arisanich, i brought this treasure of mine, a treasure box, i never showed it to anyone, i’ll show you, this is my collection of theater and film actors collected since childhood for 7 years, which was published by the union information bureau, yeah, here, well, i don’t know, probably , already about more than a thousand.

we then wandered all over moscow, all our parents worked, and we were left to our own devices, it was some kind of free life, and we in the morning, i think it was may 1, when the demonstration was going on, and we were under what , firstly, by passage yards, under cars, something else, there were four of us, we got close to one demonstration and joined it, and there was just a signal, and

with this demonstration to move towards red square, and that means we moved with them, then one of us moved said stanya will be on the right side, we get in there closer and we are closer closer closer everyone says hurray long live stalin hurray hurray well and we shout hurray for stalin hurray hurray hurray i see then i didn’t even know that this was the politburo, but it was all the politburo standing and...

sheviks since 1919, supporting communist ideology, he headed the main construction department of the people's commissariat of communications of the soviet union. six months before the birth of his son, viktor alekseevich was arrested and declared an enemy of the people, and after another 6 months he was sentenced to the highest repressive measure, execution. he never saw his sasha. i remember that. when stalin passed away, my mother cried, despite the fact that we were expelled, my mother and i were expelled from moscow within 24 hours, but then i did not understand anything, i only remember a two-story building like a barracks, the war was still going on, i remember the courtyard, i remember some kind of raspberry bush, i found some raspberries, i remember apple cores that we...

collected, yes, it’s funny now, but i didn’t then understood, but i think now many people still don’t understand who stalin is? until the end, until history has revealed to us all the secrets of this, but i think that some more time will pass, then they will completely determine how to count, but my relationship was, so i shouted, long live stalin along with everyone, mom alexander viktorovich, zbrueva was a hereditary noblewoman, she studied at the film technical school with alexander row, who later became a world-famous director and storyteller. before her husband’s arrest , tatyana alexandrovna was an actress, having given birth in moscow, she and two-month-old sasha and her son from her first marriage, evgeniy, were sent to

the rybensk correctional camp as members of the family of an enemy of the people. in 1944, bruev and he were allowed to return to their moscow. apartment, which became a communal apartment, where they celebrated victory day. the three of us lived in one room, my brother, who is 14 years older than me, my mother and i, i was sleeping, suddenly there were some pops, shots, something else, i woke up from this, i looked through the window, our window looked out onto the arbat, and my brother was screaming , hurray, yes, long live, victory, yes, me too, not much, but i also jumped out there in shorts, and i also saw

that stalin was gone, in general it was difficult to say anything or tell anyone, i raised you instead of my father the yard, the yard was so very heterogeneous, it was a crazy yard, god forbid you touch anyone, one for all, all for one, back to back, there was such a friendship, try so that when someone passes by, something about someone, this person will remember for a long time that... the yard taught me a lot, the yard taught me a lot . yards can be dangerously different. the childhood yard of alexander sbruev on the old arbat, today fabulously expensive hectares of moscow land, with historical mansions and elite

buildings, then just a yard with boys' showdowns, but with a view of the vakhtangov state academic theater, on the stage of which. oh, you end up here, we have a good secret place, yes, it’s not secret, everyone already knows about seabreeze, relax, guys, via superstar, today we will sing the songs of our

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dancing, and the courtyard in me, when i still entered shchuka, i left a lot, it was very difficult for me, because these guys were a little different, by the way, sasha belyavsky, lyuda maksakova, vanya bortnik, wonderful, studied with us, and so did he there was a street guy, absolutely, and maksakova was a diva, a daughter, and maksakova, this is something like that, only crowns on she wasn’t, but of course, our course was like this, half were adults, and half

of the people who had just arrived from school came, so they learned a lot there from sasha bel. zenoviy vysokovsky, they even already had families of their own, some had children, sasha belyavsky, for example, he came to a lecture, and did not just sit, listen to the lecture, at first he told everyone that he was writing down what they were saying, and it turns out that he did the translations, he did the translations into english or from english, that is, they already have some kind of other life they were still close to this, and we... then we were completely immersed in what we later became, so why did not the street crime win in your life, but the great theater? my mother was friends with nadezhda mikhailovna vakhtangova, they called each other from time to time, in the summer they even met in plyoskoye, when there was a holiday home, they spent time there together and wrote to each other, and

