i’m just out of breath, but the main thing in all this , as i once said at a symposium in the canary islands, maybe, well, it doesn’t matter, maybe in the bohemian islands, well, i’ll allow myself, so to speak, to quote myself, it doesn’t bother me, so to speak, it was clearer to you, friends, catch the mick, i would say good luck, this is a loser, let him cry his fate. klinya: buy tickets

for all lotteries and win and if you can, well , this is to say theses briefly, well now through moscow, brazil, and oh, then ecuador, well, i refuse, passengers refuse, departing on flight 1548 to moscow, please board at door number four, i repeat, passengers are departing on 1548.

oh, it would be better if we took money, i watched 12 yesterday before yes, what a good show, well, i like the artist there , this gentleman director, how does he remind me of our boss jack, hello, oh, i’ll probably leave your house, i don’t know what kind of neighbors we got, i don’t know, right?

fool, how do you cross into the street, damn you , i cross poorly, but i really needed it, i really needed it, and now i can’t necessary, there is a school nearby.

well, this will finish me off, you can go crazy all day long, from morning to evening, so, who is it , how do i know, it’s that we need to find out immediately and stop this disgrace once and for all, well, let’s go, where, let’s go, let’s go, well, let's go, i'm telling you,

the newspapers write about wrestling.

don’t hide your eyes from me, i want to ask... you, maybe you’re the one, my nice man, and it’s just one step to you, one step to see you, one step, one step to see you, just one step, one just a step, why is it so difficult for us to take this first step. yes, it's scary to make a mistake, it’s scary to hurt yourself, but someone has to take one step, one step towards, one step towards, just one step, just one, just one step.

what did soviet viewers watch on new year's eve? when there was no irony of fate or eldar ryazanov's light steam, a carnival night by the same director, evenings at the hutrer blaise decanka alexander row, the snow queen of gennady kazansky, snow maiden by pavel kadochnikov, the thirteenth full-length film by director alexander row, morosco was released

in 1965 immediately became a classic, no only in the soviet union, but abroad.

in other words, no, not the princess, who is the princess? 40 years before alexander row’s film, soviet filmmakers were already filming moroskov’s film. it was released in 1924 with boris livanov in the title role. the film was directed by yuri zhelyabushsky. he wrote the script himself and stood behind the camera himself as a cameraman. it was a story about how frost meets a kind orphan in the forest and decides to help her. the film came out at a bad time. very soon there will be a new year tree in the soviet country. he was forgotten, but not by those who

were at the premiere of the film. at the first show morozka on april 9, 1924, there were many creative young people, among them nikolai erdman, he was 24 years old, he was already writing plays, he had just completed a comedy mandate, after the premiere he invited new acquaintances to his reading. both will go through arrest, exile, unemployment , both will end up as unreliable authors, will need work, sometimes, accepting an offer, solely for the sake of earning money, alexander rowe once joked about them, laughingly saying that...

because of course, this is in production director alexander arturovich row, but also in the fact that he made the scriptwriters' bet, because volpin and erdman were a union for dramaturgy, one of the best creative unions, screenwriters in our cinema, i think in the world too, but since both of them were not in honor in power, since they were both repressed at one time and were, they were banned. to get a job and it was quite difficult for them to find a job in this world in

which they existed, then a lot of them were, so to speak, offended, humiliated and thrown out, they came to a fairy tale, someone came to the union of cartoon to the animation, someone then came to movie fairy tale, someone went into children's cinema, where the hand of censorship did not reach very much, and where they somehow turned a blind eye to what was being done. everyone who read the script unanimously said that the image of morozok was copied from alexander row, strict, but fair, quick-tempered, but quick-witted, he spoke to the pre-boots, now we will silver you, everything happens in the world, and the cockerel will lay an egg, and the bug will have fun , this was his favorite saying, nikolai erdman and volpin, who wrote, mikhail volpin, who wrote this script, and in fact in this is where the characters talk.

fairy tales were written down, in fact , morozko was also in this collection, but this morozko was already less harmless than the uevsky girl. trials, she was frozen to death by frost, alexander ou appreciated russian folk origins, the son of an irish-greek mother, alexander arturovich, considered russian

folk culture unsurpassed in its originality. as a child, he and his mother were abandoned by their father, a russian national. crafts saved the family from hunger; they survived thanks to the carved toys that were used in sergiev posad little alexander was trading. let your beauty handle it herself. the director admired erdman and volpin's ability to maintain ties to folklore traditions and at the same time write original works. the creators of the film moroska enriched this plot by introducing the main character ivan into the narrative. and ivan, like nastenka, comes from...

