1 1 1 san sentimento 1 1 1 complimento, sacramento, sacramento, sacramento, sacramento, sacramento. pavel derevyanka, alexander samoilenko, and the famous song from the film by mark zakharov, the formula of love, it’s very nice to see alexandra markovna, zakharova, your immortal, yes dialogue, she will not come alone, she will come with the blacksmith, thank you, thank you, i’m very glad to see you here , theatrical conditional.

said that his magician from an ordinary miracle is the director.

i understand what your problem is, gentlemen, you are very boring people, and your life is like a meeting court, where you are prosecutors and judges, there is no seriousness on your face. a sign of intelligence and a trace of indifference

and laziness of the soul behind which hides the darkness of vices, sins, crimes, with a facial expression like yours, all the abominations in the world are happening, only the executioner’s ask is mean, with complacency growing wider. please, smile, everything, gentlemen, has increased so that there is good here, an extra smile will not cause harm, please, gentlemen, smile.

made noise, how do you work with him? yes, okay, we are working with him, the aptitude test has been passed,

we have severe cases, we need a team, an operating room, the stress resistance test has been passed, what's idle? you're happy, there's a new test ahead , you can't see anything yet, no one even guesses, by touch, wow, this is cool, yes, yes, why in this department does everyone do what they want, skleposovsky, on monday on rtr, and soon we are watching new episodes, an urgent meeting with the best team, what are the next tasks? i’ll tell you this separately, when the cameras are turned off, where to go and what to do? they just recommended

never reading american newspapers, fighting russia and china right away, nonsense, of course, like you devote a lot of time to the progress of a special military operation, the day all begins and ends with this, the first thing they told me is that we have a lot of them, they don’t run at helicopter port number one, we will be the first to know about it, alexander grigorievich, well, hello, let me in his guys, there are no forces that could hold him, you are probably the first here to show this, pasha, you are filming this, pasha, hello, hello, partisan, yes, you learned from this pashito, what i do, in the first person, just tell me what where is going on, at 3:30 am, of course, i always have to be in touch. moscow, the kremlin, putin, we will see again, we will show more than others. thank you very much, come again. on sunday on rtr. there is no family in russia

where its hero is not remembered. and the eyes of young soldiers. they look from photographs of the faded, this look is like the highest court, for the guys who are now growing up, and the boys cannot lie, nor deceive, nor steal the bottom of the road, on the ninetieth anniversary of the birth of vasily lunovoy, favorite film of the officers, on sunday on rtr.

he says he shows the first pavilion of mostfilm. live on the russia tv channel, an evening dedicated to the centenary. the art of toppers, and today the soundtrack to a film is the result of the collective work of composers, musicians, arrangers, and sound engineers. for many outstanding composers of the 20th century, it was film music that became the territory of creative freedom, this was recognized, for example, by the author of music for films by nikita mikhalkov, andrei konchalovsky, and of course, andrei torkovsky, eduard nikolaevich artemyev. cinema gave me complete independence, cinema was a separate art, where everything was possible, because

cinema is based on technology and everything that was new in technology was right there, electronic music immediately appeared there, rock music immediately became cinema, what it as if such an independent continent.

finalist of the blue bird 2016, ilya snevredinov, he was a charming boy back then, and you played this melody in the finals, yes, it seems to me that it has already become your signature, everyone always wants to hear you with it, eduard’s great melody nikolaevich artemyev, thank you, ilya! well, this melody helps us remember another favorite name, which is also directly connected with mass film, because nikita mikhalkov’s first full-length debut, a film of his own among strangers, a stranger among his own, was shot precisely at mass film, and this is our first revolutionary western, and speaking of

blockbuster films, films that we all remember and wait for, of course.

about the asphalt, the most important thing was that our musfilmorsk base was good, we built a lot of cars, made gorgeous jumps, unique devices, there were ideal conditions for us, they could even rehearse for vadar mosfilm, but probably the best thing i do in life is drive a car, here is my ancient toy, the car with me is one year old, we were born with it in 1941, here i am i built it for many, many years, several mostfilm films, where i starred in it myself...

which exist, but three times, which will be, bravo, a lot of summer to you, that’s why our evening is called the first 100 years, the next ones are ahead, 100 and 200 and 300, but now the picture that andrey mentioned, the crew alexandra, a suite from this film is about to play, and we can already hear the sounds.

