it’s hard to decide to change your life forever , and what’s so difficult, you take it, change it, and we ’re strangers, you didn’t give birth to me, she doesn’t have children, now she’s just returned to her homeland, my memory hasn’t let me down, having taken the first step, she’ll go to the end, you came to the city to find your son, why were these games of love needed, why, svetlana, on saturday at the rdr lol dorazhtsy walls, big changes have come, in the new season with new renovations, with a slight movement of the hand, we are from of this room , absolutely without faces, we make three different functional zones, ideas are overflowing, we want to turn the radiator into an art object, there will be plenty of surprises and a lot of work. plans

turn into projects before our eyes, i adore plants, i’m generally a plant maniac , real stone flowers will soon bloom in the living room of our heroes, after dismantling a lot will become clear, and dreams become reality, look, let them into your home, big changes. why didn’t you leave, there’s no way i’m going to give birth under a car on the road, we’re putting together an orchestra, you can see everything for yourself, he died 3 days ago, i don’t i can, they met in besieged leningrad, why do you need this soldier, you are so lonely? karl ilyecha, what, karl ilvich

, you are young, it seems to you that this is forever, nadezhda dmitrievna, let's talk like woman to woman, you love me, you know everything yourself, you play without black keys, as if from a blank slate, in music this is the beginning of the beginning. the seventh symphony, on saturday and sunday, on rtr, those who want to stay in the know, watch the week's program, program for advanced, week's show with dmitry kiselyov, on sunday on rtr,

doesn't he know what's going on here? yeah, i won't advise you. sit, sit, sit, that means, a crowd of about 300 is coming from the wrong direction of the city, they have portraits of lenin and red banners, they want to talk with comrades from moscow. according to

information, they are coming to the city committee, that is, to us. who will let them in? there are tanks and soldiers. i think so too. but they are joined by workers from other factories; if there are more than 6-5 of them, i don’t know. what about the authorities, moscow comrade? i'm sorry, what? i called the phones, they are silent, apparently they are conferring. the crowd is more than 500, they freely climb over the tanks, the soldiers even help them, which means in half an hour, well, who will tell us what to do, oleg nikolaevich, shut up.

no, i get it, the base is at the headquarters of the tank division, and the other members of the government are goats with him.

borya, shut up, they don’t want to see us, what will we tell them, that the authorities from moscow have seen their graves.

they have lenin in their hands, they have become lazy about the soviet regime. we won’t be able to hold them back for long, get out of here, let’s go, how are we going to get out, through the window on the second floor along the fire escape stairs, it's high up there, don't worry, i'll help.

comrade, comrade, where are you going, comrade. reception, i'm there, reception, reception, i'm here , waiting for instructions, i'm in place, reception, reception, i'm a cuckoo, what are you doing here, come out immediately. i’m telling someone,

why don’t you get out of here, hurry up, don’t get up already, hurry up!

everyone should immediately leave the square, or i will order you to shoot, to withdraw all your people as soon as the first whist. no, right now , go along the wall, i’m already sick, don’t be smart, tell me why we’re sitting, no one fucking needs us here. it was not in vain that the comrades from the presidium came, nikayan kozlov, such comrades, will now

completely understand, maybe he’ll go again and try to break through to the authorities. they're shooting, where are you going?

girl, svetka , our industry has never seen such high indicators, we congratulate the advanced team on their outstanding production success and pass on this song to them, if you feel lonely, if your home... trouble happens, if fate returns from you, remember the song, entu then

rula, rula those, rula, rula, rula, rula, rula, rulate, rulate, rula those, rula, rulate, rulate, rula, la,

who shot, who shot? come on, there was no order, who fired? we didn’t shoot at people, we just shot into the air, air, corpses, corpses, i knew. you're all being court-martialed, get up, get up,

svetka is at home, she didn't call. come into the hut that has become thinner, svetka is with you, no, she spent the night with you, it’s stupid, let me through, i need to talk a hundred marks, there is no tamarka, tamarka? no , brother, take him to the hospital, and the kgb is everywhere, they will treat him for 10 years, sveta, sveta, tamarka, tamarka, you and your neighbor were together, where is she, i don’t know, we we’re just, we’re just

they stood there, and then she ran away somewhere, there was shooting, two fools got involved with a bandit.

there will be a cigarette, no, there won’t be, he’ll finish now, go out to smoke, wait.

girls, next, sit down, nadezhda kanovalova, patronymic mikhailovna, that means, nadezhda mikhailovna, i am so-and-so , working in such-and-such an organization, i undertake in no way, orally or in writing , to inform strangers about the events that took place on the second novocherkassk rostov region, qualified as...

and who are these outsiders? what are you doing? on was there a square in the crowd? was there, rocking the crowd, that’s a different matter, now don’t complain, quietly, without talking, let’s walk with us. next.

