after all, this had to happen, katya, calm down, my dear, don’t cry, you see, i control myself, i’m not crying, vasya will certainly come, of course he will come. after all, he loves you, i know, i see everything, just keep quiet, katya, nadyuzh, what should artists from the canary islands do with this, belan is easier to find than kenera, you are incorrigible, little head, you hung a lock, he brought the bandit into the house himself. i'll take the test tomorrow

, goodbye, save me, what happened, i crossed the street in the wrong place, a policeman is following me, here he is, he has a very stern face, good afternoon, hello, excuse me, i understand that you were brought by a sense of duty and obligation, your complaints about... the student is quite fair, i don’t have any complaints about her, that is how i need professor poznansky, i have a test for poznansky in the twenty-fifth classroom, i know, thank you, please, please, so what is this little thing, you put me in an awkward position, forgive me, i thought, thank you, goodbye, goodbye, please come in, hello, hello, what's the matter? and

shanishkin, hello, hello , sit down, the uniform suits you, well, tell me, colleague, about the form of guilt and innocence, why are you smiling, forgive me, i just remembered, it’s great that i remembered, gryanik.

practice, and besides, i had a good consultant, and this is obvious, but i wish you success. katya, why, why, why, why did this city guy take you for your beauty!

film director yuri chulyukin did not expect that his application for the film musfilm girls would be received with such cordiality at the main cinema. at once

we decided to make a super project out of this idea, with an enviable scope, the best actors and actresses of the country, no restrictions on the budget and geography of filming. leading artists and prop masters, soulful songs, wonderful music, the party demanded from the leadership of musfilm that more films be made on a production theme, it was necessary to create a standard that everyone else would be guided by. chyurkin guessed the main thing, some unique traits of the people’s character, not a single character. when they are in a team, what are you doing here, drinking tea, and he succeeded because he had different personalities, all his life he dreamed of such a neighbor, everyone got together, after the orphanage

, a culinary school graduate, tosya , came to the siberian village to work as a cook at a forest farm, fried potatoes, then potatoes, brih potatoes, potatoes pai. she is a simple, sociable girl, but with character. this character immediately clashed with the foreman lumberjacks, a leader in production and an eligible bachelor ilya kavrigin. of course, she is no match for him, funny, small, unprepossessing, and even cocky. for fun, kavrigin argues with his friends that not even a week will pass. how will he break this girl's heart? this thing is called non-pilodruzhba. as a result, the characters, as it should be in a movie, fell in love with each other, and not hastily, but for real, but it washed over you, think about it, i also have a figure, well, maybe i don’t have a figure, but the character on the face,

the character, will run for a week a lot of dogs, in the soviet union since the twenties a novel-newspaper was published, a simple publication on poor paper, printed on...

he began to read it out of nothing to do, time went on, he was not called, he was flipping through page after page when he entered the office of the head of the third creative association of mosfilm, mikhail roman, the question of what he would shoot next was answered by the modern story of the girl. the village of lumberjacks and its people. write your application quickly - said rom. we need such films, there are girls in the film, a big difficulty for the director, there is no negative character , there is no antipode to fight, face, win, teach, everyone there is good, that is, this can be said when

they laughed at socialist realism in literature, they said it was a struggle between the good and the even better, something like that, however... what saved the humor, what saved the humor was the amazing selection of actors. tolya, why are you standing there? yuri chulyukin's previous film was an intractable comedy. her original script was depressing with its pathos of edification. they brought him a script for those who did not give in, absolutely socialist realism, the re-education of bad workers who... or they drink, or are idle, or walk, truant, are late for work and do bad things, at the end of the picture they are transformed into good works. i was tasked with re-educating you, so what do you

want from us? this was a situation when a young director who wanted to work in cinema could not refuse the imposed offer from the film studio, but wanted to refuse. i was at the discussion. said, what are you guys doing, what is it, what is it usually again, so to speak, you can do the same things, edifying things about re-education, you can do it. only in comedy, when it's humorously funny. it turned out that the manual is it doesn’t matter, they only cared about the plan, there will be no plan, there will be no bonus. the directorate answered very simply, to the director: we have it in the box, because really the plan is barely 90%, but how much do you need, a production drama, 150, it needs to be done, but it will be a comedy or a tragedy, we don’t care,

i knew from vgik, studied with her at the same time, saw her and her videos, creative works, she was one of the few who filmed a lot at the same time as studying. once chyulyuki watched the scene, how the students learned about rumyantseva’s invitation to another role and were indignant, neither skin, not a face, a meter with a cap, but there’s no end to the offer, but who is she? rumyantseva was nearby at that moment and answered: “who am i, i’m an actress.”

