we would like to see front-line soldiers and great poets remembered not only on their anniversary. the future poet shubin was the youngest, eleventh child in the family. shubin studied in

orel and, thanks to his unique memory, which we will talk about later, he was always the first student in all subjects. peasant this child, back in... in his youth, learned french and english and subsequently spoke german well. in 1929, at the age of fifteen , pavel moved to leningrad to continue his studies. shubin enters the factory apprenticeship school of the stalin metallurgical plant and gets a job at this plant. he works with a woodworker, his work goes well, and soon he becomes a drummer. the future poet was capable of manly work, and not just holding a pen. pavel will study in good faith. works at the plant from twenty-ninth to thirty-first year, then leaves for vladivostok, he is clearly drawn to the seas and works there with a woodworker at one of the local enterprises, then for 7 months he sneaks around the country of my work, as he wrote in those same years: i could not get along anywhere for a long time ,

i wanted to know forever how the country lives, what the astrakhan dawns are ringing over the volga, with my eyes wide open i wanted to see the bright world, where is khibenogor? blooms in gardens and smokes in factories around the world, and i was thrown in all directions on the open and deaf path from vladivostok to the urals, with a woodsman, a miner, a shepherd and everywhere life gave me simple work, songs and housing, and i don’t know when my insatiable heart will get tired, this is a characteristic sense of self for that generation, but it has some differences in the self-feelings of today’s lovers of traveling, seeing the world for... and his peers this would seem somewhat savage; he wanted to watch and at the same time work for the country, invest in its greatness, in its development, in its and his future. in the thirty-fifth year he finally decides to connect his fate with literature and enters the philological department of the leningrad

pedagogical institute named after hertsin. by the way, on the eve of entering the institute, shubin will take up boxing seriously. in the second year of classes , he will receive a boxing rank and will begin to participate in competitions in the ring. fellow students went to see him, it seems that this is an exceptional case in russian literature, some of us liked to fight, but to turn into a professional is rare. and another important thing, recalls shubin’s classmate. the badge be ready for work and defense was so honorable that the owner was looked upon as order bearer. the institute had two large shooting ranges, one was in the basement and the other was in the attic. every evening sharp pops of shots were heard from the lower and upper shooting ranges. students. the khimov students, under the guidance of instructors, patiently practiced their shooting techniques; in order to become a fravsheel shooter , they had to burn through dozens of rounds of ammunition and thoroughly practice aiming; their parachute training began from a special tower ; every student, without exception, had to be able to rush down from a tower with a parachute, that's why

there were at least half a dozen parachute towers in the city. pavel shubin jumped several times, he had the "gto" badge. that’s how they studied then, that’s how philologists and future writers were attentive. our schedule, in addition to the usual subjects, also included military affairs. students learned the regulations by heart, the russian three-line rifle, and mastered the formation. shubin took everything extremely seriously. military studies, he knew that this was his personal future. in 1937 he published his first book, it was called wind in the face, it was published by the leningrad branch of the state publishing house of fiction . in addition, shubin defended his dissertation on the stories of the writer alexander kuprin, who returned from emigration, and became a candidate of philological sciences. most likely, this was the first dissertation on kuprin in the soviet union. in the forties, his second book, sail, was published. shubin moves to moscow, begins to gain popularity, publishes his poems in major

soviet publications, marries the famous paper-clipper eleni lunts, and the war begins. alone of his first poems date back to november of the forty -first year, they are what are called programmatic. i don’t want any other share for myself. my land is truth and strength, all enemies were within your reach, and you did not ask for mercy. i'm burning with blood.

no, i’m just saying, there was such a poet, he died, his books have not been published for almost

half a century, and at the same time , our modern literature of knowledge will eat up all our brains on the topic of how in the soviet union the same ones did not publish some kind of , say, an emigrant, or they don’t publish some traveler relaxant, they haven’t been publishing for 2 years now, well, yes, well, yes, but there’s no time to remember about the man who fell near leningrad in 1941. 6 years ago, while you were lounging on a bunk, in the southern region... there was a redistribution of drug distribution territories, very interesting, of course, everything, just like in the movies, whatever you want from me, we introduced our man into the syndicate, yesterday this guy died , no, no, no, guys, what are you talking about, i’m not going there, you want to cheat on your brother, your girlfriend and get 20 million euros, i’ll tell you the password to the safe, but on one condition, i want to borrow anton's place, he's bluffing , he'll see the mission through... to the end, maybe we put him in vain, but one word, chameleon, we had other options, dmitry pchela, i have to