a patient arrived, asks for urgent help, last name, guys, anti-shock, marine, that’s it, stay here, no matter how scary it is, what? close your mouth, i said, and now we’ll call the police and they’ll quickly remind her of everything , they told me, i hit him with a knife, do you believe it, yes it’s true, no matter how painful it is, there will be no operation, like this world, you what, i'm afraid that i won't wake up, what if it happens even worse than now, as long as there is hope , life goes on, as it passed, why are you silent, skleposovsky, we watch on monday, on rtr, and soon we will watch new episodes, sing us, everyone is at the premiere of the new season

of the series sklifosovsky, witnesses of terrible days, in august the raids began, a 250 kg bomb fell in our yard. so, so, so, so, that means i live, that means the city lives, blockade, day 901, sunday

on rtr, this is for you, well, get some sleep, gentlemen, just a minute... attention, we have a big day today, big holiday, dashing , we haven’t seen each other for a long time, daring, white, you know, for every cool fighter he’ll find an even cooler one, you fell in love with them, but who’s good for you, your wife or your boys, don’t ask stupid questions now, he loves them until now, you are responsible for your words, i’m always... responsible for my words, a hero of my time, beauty, reppin, the whole brigade, we’re just looking at the platform, but

you can’t say that, take my mother, take my mother,

not yours, not mine, that’s good, there are no more girls there, there are two women, the rest...

men, doctor, you can go to the hospital from here, outsiders are not allowed to enter the hospital, don’t hold me back, i’m going to smoke.

how did you get here? come on, let's go! i haven’t seen her, if you find out anything, don’t call me. i’ll call myself from a payphone or come in, it would be better if she didn’t come here, those who won’t come home here will give me a gift right away , i saw people sitting at home, afraid to ask for help, lord, comrade general, i was told that there is blood on the square can’t be washed, it’s hot, the sun has made the blood stick to the asphalt, so it needs to be asphalted urgently the entire area. understood?

hello, novocherkassk okgb, your daughter, svetlana yuryevna syomina, mine, can i talk to her, where is she? and you

, as i understand it, are lyudmila danilovna seomina, so that means your daughter doesn’t have a home, no, you’re the head of the party sector, well, but you’re free, tell me, can i look at his passport, passport? you can, of course, i’ll find it now, our grandfather jokes with us, but there’s nothing wrong, everything’s fine, you’ll slam the rumal, no, thank you, during execution.

have you ever vacationed in the azov sanatorium in the past? in summer? i was resting, so i was there in the hori drinking in amateur performances, yes, i don’t remember, so that means you don’t know where she is, do you think she’s not wounded, among the victims? not found, i ran all over the city, looked everywhere, it’s nowhere, can i look at her desk, the textbooks are there, there’s a search warrant, here.

lyudmila danilovna, a decree has been issued that all information about random human casualties during the events in the city of novocherkassk. qualify as a state secret, you signed a non-disclosure agreement, no, well, tomorrow the city committee will definitely give it sign, maybe she’s hiding with someone, but the court will decide what threatens this, well... from three years as an instigator, i think, just let her appear, i ’ll bring her to you myself, let the state

re-educate her, i’ll bring her myself, believe me, yes, of course, but if you show up, let me know. but lyudmila danilovna, this is me, as an unofficial person, you know, there are criminals, and there are simply unconscious victims of provocation, they can’t imprison the entire plant, so i need to go around a few more addresses, goodbye.

and uncle timofey was killed, they killed a lot, on they threw naked carts, anyhow, some have their hands to the ground, some have their legs, uncle timofey's... shame is lifted, i went to school, but there they tell me that i am unworthy to receive an education from the soviet government,

because my father , died against them, and now i rarely go there, but i don’t worry about it, because at school there is only agitation and...

and the cossacks commit atrocities, but what could you do, you read sholokhov, everything is written, but if only your sholokhov wrote the truth, no one would have known such a sholokhov, that there was such a writer, they would have driven him where makar telad would not

chased, otherwise they would have spanked the volse, oh, how scary, you scared me, now i was scared too at the front, i saw it, i know what you ’ll tell me now, you’ve seen a lot here, of course, and this is the time of veshinskaya. one cossack , an old cossack , called our commissar “barbarian”, so they cut out his tongue, nailed him under his beard, and drove him around the courtyards until he died, so i’ll tell you, daughter, there is no god for a given, and this question. three there will be a discussion, you’d better take some vodka,

this one that i opened, i took it for the holiday, i don’t have vodka, where can i get it, but this is so, it’s bullshit, come on, let’s remember it, shall we ?

tomorrow evening everything will be ready, the touch general, the orchestras of the construction college have gathered more than 100 members for the dance, komsomol organizations have been warned, we will allow dancing until 3 in the morning, well, we hope the city ones will join in, yes.