the film's artist is the girl, and lydia

naomova is a strong and talented artist who also worked with sergei ezenstein on two episodes of ivan the terrible. surprisingly, in the first sketches for the film, tosya is not at all like in the movies. here we see all the girls, signed by the artist lydia naumova. and, probably, we can’t identify everyone; initially tosya was supposed to be played by one of the first beauties of the soviet union, this is how we can probably see her, we can probably see her from this sketch, she’s tall, and i don’t know, she stands out among everyone, like a tall woman, i want to be beautiful, then i would stand for everyone tosika slitsina would take revenge on the deceived girls. it was his wife, a luxurious one. the actor definitely knew the first movie beauty to play the role

of a lady of exquisite beauty. actress natalya kustinskaya. yuri chelyukin has already promised her this role. kustinskaya was waiting for the filming to begin. several times she came to musfilm to take a walk in future scenery. she didn’t know that her husband, the director, had already been put in his place by management. there's no need for a beauty here. we need rumyantseva, then the film will turn out to be lively and perky, i’m beautiful on the street, all the guys i meet will be so dumbfounded, and the weaker ones just fall, fall, fall and stack up on their own, she really wanted to play tosya, the girls, but kustinskaya, let’s remember her beautiful face against rumyantseva, rumyantseva is simple as the people, kustinskaya, and this is already. eh, sweetie. now in the artist's sketches, main

the heroine looked different than at the beginning of work on the film. there is a different role, a different task, so she played this puppy , with his ear raised, so to speak, and running here also with lacing, it was yes, it was no accident that something came undone there, a puppy who was always on the lookout, running somewhere, like this, here she is, here she is... this is how the hood council decided, this is no longer a sedate beauty, a funny girl, the artist naumova depicted tovar. in two forms, that is, how she went out to the brigade on the street, for example, here and the way she worked on the premises, it is important to note that here is the signature of chulyukin, who confirmed these costumes and gave them the go-ahead, only one thing confused me: according to the script, the heroine was 18 years old, and rumyantseva had recently

passed 30, but her role allowed her to play with age. even if it was necessary to rejuvenate by more than 10 years, she knew how to do it, i sleep, it happens, well , some kind of warehouse, such a warehouse, i don’t know, psychophysics or something, or energy, such a young energy, like she had young energy, she had no complexes, what’s up she is too old for this role, it seems to me that it was not right, and it would probably be better who would not have played her, curse me with my talents, director? yuri chyulyukin was afraid to tell his wife that nothing would work out with the main role. she found out about this by chance, came to musfilms and met rumyantseva in tosya’s grim in the corridor. nadezhda vasilyevna knew nothing about kustinskaya’s ambitions. with her characteristic openness, she began to talk about her new role. everything

froze in natalia’s soul. she turned pale, left the building, and sat for a long time on a mosfilm bench. at first. she wanted to make a huge scandal, but she decided that the scandal wouldn’t be enough, after this she should leave chyulyukin , hello, anyuta, you can’t imagine, i ’m flying to gadry now, she looked like bord, blue-eyed, gangster, you can only to say that she would never have coped with this role, she simply has a different role, she is not a bass...

there was a hero, who will be a hero, when they announced that there would be a trechelov, of course, the surname was not an unknown character to everyone, he was for everyone unknown mysterious when you saw that walking along the road quickly, again broad-shouldered , so narrow-winded, long-legged, smiling at the little ones, we all are, what a nice guy, after volodya cracked, he had already started rehearsing, in preparation for the shooting he skipped school, in the end he was expelled from the studio school mkhat , where such freedom was not allowed, was treated kindly by all of us, because he was incredibly charming and attractive, very kind, very bright, rainbow-colored, with an eternal smile, with marvelous teeth with blue

shining, you see, i can’t even now hold on with my eyes, because when... i remember him, i only remember him like this, all of us girls realized that yes, we would succeed, here he is, a handsome guy, smiling , he’s having fun, but suddenly a directive came to replace rattling with nikolai rybnikov , please allow me, there was incredible sadness, like the fact that we wanted to write a letter to the floors, chulyukin walked around talking with his nails, he said, guys, it’s useless, this is not even our state cinema, this is hearing, a recommendation, and endure, after spring on the street beyond the river, heights of the girl without an address, it turns out we don’t have an actor in the country more popular than nikolai rybnikov, but the order from above was an order from above, both for the director and for him, he didn’t

want to act in this comedy at all, he was in the social sphere, he was a hero of the soil, david chullyukin and chulyugin also run nervously , biting their nails - breaking his trust, he sat down gloomy, like an impregnable rock. hello! the role of the rival in the girls was played by svetlana druzhinina. the fact that i was invited was practically without auditions. they are for sure

