lined up, so drunina said. well, by the way, the minister of the armed forces yazov really knew drunina’s poems and even read them to her from memory. these ministers still had soviet makeovers. then it was in the order of things. know poetry, especially front-line poetry. alas, gorbachev used all these great and, let’s say, at times, naive front-line soldiers in order to destroy everything they served. the further, the more terrible drunina's disappointments became. the collapse of the soviet union. she took it as personal catastrophe, before leaving this life i wrote: why am i leaving, why should such an imperfect creature like me remain in this terrible, quarrelsome world created for businessmen with iron elbows? she wrote this, having survived hundreds of bombings and shelling, wounded, beaten, crushed by the worst war in the world and not crushed, what kind of hell were these very nineties, since they swept away such people? on november 21, 1991, she committed

suicide, meaningfully, calmly, having prepared everything, writing letters to everyone. crimean astronomers nikolai lyudmila chernykh, having discovered small planet, they gave it the name drunin, crimea is ours, dronina is ours, victory will be ours in spite of everything. i left my childhood in a dirty heated vehicle, in an infantry train, in a medical platoon, in distant gaps. i listened , accustomed to everything, in the forty-first year, i came from school to the damp dugouts, from a beautiful lady, to my mother and change my mind, because i couldn’t find a name closer than russia. what choices did people make, what fearless and immortal choices did they make. we are worthless if we forget about this.

stranger next to me, have i seen your face, stranger, tell me please, have i seen this place, oh stranger, you're so close, i can hold your hand, i'm stranger, oh just like you, don't you understand,

silence stop the time, i can hear your heart glimm off your eyes rich me from the dark i'm dreaming up glowings falling down oh my life

flowers on the floor all around your head, morning at the door, i don't think you care, you whisper in my ears , shiver in my arms, don't let it stop, don't go away, screaming in your eyes, oh will the world place to b all the chance oh another night we're gonna lie oh stranger your stretching

alexey belov leader of the group gorkovo park orchestra globalist, artistic director leonid butinsky! i like this symbiosis, because i have never heard the globals play classical music, they play with rockers all the time, for which special thanks to you, you know how to play, again , great respect - lesha belova, who plays with no one else , well, we’ve known each other for a long time and from time to time we filmed you in the company of your wife, and you went out, shaded, so...

a jewish family lived behind our wall and i tormented me as best he could, but we moved six months later, they gave us an apartment, and they , i think, sighed, he said that they were deaf, but i don’t know why i brought a violin, and i lived with my grandmother, me i also gave her away to learn the violin, my grandmother didn’t like music, you threw my... violin out the window because i irritated her terribly rock, what rock? 1812, that’s why i didn’t become a violinist, although i had some makings, maybe for the better,

we play, we play, the song is about tomorrow, it’s called tumoro.

call streets in my face you down inside me, hear your voice go up by the all the life, i got the cls and all the time, i feel it, i feel it to me tomorrow silent. morning until tomorrow, no more yesterday, i will like

tomorrow, silence morning, i can see tomorrow burning in my eyes, for the colors of my heart with my mind. like tomorrow silent serem, i can see

tomorrowning!

come to me tomorrow silent in the morning flying to tomorrow no more yesterday i'm like tomorrow silence morning i can see tomorrow bliring in my heart come to me tomorrow silent ceremoning i to tomorrow no more yesterday i will like tomorrow silent

ceremony i can see tomorrow living in my ey.

in one of your interviews, i read a funny thing: when you moved from volkhonka, you were transferred from violin to accordion, not immediately, but it doesn’t matter, i noticed that all the accordion players, all the accordion players i know, for some reason became either rappers or punks. well, you mastered the guitar and you were carried away into the rock that you listened to as a child? well, it all started with betly, betly, rolling, zeppelin. everything in a row, then it began to spiral, spiraling like a snowball, in amateur performances we played queens, oh well , yes, yes, yes, during this very bagen rhapsody we played, sang, sang to voices, sang to voices, yes, we had three people, me, a bass player and a drummer, where we there was an amateur performance, we were given this equipment to play, and the person who was in charge of all this garbage, but he graduated from the gnesenka