actually, these robots have legitimate demands, we have socialism, right, so they are defending their constitutional rights, i wouldn’t stand it either, i don’t know, are you thinking now, is he taking me to... the gun, yes,

either he moved out completely, i don’t think so, but in vain, and the fact that we have socialism is also a state secret. stop,

come on, come on, hello, next, let's go. as a state secret, so in case of disclosure you will be punished to the fullest extent of the law, up to capital punishment, if everything is clear, number signature please, if

everything is clear, you understand, i need to tell you something. your daughter didn't show up? no, she’s not in the hospital, yours too, so they didn’t find her? well, there were only eight bodies in the morgue, but i saw there were more, much more, i saw them being thrown into a truck. i'm after meeting, i’ll go to the morgue again, there’s no need to go to the morgue, what do you know, you know something, there were more of them, there are no amargas and

there won’t be, local policemen were called from the region, they took all the bodies out of the city to a cemetery in different burial areas . the national academy of motion picture arts and sciences of russia presents. the main

film event and film characters of 2023. achievements of fortune, discovery and shock, everything that is worthy of an award, a solemn awards ceremony. orel, live broadcast today on rtr. i thought that here if more seriously, you sit and think, there’s no need to think here, it’s all here, to play

or not to play, yes, yes, that’s it, there can’t be two opinions, because we have five of them. this is a dangerous fairy-tale animal, when it comes to fleas, i’m out of competition, there are questions here, how everything is running, i really want to check, seriously, this is flirting, obviously, just to see, let’s go, it was supposed to be, i had in mind , of course, a bear, when such a stinking little one spoke, a hint in general, the most gambling team, if there is no 1000, zhenya will add his own, something that many people use, the strongest love for the game is the five- on-one program, i'm oops, five-on-one, on saturdays on rtr. i refused, i refused my child, how can i find him? we'll look at

the weekend. 17 years ago , a boy with a serious diagnosis was admitted to your center, is he alive or not? two operations were carried out successfully, the doctor who operated with golden hands. impossible to forget. i want to get a job at a hospital as a volunteer. and your children have experience in volunteer work, you won’t be able to run away. it's hard to decide change your life forever, why is it so difficult? you take it, change it, and we are strangers, you didn’t give birth to me, no, she has children, she just returned to her homeland, my memory didn’t let me down, having taken the first step, she will go to the end, you came to the city to find your son , why were these games of love needed, why, svetlana, on saturday on rtr. we know what is now on the scales, and what

is happening now; dmitry shestakovich’s seventh leningrad symphony has become a symbol of the steadfastness of the defenders of the besieged city. i say: we, citizens of leningrad, are not the roar of cannonades will shake. and if there are barricades tomorrow, we will not leave our barricades. residents of the besieged city showed that there is something more important and eternal than cold, hunger, fear and even their own lives. leningrad symphony on the banks of the niva. sunday on rtr. higher morality is delayed, they say they are having a showdown with

the army, a scandal, the minister of defense is stuck for the fact that the soldiers killed so many people, with the key responsibility hanging on the army , it was not the army that shot, how do you know, snipers, from the roof of our city committee or city committee gomsamala, snipers. this is the nine, nine , well, nine department of the main directorate, for the protection of the highest position, now the bureau is filled with half a cherch, can you imagine how many there were, the security officers killed people , they will pin everything on the army, well, yes, thank god this does not concern us, we have will be his victim , let’s say some kind, well, what kind, i forgot, you yourself yesterday... were lucky to shoot, well , the second secretary gave you permission, he instructed

me to write a report, i already got a call from him in the morning, he’s waiting for you to make a speech justification, is it true that i forgot, but i didn’t think i needed to write, let’s go before the bosses arrived, i found svetka, no, well, she’s hiding somewhere with friends, well, fine, let her wait it out. that’s right, let him wait, there’s no morgue, that means she’s hiding somewhere, i’ll find her later , she shouldn’t be part of the party, it’s her own fault , she’s a communist, she didn’t look after her own daughter, as he said, the salsky steppes, it’s okay, i ’ll atone, i’ll i’ll bring some benefit to my homeland, but just wait, now they’re going to turn heads, and khazulov noticed to you that if you perform as expected, they’ll forgive you. let's write quickly what write? dear comrades,

dear comrades! what did i write next? our party organization ardently supports measures against hooligan elements. did you write it? wait, well, at the end i will express my general wish that...

and no pity for those who violate the laws of socialism, you also need to write about bad educational work, they will tell you this 100 times, you need to get to the authorities, come on, even faster, does that mean? hooligan acts organized at

the electric locomotive plant have already been spoken and written about this plant. so these heroes ran with their heels sparkling, comrades, we wish we had more such workers, i must say, comrade, that our workers have worked, are working and will work to

create material wealth for building communism, comrades! the floor is given to comrade ovodov, professor of the engineering and reclamation institute.

oh, lord, help, lord, let her be alive, she’s alive, she’s alive, lord, let her be alive , she’s alive, lord, let her be alive, lyuda, lyuda, lyudochka, lyuda, are you here, lyuda, come out, lyukhu, lyukha, well, lyuda, you need it now speak up, go straight to the district police officer of the zadansky district, he is buried, he knows in which cemetery, do you have her

photograph with you? my documents, the state security committee, and you have it that we won’t get through to the state security service, what are you saying, lieutenant, you saw that you need a special pass to leave the city, follow me, and so does the citizen.

wait here, now the armies, these boots hate us, well, well, what will happen now if he is under my control. calls, then he creates nothing good for both of us, you understand, we are trying without authorization leave the city, and this, in general, is bad

, a showdown cannot be avoided, let me tell you that anti-soviet people were found in the mines, you were sent urgently, they didn’t have time to get a pass, some kind of movie, no... “it’s better to tell the truth that your daughter has disappeared, that we are going to the cemetery , you hope to identify him, he is at least a boot, but maybe he turns out to be a person, and maybe not

