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Understanding 9/11tv Leningrad 46 NTV June 5, 2024 4:05am-4:51am MSK
4:05 am
look tomorrow, bury it, here’s the money, as soon as dolin takes the briefcase in his hands, we will accept it, and this is not my briefcase, this is my briefcase. you ’re disrupting our operation, it’s you, disrupting my operation, dolin should remain free, come on, tell me, sokolov has been digging for you for a long time, an ice cream guy, you can’t agree with him, from others, everyday life is in full swing in modern st. petersburg, people are rushing somewhere, cars are driving, as always,
4:07 am
complete immersion in history, if not cameraman from the future and distracting the director's team. so, at almost every step, the city itself became the main character of the film for a year and a half of filming. st. petersburg 2014, leningrad 46. my homeland, strange city, strange people, leningrad in 1946, well, this is such a wild west, where police officers did not have time to detain criminals, they began.
4:08 am
legs, legs, well, quickly, what was at that time was, well, scary, of course, we all understood this perfectly well, treated with great respect, caution and accuracy in the meantime, well, sailor, take out your piglet. times change, but the laws of the genre remain unchanged, well, since this is a very artistic film, a multi-part feature film, like in life there is everything, love, bandits, and relationships between people, very subtle psychological ones, it all began at the vitebsk station in st. petersburg . back, back, back, back, get ready, the camera is moving. started, let's go,
4:09 am
let's go, there was some kind of experiment, the experiment was that i would like this, i agreed to star in this story when four episodes were written, everything else existed in sirenopsis, here he is sitting, we get up, the next one is already sunset, he is still sitting, collecting things already, well, comrade danil, you are a former front-line soldier, why don’t you go to the cops, still on this , when he picks up, yes exactly... this is what you might have: dy-dy-dyn, they go down, he runs, he rises, and the back of his head already feels that this is yes, by the way, the leading actors, actors sergei garmash and evgeniy miller did not know each other personally before, their first meeting happened already on the set, and somehow, apparently, he knew about me from somewhere, somehow we immediately, he was married, we chatted, somehow we sat down. did you say something to him?
4:11 am
trenches and anti-tank hedgehogs. this scene is one of danilov's most vivid memories of the war. perey you can go. how so? and like this. you have atoned for your guilt before your homeland. bravely fighting the enemy in difficult areas of combat . take it. well, soon, in about 10 minutes the attack will begin. the characters' dialogue was filmed. transitions to crowd scenes. the soldiers are placed in position. moore. yes, we’re starting to crawl out, that means we’ve gone from here, look where you can crawl out, from this place, the main characters of the scene are entering the character, so don’t delay, there won’t be a command to stop, we’ll capture the enemy camp, we’ll win this war to the top, we’ll go
4:12 am
calmly home, camera, we started, and in the meantime the pyrotechnicians are blowing smoke, that we do smoke, landings, explosions to create an atmosphere, namely martial law, this is natural smoke, first of all, to create the feeling of this darkness of war, for me, for my homeland, for stalin, hurray, hurray! later in the editing, explosions will be added to slow down the movement of the characters.
4:13 am
and then like this. this line is bent, that he becomes a seasoned criminal, a big criminal, save the solomon injection, he always seems to live with the thought that he will somehow change his life, this is what he didn’t want to lose, so that he would straight definitely a hundred... an unambiguous bandit is all, now the viewer sees on the screen the ambiguous bandit danilov and understands that only garmash could play this, but before the start of filming, almost until the last moment, it was not clear whether the actor would agree to play this role?
4:14 am
i read the first block of the script for a very long time, asked a lot of questions, how is this, how is that, let’s try it like this, then he came to st. petersburg, it was very important for him to understand what clothes he was wearing when they picked out military trousers for him, so shabby, a tunic, a cap, a jacket, then everything grew together for him, look after the advertisement, falling into a dangerous seething whirlpool from a bird's eye view flights, stunts that risk your life, do not repeat. and how can you get away with something like this ? now there will be a feat of the people's artist. russia. leningrad 46. afterword.