institute, that’s all for us, and he trained as a scientist for you, yes, no, we asked him to just write this one out for us. .. try to create something, something doesn’t work out, another one, well, at about 14 years old it already worked out but i started trying to create a group, then one to create a group, at 15 we were already playing queens, tell me, where did you find cellmates for the group? and i studied at an architectural college and... my party neighbor, i see him sitting there and so, i say, you know how to play the drums, he doesn’t, i say, there are courses here, just go there, he learned in two weeks play , according to the notes, and the bass players found everything on the course below, they probably existed in this for about four years, but what were they called, like seasons, something like that, but tell me, and something yourself wrote, yes, i wrote a lot of pieces, we

played half of, we played a few songs, queen, a few songs, dee pople, let zappelin and pink floyd. everything else was mine in pharmaceutical language, but show me, i don’t remember, okay, i know your good memory, so that you don’t remember what you wrote, i’ll remember now. that’s all i remember, but there were more of them, there were a lot of them, tell me, why in english right away? i couldn’t write in russian then, but i could write in english, and i understood probably two words out of twenty, which i wrote, here, but since we copied all the other groups,

these words lined up in some kind of chain for me, the same person who was in charge of homemade work there, he says: “well, you’ll probably become an english folk poet , i say , listen, and then, when i learned the language, i tried to translate what you sang, no, it was all complete improvisation, i don’t even remember how i remembered the words that were there, what ’s interesting is that it was later, when we already lived this in the usa, it grew into normal, i already wrote normally, without inventing it from recipes words, everything was already clear, alexey belov, well, a song? i think you have encountered this more than once, with this very substance about which we will sing this song.

there is a ghost machine that that remove and the will you hear steel and speedy pumppy root and let's try them inside of your b'.

you're talking very clever and then the law again.

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at a delicious point, scanned the code in the application and won a million yandexplus points. believe it or not, you want a million points and millions of other prizes under the stickers in the app, it’s delicious, period. now let's return to the blessed year of 1978, the vocal and instrumental ensemble nadezhda, where did you join?

a little later, this was already in the eighties, tukhmanov really loved this ensemble of nadezhda, their vocal group, as far as i remember, all these choirs, everything was sung by this ensemble, he invited the whole group and the leader to the next recording band mish flotkin, says: david fetrovich, listen to our guitarist, come on, i turned on, played, that’s where it all started, tell me, and kolya kuzmyanykh, he appeared later, right? appeared in the live lineup , the three of us recorded the ufo album, when we were already supposed to go on tour, we invited kolya kozmenykh, well , he’s just a fantastic person, and on the tour of 1994 he joined gorky park, yes, tell me, on drums dimka serebryakov played for you, but he played on recordings at concerts, he didn’t play, he started breeding dogs, then, then he began to paint pictures, rearrange the piano in four tones,

he had many hobbies. also a famous drummer, he was also an experimenter , he says: can you imagine, if drums appear from a coffin, the lid opens, blue smoke comes out, i say, but what about blue, unusual, i was told in one case, that’s what the group was like , who sang only about the dead, blood, skulls there, they had a fan, a guy, sixteen years old, this guy’s older brother got married, that’s when he became question, music...

moscow was banned, why? and why? well, david fedorich told us later, we performed in sochi, that’s when we arrived in moscow, he says, the deputy minister of culture came to the concert, he banned the group, he simply banned it so much that we couldn’t go anywhere at all, not to any philharmonic society, there’s a black list everywhere, we tried to get through the local councils , we sang how beautiful this world is, look, don’t care, absolutely, goodbye, so we survived for a year and a half in different... underground underground restaurants there with the same mosaic, with along the ruts and all this brought out one interesting information, that the main reason for your disbandment was that you wore leggings on jeans? no, he didn’t see leggings, this deputy minister of culture, the fact is that i saw that edie van hellen puts leggings on jeans, we traveled to different cities and came to one city, i put leggings on jeans, in this city they give photo by chukhmanov,

