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Understanding 9/11tv Taini sledstviya-9 RUSSIA1 May 1, 2024 2:30am-3:16am MSK
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sergey larichev, news from the leningrad region. the police are opening the summer season. traffic police officers began patrolling the roads on motorcycles. state traffic inspectors of st. petersburg and the leningrad region have 20 service bikes. all with high speed characteristics. these allow you to overtake even the most daring offender on the road. in anticipation of the season, motorized platoon officers underwent additional training, improved their skills in driving official vehicles, and also underwent testing.
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was formed in 2017 successfully copes with a wide variety of tasks. let's find out the weather forecast, word from leonid petrov. hello, with the weather forecast in the studio leonid petrov. the wind will definitely subside, there will definitely be no rain, and we’ll find out in a moment what the thermometer will do on wednesday in the st. petersburg region. according to hydrometer data. on may 1, in the leningrad region , cloudy with clearings and mostly without precipitation during the day, about 11° above zero is expected in the estate field to +13 in tikhina poksvyatogorsk 10-12° warm, weather forecasters promise in volkhov, in kirishakh and gachina +14, no cooler than 11° in vyborg. there will be clouds in the sky over st. petersburg, but the day will pass without rain with moderate winds. in the northern capital during the day +12 at night. on thursday it’s already 4°
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plus and also dry, have a nice day in any weather. a visiting meeting of the council of the first was held in st. petersburg, its participants included 89 of the best activists of the all-russian youth movement of the first, one from each region of the country. the venue for the meeting was provided by the hercyn pedagogical university. the guys let me down results of activities for the first months of this year, discussed the results of twelve projects.
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themes, the holiday of spring and labor, victory day, as well as the donbass referendum of 2014, the authors are st. petersburg artists and designers, in their works there is sorrow and triumph, philanthropy and a formidable message, as a response to recent world events. the organizers set a goal to restore the once strong leningrad poster school. the st. petersburg poster school, it was one of the strongest, even in the soviet union, right? that is, laconicism, clarity.
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fishermen, commander and ignatich, an ancient almost biblical story, the enmity of two brothers, the parable of the king fish that lives in the yenisei, they have known since childhood, but only one of them is destined to meet a giant monster. no, here it is, here it is, your rubbish has come to light, here it is. and not only
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the conflict between nature and man is important here; in the siberian style of viktor ostapyev, a great many truths are veiled, and in order to put the king of fish on the theatrical stage, they must come first.
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in the narration in the scenery, for example, the main attribute of the fishermen is the boat here only a small plane, which creates a feeling of instability and fragility; during the action it changes its position dozens of times, every detail of the stage has its own symbol. huge fishing hooks are capable of not only destroying, but also pulling up, it is important in whose hands they are, according to the director’s idea, here the hooks are a symbol of a person’s spiritual struggle, and the king fish in the play is not at all... a fairy-tale character is an image of the protagonist’s conscience, and his internal struggle appears before the viewer in different guises. lord yes separate us, let this creature go free, not by hand, on me. a meeting with this creature, with
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this something, with this unlike anything else, with this grandiose king fish, is necessary so that, again, a person understands that he is not the king of nature. because nature is god. the director is confident that this performance will remind viewers that salvation of the soul is possible only through repentance and correction, and no matter what happens, it is important to preserve the person within you. victoria golchinskaya, denis smirnov and sergey larichev, lead st. petersburg. these were st. petersburg lead. all the best and see you soon. kalinon belek is a place where time stops. immerse yourself in sophistication and luxury, forgetting about time on the shores of the mediterranean sea.
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discover true excellence by making your dreams come true. hotel kalinanbe. where life turns into a fairy tale. immerse yourself in a world of luxury and comfort. vixas golf villas and suyut sharmelshey. a stunning world class golf resort surrounded by lush green fields and endless horizons. enjoy modern designed rooms and luxury villas, ideal for couples and families. relax in comfort. director tatyana leoznova had a masculine character and at the same time she always remained a genuine lady.