so on and so forth, i studied very poorly, and so did i there’s nothing left to do except add up the numbers and... extract the roots, this is probably the theater, my mother is like that i also vaccinated my brother, about the theater, the love of the theater, in all likelihood , me too, because i’ve been in the vakhtango theater, well, since those years, well , i was just above this table, i went to the vakhtango theater, watched, well well, everything that could be watched several times, i watched, despite the hooliganism that was around, and i... myself - in general, i actively participated in everything with the guys who were older than me there, about 10 years old , at 15, well, god forbid, something like that saved me from some things, whenever, maybe i wouldn’t have become an artist, my mother played a big role, of course, in this,

my mother was there because she knew nadezhda mikhailovna, she said: cook something there, read it.

works for us, could you help him, maybe you could cook with him what he read to me? thank you very much, yes, i hug you, goodbye, puma, put it down, she says, i called denis andreevna andreeva, a folk actress who teaches in pike, i came to her, the thunderstorm was absolutely terrible, she was very visible i was afraid of this thunderstorm, the window was open, she... says, listen, i won’t get it, please close the window, so i climbed onto the windowsill, closed the photo, she calmed down, she said, well, we’ve already done one good thing, she said she, now let’s read, let’s read it straight line by line, well, in general, in one word, we are, as they say, prepared, well

, relatively prepared, of course, i didn’t sit in this the way i should have sat, listen, well, how.. . bales, as the university is called, its graduates speak of it as a unique forge of stars, throwing off his great pride. one of the features of training future actors at the shchuka theater school. is that all university teachers teach all students, regardless of the course. alexander viktorovich sbruev calls vladimir abramovich etush one of his favorite teachers.

how was your relationship with him? he was very strict, very strict. he never laughed, we were afraid of him and respected him madly . he recruited a class of 34 people, in my opinion. and 19-20 people graduated, it was the rigor and attitude towards the work that we were engaged in, should have mastered, that is , he eliminated mercilessly, he was strict, fair, you could approach him with something, to get advice from him, telling him some story that worried you, he could also watch without any manifestation on his face... he says, i'll think about it, he left, but i'll think about it, he came back the next day, apparently, this hooked him, and he called this

man and said: you know, i thought here, that's it, what you told me, in general, you spun this whole story the way it should have been to promote it, we loved him madly, he, in my opinion, one of all the teachers... had a car, some kind of old, old car, and we always went out onto vakhtangov street, always saw him off, shouted: " vladimir abramovich, we remember you, we will not forget you." despite the popular love and respect of professionals, alexander zbruev is an incredibly modest person; even his eightieth birthday did not include any magnificent celebrations.

for the first time an american of bombs under american bombs in the donbass, how he will be greeted on the other side of the screen, the tenth year, you just they remembered us, that’s why i’m here and how he will speak when he sees everything with his own eyes, we will show the american kuzka’s mother, today at 6 pm on ntv. via superstar premiere. today at 20:20 on ntv. with the tenkov platinum credit card they do not charge any fees or interest for transfers. tenkov platinum

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do you have a megaphone? you can call via messengers even without money. megaasila communication at zero is already included in the tariff for free. our subscribers will not be left without communication. and remember, he is on a megaphone, he has mega power. call me if you need me. megaphone word. legendary lenkom theater, once a tram, a theater. working youth, later the moscow drama theater named after lenin komsomol, today the lenkom state theater, mark zakharov. mark anatolyevich, the great director of our time, directed it for almost 50 years, the cult of zakharov is justified by his outstanding stage performances in cinema, but the injustice of such a judgment , according to alexander sbruev, is that even before zakharov

the theater was a place of power. and pilgrimage of spectators, you are the oldest artist in the country who has remained faithful to one theater for 62 years, then there is mark zakharov, even evgeny leonov and tatyana peltser came to the theater later than you, and mark zakharov, i came to him, and he came to me, there is a 12-year difference from your arrival to his arrival at the theater, yes, it’s amazing, but all the time they say zakharov, zakharov, and this. that’s right, zakharov did a lot, but the theater is 95 years old, and he worked there for the last almost 50 years, but before that the theater existed for 45 years, because this theater made it and this theater broke through, ivan bersenev, and thanks to him this theater began to exist, in this the theater worked and

