yeah, well, the devil knows, i don't know, i haven't noticed it in myself. any story in the life of every person begins with the words "once upon a time, once upon a time" tv magazine of stories about famous people of the country and the world. hello, i'm sergey mayorov, and today the hero of the project once upon a time alexander viktorovich sbruev, the long-awaited hero, an outstanding artist, a beloved respected artist. generations of viewers and for me personally, hello, what a holiday, i've completely lost my mind, i can now do the devil knows what i'm a bat man, i fly wherever i want, you've never made a truly serious decision in your life, you've never taken a risk, thank you for your frankness, this is a man's conversation, proud? there's a little,

you know what, grandpa, stop your antics, with your eyes and other shurny things, here, kiss me, i love you, you understand, i love you, my dear, my darling, this is unique, this should be remembered for the rest of your life, alexander sbruev - people's artist of the country, laureate of the state prize cavalier of the order of merit for the fatherland, fourth, third, second degree of art, many years of fruitful creative work, alexander sbruev is 86 years old, and he is in amazing shape. i don’t know why, maybe it’s a genetic thing, when they ask me how old you are, i say, i saw stalin, he doesn’t believe me, and...

there were us, we got close to one demonstration and joined it, and just then there was a signal for this demonstration to move to red square, and we, you see, moved and moved with them, then - one of us said: “stanya, will be on the right side of the mausoleums, closer there,” and we got closer, closer, closer, everyone they say: "hurray, yes, long live stalin, hurray, hurray, well, we shout, hurray, stalin, hurray, hurray!".

in the spring of 1938, his father viktor alekseevich sbruev had been a member of the bolshevik party since 1919, supporting the communist ideology, he headed the main construction department of the people's commissariat of communications of the soviet union. six months before the birth of his son, viktor alekseevich was arrested and declared an enemy of the people, and another 6 months later he was sentenced to the highest repressive measure

of execution, he never saw his sasha, i i remember that when stalin passed away, my mother cried, despite the fact that we were exiled, my mother and i were exiled from moscow within 24 hours, but then i didn’t understand anything, i only remember a two-story building like a barrack, the war was still going on, i remember the yard. i remember some kind of raspberry bush, i found some kind of raspberries, i remember the apple cores that we were picking, yes, it’s funny now, but i didn’t understand then, yes, i think that now many still don’t fully understand who stalin was, until history has revealed everything to us secrets of this, but i think that it will pass...

some more time then they will finally determine what to consider it, but my relationship was, so i shouted, yes hello. together with everyone. mother of alexander viktorovich zbruev, tatyana alexandrovna fedorova sbrueva was a hereditary noblewoman. she studied at the film technical school with alexander rowe, who later became a world-famous director and storyteller. before her husband's arrest, tatyana alexandrovna was an actress, having given birth in moscow, she with two-month-old sasha and her son from her first marriage evgeny were sent to a correctional facility rybensk camp. members of the family of an enemy of the people. in 1944, bruev and i were allowed to return to our moscow apartment, which had become a communal apartment. that's where they celebrated victory day. the three of us lived in one room. my brother, who is 14 years older than me, my mother and

i, i was sleeping, suddenly there were some bangs, shots, something else. i woke up from this, i look out the window, our window overlooked the arbat itself, and my brother was baptized. where is dad, my mother didn't say anything, because before him, stalin didn't exist, it was generally difficult to say anything and to tell someone, instead of your father you were raised by the yard, the yard was so very

different, it was a crazy yard, god forbid you touch someone, one for all, all for one, back to back, there was such friendship, among ourselves, let's try, so that someone... when passing by something something about someone said: that's it, this person will remember for a long time, so as not to walk here, that yard taught a lot, the yard taught a lot. yards can be dangerously different. the yard of alexander sbruev's childhood on old arbat, today fabulously expensive hectares of moscow land, with historic mansions and elite buildings, then just a courtyard. with boyish showdowns, but with a view of the vakhtangov state academic theater, on the stage of which they spoke in beautiful russian literary language, and the teenager zbroev masterfully owned swear words, about the transformation of a street urchin into an artist, we will continue to tell right