who wrote victory day. before she was told about the sports palace, yes, i know, of course, there are speakers like that, in one of the columns there were bins, so-called, in them you could climb, a man climbed in, his legs were sticking out and he measured the decibel level throughout the whole concert, also to the back of the party, only aleshin and i usually sprinkled seeds there, and the first row was always occupied by party and government workers with the first chord, seeds rushed from the speakers. they always looked up so beautifully, because it was unclear where it was all flying from, but it was normal, we were also banned, but not for our own sakes, we were also under the red line in araks, forming into some groups

after that, you changed the name every day , we they changed the name every day, and then i got terribly tired of it, sashka marshal came to my place, he also needed it later, and then that was enough for him too, good company, good guys, alexey belov, globalist. your shadows in the number, it's moving beautiful and slow, just touch and go, i'm reaching out illusion, hear your whispering

footsteps, i follow them to get me close to where you are, i was so rich, i was so trying to get myself into a trees, i was so desperate, that is so amature, the hold lamp and the extreme. i was scared to get all, and i was scared to losing all, all the control i'm rich and not to

illuse you, hear your whisper in full steps and follow them to get me close to where you are. i miss you so much in the straits of a cold world, i will wait, counting every beat of my heart, where are you my friend,

well, let's move on to gorky park, so this is the year eighty- six, eighty-eight, eighty-seven, the middle of the year, how are you ended up under the wing of stas, i had previously written about the arrangement, suddenly vitaly bogdanov comes, who during this time this terrible period when we had to survive, he was essentially our manager, he says, i built a studio right where stas namin’s group was rehearsing, he says, fire at it. and lvov and the drummer and i started firing, i already had a bunch of preparations made, and we started recording, a ring of socks appeared, bogdanov told him too, but the fact is that we made some preparations with him while working in a restaurant in the cardiology department center in the studio at night,

suddenly it started to work out, astas walked i watched, at some point he realized that we had succeeded, and he offered us an agency contract in order to sell us somewhere, well, that’s how it appeared. right during the recording, i started writing an album and he was working in a restaurant at the time, i came to him, we had known each other for a long time, and i told him, sasha, let's try, he was so skeptical - after orax, probably, i think , yes, he says, okay, last time, and we actually finished the entire album with him, so the second guitarist should have been glyzen, he agreed, said , yes, somewhere now, when we needed to work with the scorpions, we took ian, and he became a member of the group permanently, the name already existed or stas came up with it, at first there was no name , there was one person, arrived, or whether he was from canada, i don’t remember, so we sat. we had a meeting and he said: well, you

’re in gorky park? here, he says, the book came out, the film came out and won an oscar. sure enough, a book about spies came out, gorkov park, and we looked at each other, okay, it was the group’s decision. tell me, did you write together or did you write the songs alone? at first, a lot of noah songs were written, but when we arrived in the states, something began to change for us. the first visit was the eighty-eighth summer, when we came to... and many others there, and he said, why don’t you want to record this song? he says she looks like a weitze, so what, what’s wrong with that? no, we want to sound like us, well, you want it that way, okay, and we threw out a huge amount of material, especially everything that was connected with wild sex, at first we had a lot of that a lot, and we started writing new material, it was completely different, since i participated equally, well, actually, it’s still a joint loan, right? i immediately told him, even when my songs were 90%, i told him, if, let’s be like

lenana macartney, he happily agreed then, of course, let’s play songs, come on, now we’ll play a piece, special, we decided to invent a car with five driving wheels, five driving wheels, taken for the r man, i say turning to my

room, i see, this is how we wanted, i say the head bird inside them i say.

step to my fall job!

in your b, see the spirit lies in the truth, well you're out for me go to the yeah yeah

we don't got now let me show you how yeah yes and tell me, the signing of the contract with polygram happened thanks to that stas released you in front of the scorpions, right? no, the scorpions had a manager, very famous, i forgot his name, he had many groups, this figure, at one time he made

a musical completely without any rights beatlemania, beatle was sued, he had to... this is modern cool, and they were on a polygram, that’s where the polygram actually got stuck, but tell me, well, without knowing english, that is, only you had english, but we have a drummer, for example , didn’t know a single word at all, when the manager went with him to the store, he needed to buy something there, he pointed at the item and

did so, yes, yes, yes, love, sasha, well, the marshal mine, too, without a tongue, no, no one told me to speak, but... they grasped it quite well quickly, here is marshal, he picks up key phrases very quickly, and he can weave them, so to speak, into a chain in such a way, it may seem that he knows the language very well, yes, yes, but after a while everyone already knew, of course, everything they spoke beautifully , but tell me, but the polygram, of course, is there in bunjov, acquaintance with western artists took place in some music clubs, studios, in the yard, he had one - as they call it a backyard.