knew what they wanted to do. they saw everything, knew me, we knew each other very well, they came to our volleyball court, where i was the captain of the volleyball team. the film was shot very easily for me personally for this role. i didn't have any tension personally about this role. and i was even curious and funny, and somehow we all became very friends, a beauty, the dream of millions after the case was in stanislav rostotsky’s penkov, temperamental and bright. svetlana sergeevna played such a role, well, such a fatal beauty, and well , it was somehow emphasized that such a negative thing , like charm, but not negative, but something like that. well, kind of arrogant, well , apparently, to counterbalance nadezhda vasilyevna, because well, after all, the main character is toslitsina, so the opposition, it

seems like everything is with her, life doesn’t work out, i kept thinking, people are lying about true love, the film girls still remains the pain of svetlana sergeevna’s whole life, because when the working material was shown to the artistic council, it was rejected when the artistic council i looked - the first ones, it means, for the advice were very tough, serious, they showed both the script, the screen test, the photo test, it was generally very difficult, carefully, when the hut council looked at the material, they unanimously decided that it was from this one, here to this one, of course, this one will never leave, it’s like the moment before sunstroke, there is a person... who knows something about oleg’s disappearance, this cannot be solved by talking, you need evidence, your discovery comes to you, when you are not ready for it, you think

that you are the hunter, and he is the game, and if on the contrary, the secret is cherished, today on rtr, many of you, i wake up first. they are busy checking their mail, and i, of course, am no exception, i opened the champagne, you want to get a sea of ​​positive emotions, tours to abkhazia, you spent a week relaxing in a skirt, you ate vlazia, you are at the right place. everyone's spirits will be lifted here. kesha wants to read, please read. kesha can't read. and a man has to earn money. yesterday i earned such lyuli from my wife.

the morning mail is on air and i am its presenter, nikolai baskov. the most positive thing. morning mail from nikolai baskov. tomorrow on rtr. i have no children. there are two nieces, olya and nika , we have a wonderful family, it seems to me that my girls have problems, anna banshchikova, why is everything like this, they don’t love me, how much can you humiliate yourself, olya, sergey gorobchenko, i can’t pay for your apartment anymore , sorry, kostya, dignity must be internal, dmitry dyuzhev. i need an inspector, oh, instructor, i’m your servant, too , going to get divorced, andrei urgant, they themselves must learn from their mistakes, natalya

varley, get up, go change your life, you can do anything, i said, aunt lucy, your aunt lucy, january 7 on rtr. we are at the television center on shabulovka, here is the evening of the poet nikolai nikolaevich dobronravov, with us his melody alexandra nikolaevna pakhmutova. the earth and hope were empty without him. my compass is earthly, and luck, a reward, laughed, under the wing of an airplane, washing about something, the green sea. tosya, if tosiya had been

kustinskaya, there would have been no contradictions here, two beauties are fighting for the soviet superman, the director, at a loss, began to select other actresses instead of the squad. well, you like it such a life. chelekin then listened , so there were even some tests on the side, but the group.

these are the most psychological points, they are all lined up in close-ups, but if everyone has close-ups, the actress of the squad in this film does not have close-ups, we made people like you dark in the orphanage, covered them up, there is little squad left on the screen, a simple serious rival she was no longer the heroine of nadezhda rumyantseva; when i found out about this, i cried.

nadiya rokhina, inna makarova, was courted by her older fiance ksan sanych. many the spectators watched this duet more closely than the line of the main characters. the situation was more familiar. it was always interesting what one of the girls saw in this guy, who was completely unattractive, unattractive, all the time i wanted to know that he would open up somehow, so that he probably, well, in the finale we thought that he probably behaved somehow... it will show. and there was no ending as such, but well done, lucyena ovchinnikova, another one of tosya’s neighbors, and another one of the main beauties of our cinema, in ovchinnikova’s film not only plays a role, but sings, it was in her voice that the song old maple by mikhail matusovsky and alexandra pakhmutova was performed for the first time, as tihan khrenikov said, russia is a country of sadness, russia is a country of minor, but

we probably get more minor ones. vchinnikova sings along with the harmonica player, played by nikolai pogodin, he was

so organic that after the girls he moved with the harmonica from film to film, from role to role. it’s amazing how the director chose, how he managed to bring everyone into the frame, so different, so dissimilar, so... the best hat of the girls, they were looking for a long time for a man so tall, so, well, like a young boss, who could be the personification of a young boss in a hat, a tie, and

odoskin was absolutely a theater actor to the core, he had few roles in films, but all life they later told him, they don’t wear hats like that now, everyone tried to pat him, that is, on the hat, to straighten it... something and everything, the quote entered the movies with him forever, but, by the way, he doesn’t wear a hat like that. nadezhda rumyantseva with her costumes tortured everyone, the director, his assistants, artists. there was no peace for anyone from her. the costume was partly found by rumyantseva herself, that is, she was actively involved in the creative process. i heard that she saw some kind of outerwear on the homeless child, here.