4:15 am
he walked away and stood up. “listen, you scum, revenge, we need to see it through to the end, please, the fatal scene of danilov’s fight with grigory at the volkhov hydroelectric power station is filmed literally frame by frame, before each briefing from the stunt coordinator.” and according to
4:16 am
the script, the fight goes to the ground, now danilov , only performed by a stuntman, will end up on the concrete floor, one, two, three, bala, head, sasha, sasha, be careful, you were almost asleep with your head. sasha, arkady, let's move 20 cm here, once you do it now, after this movement you roll here, nothing more, everything is clear, meanwhile , injury-resistant doubles sergei garmosh and mikhail eliseev, mannequins made to full human height, are preparing for the shooting, so it’s quite difficult for one person to hold them, ask someone else to hold them, hold them up, i can’t hold two. says they put everything on his feet, he can’t stand on his feet, you you're kidding me, his knees are buckling, i
4:17 am
'm holding them with my knees, the outcome of the final fight, danilov and grigory are balancing on the edge of hydraulic structures, a double stunt jump from torzanka's family, that 's just... there's gas around the concrete vaults, pay attention to these guys below a rubber boat is waiting for the stuntmen, you can see how strong the current is, the rower is making every effort to swim to the stunt doubles, and at this time the cameraman is already filming the climax of the scene.
4:18 am
if you do it for the sake of art, now it will be a feat of the people's artist of russia, no more, no
4:19 am
less, turn on the camera, actor garmash enters the river, and comes out, crawling, crawling, tired, strong,
4:20 am
well, i would like to hope that means that the viewer will monitor whether the main character will remain alive, immediately after the advertisement, actor evgeniy miller will sing , two shore. and i, too, will tell you with the words how everything is supposed to be done in russian, everything about the truth of life in cinema, i’m eating ivanovskaya’s swearing, how to recreate the atmosphere of the post-war?
4:21 am
about danilov. the scene of the explosion of danilov's car was filmed in two stages. the chase really took place right in the center of st. petersburg. but the river into which the car fell is no longer a niva. and two banks, the volkhov river, sections are built into the parapet of the bridge, exact copies of the st. petersburg trinity bridge, only not made of metal, but of wood, the black zis is carefully preparing for the launch, like a spaceship, the car looks, of course, good, but inside it’s
4:22 am
already there is nothing, now it is already without an engine, without all the parts that... pollute this river, in a few minutes its last start: a pneumatic installation was previously fixed in the car, which is under a large pressure will push the car, in tenths of a second its speed will exceed 70 km/h. the air pushes it, it breaks away from the installation and flies further. the atmosphere on the set is tense, since there can only be one take here; of course, in extreme cases, something will be completed graphically. but the director’s group strives to make maximum use of live filming, and here, directly on the set, to monitor that everything is as it should be, so that i don’t know, there is no extra dust flying anywhere, which may be unnecessary in the frame, so that there is no dirt, so that there are reflections on the car, the last preparation, the mannequin in the role of danilov is put in the role of the car and the countdown begins on 3
4:23 am
2 1. director igor kopylov immediately looks through the footage, here is the movement forward, here is the movement back. i can say that in this sense i am a happy director, that we need to do the chase there on the troevsky bridge later.
