i have been waiting for you for so many years, waiting for the time to come, when you will return home, and bitter for me, bitter for you. my hot, my stubborn, bitter are your brawls, my hot , stubborn sea, but you didn’t think to look, you rushed off into the distance... tracing stone, as you

were, so you remain, but you are so dear to me, but you are also dear to me. pilagea, and it was a live horse, of course, our tv viewers could see it enter here through the famous gates of the first... what

pavilion? well, i want us to just not enter, not fly into this transported to the day of may 18, 1958, it was on this day that the film the cranes are flying by director mikhail kalatozov received the palme d' or at the cannes film festival. in general, the cranes are flying - this is an innovative movie in all respects, the paradoxical actions of the heroes, the

game, he played for me, he played with her, he played his cameras, movement, the addition of these two things, this is the most important thing, to open it and the most important thing in our acquaintance, because he did incredible things, someone help, help!

every time, of course, when you watch these frames, then goosebumps arise, this is absolutely, every person who made this picture and those masterpieces that we will remember today, a person, everyone is great, but cinema, we know not individual sport, but teamwork, now it’s a great joy for us to invite the person who worked on the film the cranes are flying, he is a representative of one of the most important film professions, legendary. sound engineer, honored artist of russia, igor petrovich mayorov. this episode features richard crane and his steps. usually these steps are done using noise dubbing, but here we recorded these steps on location. for me, as a sound engineer, it was, of course, important to convey the atmosphere. on the background. this is an old dance studio, in

this old dance studio my work on masfilm began, everything that we hear in the film is made up of sounds that were recorded on location, and those. the sounds that are made in a shabby cabinet, there is everything there, dishes, glasses, all sorts of rattles, there is a whole set there. massfil for me is not only the place where i generally acquired a profession, here i i acquired my family, i met my wife, she was an editor, then we had children, a son and a daughter, these are my grandchildren, they seem to continue the cinematographic profession, i hardly... could work in another profession, to work for marchfilm, this is my destiny.

bravo, i see that you have a collective farm worker's woman right on the table in your office. there is a good song that is performed talentedly by a famous, outstanding georgian actor. vakhtan kikabi, and there are such words, my years, mine, wealth, but i would for myself slightly modified the following words and added them, but they didn’t rhyme, they would

have sounded like this, my years, my wealth, my films, which... he asks him, which one is great, what kind of film can be considered great? he himself answered: this is the film when the viewer leaves the hall, and his thoughts, his feelings are on the screen,

there was such a noville tradition, when the film ends, then for the studio workers... screenings were organized, so we must give that to the audience of a must-film , these are advanced viewers after all, that’s when i later i watched the people who came out , they were concentrated, they were silent, many women and girls had tears in their eyes, this is a great film... and in any case, i ’m screaming, thank you for this film, many dozens have already passed years, and we still have tears in our eyes, our soul still remains on this screen, we still root for

veronica, we still empathize with those heroes who, thanks to you, are in the hearts of each of us, thank you, thank you ,

in 1941, almost a thousand masfilm employees refused. left the armor volunteers to the front. in the early autumn of forty-one, the evacuation of many moscow enterprises began, and on october 14 , forty-one, a train with massfilm employees with equipment, props, and costumes was sent to almaata, where a central unified film studio for feature films was created. she worked until 1944. one cannot help but recall the documentary film the defeat of the germans. troops near moscow, it was the first soviet film to receive an oscar award in 1943 for best documentary film, and

of course, the feature films that were made during the war, they gave people the strength to live and wait, wait for me, i... will come back, just wait, wait when the yellow rains make you sad, wait when the snow comes, wait when it’s hot , wait when others are not expected, having forgotten yesterday, wait when no letters arrive from distant places, wait when those who are waiting together are tired, wait for me and i will return, do not wish well to those who know by heart what to forget , let the son and mother believe that i am not there, let friends get tired of

waiting, sit by the fire, drink bitter wine, remind your souls, wait, have a drink with them, don’t rush, wait for me, and i will return to all the deaths to spite those who didn’t wait for me here, let them say, lucky, those who didn’t wait won’t understand. how in the middle of the fire, with your expectation, you saved me, how i survived, we will know, only you and i, you just knew how to wait like no one else, people's artist of russia, sergei bezrukov, we waited and we won. but understanding the war experience has become for many of our filmmakers, we make everyone’s lives ordinary fascism,

a documentary film of our outstanding directed by mikhail rom, a film with a unique author's intonation, to which mikhail ilyich, of course, had every right, since he was also a wonderful teacher who trained such masters as andrei torkovsky, vasily shukshin, andrei konchelovsky, a little later sergei solovyov, let's remember our films about the greats battles, about the fate of man. war, about heroism, love, and today we would like to invite mastfilm veterans, veterans of the great patriotic war, to this stage, these are people of amazing destiny, real heroes who also need to be filmed about movies? it is a great honor for me that gennady mikhailovich kovalev is in our hall, i will now show you a photograph. when i took part in the filming of ivan the terrible under

the direction of ezhenstein, i watched this film from beginning to end, i was still a boy, and the big world of cinema opened up for me. during the war, mostfilm was evacuated to almaty. i worked as a sanctifier, but at that time i was drafted into the army. went to kinexberg, berlin, the red star, the mosfilm order did not stop working even at such a time. like war, he produced wonderful, good films, sometimes i even dreamed about musfilm, the memory of mostfilm remained forever, i lived to be 97 years old, but one dream remained unfulfilled for me, to visit mostfilm in

moscow.