there was a lot of frightening things in this fairy tale that are not customary to tell or show in works for children. werewolf, killing a bird for a feather, frozen forever little birds. alexander arturovich, fortunately , loved to scare, and children really love to be scared , horror stories there, i don’t know, in a pioneer camp or where children gather at the dacha, all together and at night tell each other horror stories, here it is fully present, he is master. combined filming, a very inventive, resourceful person who makes the trees come to life there, these trees, for example, come to life, which were running after ivan, they are, so to speak, well , alarming, at least, yes, this is the transformation of ivan into a bear, a bear's head - it’s very scary, and there’s a lot of what he generously scattered there, it’s a

little scary somehow, and even, it would seem, there’s nothing scary in the external video...

principle, he has a team , and he works only with this team, and here it doesn’t matter whether you play the main role, what doesn’t matter is that you’re on this team, in the previous film by alexander row, the kingdom of crooked mirrors, we’ve already seen andrei stapran, he was a gourmet boy there, tell me , we saw

the twins ulya and tanya yukin, in the kingdom of crooked mirrors they played pioneers, and now girls in the forest. he didn’t set any tasks, the tasks were purely technical, you go there, what gait will you go in, what mood will you go in, the artists had to do all this themselves, so he hated working with new actors unknown to him, if one of them he had this enterprise and had to be married, it was a scandal, it was always just grievances, he was angry like a child, screaming, kicking his legs, in general he was capricious, like a big fat boy. viewers really enjoyed meeting their favorite actors in row's films, who from film to film they became members of every soviet family. this is a distorter.

shouted into the telephone receiver: “stop burying yourself in books, look at yourself in the mirror and you will see your ivan.” come urgently to begin the fight against evil, of which there is too much at the film studio, there is no one except ivan. when the film was launched, alexander rowe did not know about any natasha sidykh , and no one knew about... the fifteen-year-old ballerina until she was shown on tv in the new year's concert with the number "the dying swan". row saw her and ordered find to watch. this was not yet

final approval for the role. at that moment it was assumed that nadezhda rumyantseva would play nastenka. true, nadezhda vasilyevna was already 35 years old, but she continued to play young girls with passion and did it perfectly. there was an artistic council. i’m ready to vote for an experienced actress, and not for a young ballerina, who, moreover, squeaked like a mouse, but alexander rowe insisted, he kept asking the make-up artists to make her look at least a year older, marfusha’s sister , i see her stockings, you’re knitting them everyone was in love, she she was so tender, so fragile, such an elegant little reed, my name is nasty, nasty. this voice of hers absolutely corresponded to her image, amazing tenderness, fragility, and it was simply impossible

not to fall in love with her. natalya sedykhna has spent her entire life remembering the removal of makeup after winter scenes, especially from eyelashes, because the icy effect was achieved with the help of office glue, which turned into stone during the shooting day, and of course, the day when these shots were filmed remained in her memory. and a miracle happened, assistant director i saw a young student and immediately understood that such a face should not be missed, but it was fantastic

, she was relaxed, she was all open, it was an open nerve, a completely open image, this is just an actress of a rare gift, an absolutely amazing generation of these, from young to at that time, she certainly clearly stood out. granddaughter of the snake gardener, whether you love it or not, you are ready to become mine, i am ready to become yours, eh?

forever love must be learned, how to learn to love, start with yourself, from the fragments of a broken dream you can create a new one, you decided, you must go and get rich, sometimes the best way to forget someone is to see them again, why is everything so crooked in life, tell me? me about my life. a fairy tale based on real events. golden. january 6 on rtr. you're looking at 100 to one. what is our task to open the entire scoreboard? can we handle it? drunk, the name

of which character from pushkin’s works everyone knows, how much is 7.8, 7.8, 7.8, how much, who is at work, speaks a lot and loudly, if you answer, then with humor, i would like to chop, not pinch , problems with water, electricity, uh, housing and communal services. not i know what else, geometry, algebra, physics, chemistry - this is a set for a headache, god forbid now beep, if you win, then hurray, 100 to one, tomorrow on rtr,