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when working on the film tritopol on plyushchikha, tatyana mikhailovna needed both. this was material that came from the heart, subtle, confessional. tatyana lioznova first understood the mood that she wanted to convey from the screen. already in this mood, she selected the plot, situations, faces, melody, atmosphere and people with whom she would make this film. coincidence, happy coincidence of the topics i asked the author, the director, who felt the theme and carried it out. and naturally, oleg nikolaevich efremov, who was a wonderful partner, great, we are more than such a bright social hero,
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it’s impossible to put someone next to him, well, the charm, of course, is very strong, we have a lot of beautiful girls in our village, they come for us . the peasant woman nyurkin has an enviable husband, children, a strong house, and a profitable farm. she brings surplus meat to moscow to sell. on this trip she suddenly realizes that in her life she has never had great love, passions that captivate with her head, a man who would treat her like a hero in a french movie, there was no tenderness, we convey the song tenderness, she doesn’t even know what it is, suddenly a man appeared who could give it to her. all that remained was to stretch out your hand and open the door. nyurka did not take a step towards this
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man, she could not, although she will never forget him, perhaps she will regret it all her life. i lowered it without you, tritopols on the template, and not... that was the name of the story by alexander borchagovsky, which was published in the newspaper nedelya in 1966. author i was completely unprepared for the fact that this publication would be noticed by the famous director, tatyana lioznogo. she suggested that barshchagovsky write a script based on the story. the writer faced an obvious problem in his work. the plot is about feelings that flare up between a peasant woman and a taxi driver. turned out to be too simple for a big film, but leoznova
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did not care about this particular moment at all. tatyana lioznova had one question that she didn’t even discuss over the phone, she scheduled a personal meeting, she needed to change street name. alexander borchagovsky calmly said: “change it, please, but why? on shabolovka, three poplars have been preserved, and there is a cafe called that.” lioznova replied: and there is also television on shabolovka, everyone will immediately think that our film is connected with it, but i would like to avoid this. shashablovka was connected with television, after all, cinema always retained some kind of pride of its own, so to speak, but i think that here it’s more like a rhythmic tritopolis on ivy and somehow it sounds more harmonious. in film the largest actors came together in tritopolis on klyuschikha.
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true existence with all oneself in the plot. there are partners who knock you down all the time, because suddenly, firstly, you feel that he is trying to play, and not exist, truly, not live for... a character, to portray something, then you become ashamed of him, and
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it becomes a shame to act yourself, because you lose your sincerity, and the most impactful thing on the viewer is extreme sincerity, it was more or less easy to talk about participating in the film with oleg efremov, although he was a person in demand. full of ideas, the head of the sovremennik theater, but at the same time he loved acting so much that he agreed without any conditions, he is one of the few actors in soviet cinema who always agreed to act, he loved this business, i know many actors over 60 years of working in cinema who refused , they chose, either the wife reads it or the editor. it turned out that oleg efremov
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did not know how to drive a car, and to be a taxi driver, he must look like an experienced driver behind the wheel. there was nothing left to do. oleg nikolaevich was hired as an instructor driving. and then the day came when he came to filming and had to make his first independent trip around the city. oh, there's more. efremov calmly got behind the wheel, at that moment the passenger door opened and leozna was next to him, okay, so i won’t get lost, she told him. if we crash, it will be two of us. oleg nikolaevich drove extremely carefully. lioznova did not have a goal to get tatyana doronina into the picture. she knew little about this actress. do you love theater? i want to ask, do you like theater? how i love him! george nathanson's film, the elder sister, in
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which doronina's star shone, somehow passed her by. she didn't have it. targeting this actress, in principle, she didn’t really know about daronina’s successes in the bolshoi drama theater, for example, yes, about what she plays there, what performances, that some already go to st. petersburg, to leningrad to watch the play with doronina’s participation, therefore she came among other things, well, here i am, good luck to you, anna grigorievna, in the eyes of director doronin she was just one of the possible candidates, how wonderful? the name is tenderness, like to others liozny handed the actress the text of the song tenderness, not counting on anything, the result amazed her, lezny had a preparation for the auditions, according to this preparation the actress had to sing a song in tune, how to sleep, she said, here is the song, sing it, how
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a peasant woman would sing, how much time do you need to prepare, would she encounter a star whose attention first had to be won, she generally considered herself in those years to be a type, not even of the garden ring, the boulevard, but what can you take from me, here is a peasant woman, with made up