motorcycle ball attraction - art of the moscow nikulino circus on tsvetnoy boulevard. lydia and alexey urvantsev. bravo! only kindred spirits, it seems to me, can do this and feel like this. yes, in general, masfilm is a territory of love, it is a territory where

many creative people have worked. couples, here is alfred schnittky, he wrote the music for the film crew, but he also wrote music for the films of our wonderful, famous directors, elem klimov and larisa shepitka, this is just here is such an amazing couple of people, creative, souls who fought absolutely on the same wavelength. these films are very important for the history of russian cinema. and no less impressive is the love story of these two people, two directors, and of course, this is a story that ended tragically, because it was a union of two strong characters, two strong personalities, people close to each other, and on july 2, 1979, larisa the pin broke, this story was interrupted,

it was... part of it, but it never ended, because for ilem klimov larisa is her whole life remained the most important person , the star to whom he prayed, and he finished her picture, when he showed his friends, come and see, his great film, then before that he asked them all to watch the film larisa, which he made in memory of his beloved wife . i would now like to invite you to this stage.

if the tragedy had not happened, i am sure that i would have ascended to the next stage of my creativity. she created herself, and this process continued until the end of her days. the intense life of the spirit changed her outwardly. every year...became more beautiful. the lord took her at a high point in the flight. this happens to people who are not lazy to work their souls, who thirst for spiritual creation. and it comes to them, me, improving consciousness. thinning it,

thank you, thank you, thank you, alexey, i want us to give applause to another happy creative couple who is present here at the bridge film chair svetlana druzhinina and anatoly mukasey in our hall, friends, bravo! and to the parents of director pavel lungin, whom i also know in our hall now, liliana lungino and semyon lungin, we owe the script of the film , welcome or outside entry is prohibited, ilema klimov, and of course, the translation of our beloved carlson, but now i want to talk about one more couple, and these are people whom i knew who are very, very

dear to me, like me ... to everyone in this room, they lived together for almost 50 years, left one after another last year, he looked at her through the lens of the movie camera with loving eyes, she reflected this love to all of us from the screen in her gaze, in which there was no like, unlike anything else, incomparable light. gleb pomfilov and inna churikova. their love began on the set of the film “there is no brody on fire.” soon they became husband and wife and parents of their son vanechka. he gave her his best roles and often quarreled over this. let the words of gleb anatolyevich about ina mikhailovna today on the feast of baptism become a wish for all of us to see the world through the prism of love. i don't know anything

more beautiful than her face. time is on a person’s face, but the eyes and essence do not age. this is the most profound feeling. do you understand? some believe that joan of arc is kuku, nothing like that, at the heart of her is such an extraordinary mental health and disposition towards people, towards the sun, towards the whole living world, at the heart of it is the love that she is ready to give to everyone, this made inna understand me, sometimes i was struck by some kind of causeless joy, now i know that there is an enzyme that some people have in abundance, this joy simply from life, this quality of healthy human nature,

you have me to investigate. you will never see me,

shielding you from a cold, i will think, god, the almighty, i will never see you i won't forget you. i will never see, they don’t blink, they are tracked by the wind, they are bare,

brown. in cherry, returning is a bad omen, i will never see you. and roll senseless to the heights, paraphrase,

flying from here, i will never see you. i will not see you, i will never... i will not forget you, i will never see you, i will never. i won’t,

and ildar abdrazakov, bravo, ildar, this is the premiere of this song performed by ildar abdarazakhov, especially for our evening. she was prepared by a song from the play "the juno of mark anatolyevich zakharov" to the poems of andrei voznesensky, music by alexey rybnikov, thanks to alexandra, zakharova in our hall. what can you say about the tank, white tiger? this is the white devil, the only one of his kind among the germans.

white tiger, film by karen shakhnazarov, today on rtr. we’re watching the show, you’re watching 100 to one, what’s our task, open the whole scoreboard, we can handle it. if you ask, then with a hint.

everyone knows the name of which character from pushkin’s works. what is 7.8? 7.8 7.8, how much? those who are at work talk a lot and loudly. if you answer, then with humor, i am an oak tree, i don’t cut it pluck. problems with water and light. housing and communal services, i don’t know what else, geometry, algebra, physics, chemistry - this is a set for headaches, god forbid now beep, if you win, then hurray, 100 to one, every saturday and sunday on rtr. there’s no life, you need to go to the capital