one day in the director’s office... the editor of the film studio burst in and she declared in a stern voice that she would be against folkloric liberties, as in the script by erdeman and volpin. alexander ou answered the editor: “and if this film doesn’t come out, how will you change, or will you forever remain like baba yaga in this fairy tale?” "and baba yaga sends saboteurs, this is a black cat" a pig that turns into a sleigh, such a transforming pig that knocks him down. on the right path to his bride, baba iga, for a successfully completed task, treats the pig with jellied meat, which of course is the height of cynicism and hypocrisy, well done, here's some jellied meat for you , alexander row's fairy tales could not have been done without baba egi, because the director had an actor for this role even when

there was no film in mind. talisman of fairy tales. performed by georgy milyar - this is also not the evil witch he once played in vasilisa the beautiful, not a disgusting monster, but a hermit, an old woman, with very funny phrases, modern everyday ones. oh, young people, why is her speech also decorated with some quotes from today, in general, this is a game of a game, i wanted to eat it, this game of a game, it involuntarily turns you on, that you are somehow also ready to join this carnival, this hilarious show, in which they all capture you, getting the role, milyar immediately became the inventor of the future image, it

was he who created the figure, makeup, costume... so he was looking for this image, facial expressions, you understand, but this, this is characteristic only of a great actor, to find the exact image, he was not lazy there, well , what can i say some phrase, no, he found an adequate image, no matter how many times he played the chase, and never copied the previous image, no one would mind , if

he once secured it on... he came to rowe with each new role, not just from a blank slate, but having prepared, he was looking for a character, he has all the money, and he played six of them for rowe, he has all the money were different, if you look, each has its own character, each has its own makeup, its own individuality, because their tasks are different, and here, here she is an old hermit, who, in principle, is not difficult to persuade her...

will be different from all the previous evil spirits that he played, suffer from sciatica. radiculitis was a personal problem for the sixty-year-old actor. the audience even pitied baba iga from morozok for this bastard, justifying all the old woman’s dirty tricks with this disease. georgy fransovich collected advice on successful healing of baba ega’s lower back, which he gave him at meetings after morozok’s release broadcast with the audience.

here is a stunning appearance in the cinema again after many years of absence of varvara aleksan popova, she plays a blind old woman whom the bear carries herself on her hump, she was a silent film star, she played yakov protazanov in the leading roles, she played in the vakhtangov theater starring, all of moscow knew her, they went to see her, she was a direct student. the first set of evgeny bagationovich vakhtangov, and the first popular anima and films, there were his call, the building blocks, what leonit obolensky directed, as a director, varya popova played everywhere, everyone adored her, and then she just disappeared for many

years, appears on the screen as this old woman, thank you, darling, thank you, handsome, are you laughing at me, what are you, when ... rowe discovered her, of course he called his fairy tale varvara popova, but he said, my god, my favorite actress of my youth, and he began to cast her in all his next fairy tales, the director did not just give her the role of a blind old woman who should change the plot, the actress played it exactly, touching at the same time very simple. ivan's spell is lifted by a blind old woman.

there are very few offers of this kind at

all times, actors all love to act in fairy tales, because these are always costume roles, these are always some bright characters, and it’s like a piggy bank, it’s forever, so the actors didn’t refuse alexander row, there are no precedents it was, he was in this sense a spoiled director, here is a wonderful duet, nastenka’s father pavel pavlovich pavlenko. who is silent, silent, and my mother-in-law, vera altai, natasha sedykh told me that - their duet was, of course, a film set , very interesting, all like daddy, so i’m silent, both with the gentlest character, but very different temperaments, pavlovich pavlenko was so quiet, calm, good-natured, vera altai is an eccentric, it’s always fireworks some kind of, it’s always a holiday, of course, nothing evil,

previous films. summer scenes were filmed. sometimes the preparation lasted longer. alexander rowe also had his own geography, verified not far from moscow. and the winter nature was found on the kola peninsula, not far from the city olenigorsk. alexander roux liked northern snowy landscapes with huge spruce trees. he had already filmed the winter scenes of the film “evenings on the blezdekanki farm” in those places. the first day of filming was march 13, 1964. it was the grand entrance of morozok, played by alexander khvylya. the same moroska. the character is quite strange, because

in our fairy tales, it’s negative, it’s not to say that he’s a villain, but he’s not a good-natured person , not a kind santa claus, here he was made into such a crafty old man who lives in the forest, how very funny, v in the comments on film sites, foreigners, when they watched the film, wrote that this is such a strange grandfather who lives in the forest , freezes birds and animals, kills everyone from right to left, suddenly it means he’s helping someone. “you’re angry, frosty, ruthless, but i’m not ruthless, i’m not ruthless, and i feel sorry for the little bird, the role of the owner of the winter forest determined the future fate of alexander leopoldich, he was a wonderful actor, and after the release of the film he also became a legend of the main new year holidays of the country, wimp after this picture, he became the registered father frost at the kremlin holidays, father frost." so, until the end of his days, he played this