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lips, nurka, this happened to her for the first time in her life. what is a director? lezny persuaded daronina to come to the film studio to take a photograph, but without makeup. this was the case when, based on photo tests, the decision was made not by the director and studio management, but by the actress herself. will she be filming or not? the shots
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were very natural, without any lipstick or eyeliner. yes , i liked ronin. her consent was connected not only with this, lioznova’s offer to play a village woman was unexpected and provocative, the actress thought, let viewers will see that she can be like that too. when filming began in the village located on the river, tatyana lioznova sighed and thought that now the city beauty daronin would have to teach how to wring out a rag, rinse clothes in the river, and tie a scarf. but it turned out that doronina doesn’t need any teachers. the village part of the story in the film tritopoli on ivy for the actress had personal motives, from childhood, when the whole family went to their mother’s homeland, near the chernigov village of koryukovka. little tanya was making haystacks there, she stirred up hay, milked cows, and mashed boiled
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potatoes to feed the piglets. maybe she was interested in the material of the film because... that is, what is not, not spoiled by the city, is what remains in a genuine woman. which does not represent this coquetry, everyone likes the desire, for her there are her
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children, her home, her family, there are children, milking, milking me, the actress dedicated this role to her mother, as her mother once dedicated to her children and her front-line soldier to her husband my life, how my mother existed,
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and you took me? leoznova demanded that each time the actors not only played, but always connected their souls. in the scene after
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the wedding, shalevich and doronina were supposed to play the happiness of the newlyweds. we had to wait a long time for the motor command. everything took place in the summer heat, the actors were privately angry, although they tried not to show it. having developed the film, lioznova saw that their joy was feigned. and then when they took it off. that’s it, she told me, i never show the material, but i’ll show you, let’s go, let’s see, we watch takes, he says, you see what’s being done, you laugh, but i didn’t see my eyes, how can it be, but i didn’t see, i he laughed and it was good, one day during a break tatyana doronina thought about something of her own and quietly sang, just like that, for herself, come on... the cart
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was shaking, this was the vibration that happened, but the director also had another song, the main one, the tenderness with which it all began, the one she offered actresses at auditions, one song. in general, it was very strange that there was a ready-made song, usually a song was written for a film, premiere, film, premiere of the song, but here leoznova seemed to take the opposite route. tatiana leoznova.
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literary material, then the situation, in it was under this song that lioznova first looked for a song that could sound. nowadays they shoot video clips in a similar way, telling a human story inside the composition. lioznova shot an entire movie to her favorite song.
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baronravov and his wife, composer alexandra pakhmutova, came to meet the pilots and cosmonauts. and one day they arrived in zhukovsky. and one of the pilot’s wives said, she said: you know, i ’m really the only wife here, the rest are all widows. and then dobronravov remembered that sant exuperi has a phrase “the pilot flies away, but.” doesn’t always come back, it was from this trip, from this meeting, that the song was born, when kristallinskaya recorded this song, she literally could barely restrain herself, the song had no success, after the first performance in the column hall of the house of unions, they even... applauded, the song was not
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they understood, there was routine applause, they said about the singer that she left the stage to the sound of her own steps, but maya vladimirovna still left her in her repertoire, as if i understood that this song will be heard again, i’m lucky, not every artist gets to receive such a song, i’m happy that i’m really the first performer of this beautiful song and it’s
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also very, very dear. this song is a passport to eternity. few singers manage to perform the song that will preserve them for posterity. claudia shulzhenko has such a song, it’s a blue handkerchief. vladimir troshin has such a song. these are evenings near moscow. and maya kristalinskaya has such a song. this is the song tenderness by alexandra pakhmutova. sergei grebennikov and nikolai dobronravova. maya kristallinskaya already knew about her illness, which in those years seemed incurable. the internal tragedy made the performance of the song very personal, emotional and extremely dramatic. the disease divided her life into before and after. she had to endure enormous trials associated with this
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disease. but... it was they who gave the depth that later appeared in her songs. i lowered it. lioznova was among the few who felt the song earlier than others. in her film, she wasn't even looking for a place to songs, immediately a big role. and suddenly the director’s epiphany came to her, right on the set. the entire plot was filmed from virtually one point.