you see, we selected the material, this material had to be combined with a symphony orchestra, you know, but if we started playing, then of course it would have nothing to do with it, but i want to tell you, it wouldn’t hurt, cool, play a verse. to say which one of us is right, everything i'm always but now easy, nobody wants to believe me, guess i'm just the kind that won't give up, tell me what we can find

that time, but yeah.

you can roll the dice for me following the grows that doesn't like

yeah.

i'm scared, let it walks again, i'm scared, let it walks again, i'm scared.

it wasn't scary, no, i remembered that somewhere maybe in the early nineties i stopped by stas nomin in gorky park, and at that moment he brought frank zappa to moscow, frank zappa was generally an amazing, absolutely, very funny passenger, i watched the picture, there was a small buffet there.

i had to work it out later, so we got a good manager, his name was tom hewlett, at that moment he was the manager of the beach boys modi blues, several other teams, but until his death he was the exclusive producer of elvis presley. tom was once a promoter, and of course he also promoted frank. and from him frank i found out that we had arrived and the first person who called us was frank. and every week we were visiting him at home, and i brought him this song to moscow colin, we brought it. they recorded it, it was a demo, and he said: it’s long, it’s long, it’s not good, i want to send it to london, but it needs to be cut, and frank was already sick with cancer at that time, i ran, that means somewhere in the sunset, i found it studio, they cut it out, i bring it to frank, he listens, there are clicks, these same digital clicks, no, this can’t be done, he calls the sound engineer, says: listen, let us drive our system and

mount it, he says, they have 44 khz, our system is 48, and what do we have, we have sony, digital, old, you can use it, a person with cancer, drove it to this the very reel, unscrewed it, and it was unmounted and delivered to london, spent an hour and a half of my life there, i don’t know, that’s what a person means, you can find a person anywhere in the world, believe me, we met amazing people in los -angeles, in one famous house, we met a wild number of... high-class people, all they are normal, 99.9 are normal , the rest, well, the drummers, in fact , the drummer’s bassists are still the main people in the team, because they are responsible for the rhythm, so they must be protected, yes, usually they stop protecting the drummer after he comes to the group and says: i also write songs, we play acoustically, but that’s according to...

lennen, the cynical one asked ring star, the best drummer in the world, he, in my opinion , answered that he is not even the best in the group, now he will be a song about the place where we were at one time with a group of parks, probably spent the most time, this is california , you know, because little is known about the group , in general they have no information on the internet, in fact it’s been years, years, years, years, it’s been there for more than 10 years, i discovered an amazing thing there: i saw there a huge number of young people who travel from all over the world , in los angeles, everyone wants to go to hollywood, sometimes i forced myself to take a car at night and go to places where even a black person is not recommended to go, it’s simply dangerous, so i went there, and a lot of music was born after that, now i just want to sing a song about this.

ground speels inside my head and i can drive anymore just b my b it down and dream on what the was before promises my promises they take me all the way to your street california promises they like be openside of the dream

i see the shoutoudos on the street, they come and safe for good sleep walken with broken bones they come to hollywood and you must go on and keep on playing. promises, my promises, they take me all the way to extreme, my california promises, they like me

up inside of the stream, stay, stay, staring in the sky.

promises, my promises, take me all the way to extreme, my california promises that. take me up inside of the tree, my promises, my promises, let take me all the way to exceed, my california promises the me upside of the dream.