she didn’t have any complexes of a little woman, she was just such a lively person, confident in herself and could put her in her place, i don’t dance with people like that. of course, rumyantseva

was offended, she was not used to being treated with disdain, the rules of survival in an acting environment could withstand it, which famous masters taught her at the very beginning of her career, never complain and do not give envious people a reason to rejoice in your sorrows, spreading good rumors for yourself, the source will be forgotten, the rumor will live for a long time , laugh at your... failures, as if it were a joke, i actually decided don’t get married, in one calm place, really, i want hallouam , i want gingerbread, nadezhda vasilievna was a person who knew her worth, cheerful, you just felt that in front of you, a person, a star,

and this environment in which they worked,

she helped, according to rumyatseva and nikolai rybnikov, to come to terms with the fact that he was actually forcibly enrolled in this movie, in which he did not want to work very much, not at first, not very friendly, but had no interest in the partnership with rumyantsev a little like that looked down on them. the group was moved to the yalta film studio. this became a new challenge, after thirty-degree frosts to find ourselves in thirty-degree heat. only mikhail pugovkin, who played the commandant of lespromkhoz, did not lose heart before in the cold, not now in the heat. rumyantya was surprised: do you really not feel anything? mikhail ivanovich affectionately pinched her cheek: “baby, after the great patriotic war , the most important thing for me is not the climate, it’s important for me that planes don’t fly overhead and machine guns don’t shoot.” i feel good in the heat, i imagine

that i’m in a bathhouse, i’ll take a steam bath, steam myself, and then i’ll go into the sea for a swim, then i’ll pick a plum or an apricot, i’ll envy myself. the film's grand premiere took place on the eve of women's day, march 7, 1962, when during the screening svetlana druzhinina saw how her role was shredded and decided that she would not go out on the stage of the movie house, along with the whole group, under any circumstances.

we couldn’t be offended, we grumbled a lot, but when this most inviting music started playing in the cinema house, that means everyone really started to come out.

girls traveled all over the world with a week of soviet films, she was wearing such a hat, such a dress, remember, a glass, like on a carnival night, in such outfits, in gloves, she walked, greeted foreign spectators, but because we are all alone and they print the same ones

they just catch the same ones, and you’re in the driver’s seat, there the soviet actress received an award for best actress, a prize for best actor... the role was given to the american actor paul newman, at the closing of the festival they were called on stage together, they looked at each other , rejoiced at the awards and smiled. in the newspapers , rumyantseva was compared to charlie chaplin and juliet masina. she kept these notes all her life. do you have a fox pick today? eat. give me 10 grand. as a child, my friend and i played nadezhda rumyantse. but there was a movie that came out, there was die hard, and movie. the girls were famous and nadezhda vasilievna was very popular, and the children, i had absolutely no intention of being an actress at that time, nothing, i just was, i was 6 or 7 years old, and in the first school we played in the first grades, too, i portrayed nadezhda vasilievna in rumyantseva,

it seems to me that it’s worth a lot, because when children know the actress’s last name, and even play in... it seemed that nothing could be cooler than the girls’ success, no, fate answered, maybe good evening in that she has talent in in the same happy year for nadezhda vasilievna in 1962, she was invited to play the main role in the comedy, queen of the gas station, ministers, repeated.

love, great, like her heroin, deserved, because she had been waiting for it for a long time, incredible, like everything that happened in her life. it happened, as it happens only for those who trust fate.

rtr-planet, more than just television. this is a piece of russia on every screen on the planet. let's fly! “i will be the one to operate, i’m scared, as if i’m not me, unfortunately, no motive is visible murder, no connection between the murders

, but there is one, and we will find it , i remind you once again that this is my investigation, let 's agree in advance, you are the coach, i am the player, a dizzying show and the best music, and you spend most of your life spend it on your feet or on your head, even i don’t know, i want to read, please read, i can’t read, turn it on. interesting, both difficult and different, you are the most understanding program about animals, in the circle of friends, when difficult

trials come into our lives, it is very important to unite, not to betray anyone, no matter what happens, the story of a mysterious disappearance is live on air, the whole studio is discussing the nature of the conflict, why mother and son and daughter-in-law have not communicated for five years, advanced documentaries, now the flag of the russian federation is rising over... as you and i remember , enters through these doors, everything you can’t imagine russia without,

only on the rtr planet channel. the russian tv channel goes on air, i greet you, maria sittel, hello, new missile attacks on military targets and enterprises in ukraine, warehouses with western weapons, a sharp cold snap in the central part of russia, in moscow that night it was -18, in the perm region. 40. and it’s warmer in yakutia now. numerous foreign.