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she was very eager to work, she did not think that she had a successful experience working in cinema, if you look at pakhmatova’s work, she is completely self-sufficient, there only in her youth, she had songs for films, everything else, it was obviously borrowed, but she
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already didn’t write for cinema, so to speak, but here the task was to persuade her on the basis of a song and write some kind of symphonic music, some symphonic accompaniment about moscow, the director persuaded her to come when she saw this piercing gaze on the steering wheel of oleg efremov, she will already write music, how can i live for several hours the shot
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that pakhmutova fell in love with and agreed to write music, and the shot that brought everyone soviet women to tears, too, not at all...
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efremova taking nyurka to this house turned out to be unreasonably difficult, as was often the case with taxi drivers, because her address is a few minutes from the place where the driver dropped off the uzbek grandfather. but for some reason they turn out to be in the center of moscow, they manage to drive past
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manege square, along kalinin avenue, now this is the new arbat, end up on komsomolsky avenue, stop by the horizon cinema, drive along smolenskaya embankment, only then the taxi stops near the trito cafe. a modern city, she understood that very different people lived here, and they weren’t always there, how could they be close to her, but still, this was life in this pistro, that is...
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our common misfortune, and this is you you are acting like a fool, what kind of heroine she is after this, do you even read the newspapers, read, shakes, and we shake almost every day, now this or that, if you want, you can find fault with very different things, or when heroin, the hero stands with long hair, remember, girl, what kind of grandmother are you, what kind of grandmother are you? , tatyana lioznova had to be a lot nervous in this... picture, she had enough reasons for irritation, and
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one of the main ones, according to her memories, was tatyana doronina’s serious character. the actress did not want to unconditionally obey the will of the director, the actress had to wait for a long time, the actress refused to wear approved wardrobe items. according to the scenario, nyurka, when she arrived at the railway station , bought herself ice cream. doronina thought the idea of ice cream was unnecessary. ekharonina must have wanted to leave, on the third day of shooting she came up with a reason to leave the film. mom, give me some ice cream, where is it, i put it there and a whole shift was rented, there was a train that was waiting there, they somehow got ready. well, in short, when we got to this scene, this is how all the equipment was, the filming room was set up, he suddenly said voluntarily, but you know, i don’t eat ice cream, will you eat some ice cream? come on, they say, it's sweet. otherwise he didn’t eat, but come on grigorevna, he
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doesn’t need strong teeth, such a stupor set in for the whole group, because the group began to look nalizno understand who was who, tatyana mikhailovna understood that either she was now losing doronina if she stood on on her own, on ice cream, or is losing authority, she has lost authority for some time, but there is still some left, okay, the shooting is cancelled, this tension between
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this happened after oleg nikolaevich was invited to head the moscow art theater. many people in the theater were unhappy with efremov’s policy. mkhat was divided into two parts: those who disagreed with efremov went under the leadership of doronina. over time, over the years, it became
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completely clear that the very idea of separation did not belong to him, but belonged to some people from his environment. this time, then you feel sorry for him in this situation, because he was set up, then, here we separate a wonderful actor and a wonderful partner, because we have several films, a television film, nothing can be done here, because anyway, in any circumstances...
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who can invite tatyana lioznova to their theater for a holiday. are you going to have your heart set on me for the rest of your life? take it in a good way, so as not to offend anyone, lyozny firmly decided to refuse everyone.
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although in general, of course, i didn’t want to do this. today it’s hard to believe that this simple film with a dozen characters was watched by 26 million people. thanks to the film, moscow has turned into a city where you need to come not only for money, fame, career, education, but for tenderness. and she felt warmth,
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this was unexpected, from this taxi driver it was unexpected for her, she suddenly... she discovered this surprise in herself, like some kind of miracle, and despised this happiness, and she could not do otherwise, because in this regard she is not modern, she is not easy, she may not preach morality, she exists all the time in this morality. it was common for soviet cinemas when nyurka struggled with a stubborn door, people shouted, giving her the keys from their seats. on the suitcase, on the suitcase there is a key, on the suitcase, and with an intonation almost of an order,
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