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at the magic! yes, 35% cashback for everyone. how did you find out? the most important thing won't work for me. apply for a debit card with 35% cashback on everything important. gazprombank. she, zosi from the school waltz and katy from musketeers. well, i was pretty, young. how elena tsyplakova became a screen star at 15. are you elena? she was so popular after this film, especially among young girls, how many times she got burned in love, for me married men do not exist, why did she find her female happiness only on the third try, damn, to marry me, i'm 46 years old, i have no children, i think , what do i need all this for, and what a tragedy, forever deprived her of the joy of motherhood, i was shocked, of course, she he says, what are you worried about, others only dream?

touch, one for all, all for one, back to back, the yard was crazy, god forbid someone's back, there was such friendship between them, they will try, so that someone, when passing by, said something about someone, that's it, this person will remember for a long time, so as not to walk here, here the yard taught a lot, a lot... the yard taught a lot, when i was already enrolled in pike, it was very difficult for me,

because i spoke like that every other word was swearing, i knew swearing better than french, someone, yard, yard, yard, yard, yard, yard, there was everything, there was football, there were some visiting girls, girls, some dances, and the yard in me, when i was still entering... left a lot of pike, it was very difficult for me, because these guys were a little different, by the way, sasha belyavsky, lyuda maksakova studied with us. anya bortnik, wonderful, and he was also a yard guy, absolutely, and maksakova bolodieva's daughter, and maksakovo is something like that, only she didn't have a crown, but that's of course, we have a course there was one, half of them were adults, and half of the people who had just come from school came, so they learned a lot there from sasha

belyavsky, from zinovy ​​vysokovsky, they even already had their own families. some had children, sasha belyavsky, for example, he came to the lecture, and not just sat, listened to the lecture, at first it seemed to everyone that he was writing down what was being said, but it turned out that he was doing translations, he was doing translations into english or from english, that is, they already had some kind of life, they were still close to this was, and we, then, completely immersed ourselves in what we... then became, so why did the great theater win in your life, and not the yard crime? my mother was friends with nadezhda mikhailovna vakhtangova, they called each other from time to time, they even met in the summer in pleskogo, when there was a rest home, they spent time there together and wrote to each other and so on and so forth. i was a very bad student, well, and i had nothing left to do,

except add numbers and extract roots, that's probably the theater. mom is like that i gave my brother the vaccination about the theater, the love for the theater, and in all likelihood, me too, because i've been in the vakhtango theater, well, since those years, well , i was just above this table, i went to the vakhtango theater, watched, well , everything that could be watched, several times, i watched, despite the hooliganism that was around, and i myself - in general , actively participated in all this with... some things, when, perhaps, i would not have become an artist, my mother played a big role, of course, in this, my mother was, because i know nadezhda mikhailovna, she said, you prepare something there, read,

learn the poem, and i'll ask her to listen to you, and i remember how we came to the apartment of the lakhtangov museum, nadezhda mikhailovna met us, she had a wig, she was old, old, well, she and my mother kissed, she says, well, come on, she has a beautiful apartment, mine seemed very big, the cleanliness was extraordinary, so i read... what i learned was petya's tson from war and peace, i read it and of course it was disgusting, i just i was retelling, saying something, she was listening, she said, she said, enough, enough, just a second, she picked up the phone, listened, she said, dinochka, dinochka, i have a boy here, he’s a brother, zhenchiki fyodorova,

who works for us, could you help him, maybe you’ve prepared a photo, well, i climbed onto the windowsill, closed the photo, she calmed down, she said: well, here ’s one good thing, we’ve already done it, she said, now let’s read it, let’s read it line by line, well, in a word, we’ve, as they say, prepared, well, relatively prepared, of course, i didn't sit in it

as it should have been, it would have been better to sit, listen, well , how can i refuse boris evgenievich zakhava, who was the rector. how can i refuse nadezhda mikhailovna vakhtangova or andreeva, well , i mean, along with everyone else , they accepted me through connections, through connections. the boris shchukin theatre school is a higher educational institution with the status of an institute, but the historical significance of the school has been preserved on its facade to this day. today, shchukin, as the university is called, its graduates, are spoken of as a unique. forge of stars. sbroev is his great pride. one of the features of training future actors at the shchukin theatre school is that all the teachers of the university teach everyone.