4:24 am
foundry 4: this building in post-war leningrad and is still an iconic place. in 1946, the state security department for the city of leningrad was located here. this the building went down in the history of the city as a large house. now the fsb headquarters is here. federal security service. rostislav lyubvin, a specialist, almost forgotten in the film profession, consultant. he assures that he is ready to answer for every word spoken by the characters in the film, he personally checked it in dictionaries, mostly not literary vocabulary from the beginning of the 20th century, i didn’t understand who you are, what the hell, you shut your ass, fraer, otherwise you are now you will carry this sharpener under your rib, and not in your pocket, in fact, grammatically they always write not fraer, but fraer with ikrat, this is the surname,
4:25 am
a fairly common surname, a jewish surname. friar means some kind of well-attached element, this friar arrived, he’s been sticking around for about 15 minutes already, let’s go, the whole film crew had a rather difficult task, not just to film a detective story, but to show the era, i have signs, we made our own passers-by, we launched transport, well, that is, in this sense, it is already a fairly classic film production technology. what do you have there? yes , relatives from crimea sent nuts. it's clear. oh, my bus, yeah. the main enemy the film crew's struggle for historical justice turned out to be time: each new day left less and less chance of recreating
4:26 am
the truth of life seventy years ago. one of the most striking examples is problems with filming in the anti-banditry department. in 1946 there were two of them: in the police structure and in the state security department. this means you need to rent at two addresses. was some kind of key that opened the door for us, we just went through the door, through the entrance, i personally didn’t go through, well
4:27 am
that’s where you probably don’t want to go there again, the sergeant is free, rebrov’s office was completely built by decorative artists specifically for cinema within the walls of an ordinary st. petersburg factory, we are in the operatives’ office, it was built for about a month, there were partitions and other rooms old ones, we broke them according to the production designers' sketches, but i just remembered what you said yesterday about my mother, no, well, don't worry about that, i said, i'll do what your mother did in bed, otherwise i- that guy is hot well, you won’t succeed with my mother, right? she died in 1942 along with her sister and father in a concentration camp, so it’s just me, here’s to your mother, i have every
4:28 am
chance of getting there, in general, he’s so straight, he’s got a rib, he’s got a rib all his way, i’m also a lover of truth and he’s the same unrestrained person, well, we’re working on it as best we can.
4:29 am
did you see a particularly dangerous criminal driving a black dkv 2292? no, comrade, captain, there is a factory entrance, there is a tube, come after me, we went in pursuit, and well , the sound hangs on me anyway, i run out, i jump out, i say, that’s it, let’s follow me, i get into the car, i turn the steering wheel sharply, i turn it out, my finger clings to either the window, or whatever it was, or got caught on some kind of handle, and i ... you say everything in russian, but i understand that i need to go, they’re filming anyway, well, that’s it,
4:30 am
i’m driving, swearing at the whole ivanovskaya, the sound is heard by the director, i got out of the car, just there i have tears flowing from pain, they urgently found cold water for me, igor runs, says what happened, why are you swearing so much, i say, ah... i broke my finger, there is a recollection directly from the head of the department for combating banditry in 1946, at this department for combating banditry, they ran around on foot, they only had six cars in the city, well, we travel by car a lot here.
4:33 am
all movie scenes from the point of view of decorative artists are divided into simple and complex, i saw that this fight for... hogs is not particularly difficult, which cannot be said about filming using game props, moonshine is naturally not real, moonshine is diluted with milk, water and milk, fake stew, that is, empty cans of dummy, so that it is as easy to transport as possible, that is, when, well, if we have a can playing in the frame, of course, then if it
4:34 am
is opened, then we take a real can. we open this stew, almost a thousand cans of stew were ordered for filming, you think it’s stew, yes, it’s not stew, they can’t make stew in mariupol, and also drinks, dishes, stoves, potbelly stoves, but the most frequently flashed attribute in the film - a newspaper of that time, this is a newspaper of the year forty-six, which we’re filming with, we have it, we ’ve done a lot so that we wrap food in them, well...
4:35 am
you don’t have to correct anything, just film in 1946, please, here’s the building in which there is a hall and a wooden ceiling, all cut, all this is furniture, which is just antique, all this is original, this is not just decoration, this is of course, it is expensive to see, just to look at it, they started. old abandoned buildings, for stuntmen you can’t find a better texture, it’s not a sin to fall from such a height, to the applause of the entire film crew groups. falling from a height requires quite a lot of preparation, not only does the stuntman have to
4:36 am
protect himself. below there is a whole pyramid of cardboard boxes, well, firstly, the boxes absorb the fall, they would absorb the springs, and they would be thrown away. typically, complex stunts are not filmed all day long, with intervals for preparation and rest. preparing for another fall, this time from a window with the participation of another stuntman. we just took the old glass out of the frame, the blue bag removes the remaining fragments, we put the coscade glass back in, we need a frame, ours is white, that’s right,
4:37 am
the glass that is inserted is not tempered, when broken, it does not leave deep cuts on the human body, in general, what is needed in the cinema is effective, almost safe, maybe it will scratch the skin a little. on the hand there or on the face and nothing more. breaking glass with your body is only half the battle, the high first floor, you need to be able to land correctly on a sports mat camouflaged in the snow: if you push harder, you will fly for insurance, stuntman oleg karytin doubles for actor kiril polukhin. by according to the script, polukhin’s hero is already wounded by this moment. and the stuntman needs to remember this. and act out all the pain on camera, oops, super,
4:38 am
oleshek is alive, oleg, that’s it, good, that’s it, it worked out, good, super. it’s certainly more pleasant to make a movie in st. petersburg in the summer than in the winter, although not for everyone, you won’t envy the stuntmen in the execution scenes, once or twice, yes, let’s give it up, i’ll give it up.