, he has a weapon, well, hand over the weapon, on what grounds, lieutenant, don’t press it, so, so, what do i need? to search you or something, well, stand facing the wall, hand over your weapons. follow me.

hands on the wall, a lot wider!

what did you tell them? i didn't have to do anything. they turned out to be people, they let us go, how can there be normal people in the army, they don’t like us, they do it simply and correctly, comrade, comrade,

in labor in battle, selfless crap. something pops into my head, i don’t know, comrade, comrade, in labor in battle, keep selflessness. to your homeland, where this is from the movie vesna dunaevsky, good. district police officer, yes,

get dressed, let's walk for a while, not for long. where are you taking me to the cemetery? i need to make an identification, i don’t know anything. are you in

did you go to the city to pick up corpses? i don’t know anything, tell me where they were buried? i don't know anything, i don't know anything. fool, you saw my id, you understand that i am from the authorities, you can tell me, i don’t know anything, you have children, yes, take them out, now you will tell me everything, wait, wait, you understand, my girl is missing, your daughter, you see, has disappeared, i don’t know where she is, maybe she’s there with you. i gave a subscription, we all gave, so we will all be shot, if anyone finds out, we won’t tell anyone, no one will get hurt, i understand, buried, yes, now they will shoot me, but they won’t shoot you, i won’t tell anyone, tell me, the corpses were handed over against receipt, eight, well, they brought them, they buried them , they wrapped them in maple, they buried them, where? in the tsefain

cemetery, just don’t tell anyone , show them the graves, there are other people’s graves , they buried other people’s graves, like strangers, strangers, yes, just don’t tell anyone, they chose four, which were abandoned, where there weren’t even fences, relatives, which means they don’t go, they dug up from above, they left on the coffins in these maples, they will shoot me, were you digging, were you digging? i, yes, i was digging, why are there four graves, you said eight corpses, so it’s somewhere one at a time, where it’s difficult to dig, where there are two or three, they’ll shoot me, no, we won’t tell anyone, let’s go. “like

here, yes, here, you yourself buried it, you must remember, there was a girl, a girl with pigtails, blue bows, yes, this girl was, yes, yes, she was, yes, look carefully, it’s definitely her, well.. "yes, that's right, that's right, the bows are blue, just don't tell anyone, they buried her alone, the hole was shallow, i was holding her legs, it was sticking out of the klionka, the sock was worn out, the toe stuck out, show me the grave, so they dug at night, finger, finger, it’s fresh, which, finger. that’s how they buried the nights, let me

remember, this, this, exactly, yes, exactly.

comrade captain, you're just nobody, huh?

there's a bottle in the glove compartment, whatever you want, but there are no glasses, nothing. more ああ! comrade, comrade, in labor in battle, selflessly protect your fatherland, with you, your

great soviet people, through. your name of freedom, through thunderstorms, adversity, he inexorably goes to the treasured body, as it begins, the clear sun rises, dew glistens in the grass, beautiful flowers are blooming all around, my fields and forests , my beloved country, the only one on the whole earth, standing invincible by anyone, my soviet country, and

yet it was you who shot from the rooftops at the people, trash, hung it on the army, not just pieces of paper... bitches move, do you want some advice? no, watch your language, you're already in trouble. svetka was born in 1944, i was with a nurse at the front at the very beginning of the war, in 1943 near kursk i met my love, great love, well, she killed him there in

august, but in the fall they put me on hold with my pregnancy, so i gave birth to svetka, i have him he was a hero, well... what are you saying, a hero, listen, a hero of the soviet union, he had a wife in kislovotsk, and if you don’t believe in communism, what should you believe in? then blow it all up , blow it all up to hell, blow it up all over again. oh,

my hands look like a miner's.

no, how is this so, how is this so, i don’t understand, how, well, how in other people’s graves, well, not your name, nothing, nothing, without coffins, why, i don’t understand why they hid, hid, why hidden? these people should be forgotten, we can’t talk about this at all, why can’t we, how is this what the, means this it’s a crime that people were shot as if forgotten, how can i forget this, how will i forget this, how will i come to her, where is she, how will i come to her, you can’t remember, you can’t talk, that’s why all the signatures.

we would like to bring stalin back, we can’t cope without him, dancing.

thank you, we will see you, yes, where can i get away from you? it’s a small town, people, take your passport into account for the ladies, no matter what happens, call me right away, i understand, i’ll do everything. do you believe?