it was strictness and attitude to the business that we were doing, we should have mastered, that is, from seyval ran, yes, he was strict, fair, you could approach him with something to get advice from him, telling him some story that worried you, he could also look without any expression on his face, then say, i'll think about it, he left, but i'll think about it... returned the next day, apparently, it got to him, and he called this person, said: "you know, i just thought, here is what you told me", in general,

he spun this whole story, as it should have been spun, we loved him madly, he, in my opinion, was the only one of all the teachers who had a car, some old-old... car, and we always went out to vakhtangov street, always saw him off, shouted: "vladimir avramovich, we remember you, we will not forget." despite the nationwide love and respect of professionals, alexander zbruyv an incredibly modest man, even his eightieth birthday was celebrated without any lavish celebrations or a benefit performance at his native lenkom theatre. sbruy has been serving there for more than 10 years, proof of this is the only entry in the artist's work record book. and we have an intermission, after which we go to lenkom to continue communicating with

alexander viktorovich sbruyev. what is a miracle? it is something bright. unusual. joyful, there is a small miracle, and there is a big miracle, our big, small, talented children, a real miracle, and they also want to record their own new year's addresses, and we want to surprise them by showing the best on new year's eve, a miracle with arseniy popov, premiere. today at 20:00 on ntv. dna. new season. from monday at 17:50 on ntv. what did you do 3 days ago? if the question seems

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a plus. call by phone or order. 1987 , in ulyanovsk, schoolgirls named olya, to put together the word power from the first letters of their last name, it sounds wild, but many believe, why did the investigators turn to a fortune teller, how did vanga help the investigation, vanga said she would announce herself, and how after 35 years this case was still solved, a unique story, few people manage to solve a murder that old, the investigation was conducted with leonid konevsky, and that's a completely different story, today at 16:20 on ntv. the legendary

lenkom theater, once tram, the theater of working youth, later the moscow drama theater named after lenin komsomol. today the state theater lenkom, mark zakharov. mark anatolyevich, a great director of our time, led it for almost 50 years. the cult of zakharov is justified by his outstanding productions on stage in cinema, but the unfairness of such a judgment, according to alexander sbruev. is that even before zakharov , the theater was a place of power for spectators' pilgrimage. you, the oldest artist in the country, who has been faithful to one theater for 62 years, that is, mark zakharov, even evgeny leonov and tatyana peltser, came to the theater later than you, and mark zakharov came, i didn't come to him, but he came to me, 12 years difference from your arrival, to his arrival to the theater, yeah

, amazing, but all the time.

there is a plaque on our theater, the theater itself is beautiful, the premises are written, ivan nikolaevich bersenev performed in this theater, and then everything else, you understand what the matter is, the history of a person is the most important thing, as ion drutsy said, we had such a performance.

the troupe gathering in the lenkom theater, there are many stars in the hall. in the perfectly clean foyer, a gallery of memories of great artists. these are not just faces, this is universes, entire worlds, an unforgettable history of the russian repertory theatre. on the stage of lenkom for an incredible 6 and a half decades, alexander viktorovich sbruev played a little more than thirty roles, he could have played more, but sbruev , with all due respect to zakhar, never became his favorite actor. it's true. how did you feel? it's true. i really respect mark zakharov, but i have some duality. he did a lot in the theatrical world. a lot. this is

kinetography, these are the performances that he made. but sasha shirvint, when he was already i was old enough, he said: "you can't sit around too long." "it's a different time, it's time to leave, you've done your job, yes, you have to leave on time, give space to another person, the first time i saw zakharov as an artist, there was a theater of miniatures, since my classmate, vysokovsky, zenovy, started working in this theater, he somehow..." invited me, said: come, watch our performance, i came, watched, saw some strange person there, who, you see, played there, well, no impression on it didn't impress me, but he played and played, well, somehow