, it’s like you rushed to the mine, as if in a mine, misha is at the mine face, we look at the weekend, you’re far away , we’re going to moscow, and you’re burning bridges behind you, other people’s houses, other people’s lives, but yours it didn’t work out, i really want to look back, i can’t believe my eyes. came back or what? at all? i don’t know, i was looking for a new life, some kind of happiness, and found nothing, happiness, it turns out, is waiting for me here in our village, but is it possible to find lost happiness on sunday on rtr. even on weekends...

says massfilm shows live on the russia tv channel an evening dedicated to the centenary. the art of cinema, it feels time, it feels how times change, and cinema knows how to foresee the future. in the eighties, in our cinema it became possible to talk about those things that just recently could not even be mentioned. it was a movie of moral angst. let's remember the effigy of rolan bykov, the plum-boom

of vadim abdorashitov, the intergirl of pyotr todorovsky, the ace, sergei solovyov, you can't live like that, stanislav govorukhin, and of course.

film, but we all know that since 1998 he has been the general director, chairman of the board of the masfilm film concern, karen georgievich has always dreamed of great things, and not of a coat, it is thanks to karenn shakhnazarov that today we are in the territory of a mass film,

a film studio, and not a trade entertainment complex. thank you, karen georgievich, everyone those sitting in this room know. that thanks to you, this golden city of 35 hectares in the center of moscow, and remained a world of creativity, art , cinema, thank you, thank you, but thank you, firstly, for your wonderful - that’s how to say, hosting the evening, depending on what you are for you want to thank us, well, you understand , thank you, thank you very much, but this is not only thanks to me, but of course thanks to...

they, their, their, they know, in fact, it is impossible to make a movie without dozens of professions, such as assistants, directors, actors, cameras, second cameramen, second directors, music recording sound engineers, re-recording sound engineers, pyrotechnicians, drivers, well, this, this, this, this, if it weren’t for their support and their desire, i would be alone. that's right, i would like to congratulate everyone , i would like to congratulate the whole audience, because there are a lot of massfilm people here and those who don’t see us, i would also like to congratulate, 100 could not do anything, so this is a very long time, i don’t know how feel like a massfilm, i worked half this time, i feel half,

probably a massfilm is twice as good as myself feels, yes, here’s what else i would like to say: you correctly said that yes, massfilm, masfilm lived with its country, all these 100 years, masfilm was the history of the country, and you correctly said, massfilm participated in the great the patriotic war , thousands of massfilm members left, but i would like to remind you that 144 massfilm members died on the fields of the great patriotic war, defending our homeland, i would definitely like to say that now, by the way... three massfilm members went on a special military operation, to unfortunately one from our comrades oleg zotov. so to speak

, already last year, so masfilm lives the life of the country, actively participates in it with films, and the people who work here, they have always participated and participated in the life of the country and their affairs, so i want with all my heart. congratulate everyone - all massfilm members, wish everyone good health and let us remember those who passed, there were thousands of them, they built massfilm for these 100 years. thank you, karen georgievich, i also need to say a special thank you to karen georgievich for restoring old films at masfilm, and thanks to this work, it is expensive and complex, we have the opportunity, these are the masterpieces that we have today... and we saw, yes, to look at it in a quality worthy, yes, of the modern day, and now i would like your colleague, so i think that

you will recognize him in the first row, nikolai vladimirovich nemolyaev, just the cameraman of the film courier, who is working on the restoration, now on, and he was the second cameraman in the film by ivan pyrev, the karamazov brothers, nikolai ivanovich nemalyaev, nikolai vladimirovich nemalyaev shot a huge amount wonderful.

in 1944, during the war, my mother brought me here, the first person she met , she said, was from izrenshtera, he saw me , said, he says, this is volodin’s son, she says, yes, he says, it’s indecent to be so like your father, since then, i have been attending mass films, i wish you all that you have the same happy fate as me, because a lot depends on fate and how life turns out, here it is for me... very wonderful for me because besides that besides that

called karen, i of course should be grateful to sakharov, lyosha, with whom i shot many films, including a young peasant girl, i should also be grateful for misha kazakov, for the pokrovsky gate, which he invited me, which we made a film about love, everything - about love, because this is the most important thing, thank you, thank you very much karan georgievich, thank you, thank you, so who should i give the microphone to, it’s take the microphone with me, you can take the microphone with you, if anything, you will participate in the vision, but here’s a young man running man, trembling, worried, this is his too the first live broadcast, well... we talked about love, of course, we actually wanted tonight to be such a reverse side of the process, so that we could see these

legendary walls of mass film, in general , andrey and i also know mass film, because television programs are also filmed here, but we have never seen these walls in this image, because the first pavilion, he is also like an actor, he always turns into someone, and today we see his real true face, here ... these great walls, whom they just haven’t seen it here, well, indeed, in the 21st century, masfilm is not only a creative association, it is a huge film concert, the work of various departments of massfilm is today in almost every feature film that is released on the screens of our country.