what are you doing, it’s svetkina, what are you doing here, i ’m not counting, svetka, yes, where am i, on the roof, what? oh, my god, my god, my! alive, me

i knew, lord, i knew, i believe, lord, lord, lord, live, lord, live, lord, it’s me, what are you doing, everything is fine, everything is fine, everything is fine, well, well , i couldn’t call, and the phone is tapped, i would have let you down, mommy, and i would have let you down, and everyone, everyone would have been hiding, what will happen , they will put you in prison, yes, as soon as they take you away, they won’t take you anywhere, as soon as they take you away, nowhere they won’t take you away, you’ll go to virgin lands, there’s traffic everywhere, and my grandfather can’t find my passport, but you, so, here ’s your passport, here’s your passport, here it is,

here is the passport, here it is, that’s it, now we’ll do everything, now we’ll do everything , we want to eat my little man, now everything is there, everything is there, now it’s like this... mom, mom, how is this possible, how, mom, how is this possible , i don’t understand, mom, mom , hush, hush, hush, hush, hush, i don’t understand, tell me, well, well, well, well, well, well, nothing, daughter, nothing, nothing, lord, healing, healing , nothing, daughter, we will become better, we will become better, “we will become better,

save everything clear, bestie in the barefoot.” i see there are beautiful things around here, my fields, my demons, when my beloved, all over the earth, vile, there stands no one to defeat, my soviet country, comrade comrade, i sing to others. cherish your common life selflessly, peace of mind, look, the soviet people, in the name of freedom , did not offer any changes, meetings, or holets.

it will help to be slower than our youth, parted and more pubertal, you won’t find it, you won’t find it, the arrival of the mother in the land where we live, and if somewhere there is a meaning, then this means flight. davannish, davannish, servants, yours, selflessly preserve your fatherland, with you, my vilites, soviet people, my freedoms,

roses, pithodi. the soviet polish people are adamant, i am everything that we dream of, everything that we are, everything that we like, we will create, we will create, go ahead, for many years to come.

the people and the name of freedom are like roses, without ruts, and discounts.

the hosts of the ceremony are actors elena lyadova and vladimir vdavichenkov. good evening, colleagues and

friends, we are pleased to welcome you to the annual ceremony of presenting the national, professional film award "golden eagle". which, according to tradition , is taking place for the twenty-second time in the legendary first pavilion of the masfilm film concert. good evening friends. assistant to the president of the russian federation, vladimir rastislavovich midinsky. good evening, it is a great honor for me to announce the president’s greetings. russian federation participants and guests of the twenty-second ceremony of awarding the national award in the field of cinematography "golden eagle".

dear friends, i welcome you to the solemn ceremony. i would like to note that this event is special; it is taking place in the year of the centenary of the legendary mass film. here, within the walls of one of the oldest film studios in the country, the spirit of creation, bold innovation, the great traditions of... domestic cinematography were born and strengthened. it is gratifying that the current generation of artists and directors, screenwriters, carefully preserves the unique creative heritage of their predecessors. you are united by a passion for your chosen work, a sincere desire to create meaningful, interesting work that meets the strict criteria of true skill and artistic taste. i am sure that this celebration will be held in a festive atmosphere and will give kindness to everyone present. an unforgettable experience, and of course, i congratulate the laureates on their great, well-deserved success, i wish you new achievements, inspiration, all the best,

russian president vladimir putin. thank you very much, vladimir rastislavovich, and we ask you to stay on stage to present the most important prize for the history of russian and world cinema. and let's watch the video.

as far as i know, to present the golden eagle prize, an academy prize, to the head of the film studio, which is not only a real place of power for russian cinema, but is also a hospitable, welcoming home, home for all filmmakers, a home where it has found its refuge for 22 years , is developing beautifully together with massfilm, the main national... golden eagle award and karen georgievich, i guessed right, yes, we invite the stage, the general director of the mosfilm film concern, honored film director, national artist, karen georgivich shakhnazarov.

eh, thank you to the academy, indeed, for this prize, this is the main prize of russian cinema, the golden eagle, and i, of course, am very touched on my own behalf, on my own behalf. everyone i thank the studio workers for this, in fact, there are actually a lot of studio workers in the room, everyone in one way or another went through massfilm and for me, of course, this is also the case, in general, i worked for half the time, centuries, in massfilm, listen? what

have i not seen here, this is a very cheerful, beautiful studio, but i would like to say what i wish, modern mass film is radically different from the mass film that i came to 50 years ago, in the mid-seventies, it is , of course, technological very modern. v in this sense, of course, it is much superior to the studio where i started working then, but if we talk about technology. are certainly very important in modern cinema , especially since it is developing, people simply won’t watch if the picture is not made modernly, at a non-modern technical level, but of course, i remember the mid

-seventies, when i came, because it was, well an extraordinary time in terms of creative ideas, extraordinary artistic ideas were born here, i think this was the pinnacle... both of mass film and in general soviet and russian cinema, i think, while russian cinema, in my opinion, has not yet reached the level of the creative atmosphere that existed here, well , judge, i came when bondarchuk, shukshin, torkovsky, konchalovsky were working in our studio, mikhalkov, allov naumov, daneli, gaida, rezanov, ozerov. shipitka, gubenko, klimov, each of them was original in his own way, but all together they created

a great soviet style here, because soviet cinema had, of course, this is a phenomenon of soviet cinema, first of all lies in that he had his own unique style, although it was created by very different people. artists, i, of course, would dream that this would somehow return to russian cinema, and return to mass film, because after all, this is an extraordinary adrenaline, this extraordinary feeling when you live in a circle of people, radiant, glowing in general some artistic ideas, i’m not saying that they don’t exist today, you just understand, say that we have not yet found our own original style in russian cinema, even with talented artists, but that atmosphere not yet, i don’t know, maybe i’m old, you know , maybe it is, the song seems better, these grasses

are greener, i don’t know, nikita, do you think i’m right? absolutely, well, you see, by the way, we are the oldest here, probably staying with you. no, just a minute, squad, yes , sorry, sveta, sorry, sorry, sorry, but that’s how you look, listen, you’re just a young girl, i can’t say that you ’ve been working at the studio for 50 years, it’s impossible, in short saying, thank you again, thank you, by the way, to our management, we have already received telegrams from...