4:39 am
stuntman vyacheslav ivanov watches everything that happens a few meters away. is preparing for its exit, or rather entry, into the water, the body must lie correctly, the legs must lie correctly to leave, here the body has shifted a little, the whole fall is different, so here, if it weren’t for something else that had to be done, then it’s a different
4:40 am
conversation, here then there’s a mistake, so here i raised it a little more, a little less, everything went a little wrong, let’s go, first directly removes the execution. stop, shot , thank you, well done, great, the difficulty of the main part of the stunt is that the stuntman must enter the water without grouping, you need to carefully play out the field hit and come normally, what is your approximate trajectory, maybe further away, most likely, the flight path is determined, attention, jump.
4:41 am
there are more than enough action scenes in the film, come on, the guys started off angrily, but director igor kopylov set a goal for himself. the maximum task is to make a movie that is interesting to everyone. i wanted to strengthen the dramatic basis, to bring out more. out human feelings, relationships between people, what they felt, what they thought, what they dreamed about, what to worry about, mom, please, let's go home, cry, cry, that's it, well done, lisa will cry, cry on camera, go to actor's trailer, lessons to teach, homework no one can cancel.
4:42 am
she was like an adult actress, we really, really, really liked working together, pack your things, please, natasha, you won’t catch up, natasha, what do you need, who are you, let her go, shut up you fool and sit down, otherwise i’ll cut your face, let my daughter go , i ask you, i will do anything, anything you want, please, my mother already said that this is not all for real and
4:43 am
there is no such murder there, that’s how the game is, the game in such a crime action film as leningrad-46 - these are shootouts, since the cartridges are blank, the stunts are more than real, they are performed even without insurance, stand still, run and take the fields, but... quietly, i said, the circus scenes of the film are filmed at the tver arena, the famous circus on the fontanka, in where all the action supposedly takes place, is closed for major renovations. one of the heroes fell from under the circus dome straight to the floor, but this man was completely fearless, a world champion. in parkour eric, and he’s right without any
4:44 am
insurance, without anything. the entire film crew is watching the progress of this with bated breath. trick, and professionalism does not fail. it will go away, it will go away. the scene was shot literally from the first take perfectly, which cannot be said about the shooting in one of the thieves' dens.
4:45 am
to play these roles, you needed not only some kind of acting talent, but also some kind of human qualities and just heroism, stop, let's act. it was a very difficult scene, mikhail had to
4:46 am
stick a knife into me 40 times, but fortunately this job went to my understudy, the actress does not need to act independently in this scene, her face is not visible, and an extra risk is better rule out, the knife is stained with fake blood, the actor eliseev is preparing mentally, the understudy of the actress bogdanova is accepting. they just pushed me a little, so that later they could edit it with how he would insert a knife into me, i lay there in horror, holding
4:47 am
my breath, and i can’t imagine how i survived this scene, to be honest. she is not a goal for him, killing her was not a goal for him, she is rather a means to influence another character in this story, danilov. well, let's go home, let's go, this is how it ends film leningrad 46, the working title of which is war. filmmakers joke that for them making
4:48 am
a tv movie was akin to a military action. we worked as if it were ours. we wanted to say something, and we said it, if we talk about some kind of continuation, then we need a new topic.
4:50 am
charlie, go for a walk, come to me, my boy, go for a walk, you’re mine! charlyushka, come to me, charlie, charlie, charlie, charlie, come to me, hooligan, come to me, charlie, charlie, dog, come to me.
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