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humiliated me, alexey guskov, some kind of santa barbara, a bonanza. premiere from monday at 22:15 on ntv. after dozens of soviet writers and poets died and went missing in a matter of weeks in the first months of the war, stalin, who valued the importance of literature very highly, gave orders. to use writers directly for professional purposes as military officers, otherwise we will be left completely without writers,” stalin said then. in those years there was no internet and radio , there was no television, there were no tape recorders , you couldn’t carry an agromophone with you along the front, but the soldiers and officers needed a song, music, an intelligent conversation, they needed to

be talked about their exploits, wrote, sang, and, moreover , naturally, including... the military environment with breakneck speed spread the most crazy panic rumors that had to be dealt with immediately. therefore, all large soviet military units, each front, had their own newspapers. there were many newspapers and front-line publishing houses that literally worked with the soldiers on a daily basis, notified them, supported them, and in real life created poetic, as well as musical, theatrical and cinematic masterpieces. but if theater and cinema worked there in the rear, they just went to the front, but they definitely did, then poets and writers worked from morning to evening, well as in our days, the poet semyon pegov, the military correspondent, plows... soviet poets and writers both died and were injured. on may 2

, 1942, shubin himself almost joined the lists of the fallen. while on the editorial train of the frontovaya pravda newspaper, he came under brutal bombing and received a serious concussion, which made itself felt for a long time. shubin’s immediate superior, colonel demin, recalled: the regiment knew shubin well. he repeatedly read his poems and poems of russian soviet poets, as a soldier in dugouts, and even on fire positions. i watched with great interest the behavior of the lieutenant colonel when he listened to shubin. kolisov seemed to freeze, turning into full attention, and continuously looked at nashubin’s admiring eyes. he especially liked, as did many in the regiment, the oath written here, during one of his visits to the regiment. the birthplace of this poem was a dugout at the firing positions, somewhere near the village of vergezha. u...

on april 18, 1942, by order of the military council of the front, shubin was awarded the rank of quartermaster of the third rank, this was then corresponded to the rank of captain. on december 22 , 1942, he was awarded a medal for the defense of leningrad. in january 1943, he was awarded the rank of quartermaster of the second rank; now he became a battalion commissar, which was already equal to the rank of major. the certification sheet read: accepted. participation in all combat operations on our front, in a combat situation he behaves with dignity, he knows military affairs well, he is worthy of being awarded the military rank of major in the administrative service. on april 13, 1943

, quartermaster of the second rank shubin was introduced to the award that he was later most proud of, the medal for courage. nominated him for an award, which is called based on the totality of his merits. he showed courage so many times that he saved up for a medal. is it clear what is behind these dry lines? constant risk without... endless travels along the front with correspondence and reports, shelling, bombing, sometimes personal participation in battles. finally, it is difficult not to appreciate the attention of the soviet government to poetry and songs. the very fact of writing the volkhov table and leningrad songs, was equated with valiant deeds, in combination with shubinsky front-line adventures, misadventures that were eligible for the most honorable soldier’s medal. and was the soviet government wrong? shubin received his medal for courage on june 15, 1943. award sheet. dated february 14, 1944, in connection with the award of the order of the patriotic war, second degree, continued his service record. quote: as a newspaper correspondent, he took part in the vast majority of operations

of front units. it would be inevitable for him to receive new orders, but in august forty-four events happened that not only broke his military career, but it seems that they broke his life itself. shubin committed a fine. i won’t tell you how. soon, god willing, the anniversary one will be released. union, his entire combat entourage had to go through one more front. on march 31 , a special train arrived from moscow, the officers were loaded and taken, without telling where. by