geotsintova and birman,

it’s true, i really admire mark zakharov, but it’s true, how do you feel, it ’s some kind of duality in me, he did a lot in the theater world, a lot, this is a cinematography, these are the performances that , but sasha shirvint, when he was already old enough, he said, you can’t stay too long, the time is different. it’s arrived, i have to leave on time, i’ve done my job, yes, i have to leave on time, give space to another person, the first time i saw zakharov as

an artist, there was such a theater of miniatures, and since my classmate vysokovsky, zinovy, started working in this theater, he somehow invited me, said: come, watch our performance, i came, looked and... saw some strange person there, who, therefore, played there, well , he didn’t make any impression on me, well, he played and played, well, somehow he didn’t have that stage charm that an actor should have, even playing a very negative role, as zakharov later said, in hollywood, when they make a film, there is a villain in this film, even he has to be in something... didn’t make any impression, and once i was cute, well, in general, this actor was walking down the stairs towards me, down, a man was running towards me through three steps, and i just saw him recently there in another theater, i said,

what are you doing here? well, he rushed something to me, and a week later he was appointed chief director of the theater, he needed something from me... i looked in saratov, there was some kind of pause, during this time oleg had already acted , two comrades, a brilliant film, and a shield and a sword, and it was already popular, so he immediately took it

for yankovsky, evgeny pavlovich came to the theater, thanks to kimyan, chyurikova and oleg came, so he began to build from them, in principle, from them he began to build a performance. zakharov did not forget the first sbruev, but did not particularly spoil him; there were roles, after all, zbruev, a people’s artist, adored by the audience, but not the main ones. in the close circle of mark anatolyevich lived oleg yankovsky, nikolai karachentsev, and later alexander abdulov. he saw only them as the heroes of his big projects. mark anatolyevich was very fond of very famous artists, so he appeared. very famous actor bronevoy, tatyana ivanovna peltser, oleg yankovsky, evgen pavlovich leonov, he made sasha abdullov, he made him, sasha abdulov should have erected for him,

sashenko, dear, should have erected a monument for him, sasha loved zakharov very much, and he i just called him my father, this is my father, he is higher for me than my own father. sasha, i think that in his time, he was the best actor, he was simply brilliant, another thing is that he took a huge amount of what should not have been done, there he came to some film and said, so we we’re shooting, we’re shooting such and such a film, damn it, but i thought, i’m not ready, i was absolutely sure that today he was bringing me to another film, so they gave him some papers, letters, what are you doing?

people's artist of the ussr inna chyurikova understands that the main female characters in the performances of mark zakharov, given to his daughter alexandra, brought her husband gleb panfilov to the theater as a director. she played all her outstanding roles in his performances. zakharov did not invite anyone, and if he invited someone, then the performance was very filmed often. this was probably my conflict. the internal one invited kostya

bogomolov, he offered me to play boris godunov. i played it as varisanov. i already understood that this was a completely different director. and when i came to the rehearsal, he amazed me with some things that were very similar to anatoly vasilyevich efros. i got into it very easily. zakharov doubted it, but they gave it. a wonderful irony, by the way, he had, well

, kostya told him, well, after this performance, should there be applause, since they were behind how the play ended, well, the conversation was crushed, we played the prince 12 times in total, some kind of commission was even created that found out how many spectators were leaving this performance. to such an extent, you understand, it’s not just like that, they let me finish the play, it was my birthday, and zakharov said, well, today you will play this performance, then we’ll film it, it happened, why did i say he’s a different person, he incredibly talented, but he is a different person, how many people have suffered because of this, internally, how many rehearsals there were. so many good things were found, new,

interesting, but with one stroke of the pen, suddenly everything is removed. do you love theater as alexander sbruev loves it? he loves, but understands well what an actor’s lack of freedom and total dependence is. we will return to alexander viktorovich immediately after this advertisement. every third business develops with an ecosystem circuit, based on... 20 cars 20 times the winners left

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even more juicy filling with tender mozzarella baked chicken, mega cheese pizza from the hot thing. it’s natural to sleep soundly at night within 20 minutes. today the hero of the project is once people's artist of the country alexander viktorovich sbruev. he is a favorite artist of many generations and one of the most important heroes for me. in your theatrical life a special place was occupied by the brilliant director anatoly vasilyevich efros, yes, it was a strong, my strongest impression in this profession from anatoly vasilyevich efros, it really is so. the amazing impression

was that he did not take on works until he was a co-author, and he was a co-author of everything. efros headed the lenin komsomol theater in 1963. zbruif had already been on his staff for more than a year. efros noticed the charming smile of the young artist. immediately and without hesitation, he used it almost all his performances, becoming the godfather in art. on the wedding day, 104 pages about