the film, like other film studios, is woven from the main names of our cinema: sergei bondarchuk, leonid gaida, vladimir naumov, mikhail kalatozov. gleb ponfilov, inna churikova, and we remember each of them.

thank you, but life goes on in our cinema, and you and i, as artists, volodya, i hope we will come into contact with the geniuses here. to work with them, for example, with such a legend,

a cameraman who created brilliant films with such directors as roland beykov, alexander zarkhi, eldar rezanov, and of course same, with svetlana druzhinina, here at musfilm. let's look at fragments of his work.

and the legendary cinematographer, laureate of the state prize of the soviet union, people's artist of the russian federation, anatoly mikhailovich mukasey, is invited to the stage.

you know, i’m a bit tall, so i’ll raise the microphone, thank you very much, i’m a simple soviet cameraman, i’m a simple soviet cameraman, a russian cameraman. happy to stand on this stage in pavilion number one of the massfilm film studio, which i worked for, i didn’t think so, because i have a feeling that's yesterday, but perhaps more than 60 years.

thank you, academy, i've been waiting for a long time. when the eagle finally flies to me, finally, after many years he flew to me, and what ’s surprising, right into my hands, i’m happy too, you know, at that time they showed many great people on the screen, i too communicated with them and... and there is such a wonderful, wonderful director, unfortunately, he is not there, mikhail ilyevich rom, when the students gathered, he told them, guys, never

make musical films, comedies and historical films, then he paused. he said, no one needs them except the people, in my opinion, it’s brilliant, and in my life as a cameraman in general, it’s not my lot to talk, it’s very difficult for me to talk now, i’d rather shoot something, but that’s how my life turned out , that i really worked with amazing directors, and really with the genius, i think, roland bykov, with

whom we worked for about 12 years, we shot a lot, because he was not just a brilliant actor, an amazing... director, he was also a poet and a writer, he even looked like me wrote an epigram at one time, because he was small in stature, when we walked around the studio, we looked at each other, he looked up, and i looked down, and he wrote an epigram on me, i liked it, so it’s like this, the long one is always to blame for the short one, forgive my sins, tall film brother, of course, he... it was very difficult for him to create a picture of a stuffed animal, because it was, well

, everything was difficult when we looked at the stuffed animals, leaving the cinema, and people were walking, absolutely not paying attention to the fact that raland is worth bulls, because he was very popular , no one approached him when people passed by, but...

they created, i think, they transferred their positive energy to film, now this energy comes to us from the screen, and i am happy when these pictures they have been alive for more than 50 years, i remember every frame. in life, which i was filming i am filming now. and last and last. svetlana sergeevna and i made a lot of films together. i even wonder why she invited me to all her films. because the filming process that takes place on 12 hours, it still continues for 12 hours. at home, it’s quite intense, the process is ongoing, especially at home, i always wanted to go

somewhere to a pavilion or work on location there, but we sort of succeeded, due to the fact that we are constantly working, and we shot the last film proud marines 1787 peace and... 1787 war, war, this is kinburn, this is suvorov, amazing picture, amazing, and i want, you know, that this eagle has arrived, and svetlana also has an eagle at home with us, so we now have two eagles at home, me i think the chicks will appear soon. whom we will feed, care for, cherish, and i think when they grow up a little, they will also

fly here to this pavilion to be rewarded by people who deserve it. and the last thing i want to say, the last thing i will say, and i will leave, because i would rather shoot than talk. i want to thank the academy, it’s an amazing academy, i love it very much, i want to thank karen, who turned our film studio into a fairy tale, when i pass the entrance exam for a mass film, i keep telling myself, but here i am at home and...

no, i’m late again, sweetie, please get up, and thank you very much. thank you very much, anatoly mikhailovich, congratulations , friends, last year a significant event took place not only for cinema,

but for the whole country. the film challenge was released, which gave us the first actress in history to conquer space, and the film academy could not ignore this feat, i am glad to invite my colleague, the world’s first, actress-cosmonaut yulia peresilt to this stage.

every time andrey merzlikin handed me the previous two eagles, today i didn’t see him in the hall i thought that there would be no eagle, so good, i realized, well, you know what i want to say, i am very grateful to my mother, my children. whom i loved so much that i had a serious incentive to return back, i am very grateful to my man for bringing me back from this space to ordinary life, i am very grateful to my space bro, klim shipenko, the director of this film,

klim, i i’m very glad that it was... you and i were there in that space, because i don’t know a single person so crazy who could film in space, to fly there, and who in general could survive all this, i am grateful to the team, there are not many of us today, but then i must say, here we are sitting there, where they are, where, here we are, well, the team has been called. raise your hands, well, natasha smirnova, gusev, misha, uh, without you this would not have been possible at all , we really spent 2 years in some kind of battle with ourselves, first of all, we walked this path. then, i am very grateful to our cosmonaut heroes, for their enormous real masculinity, and