he didn't have that stage charm that an actor should have, even playing a very negative role, as zakharov later said, in hollywood, when they shoot a film in this... there is a villain in the film, even he should be sympathetic in some way, well, in general, this actor didn't make any impression on me, and one day i was walking down the stairs, a man was running towards me three steps at a time, and i had only recently seen him there in another theater, i said, what are you doing here, he said something to me and ran past, and a week later he was appointed the chief director of the theater. he needed to change something, to do something with the theater, there had to be new actors, new heroes, in general, every era has its own hero, as you understand, yes, and he was looking, ekimyan was the director then,

a wonderful director, and his friend, evgeny pavlovich leonov, told akimyan, there is one guy with whom i am now filming, yankovsky, he works in saratov, but in my opinion, a good guy, the director said this. zakharov did not forget sbroev, but did not spoil him too much, there were roles, after all, zbruev is a people's man an artist adored by the audience, but not the main ones, in

the close circle of mark anatolyevich lived oleg yankovsky, nikolai karachentsev, and later alexander abdulov, only they he saw as heroes of his big projects. loved very famous artists, so a very famous actor bronevoy, tatyana ivanovich, oleg yankovsky appeared, he made sasha abdullov, he made him, sasha abdulov should have put him sashenko, dear, should have put a monument to him, sasha loved zakharov very much, and he simply called him father, this my father, he is higher for me than my biological father, sasha, i think that in his time he was the best actor, he was simply brilliant.

did, always attracted viewers, and he was very, very loved, but the best dramatic actor, of course, is sasha, but in all oleg was the best film actor, everything that he probably personal some kind of relationship zakharov had his own priorities and he as a director. had the right to this, another thing is that it

is offensive or not offensive to the actor - this is already his business, deal with it yourself. and how how was your relationship with oleg yankovsky? it was amazing, for example, to this day, oleg yankovsky and i are in the same dressing room next to each other at a table, to this day , all the flowers that are given to me or to someone else, all the flowers are on oleg yankovsky's dressing table. there is still his photograph there, no one occupies this dressing table, oleg is alive, and so is sasha abdullov. actors' dramas in linkom were often discussed in the theater corridors, but quietly. the artistic director of the troupe of stars could not actually provide regular the work of almost 120 talents, many of them were gathering dust in the crowd, some were drinking themselves to death, like viktor prosurin, some...

were filming very often, probably, this was my conflict, internal, they invited kostya bogomolov, he offered me to play boris godunov, i played this boris godunov, i already understood that this was a completely different director, when i came to the rehearsal, he amazed me with some things that were very similar to anatoly vasilyevich efros, i entered into this very easily. zakharov doubted, but they put it on, when they put it on

this, he made such a depressing performance based on dostoevsky, prince myshkin, he cancelled the applause there, so that there would be no applause, i already felt that the performance would not last long, because suddenly they announced somewhere like a banquet or something, they answered, and he said, why didn’t you make the applause, are you special or something? with some kind of light irony that zakharov had, wonderful irony, by the way, he had, well kosya told him, well, after this performance, should there really be applause, since they are for how the performance ends, well, and the conversation was death, we played the prince 12 times in total, and some kind of commission was even created that found out how many... viewers leave this

performance, to such an extent, you understand, after all, it's not just like that, they let it finish, it was my birthday, and zakharov said, well, today you will play this performance, then we will take it off, it happened, why did i say he is a different person, he is incredibly talented, but he is a different person, how many people suffered internally because of this, how many were rehearsals, how many good things were found, new, interesting, but one grew...

own game, 30 years on air, who is the villain who is not afraid to fight the monster, today at 15:00, miracle, premiere, today at 20:00 on ntv. when pain limits, twists,