that time, shubin had been returned to the front-line newspaper, giving him the position of, believe it or not, a front-line poet. this was the name of the front-line poet. this happened under stalin. the front had its own poets, who sometimes even committed fines, but redeemed themselves, as they say, with blood. along with other military officers and political workers, shubin went to the first far eastern. front, a japanese force of three hundred thousand was defeated by soviet troops in 9 days. on september 2 , 1945, in takiya bay on board the american battleship missouri, the japanese rulers, in the presence of authorized representatives of the soviet union and other states, signed the act of unconditional surrender of japan. september 3 government the soviet union declared it the day of victory over militaristic japan. that's it, that's it now, 3 years and 9 months at the front are over for shubin. it was just necessary. start everything over again with a clean slate and first of all marry the best, most beautiful, kindest and most affectionate russian girl. shubin met her at the very end of 1945. after

the poetic evening he went to bed. simply put, i fell in love recklessly, he was still remarkably handsome, perfectly built, and he spoke in a way that made you listen, without being impudent or a pushover. for the new year, galli then went to her parents in the village. on january 2, 1945, returning to the dorm, she discovered a note. father frost, pavel shubin congratulates the silent girl, galya komanina, on the new year, wishes her happiness, promises her big changes in her personal life in the new year, pavel. the next day he came to her and told her: i came to you on the thirty-first

, looking for her. you see, i made a wish, if you and i celebrate the new year together, we will be together for a long time, maybe all our lives, it’s good that i ’m not superstitious, we’ll get married soon, we can’t to get married, galya said, her heart sinking , i haven’t turned 18 yet, he shrugged and replied, there are no other reasons, when you turn 18, in may, i’ll wait, they got married on her birthday, may 5, 1946, that’s the passport time she received, a participant in the finnish great patriotic war, who fought as a simple soldier, and served... already as a military commissar, a friend of pavel shubin, a wonderful poet alexey nedogonov, originally from the city of shakhty, rostov region. the same nedogonov who was wounded several times and survived such things that god forbid, will die absurdly in 1948, run over by a tram. his books were published in soviet times, but since then, in the past 30- odd years, there have been no more reprints of the poet nedogonov. this year, on november 1, nedogonov celebrates his 110th birthday, and neshubin was the same age. will they remember,

celebrate, move on? from the unfinished and don’t even ask. and now about shubin. end of story: on march 14, 1951, he turned 37 years old. on april 10 , 1951, he went to buy cigarettes. i sat down on a bench in the park behind the current tsum, he squinted and looked at the cold and still april sun. he lit a cigarette, placing his hand on the back of the bench. the cigarette smoked faintly between his fingers. someone passing by asked him for a light. the cigarette was smoldering, but he was already dead. the ambulance arrived and took him away. the dead poet, the cigarette was lying at the bench, it had already smoldered while it was being loaded, what can i say finally: the flight of blades, fires, blazing, my fate, not a memory, we got confused in the dark-haired nights, counted the stars in the quiet reaches, listened to the swans of the nazarenes, everything heavy loyalty, male, all the fury of the attack, all with longing, we remembered our dear ones, without any pretense

, choking on tears in the darkness, sadly kissing the horses’ evil nostrils, comrades, torn to shreds in the dnieper floodplains, on the orlovskoe arc, covered in the silt of sivash, they, too, were amazed at the stars, they were lying in the bloody mud under fire, crawled to the prussian trenches without breathing, they, too, hugged their loved ones, died at dawn, frozen in the ruins of someone else 's dugout, i was with them, i also hit point-blank, and... the wounds have not closed to this day, but sometimes the same old dawns again cherry trees are blooming in chernigov, the drunken nights of the past are no longer it’s getting darker, the summer showers are falling on the showers of drops, like chopped hryvnias in the shaggy manes of war horses, and i’m still a warrior of svyatoslav, who went to the cafe, took bratislava, died at stalingrad a hundred times, rose again