thanks to them... i had the opportunity to flight to feel like a dandelion , the most beautiful girl in the world, thank you so much for this feeling, thank you to the entire space industry, just guys, hang in there, be, develop, and i wish you the strength of our industry, here is another industry, already mine, truly mine, i wish one thing, there are a huge number of people in this room who devote their lives to these four letters, i wish you not to be afraid to be pioneers in everything, every second, i wish us new forms, new ideas, new names, i don’t know, that’s it

let it be like the first time, every time for many, many years, thank you. thank you, well, let's fly, we have a third, i don't know if there will be chicks, okay, filmmakers, i love you very much, and you know what, not all industries love us, not everyone understands us, so we can only be saved in love, friend friend, thank you, thank you, julia. we remind you that the golden eagle trophies are made by a jewelry company. 80 years ago, unconquered leningrad was liberated from the terrible clutches

of the blockade. 80 years later, on this great day, the famous masters of russian culture, the brightest actors and performers, world-famous stars, will pay tribute to the memory. the fortitude and courage of leningraders, the courage and valor of heroes, liberators, requian concert for the eightieth anniversary of the complete liberation of leningrad from the fascist blockade. live broadcast from st. petersburg. on saturday on rtr. a patient has arrived and asks for urgent help. last name is breckin.

continues, how it went, why are you silent, skletosovsky, we watch on monday on rtr, and soon we will watch new episodes, there are changes in my personal life, i won’t tell you at work yet, tea manenka, manenka, how much do you need to love a person in order to take him and come to him, on what is a strong family built, the question is of course. interesting in love, what beautiful girls , i thought, he knows how to do everything, this is what a person lives for, he should have a continuation, what a good conversation is built on, trust, i

’m so contradictory, i have wisdom and cunning, my eye is burning, then there are, well, if you noticed, even two, even two, frames, when everyone is at home on sunday on rtr, a nightmare, just a nightmare, why didn’t you leave, ver there’s no way to give birth under a car on the road, we’re putting together an orchestra, you can see everything for yourself, he died 3 days ago, i can’t, they met in besieged leningrad, why do you need this soldier, you’re just like that, lonely, karl ilyich, what karl ilyecha, you are young, it seems to you that this is forever, nadezhda dmitrievna. let 's talk, woman to woman, you love me, you know everything yourself, you play without

black keys, as if from scratch, in music this is the beginning, the beginning, the seventh symphony. interfered with andrei malakhov. on sunday on rtr. friends, let's move on to the competitive part of our ceremony. and to announce the winner in the first nominations of this evening, best

short film, best animated film and best non-fiction film, we invite stage actress anna banshchikova. ok, good evening, dear friends, i, of course, am also extremely happy to be on this stage, today, especially on the eve of this grandiose anniversary, and today i had such an honor, thank you very much for this, i am presenting the first prizes of the golden eagle based on the results of the past cinematic year, and to me it seems very important that every year at this year prizes are awarded, academicians present prizes. not feature films, short films, which we all love and watch, and we always support the young guys who make them; we film them ourselves, and of course animation. films that

we all also wait for, love and have the opportunity to watch these films with our children. so, we take a look at the nominees in the best short film category. attention to the screen. here now. directed by pavel korolko. what happened to you? does not start. try, nothing, did something, and you ’re a mechanic saying, stop, director, nikita parchutov, you should remember me, what happened, got into a fight, you’re lucky that i arrived quickly, highway enthusiasts.

director fedor kravchuk defines the words love , what is love, love is the meaning of life, given to us in sensations, what love is , now we will find out, the best short film, so, the prize goes to highway enthusiasts, the prize goes to director fedor kravchuk, the film highway enthusiasts. thanks a lot. this is an incredible honor, and

i did not prepare any speech, but i want to say that you all made me very happy, thank you very much to each of you, academicians, i take this opportunity to say thank you, words of love to the people, without whom i would not be here turned out to be never, this is my family, these are my parents, my teachers, masters, the team that helped me bring this film to life, and my beautiful daria, my wonderful brother nikita and... friends who generally inspire and support me in throughout my life, here in in general, i won’t keep you for long , have a nice evening, thank you very much, we’ll definitely see you again, we’ll show you, congratulate the first winner and move on to the nomination, best animated film, cats of the hermitage, director vasily.

have you seen the carburetor? sit with me. kharms, director, svetlana andrianova. i am writing to you in response to your letter, which you are going to write to me in response to my letter, which i wrote to you. so, the best animated film,

it’s a pity, my children are not here, now next to me, i watched this cartoon, it amazing, cats of the hermitage, the prize goes to director vasily ravensky, film cats of the hermitage. thank you very much, this is a great honor, thank you to the russian academy of cinematographic arts and sciences for this wonderful prize, thank you to the cinema fund for supporting the production of our cartoon, in fact, i accept this prize on behalf of a very large team, approximately... people who are 4 years old worked