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if you like it, open an account with tenkov investments and get a starting 50,000 rubles from the bank, you take the income from this amount for yourself, and if it doesn’t come, then you don’t need to compensate for losses, tenki’s investment is just tenki’s.

you went to america for 2 months, and stayed there for more than 10 years, hit parades, limousines, girls, etc., etc., no, we were told that, you are going on tour for a couple of weeks, then you will come back, sit at home there for a week, then you will go again on tour we went and for the first time we returned not to the soviet union, but to russia 5 years later, on tour. but tell me, but you have become so famous that about you foreign artists found out, it was like this, well , we saw a huge number of simply amazing people, you know, an amazing story, the first song that we learned in amateur performances, i saw the album of the group depople, stombringer, that’s the first song that i liked, it was called hon, this song. i always sang everywhere in groups

, one time we came to visit our friend, she is a famous photographer, and i saw a man sitting, with short hair, an accent not american, i could immediately hear english, i said, who is this? she says, glen hughes is from dipepol, i don’t care, it was i who sang his song, i already knew that this song was by glen hughes, and we met, and somehow we all got on the phone and we said: “glen, come to come visit us, we have equipment, we will play, listen." he arrived , and we were crazy, he had such eyes , we started to be friends, he started dragging me to all sorts of jams, he is a bass player and a fantastic singer to this day, he sings now like then, so he jammed with musicians from gunson roses, so i stood there, listened, we have an album coming out moscow colling, it’s his birthday, he invites us to his birthday, i gave him an album, and he says: i have a favorite album, then he comes up to me and says: alex, write me a song like strange. the song we started, stranger

next to me, here, but it didn’t work out , it’s impossible to walk in the same water twice, life is amazing in general, there were a lot of such meetings, a lot, a lot, i saw the president of america, i saw each other, we played at the good games goodwill games, and we are there with a choir of 600 children sing the song balad try to fi, a huge stadium, there are 120,000 people, everyone crowded behind the wall of the stadium. and we are standing there, we , moody blues, suddenly look, there is a tall figure coming, he turns and approaches, there are a bunch of people with him, and he says: you know, reagan, they have a protocol, here, here, here, here, here, you know, like in chess , with a knight, so he broke the protocol, having learned that the russian group was behind this, he came up to us and began to rub in us, which means stories, purely like an actor, waving his hands and telling how his wife created organization, say no to drugs, more...

i won’t tell you anything, but tell me, is the public in europe and america different or not? i think, except for one country, the audience was the same everywhere, it looks like there was only one country that surprised us, it was singapore, we performed in the amphitheater, bonchey once performed there too, we started playing, and the first rows went crazy , and the rest there, how many of them there are, 1.4, are probably sitting there, so calmly, we’ve finished playing, i say, why are you doing this somehow very modestly, what are you, what are you, he says, this, this is the maximum, a few years ago, when someone stood up at a concert, he immediately received a rubber truncheon. on the head, i say, so , why did the first two rows just go crazy, these are russians, he says, come on, no, cool, good people come there, good people also come to our apartment building, alexey belov , the globalis orchestra, well that, yes, the time has come,

we can dance, finally, wow,

st by over the ones that never knew that was you, so in the picture, looking like a goddess, not the reason you had it in the darkness, close in your eyes, you'll never turn now. you're awake and no one likes you, no one stay, still makes me stay,

we can do it together, stand up away always standing away, we can try it together.

the demises and your eyes about the lies, send them away.

alexey belov, globalist orchestra, and you know, i take this opportunity to introduce those who are helping us today, natashaeva. very famous singer, everyone knows her very well in professional circles, kirill - guitar, roman tratsenko - keys, mikhail ravdugin - bass guitar, maxim aleynik, without him we wouldn’t have moved, the globalis orchestra and leonid butinsky, huge respect, i can’t imagine how they got down to this business. but it was courage of the first order, i would say so, i wanted

to ask you about this, enough time has passed when parkova ceased to exist, in principle, why don’t you get together again, repeat the success that was before, we decided to do it in the end, we really got together from time to time, but there were no tours for more than 25 years, here is the first one now. once in 25 years there will be our tour, it will start somewhere, probably, maybe at the end of spring, at the beginning of summer, but in priority, in priority we have new material, this is the main thing, class, but tell me, from the old line-up the marshal there will be, but what about without a marshal, who will be in command, then call me, marshal, sanya, you promised a surprise, alexander, i brought you such a disc, it’s a mosculion record.