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ballet star, this is mine, and my mother just stood there, she says: take it, take it, i don't need anything, who got galina brezhneva's gold chain, i don't have such a chain, it never existed, well, as it is already in the pictures, yes she is in the picture, i don't have her, about which sirov's illegitimate daughter kept silent, there are people who behave inappropriately, sbruev, he is a beloved artist of many generations , one of the most important heroes for me. in your

theatrical life, a special place was occupied by the brilliant director anatoly vasilyevich efros. yes, it was strong. my strongest impression in this profession was from anatoly vasilyevich efros. this is really so. the amazing impression was that he... took the work until it was co-author, and he was a co-author of everything, so he thought differently than you read this or that, in addition to what you read and imagined for yourself, because every actor is inside himself, it seems to him that he is also his own, his own director, you understand, suddenly he offered something that you did not see at all in this pussy. you did not see it, and he begins to spin it. anatoly vasilyevich efros headed the

lenin komsomol theater in 1963. sbbruif had already been on his staff for more than a year. efros noticed the smile and charm of the young the artist immediately and without thinking involved him in almost all his performances, becoming a godfather in art. on the wedding day, 104. page about love, my poor marat, a movie is being filmed, the seagull, moliere, after 4 years of triumph, efros was fired with the wording about the inadequacy of the position of artistic director, however, they did not leave him without work, appointing him as the next director at the theater on malaya bronnaya. and why didn't you leave, essentially, to follow your teacher? the point is, when did it happen, when the officials won as always, it was a terrible crowd... and we had a terrible meeting, there were actors from other theaters for efros, efras, efras, nevertheless, they

won, and there was such a director, zaitsev, he was the director of the theater on bronnaya, he called efras and said, i have the opportunity to take 8-9 people, and anatoly vasilyevich efros gathered us. he gathered 12 people, at that time i was filming some movie with him, i don’t remember, well , they were nothing special, they came to his house, and he said, here is such a proposal, we must choose, you yourself you will participate in this, here are those 8-9 people who give us, because then gaft worked with us and there were wonderful actors then, he had not yet played with efros, but they were very friendly with sasha, shirvint, therefore, if you take shirvint, then derzhavin, there can

be no division here, then derzhavin, lev durov, who came without a children's theater, with his wife, if you take lev dorov, who was devoted to efras until the last two years, when something irreparable really happened, without his wife too, and he also took. he says, okay, okay, i get it, in general, we got everyone we needed there, there were one or two people, and before leaving he told me and lenya

konstantinov, as soon as... there is an opportunity, they will call you, and you will come to us, we agreed, we agreed, six months later suddenly a call, hello, speaking with you with little armor, anatoly vasilyevich would like, that means , to invite you, and konevsky leonid to our theater, well, of course, we rushed off, came there, anatoly vasilyevich says, i congratulate you, lenya is there, me, yes, they came. i was immediately given a role, how is she, there are two performers, olya yakovleva, and i had a director named vesnin, he staged this play, he wanted us to play this role, i went to one rehearsal, then on the second day, the second or third, and vesnin somehow, something is wrong for me, for

me it was completely wrong, what he could say,

it’s hard, he says, well, what do you want, he says, i, well, i can’t, i don’t know, i’m not in my place, kolo, well, i got offended in my place, i left, i was very worried about this , lenka stayed konevsky there, it passed some time, a call, sasha, it's you, i say, and this is anatoly vasilyevich, yes, sasha, i 'm going to shoot a film based on our performance now. my poor marat, i want you to play marat, olya yakovleva to play lika, and leonidik, levo is round, so that your cast remains, how do you feel about this, i say, how happy i would be, he says, i promise you, you will have only positive emotions, i don't hold any grudge, i understand you, that's the story

with anatoly vasilyevich. i return to this treasure trove of mine, the box, from which we started, there are a huge number of people who have biographies, stories, i know a lot, what should i do with this treasure trove in 10, 20 years, will it be of any value, every person you have here, he brought at least... a particle of the joy of understanding to the person who saw him and who took something from him for himself, and if he took something from himself, it formed in his history, it should not disappear under any circumstances.