love, my poor marat, a movie is being made, the seagull, molière. after 4 years of triumph, efros was fired with the wording of inadequacy for the position of artistic director. true, they didn’t leave me without work, appointing me as the next director at the theater on malaya bronnaya. why didn’t you essentially follow your teacher? the thing is, when it happened, when the officials won, as always, a terrible meeting gathered, we had, terrible, there were actors from other theaters for efros, efros, efros, nevertheless they won, and there was such a director, hares, he was the director of the theater on bronnaya, he called efros and... said: i have the opportunity to take eight people, and anatoly

vasilivich efros gathered there were 12 of us, he gathered, i was filming some kind of film at that time, i don’t remember, well, they were nothing special, they came to his house, and he said, there is such a proposal, we have to choose, you yourself will participate in this, those are the ones. nine people who give us, because then gaft worked for us, and there were wonderful actors then, sasha shirvint, misha derzhavin, misha derzhavin did not play anything with efros, but they were very friendly with sasha shirvint, so if you take shirvint, then derzhavin, there can be no division here, then derzhavin, lyova durov , who came from the children's theater with his wife, if you take leva durov, who... was devoted to efras until the last two years, when the irreparable really happened, without his wife too, and he also took the actors who

came with him from the children's theater , saifulin, lakerev, tosha dmitrieva, a wonderful actress, and olga yakovleva, and olya yakovleva, of course, yes, there were still some two or three people there, i realized that something was wrong, i... before leaving he told me and lena konevsky, as soon as possible, they will call you and you will come to us, agreed, agreed, in six months. yes, suddenly a call, hello, they are talking to us with little armor, so anatoly vasilyevich would like to

invite you and leonid konevsky to our theater, well, of course we took off, came there, anatoly vasilyevich says, i congratulate you, lenya is there, yes, they came, they immediately gave me a role like her, there are two performers, olya yakovleva. and there was such a director for me back in vesnin, and he staged this play, he wanted us to play this role, i went to one rehearsal, which means then on the second day, the second there is a third, and something vesnin somehow told me no not so, for me it was completely different from what he could have said, anatoriy vasilyevich was there, then he called and said, well, i say, well, something like this, well... nothing, but in general let's see, i say, and he promised me some other role, there will be

a new performance there, you will be there, a week has passed, and somehow i go to the buffet, everything is somehow not mine, sasha came, shirvin, olya yakovleva is there, lyova durov, someone else, they seemed to me to be completely different, some other people, no worse, no better, but some others, they, it’s not mine, something like that. it’s not all mine, i came to one rehearsal again, and then i didn’t sleep at night, but kozuli vasilyevich came and said: “anato vasilyevich, i’m probably a nostalgic person, i’m so i even miss my arbat, where i haven’t lived for a long time, it’s very hard for me here, it’s very hard, he says, well, what do you want, he says, i, well, i can’t, i don’t know, i’m not in the right place. i was offended, i left, i was very worried about this, lyonka stayed,

konetsky was there, some time passed. call, sasha, it’s you, i’m talking, and this is anatoly vasilyevich, yes, sash, i’m now going to make a film based on our play, my poor marat, i want you to play marat, olya yakovleva played lika and leonidik, levo is round so that your composition remains here, how do you feel about this, i say how happy i would be, he says, i promise you, you will only have positive ones. emotions, i don’t bear any ill will, i understand you, this was the story with anatoly vasilyevich, every wedding ends the same, the newlyweds retire to the bedroom and decide, i prefer investments, where to invest the donated money, investments in the future, i agree, but first we’ll open deposit, with interest on the sea, with sberbank, everyone will be able to

profitably increase their savings. i return to this treasure of mine, to box, where we started, there are a huge number of people with biographies, stories behind them, i know a lot of things, what should i do with this treasury in 10 years? 20 will it be of any value? every person you have here, he brought at least a small particle of the joy of understanding to the person who saw him and who took something from him for himself, and if he took something from himself, it formed in his history, this

should not be lost under any circumstances. androm sbroev has great professional and human pleasure. he is a real witness of an era, complex, tragic, sometimes dramatic, sometimes romantic, powerful, bright, contradictory. following the agreements, i did not ask alexander viktorovich questions of an intimate nature, neither about wives, nor about lovers, nor about daughters. he has the right.