thank you friends, i finally lived to see this glorious time, gorky park, gorky park on the apartment building, friends, well, the song is good you know, i'm sure the words too, let's just do it like at a real rock concert, when i show you some things, repeat after me, nothing bad will happen... if he jumps out the window, then right after , thank you, the start was good, i will show you some things, well , rock and roll in the good sense of the word, let's go!

when i hear a voice i want to get stuck for. i won't get paid 20 weeks i stand alone, i have no one else to call them say, but it doesn't get through, i'm going on, i think i'm going to break this telephone, oh yeah , all right,

"thank you, good health, good brides and grooms, thank you, friends, from the bottom of my heart, thank you, zheka, i'm off, thank you, guys, usually when we shoot olga kormukhina, you are such a berry on the geststar cake, but here it’s the other way around, olga kormukhina, finally.” we just took the places that we occupy correctly, as it should be, i think, today in life, today i have a great opportunity to be myself in every sense, as a wife and as a musician, okay, it’s bitter, then, we’re at home, we can

really, really, this piece is about to be performed, this is all that is in me, and, probably, i think that in many russian people who really understand, that a russian person does not just belong to the territory, there to the language and so on, it is still pushkin, and dostoevsky, and musorsky, and prokofiev who should live in you, and today is a very joyful holiday for me, today is here the great poetry of pushkin and the music... of my favorite composer will be heard, i tried to get 10 from him years of this work, but actually, that’s enough, we’ll show it.

spiritual thirsty! in the dark desert i drag myself and the six-winged seraph at the crossroads appeared to me with his light fingers, like a dream he touched my mornings. the things of the apple of the eye were rejected, like frightened faces;

he touched my ears, they were filled with noise and ringing. and he leaned into my hands, tore out my sinful tongue, both idle and crafty, and

pitifully wise, clearly, exposing my frozen ones, he put them in, bloodied his right hand. and he pierces my chest with a sword and tracks my heart to the weblin and ubl the chest, blazing with fire, is pushed open. i lay like a corpse in the desert, and god’s eyes

cried out to me, rise up, prophet, let us go, be fulfilled by my desire, and going around seas and lands, wait for the heads of people’s hearts.

it’s my kids, it’s ours, come on brother, let’s go,

woah!

olga korbukina, alexey belov, orchestra, globalis, olga karmugina academy, alexey belov at the gintv apartment, hurray, thank you, god bless you, i kiss you all, well done, you are

well done. thank you, thank you very much.

hello everyone, this is a dacha answer, i’m ilya zapadentets, i think everyone in their family has here is a similar example in white and blue. our today's heroes have a whole collection, they are generally very sensitive to old things, books and the history of their almost hundred-year-old house, we will provide a winning place for such treasures in the kitchen, we will break this wall, there will be a single large space, and the colors for the new kitchen, we’ll borrow from the dining room and living room; our hero igor zhitenev’s grandfather bought part of this house for his family in the village of malakhovka. the building is almost 100 years old, over the years it has acquired extensions, but in the family archive the old ski-facade plan is stored. documents from the founding of the house, 1927. the first owner is sergei fedorovich plevaka,

the son of the famous lawyer, lawyer, yes, moscow fyodor nikifrovich plevaka. in addition to their children, who grew up in the family, they adopted a boy, the grandson of the artist verishchagin, and he was a fairly famous person. to journalists, in some interviews it is the line of this house that runs through, they say when we lived in malakhovka, we studied, were educated and so on, when you read this, but here i am walking along the ladder, they also walked along it, seryoga forward , faster, faster, faster, come on , otherwise it’s hard for me here, so christina, where is the sun, we’ll plant it here too, svetlana moved to this house with igor 13 years ago , although they met while still students, she at a music and pedagogical school, he at an aviation technical school. they met briefly, but their paths diverged. svetlana managed to get married, give birth to a daughter, get divorced, and then, 20 years later, she opened a computer, and here i have...