there is a city above the blue sky. golden with

transparent gates and a bright star, in the city of tumsa there are all herbs and flowers, animals walk there, of unprecedented beauty, it’s just amazing. a yellow fire-maned lion, another vul full of eyes, with them a golden eagle of heaven, whose an unforgettable gaze in the light, one star is burning in the blue sky, it is yours, o my angel, it

is always yours, whoever loves is loved, whoever shines is holy, let the star lead you, dear to a wondrous garden, you will be met there by a black lion and the blue one... full of eyes with them is the golden eagle of heaven, whose unforgettable gaze shone so brightly ,

tina kuznetsova. and a song from the movie asa. dear friends, our concert dedicated to the centenary of masfilm is coming to its finale, and we really hope that you will remember this evening. accidentally discovered poetry boris pasternak, where there are the words “plunging into the unknown.” a creative profession is always a risk. it's always a tightrope walk . but you see, each of us is the director of our own destiny. and therefore, let's learn from great cinema from those who create it, believe in ourselves and not be afraid of anything.

the uniform doesn’t seem to be german, it must be romanians or italians, madyars, that’s all, madya , that is, look, take a look at every creature, look what he has, what’s he got here,

and where are his legs? go there and take a look.

yes si, well, what happened to you, from the program they took it off, comrade captain, they won’t come off, what won’t come off, hands, what other hands, the driver. the driver, in my opinion, he is alive, definitely alive.

from dead, he's alive, dead, alive, what difference does it make to you, friends, here, here.

and where is this, little forest, you haven’t even examined it, there’s a pulse, come on, let’s go to the tent, huh? i’ve never seen anything like this before, a ninety percent burn, and he’s alive here. he won’t live for hours, so

come here, come on, keep it straight , he won’t go through his legs,

how long have we had him for 3 weeks, a ninety percent burn, sepsis, but he’s still he’s still alive, let’s go to the dressing room, and... where did he burn it? some kind of pathology, 3 days ago there was no living place on him. what's your name fighter? last name, first name, unit number, i don’t know, allow me, then sit down, ivan

ivanovich nadenov, born in 1914, russian, non-partisan tanker. wait, wait, you said that he had no documents and he doesn’t remember anything, the accompanying field hospital note said unknown tanker, but what about his last name and patronymic, but we all call him ivan ivanovich, and his last name is found we they decided to give him there, as the accompanying note was written, found in the tank, and the year of birth of the parties.

where did he come from, who were his relatives and what happened to him? i think it would be correct to recognize him as fit for princely service? tanker? don’t you know the supreme commander’s order? i know, should tankers discharged from hospitals be sent exclusively to a tank unit?

i know, but this is a special case, a fighter without memory, to load a cannon in a tank, memory is not needed.

this tank, it was knocked out by a panther, it jumped out of an ambush, why did you decide that, it came to me told, who told, tank, this tank, look, and this one...

the tiger burned him, the same one that burned me, a white tiger, that means, a fighter, run, march, go out, eat. do you know him? i know he’s a very good mechanic , only after the hospital, he has something wrong with his memory , who knows who he’s sending to the front, he needs to go to the madhouse, not him to the front, let me light a cigarette, listen, nikolai, this is a white tigor , i also heard about him, they say it’s like some kind of ghost, it’s even nonsense, don’t listen to it anymore, everyone’s nonsense. in unserer armee werden ganze

legenden über diesen panzer erzählt in den kämpfen um.

nein, ich habe es nicht mit meinen eigenen augen gesehen, aber ein kamerad hat mir davon. erzählt, der an diesem kampf beteiligt war. gegen diesen weißen teufel seid ihr machtlos. wieso denn? ist der, weil ist der triumph deutscher geisteskraft.