under the sun of our glory, a zealot... of the peace of the guard soldiers, i bless the grass gardens, the forests of the steppe, i am glad to have a rest. this is not just magnificent poetry, this is a russian worldview, tightly knitted into poetic lines, carrying the same strength of the national spirit that the borodino anniversary of the slanderers of russia pushkin, borodino lermontov, napoli kulyakov and scythians blok. it seems that he didn’t know how to live, pavel shubin, but he still earned the right to teach. the poet pavel shubin has the absolute right to resurrect his love for the fatherland, his passion, his gift in a certain new russian boy, because he really lived as he should, a handsome, generous, kind, russian man who did not take care of himself. men are not born to take care of themselves, they are designed for something else, especially if this man is a poet, especially if this poet is a soldier. golden cutie nadezhda

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they were friends, shubin spoke bitterly about vertinsky to his wife: soon all vertinsky’s listeners would disappear. it was unbearable for shubin to see how the silver one was dying before his eyes. centuries, but shubin was wrong, moreover, the opposite happened surprisingly, only a few decades will pass, and the silver age will return widely and with full power , thank god, but here’s the paradox, this return will largely overshadow the memory of the military generation, there will be too little room left for gratitude to them who experienced unheard of, unprecedented, terrible things, it will soon turn out that in the mass perception of the intelligentsia the emigrant... .and refugees from soviet russia will gradually outweigh all the misadventures

of the same shubin or his friend, the front-line and excellent poet alexei nedogonov and many, many others, will outweigh even the death of his senior comrade, the poet mikhail troitsky the death of other poets who sank into that patriotic war almost without a trace. literature very soon learned to do without them, preferring other hierarchies, because the silver age is about decadents, about throwing, about immigration. tvardovsky and simonov are only a small part

of the huge literary generation of the front line. front-line poets would be as sad about you as you were about the end of the silver age. but how did it happen that the great feat of liberation of the world took incomparably less place in literary studies than throwing dissidents or emigrants. progressively oriented literary scholars of modern times scratched their hands until they bled, describing the throwing of, say, boris pasternag. over time, like the war of shubin and his other colleagues and brothers-in-arms, all these battles, defeats, victories faded into the background, went into dusty literary storerooms. the same vertinsky, thank god, exists in the new stolit in full-fledged, full-fledged constant re-releases, film adaptations of his fate. meanwhile, many front-line soldiers, as we see, were not reissued at 20-30, 40, 50 years. due to the fact that front-line poetry eventually left the list of first-class ones. tasks of philology, it will generally be lost sight of

by the mass reader, who for some time has been convinced that the main poet responsible for our front-line lyrics is, not surprisingly, vladimir vysotsky, which he himself would rather be annoyed with. vysotsky understood hierarchies and would never have placed himself above real front-line soldiers. but who is asking him now? in some circles , something has become accepted about the military generation speak almost condescendingly. here is georgy ivanov, here is georgy adamovich, of course yes. and these, well, what could they invent on their volkhov front, what did they suffer there? if shubin read bunin, gumelev and mandelsham in stalin’s post-war moscow, did the post-soviet poets in response to this read shubin, mikhail kulchitsky and semyon gudzenko in their salons, no, they didn’t read, they were above this, such a sad picture, forgive me, it turned out . this year our ministry of culture will hardly have time to figure out and celebrate the anniversaries of front-line soldiers shubin, nedogonny. they’ll say this should have been warned in advance, well,

we’ll warn you about something else in advance then. the next year, 2025, is the year of the centenary of the birth of conscripts born in 1925, this is the same year whose prizes were spent on the great patriotic war almost entirely, the year suffered greatly, like the 1924 conscription , as well as the 1923 conscription, as well as the conscription twenty-second year. in 2025 there will be 100 years since the birth of the amazing russian writer evgeny nosov, the author of the great. about the war of the usvid helmet bearers, stories where not not a single shot is fired, but the tragedy of this story is enormous, antique, in addition, in 2025 is the 100th anniversary of the birth of the front-line soldier, paratrooper konstantin vanshenkin, but the same one who wrote: “i love you life, and stands above mount alyosha.” the same alyosha, by the way, whom the grateful bulgarians, apparently , can saw into pieces. in 2025, 100 years since birth.