on this project, and of course, we thank, we all thank our families for... in fact, they gave us a huge energy so that we can make this cartoon. many thanks, of course , to the state hermitage for allowing us to do this project, believing in it, well, as a matter of fact, the film was seen in cinemas by 1.5 million people, it is now being released in different countries of the world, strictly speaking, of course , i think that they are very pleased that they entrusted us with such... a huge job, thank you very much, once again to everyone who helped, on my own behalf, i want to say a special thank you to my teachers, masters, without whom i simply could not to do nothing, this is, first of all, vladimir

ivanovich khotinenko, vladimir alekseevich fenchenko, my teachers in directing, alexander imanovich borodyansky, we are a teacher in screenwriting. igor sergeevich klebanov, my cinematography teacher, thank them very much, without them, of course, you and i can do little, but we have to learn. thank you! congratulations! and it's time to get acquainted with the best non-game works. film language of the era. marlen kutsyev. director. melnikov, director, marina mariaga is

the architecture of a genius, he was imprisoned in his own home. the prize goes to melnikov, the prize goes to director marina maria melnik, the film melnikov.

thank you. this is very exciting, i wanted to say right away, our last names are not connected in any way, perhaps someone has questions, this is a great honor for our entire team, and we are grateful to the award for highlighting our picture, we put our soul into it , i thank the russian cultural foundation and... studio twelfth frame represented by arseny vchinnikov and pavel razumov, who allowed us to make an original film, and of course, my team is people with whom you can walk shoulder to shoulder and know

that any project will be done, despite all the difficulties that lie ahead, i am grateful to igor sulovich for he starred in our film, it’s great... in fact, when we talked to him, he said such an important thing, he played in melnikov’s play, and he said: “marina, you know, melnikov is the architect who made his way himself, from a peasant family a man became a star on the world stage architecture, and i'm shaking a little, sorry. and my master sergei valentinovich miroshnichenko, at the beginning i just wanted to enroll in feature films, and he once told me this thing, he said that documentary films are

a chronicle of time, now we just watch films, after a while people turn around and perceive it as story, and it seems to me that this is very important today, the last thing i wanted to say is, uh, thanks to my three-year-old daughter alexandra for allowing me to edit this film. congratulations with the award, thank you very much, i also congratulate all the nominees, anechka, we thank you, thank you for helping us present the first awards, friends, and according to established tradition, throughout the ceremony we will present the contenders for the title of best feature film, in this nomination there are five films in the year and we... present the first film. jerusalem. yadvasha. israeli

state national memorial, disasters and heroism. garden of the righteous of the world and alley of the righteous of the world. founded in honor of thousands of non-jewish fighters against nazism who, according to to the dictates of his conscience he risks his own life. freedom or status, and having neither financial nor evangelical motives, they chose the path of salvation for their jewish brothers, then a slave, thank you, my name is kiselyov, you were all gathered here together to... guide you through the german rear and lead you beyond the line front, there is a difficult path ahead, there is no turning back,

can we stay with you, we have nowhere to go, we cannot return. home they will kill us there, as you rightly said, i must have lived my whole life and never knew who was a jew and who was not, i didn’t even know, i’m already i didn’t know when i was a child, when i was a child.

this is a war, this is a military operation, i am part of it.

we thank the talented skrepachas, sava evdokimov and alexey starodubov, for presenting the film “the righteous”. guys, thank you very much. and we continue the ceremony and move on to the nominations: best visual effects and best film editing. to announce the winners, we invite

the golden eagle award winner, actor kirill zaitsev, to the stage. good evening, dear colleagues, it is a great honor for me today to be here and to give an award on this stage. i would say invisible post-production heroes, these are truly amazing people, and as for the special effects, i’ll just say, as an actor, you know, we are actors, when we film in front of a green screen, then we come to

the premiere and watch a complete audiovisual work. now we get the impression, sometimes we are surprised no less than those people who actually came to watch the movie, at what we see, and these are the people, as for the workers who do special effects, it seems to me, who make the impossible possible, these are the people who make... miracles possible and to which we , of course, should be grateful, so let 's applaud, as for editing, here i would like to remember my favorite quote from the great russian director andriy arkovsky, who said that

footage can be edited from the same material. completely different films, one of them will be about love, the other about friendship, the third is completely unclear what could happen, so it seems to me that one cannot overestimate the importance, the work of the editing director, and now the nominees, let's let's look at our today's nominees, algus studio, challenge, i can hear you a thousand miles away, algus studio, master of the wind. algus

studio, snow, hike from them, from them, from them, they ’ve been drowning with us for two hours already, christmas trees, so this is norway, which you vehemently tore off, here the vikings are coming, chonic death, this is really intriguing. algas studio snows prize goes to alexey gutev, head of algus studio, supervisor and producer of visual effects for film snows.

it would seem that there is no reason to worry, there would be no reason to worry, and yet everything i couldn’t believe my eyes when three of our paintings were in the competition and were chosen by you, it’s a great honor and a surprise in general, and such different paintings, one painting is dedicated, all the paintings are dedicated to different elements, i suddenly realized, water, air , in the film the challenge is practically earth, space. i thank the lord that we have such a profession in which we can come into contact with all the elements, and experience so many amazing things, so... today i wanted, in fact, it turned out that the whole studio is a triumph, today on this stage standing next to me is my colleague sergei shtangel, who...