image. there were attempts by soviet methodologists , instead of father frost, to offer children other characters at soviet christmas trees: a snowman, a snowflake, a fox, a bolshevik , a boy, bunnies, but santa claus aroused the greatest trust in children, so they cemented it. great, year, my dear ones. since the end of the twenties of the last century, santa claus was banned in our country, people who celebrated the new year year, and even worse christmas, were declared enemies, this lasted almost 10 years. the bolsheviks, when they came to power, they , in general, first abolished both new year trees and new year celebrations, as relics of the bourgeois era, but soon the bolsheviks also had children, children want a holiday, in the late thirties the good old traditions were restored and ...in fact, the image of santa claus that we know now, it just

appeared then in the late thirties. father frost was returned to soviet children shortly before war. in a fur coat of revolutionary red color , he came not only to the kremlin christmas trees, but to all kindergartens, schools, hospitals, christmas trees were even put up in prisons, in gulag camps. the trees were in the war. when the war was going on, it means that a vest was often used in the image of santa claus, that is. behind santa claus's fur coat , the vest guessed some attributes of military uniform, that is, santa claus was being modernized. hello, santa claus.

at the good end of this wonderful wonderful new year's story. the film crew brought a whole zoo with them to alenegorsk. bear, manya, cats, dogs, birds. beautiful horses from the kalinin hippodrome were specially commissioned for the fabulous trio. the film crew rented not only hotel rooms, but also a utility yard for the animals and an extension near the city bathhouse for the bear. it happened that some actor reproached rowe that...

arseny klopotovsky and the masters of the combined filming workshop, which had no equal anywhere in the world. the artists played.

the second dancing hut was made in the form of a costume from imported foam rubber, which was scarce and expensive in those years, and was worn on extras like a life-size doll. unfortunately, this is how you watch today’s animations, some fairy tales that they make, it seems to me. quite monotonous in its design, in the sense of the appearance of the characters , in some of the actions they perform, somehow this fantasy is not there, although the fantasy lies in these chests

that the author of the frost has, you know, urol, but this special effect was made exclusively... due to the talent of ina churikova, in the cold, with numb hands, she is in a basket of provisions instead of an apple she grabbed the peeled onion, you can see it on the screen, but she acted as if she was gnawing on an apple, everyone believed, and still believe, without any special processing of the frame. morozko was shown, for some reason, not on new year’s eve, in march 1965, but there were still full cinemas and spectators. happy regardless of age. this is the grand prix lion of st. mark of the children's film competition of the 17th venice film festival, kept in the moscow museum of cinema, among the main awards of the 20th century. a fairy tale is such a rare genre, it’s like an antique. fairy tales, they don’t age, they

only get better over the years, the film was shown everywhere. then there were letters, calls , well, people just didn’t understand what it was, how to leave us without

the new year’s scum, urgently return it to the air, in fact they returned it, and so it is still going on, popularity among the artists, they know our artists there, when natasha sedykh arrived there, she said that i felt like such a star who did not feel at home here in her homeland, crowds of correspondents followed her. a lot of people asking for an autograph, taking a photo, but she’s simply the number one star in the czech republic, as much as she is loved and known there. there were no masterpieces in soviet cinema that would have been released without shocks, when the work of the entire team suddenly found itself at risk. there was a problem with the film drizzle, when the film was almost completely shot, it remained to take a few routine shots in the last or penultimate shooting room. it turned out that during the day

a pipe burst in the basement where the boxes with the footage were stored. the painting was saved by its talisman, georgy milyar. on that day he was weekend, i decided to sleep longer. no matter how it was, the hostess pushed him away. georgy fransovich, having recognized the situation, was in knee-deep family shorts, and rushed to save the precious personnel.

my friends, 55 years old, abandoned the chase to shoot, did not raise my only hand betrothed to the wind, just wait for me through the rains , they will guard the ah-ah-ah clear days, the beauty of the bike.

you are watching the news on the russia channel. hello, andrey shevtsov is in the studio. they took the trenches and were able to gain a foothold there. assault on militant positions in serebryansky forestry. leopard it is also undermined and does not hold projectiles. western equipment is undermined with the help of an anti-tank. a new round of tension in the middle east after the murder of the deputy head of the hamas group, the organization stops

negotiations with israel against the lebanese authorities.